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Name of the user account (user_name ) | 'JKHBlair' |
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Page ID (page_id ) | 0 |
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Page title without namespace (page_title ) | 'Desperate Optimists' |
Full page title (page_prefixedtitle ) | 'Desperate Optimists' |
Edit protection level of the page (page_restrictions_edit ) | [] |
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Action (action ) | 'edit' |
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New content model (new_content_model ) | 'wikitext' |
Old page wikitext, before the edit (old_wikitext ) | '' |
New page wikitext, after the edit (new_wikitext ) | 'Desperate Optimists<ref>{{cite web |last1=Fitch |first1=Alex |title=Desperate Optimists and the art of the long take |url=http://readyformycloseup.blogspot.com/2006/10/tonights-show-desperate-optimists-and.html |website=Resonance FM interview |access-date=19 Aug 2021}}</ref><ref>{{cite web |last1=Mayer |first1=Sophie |title=Desperate Optimists: Power To The Public |url=https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/interviews/desperate-optimists-power-public |website=Sight and Sound |publisher=BFI}}</ref><ref>{{cite web |title=Interview: Desperate Optimists |url=https://www.raisingfilms.com/interview-desperate-optimists/ |website=Raising Films |access-date=18 Aug 2021}}</ref> is the name of the creative partnership of [[Christine Molloy]] and [[Joe Lawlor (director)|Joe Lawlor]], which also became the name of their [https://molloyandlawlor.com production company].
Under this banner Molloy and Lawlor have, since 1992, been writing, directing and producing theatre works, interactive art, short films and feature films including [[Mister John]] and [[Helen (film, 2008)|Helen]]. Often their work has strong ties to the communities they work with and their form of filmmaking has been described as 'communitarian' by film writer critic Sophie Mayer. <ref>{{cite web |last1=Mayer |first1=Sophie |title=Desperate Optimists: Power To The Public |url=https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/interviews/desperate-optimists-power-public |website=Sight and Sound |publisher=BFI}}</ref>' |
Unified diff of changes made by edit (edit_diff ) | '@@ -1,0 +1,3 @@
+Desperate Optimists<ref>{{cite web |last1=Fitch |first1=Alex |title=Desperate Optimists and the art of the long take |url=http://readyformycloseup.blogspot.com/2006/10/tonights-show-desperate-optimists-and.html |website=Resonance FM interview |access-date=19 Aug 2021}}</ref><ref>{{cite web |last1=Mayer |first1=Sophie |title=Desperate Optimists: Power To The Public |url=https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/interviews/desperate-optimists-power-public |website=Sight and Sound |publisher=BFI}}</ref><ref>{{cite web |title=Interview: Desperate Optimists |url=https://www.raisingfilms.com/interview-desperate-optimists/ |website=Raising Films |access-date=18 Aug 2021}}</ref> is the name of the creative partnership of [[Christine Molloy]] and [[Joe Lawlor (director)|Joe Lawlor]], which also became the name of their [https://molloyandlawlor.com production company].
+
+Under this banner Molloy and Lawlor have, since 1992, been writing, directing and producing theatre works, interactive art, short films and feature films including [[Mister John]] and [[Helen (film, 2008)|Helen]]. Often their work has strong ties to the communities they work with and their form of filmmaking has been described as 'communitarian' by film writer critic Sophie Mayer. <ref>{{cite web |last1=Mayer |first1=Sophie |title=Desperate Optimists: Power To The Public |url=https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/interviews/desperate-optimists-power-public |website=Sight and Sound |publisher=BFI}}</ref>
' |
New page size (new_size ) | 1519 |
Old page size (old_size ) | 0 |
Size change in edit (edit_delta ) | 1519 |
Lines added in edit (added_lines ) | [
0 => 'Desperate Optimists<ref>{{cite web |last1=Fitch |first1=Alex |title=Desperate Optimists and the art of the long take |url=http://readyformycloseup.blogspot.com/2006/10/tonights-show-desperate-optimists-and.html |website=Resonance FM interview |access-date=19 Aug 2021}}</ref><ref>{{cite web |last1=Mayer |first1=Sophie |title=Desperate Optimists: Power To The Public |url=https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/interviews/desperate-optimists-power-public |website=Sight and Sound |publisher=BFI}}</ref><ref>{{cite web |title=Interview: Desperate Optimists |url=https://www.raisingfilms.com/interview-desperate-optimists/ |website=Raising Films |access-date=18 Aug 2021}}</ref> is the name of the creative partnership of [[Christine Molloy]] and [[Joe Lawlor (director)|Joe Lawlor]], which also became the name of their [https://molloyandlawlor.com production company].',
1 => '',
2 => 'Under this banner Molloy and Lawlor have, since 1992, been writing, directing and producing theatre works, interactive art, short films and feature films including [[Mister John]] and [[Helen (film, 2008)|Helen]]. Often their work has strong ties to the communities they work with and their form of filmmaking has been described as 'communitarian' by film writer critic Sophie Mayer. <ref>{{cite web |last1=Mayer |first1=Sophie |title=Desperate Optimists: Power To The Public |url=https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/interviews/desperate-optimists-power-public |website=Sight and Sound |publisher=BFI}}</ref>'
] |
Lines removed in edit (removed_lines ) | [] |
All external links added in the edit (added_links ) | [
0 => 'https://molloyandlawlor.com',
1 => 'http://readyformycloseup.blogspot.com/2006/10/tonights-show-desperate-optimists-and.html',
2 => 'https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/interviews/desperate-optimists-power-public',
3 => 'https://www.raisingfilms.com/interview-desperate-optimists/'
] |
All external links in the new text (all_links ) | [
0 => 'https://molloyandlawlor.com',
1 => 'http://readyformycloseup.blogspot.com/2006/10/tonights-show-desperate-optimists-and.html',
2 => 'https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/interviews/desperate-optimists-power-public',
3 => 'https://www.raisingfilms.com/interview-desperate-optimists/'
] |
Links in the page, before the edit (old_links ) | [] |
Whether or not the change was made through a Tor exit node (tor_exit_node ) | false |
Unix timestamp of change (timestamp ) | 1629455864 |