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Pinocchio returns home with his father, Sebastian and Spazzatura to live together as a family. Outliving all of his loved ones, Pinocchio decides to travel the world.
Pinocchio returns home with his father, Sebastian and Spazzatura to live together as a family. Outliving all of his loved ones, Pinocchio decides to travel the world.

During the credits, Sebastian sings a song for The Black Rabbits in the afterlife that he’d been attempting to sing throughout the film, indicating on how Sebastian narrated the whole film’s events to them.


==Voice cast==
==Voice cast==

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'{{Short description|2022 film by Guillermo del Toro and Mark Gustafson}} {{About|the stop-motion animated film|the live-action remake of the 1940 Disney film|Pinocchio (2022 live-action film)}} {{Use American English|date=January 2023}} {{Use mdy dates|date=December 2022}} {{Infobox film | name = Guillermo del Toro's Pinocchio | image = Pinocchio (2022 animated film).jpg | caption = Release poster | alt = A wooden puppet stands in a doorway. In front of him is a creature resembling a Chimera. | border = no | director = {{plainlist| * [[Guillermo del Toro]] * Mark Gustafson }} | producer = {{plainlist| * Guillermo del Toro * [[Lisa Henson]] * Gary Ungar * Alex Bulkley * Corey Campodonico }} | screenplay = {{plainlist| * Guillermo del Toro * [[Patrick McHale (artist)|Patrick McHale]] }} |story = {{plainlist| * Guillermo del Toro * [[Matthew Robbins (screenwriter)|Matthew Robbins]] }} | based_on = {{based on|''[[The Adventures of Pinocchio]]''|[[Carlo Collodi]]}}<br>{{based on|Illustrations|[[Gris Grimly]]}} | starring = {{Plainlist|<!--Per end credits--> * [[Ewan McGregor]] * [[David Bradley (English actor)|David Bradley]] * Gregory Mann * [[Burn Gorman]] * [[Ron Perlman]] * [[John Turturro]] * [[Finn Wolfhard]] * [[Cate Blanchett]] * [[Tim Blake Nelson]] * [[Christoph Waltz]] * [[Tilda Swinton]] }} | music = [[Alexandre Desplat]]<ref name="Desplat"/> | cinematography = Frank Passingham | editing = {{plainlist| * [[Ken Schretzmann]] * Holly Klein }} | studio = {{plainlist| * [[Netflix Animation]] * Double Dare You<!-- Do not change this order. Per credits order. --> * [[ShadowMachine]] * [[The Jim Henson Company]] *Taller del Chucho<ref>{{cite web |url=https://www.publimetro.com.mx/mx/entretenimiento/2021/04/27/pinocchio-empieza-a-cobrar-vida-en-el-taller-del-chucho-en-guadalajara.html |title=Pinocchio empieza a cobrar vida en el Taller del Chucho en Guadalajara (Pinocchio begins to come to life at El Taller del Chucho in Guadalajara) |last=Acosta |first=Gabriel |date=April 27, 2021 |website=Publimetro |language=spanish |access-date=November 21, 2021 |quote= |archive-date=November 21, 2021 |archive-url=https://web.archive.org/web/20211121090410/https://www.publimetro.com.mx/mx/entretenimiento/2021/04/27/pinocchio-empieza-a-cobrar-vida-en-el-taller-del-chucho-en-guadalajara.html |url-status=live }}</ref> }} | distributor = [[Netflix]] | released = {{Film date|2022|10|15|[[BFI London Film Festival|BFI]]|2022|11|9|United States|2022|12|9|Netflix}} | runtime = 117 minutes<ref name="whatson.bfi.org.uk">{{Cite web |url=https://whatson.bfi.org.uk/lff/Online/default.asp?BOparam::WScontent::loadArticle::permalink=guillermodeltorospinocchio |title=Guillermo del Toro's Pinocchio at BFI London Film Festival |access-date=2022-09-01 |archive-date=2022-09-01 |archive-url=https://web.archive.org/web/20220901162432/https://whatson.bfi.org.uk/lff/Online/default.asp?BOparam::WScontent::loadArticle::permalink=guillermodeltorospinocchio |url-status=live }}</ref> | country = {{Plainlist| * United States * Mexico<ref>{{cite web |url=https://mexiconewsdaily.com/news/new-pinocchio-film-gives-jump-start-to-jalisco-animation-studio/ |title=New Pinocchio film gives jump start to Jalisco animation studio |website=mexiconewsdaily.com |access-date=January 11, 2022}}</ref> }} | language = English | budget = $35 million<ref>{{cite web|first=Zack|last=Sharf|title=Guillermo del Toro's 'Pinocchio' Isn't Dead Yet, But He Needs $35 Million to Make It|url=https://www.indiewire.com/2017/08/guillermo-del-toro-pinocchio-details-budget-1201871966/|date=August 31, 2017|website=[[IndieWire]]|access-date=January 2, 2020|archive-date=February 6, 2020|archive-url=https://web.archive.org/web/20200206131227/https://www.indiewire.com/2017/08/guillermo-del-toro-pinocchio-details-budget-1201871966/|url-status=live}}</ref> | gross = $108,967<ref>{{cite web |url=https://www.boxofficemojo.com/title/tt1488589/?ref_=bo_se_r_1 |title=Guillermo del Toro's Pinocchio |website=[[Box Office Mojo]] |access-date=January 23, 2022}}</ref> }} '''''Guillermo del Toro's Pinocchio''''' (or simply '''''Pinocchio''''') is a 2022 [[stop motion|stop-motion animated]] [[Musical film|musical]] [[dark fantasy|dark]] [[Fantasy film|fantasy]] film directed by [[Guillermo del Toro]] and Mark Gustafson, with a screenplay by del&nbsp;Toro and [[Patrick McHale (artist)|Patrick McHale]] from a story by del Toro and [[Matthew Robbins (screenwriter)|Matthew Robbins]].<ref>{{cite web | url=https://www.animationmagazine.net/streaming/netflix-animation-at-annecy-entergalactic-premiere-date-new-pics-from-pinocchio-sea-beast/ | title=Netflix Blitz at Annecy: 'Entergalactic' Date; New Pics from 'Pinocchio,' 'Sea Beast'; 'LD+R' Featurette | date=15 June 2022 | access-date=15 June 2022 | archive-date=16 June 2022 | archive-url=https://web.archive.org/web/20220616110423/https://www.animationmagazine.net/streaming/netflix-animation-at-annecy-entergalactic-premiere-date-new-pics-from-pinocchio-sea-beast/ | url-status=live }}</ref> Loosely based on the 1883 Italian novel ''[[The Adventures of Pinocchio]]'' by [[Carlo Collodi]], and strongly influenced by [[Gris Grimly]]'s illustrations for a 2002 edition of the book, it reimagines the story of [[Pinocchio]], a wooden [[puppet]] who comes to life as the son of his carver [[Geppetto]]. It is "a story of love and disobedience as Pinocchio struggles to live up to his father's expectations, learning the true meaning of life", set in [[Fascist Italy (1922–1943)|Fascist Italy]] during the [[interwar period]] and [[World War II]].<ref>{{cite tweet|user=NetflixFilm| author=Netflix Film|date=19 August 2020|number=1296111254264668160|title=Set during the rise of Fascism in Mussolini's Italy, PINOCCHIO — a musical directed by del Toro and Mark Gustafson (FANTASTIC MR. FOX) with a score by Alexandre Desplat — is a story of love and disobedience as Pinocchio struggles to live up to his father's expectations.}}</ref> The film stars the voices of Gregory Mann and [[David Bradley (English actor)|David Bradley]] as the title character and [[Geppetto]] respectively, alongside [[Ewan McGregor]], [[Burn Gorman]], [[Ron Perlman]], [[John Turturro]], [[Finn Wolfhard]], [[Cate Blanchett]], [[Tim Blake Nelson]], [[Christoph Waltz]], and [[Tilda Swinton]]. A longtime passion project for del&nbsp;Toro, who considers that no other character ever "had as deep of a personal connection to [him]" as Pinocchio, the film was originally announced in 2008 aiming for a 2013 or 2014 release. However, it went into [[development hell]]. In January 2017, McHale, creator of ''[[Over the Garden Wall]]'', was announced to co-write the screenplay, but production was suspended in November 2017 as no studios were willing to provide financing. It was revived the following year after being acquired by [[Netflix]]. The film is dedicated to the memories of del&nbsp;Toro's parents. ''Pinocchio'' premiered at the [[BFI London Film Festival]] on October 15, 2022. It was released in [[Limited theatrical release|select theaters]] on November 9, 2022, and began [[Streaming media|streaming]] on Netflix on December 9. The film received critical acclaim for its animation, visuals, music, story, emotional weight and voice acting. It received numerous accolades, including a nomination for [[Academy Award for Best Animated Feature|Best Animated Feature]] at the [[95th Academy Awards]],<ref>[https://www.youtube.com/watch?v=dhdaLnKMJHA&t=227s 95th Oscar Nominations Announcement | Hosted by Riz Ahmed & Allison Williams on official YouTube channel]</ref> three nominations at the [[80th Golden Globe Awards]], winning [[Golden Globe Award for Best Animated Feature Film|Best Animated Feature Film]],<ref>[https://m.youtube.com/watch?v=TASL0ZwXw80 Guillermo del Toro's Pinocchio Wins Best Animated Motion Picture | 2023 Golden Globe Awards on NBC - official YouTube channel]</ref> Del Toro marks the first Latino to win the category as well as becoming the first animated film for a streaming service to win,<ref name=":0">{{Cite web |title=Guillermo del Toro Makes History with 2023 Golden Globes Win |url=https://www.netflix.com/tudum/articles/guillermo-del-toro-golden-globes-win-2023 |access-date=2023-01-22 |website=Netflix Tudum |language=en}}</ref> as well as the second stop-motion animated and non-[[Computer Animation|computer animated]] film to win after ''[[Missing Link (2019 film)|Missing Link]]'' (2019). ==Plot== [[File:Guillermo del Toro's Pinocchio exhibition at Cineteca Nacional - 4.tif|thumb|Resin sculpture of Pinocchio, along with a tiny sculpture of Sebastian J. Cricket on his right hand, used in Guillermo del Toro's film. Images from the exhibition of Guillermo del Toro's ''Pinocchio''. Esplanade of the Cineteca Nacional de México, Mexico City, Mexico]] In [[Kingdom of Italy|Italy]] during [[World War I]], the carpenter [[Geppetto]], twenty years after losing his son Carlo to an [[aerial bombardment]] by [[Austro-Hungarian Aviation Troops|Austro-Hungarian forces]], cuts down a [[pine tree]], which he uses to create a wooden boy in a fit of [[Alcoholism|drunken rage]] but passes out. The [[Fairy with Turquoise Hair|Wood Sprite]] brings the puppet to life, christening him [[Pinocchio]], and assigns [[The Talking Cricket|Sebastian J. Cricket]] to guide him as his conscience, promising Sebastian a wish in exchange. Geppetto wakes up to a living Pinocchio, but becomes terrified and fed up with his antics, resulting on the village [[Podestà#Facist era|Podestà]] ordering Geppetto to send Pinocchio to school. On his way, Pinocchio is intercepted by showman [[Mangiafuoco|Count Volpe]] and his monkey Spazzatura, who bring Pinocchio to their circus. However, Geppetto arrives to take Pinocchio back, ensuing a confrontation between him and Volpe that ends with Pinocchio being fatally hit by a truck. In the afterlife, he meets the Wood Sprite's sister [[Death (personification)|Death]] who explains to Pinocchio he is immortal and revives him when a hourglass empties, cautioning him that the more he dies, the more time he will spend in the afterlife. After returning to the mortal realm and having a heated argument with Geppetto, Pinocchio decides to earn money for Geppetto by performing in the circus as well as to avoid being conscripted into the [[Royal Italian Army during World War II]] by the Podestà. In an attempt to reinstate himself as the circus star, a jealous Spazzatura reveals to Pinocchio that Volpe is conning him out of the money he falsely promised to send to his father. Hearing this, Volpe viciously beats Spazzatura, upsetting Pinocchio, who tries to defend him. During a performance, in order to sabotage Volpe, Pinocchio sings a ridiculing song aimed at [[Benito Mussolini]], who orders Pinocchio be executed and the circus burned. Once revived, Pinocchio finds himself being taken by the Podestà to a [[Military recruit training|boot camp]], where other boys are trained to fight in the war. Pinocchio befriends the Podestà's son [[Candlewick (character)|Candlewick]] who is scared of disappointing his father. After a training game between two teams led by Pinocchio and Candlewick ends in a tie, the Podestà orders Candlewick to shoot Pinocchio. Candlewick refuses and finally stands up to his father. The training camp is then bombed by Allied aircraft, killing the Podestà, while Candlewick and the other boys flee. Pinocchio is captured by Volpe, who tries to [[Death by burning|burn him to death]] as revenge for ruining his career. Spazzatura defends Pinocchio, resulting in Volpe falling off a cliff to his death alongside Pinocchio and Spazzatura during a struggle with the monkey. Despite Spazzatura saving Pinocchio from drowning, both are swallowed by a [[The Terrible Dogfish|giant dogfish]]. Inside the monster's belly, Pinocchio and Spazzatura find Geppetto and Sebastian, who were also swallowed during their search for Pinocchio. Thanks to an idea by Sebastian, Pinocchio lies to make his nose grow into a large branch, thus forming a bridge leading out of the monster's blowhole. Making their escape as the monster attempts to eat them again, Pinocchio sacrifices himself by detonating a [[naval mine]] inside the monster, killing them both. Upon meeting Death again, Pinocchio demands to be sent back early to save Geppetto from drowning. Death warns him that doing so will make him mortal, but Pinocchio breaks the hourglass to return, and ends up drowning while saving his father. The Wood Sprite reappears to a mourning Geppetto and Sebastian uses his wish to make her revive Pinocchio. Pinocchio returns home with his father, Sebastian and Spazzatura to live together as a family. Outliving all of his loved ones, Pinocchio decides to travel the world. ==Voice cast== * Gregory Mann as: ** [[Pinocchio]], an exuberant and rowdy living wooden [[puppet]].<ref name="Breznican" /> ** Carlo, Geppetto's deceased son who was killed in a [[bombing raid]]. He is named after [[Carlo Collodi]], author of the original book. * [[Ewan McGregor]] as [[Talking Cricket|Sebastian J. Cricket]], a traveling [[Cricket (insect)|cricket]] and the [[narration|narrator]] of the story, who lives inside Pinocchio as his guide and conscience.<ref name="Breznican">{{cite magazine |last=Breznican |first=Anthony |date=14 June 2022 |title=Guillermo del Toro's Pinocchio Carves a New Path: An Exclusive First Look |url=https://www.vanityfair.com/hollywood/2022/06/guillermo-del-toro-pinocchio-first-look/ |magazine=Vanity Fair |access-date=14 June 2022 |archive-date=14 June 2022 |archive-url=https://web.archive.org/web/20220614150851/https://www.vanityfair.com/hollywood/2022/06/guillermo-del-toro-pinocchio-first-look |url-status=live }}</ref> * [[David Bradley (English actor)|David Bradley]] as Master [[Geppetto]], Pinocchio's father, a heartbroken Italian woodcarver grieving his deceased son Carlo.<ref name="Breznican"/> * [[Christoph Waltz]] as Count Volpe, a conniving and cruel former aristocrat-turned-[[Puppeteer|puppet master]], [[con artist]], and [[Ringmaster (circus)|ringmaster]] living in destitution. His name means "fox" in Italian and he is a combination of [[The Fox and the Cat|the Fox]], [[Mangiafuoco]], and the Ringmaster from the original Pinocchio story.<ref name="Breznican"/> * [[Tilda Swinton]] as: ** The [[Fairy with Turquoise Hair|Wood Sprite]], a wise magical fairy who gives Pinocchio life.<ref>{{cite web | url=https://netflixqueue.com/guillermo-del-toro-pinocchio | title=Guillermo del Toro's Pinocchio Puts a Fantastical Spin on a Classic Tale }}</ref> Her appearance is a humanoid with eight wings that have eyes on them and a feathered snake-like tail. ** [[Death (personification)|Death]], the Wood Sprite's sister who oversees the afterlife. Her appearance is a [[Chimera (mythology)|Chimera]] with the face of a human, the horns of a [[African buffalo|cape buffalo]] with eyes on them, the lower horns of a [[Jacob sheep]], the body of a [[lion]], the wings of an [[eagle]] with eyes on them, and a two-headed [[snake]]-like tail. * [[Cate Blanchett]] as Spazzatura, Count Volpe's mistreated [[monkey]] assistant.<ref name="Breznican" /> His name means "trash" or "garbage" in Italian and he is the film's counterpart of [[The Fox and the Cat|the Cat]] from the original Pinocchio story. Spazzatura can only speak through the puppets he operates. * [[Ron Perlman]] as the [[Podestà#Fascist era|Podestà]], a strict [[Italian fascism|fascist]] government official who turns Pinocchio into a soldier.<ref name="Breznican" /> He is the film's counterpart of [[the Coachman]] from the original story. * [[Finn Wolfhard]] as [[Candlewick (character)|Candlewick]], the Podestà's son, who bullies Pinocchio before befriending him.<ref name="Breznican" /> * [[Burn Gorman]] as the Priest, a [[Catholic Church in Italy|Roman Catholic]] priest at Geppetto's village who’s also his former client. * [[John Turturro]] as the Dottore, a doctor at Geppetto's village who examines Pinocchio. * [[Tim Blake Nelson]] as the Black Rabbits, a flock of black rabbits with skeletal bodies who work for Death. They are based on the Undertaker Rabbits from the original story. * [[Tom Kenny]] as: ** [[Benito Mussolini]], [[Il Duce|the leader]] of [[Fascist Italy (1922–1943)|Fascist Italy]]. ** Benito Mussolini's right-hand man ** A [[sea captain]] with a hook for a hand and a peg leg who tells Geppetto and Sebastian about the [[The Terrible Dogfish|Dogfish]]. ==Production== ===Development=== [[File:Guillermo del Toro by Gage Skidmore 3.jpg|thumb|upright|[[Guillermo del Toro]] conceived initial ideas for his own ''Pinocchio'' adaptation in 2003 and has been working on the film since 2008]] In 2008, [[Guillermo del Toro]] announced that his next project, a darker adaptation of the Italian novel ''[[The Adventures of Pinocchio]]'', was in development.<ref>{{cite web|url=http://www.slashfilm.com/guillermo-del-toros-next-film-to-be-horror-also-producing-stop-motion-pinocchio-and-horror-anthology-tv-series/|title=Guillermo del Toro's Next Film to be Horror; Also Producing Stop-Motion Pinocchio and Horror Anthology TV Series - /Film |work=Slashfilm |first=Russ |last=Fischer |date=23 July 2010 }}</ref> He has called ''Pinocchio'' his "passion project", stating: "No art form has influenced my life and my work more than animation, and no single character in history has had as deep of a personal connection to me as Pinocchio", and "I've wanted to make this movie for as long as I can remember".<ref>{{cite web |url= https://artchive.ru/it/news/3675~Longawaited_Pinocchio_by_Guillermo_del_Toro_will_finally_become_a_movie_at_Netflix |title= Long-awaited 'Pinocchio' by Guillermo del Toro will finally become a movie at Netflix |website= artchive.ru |date= 31 October 2018 |access-date= 14 July 2020 |archive-date= 15 July 2020 |archive-url=https://web.archive.org/web/20200715061840/https://artchive.ru/it/news/3675~Longawaited_Pinocchio_by_Guillermo_del_Toro_will_finally_become_a_movie_at_Netflix |url-status= live }}</ref> When he was a child, del Toro saw and liked [[Walt Disney]]'s [[Pinocchio (1940 film)|1940 animated film adaptation]] in [[Guadalajara]], Mexico, partially because he felt it like a "[[horror movie]]" in its own way due to a few intense moments it included. Since his teen years, he had longed to make his own version of the story. In 2003, del Toro discovered [[Gris Grimly]]'s illustrations for the 2002 edition of [[Carlo Collodi]]'s book, portraying Pinocchio as a puppet with a long, pointed nose and spindly limbs, with gestures that del Toro felt captured the energy of an unruly but otherwise goodhearted puppet. He concluded that Grimly's illustrations reflected the setting he had in mind for his own, more somber version of Collodi's tale.<ref name="McIntyre">{{cite web|first=Gina|last=McIntyre|title=Guillermo del Toro's Pinocchio|url=https://netflixqueue.com/guillermo-del-toro-pinocchio|date=August 16, 2022|website=Netflix Queue|access-date=December 8, 2022|archive-date=August 24, 2022|archive-url=https://web.archive.org/web/20220824153147/https://netflixqueue.com/guillermo-del-toro-pinocchio|url-status=live}}</ref> On February 17, 2011, it was announced that Grimly and Mark Gustafson would co-direct a [[stop motion|stop-motion animated]] ''Pinocchio'' film written by del Toro and his long-time collaborator [[Matthew Robbins (screenwriter)|Matthew Robbins]], and that it would be visually based by Grimly's designs. Del Toro would produce the film along with [[The Jim Henson Company]] and [[Pathé]].<ref name="Fleming">{{cite web|first=Mike Jr.|last=Fleming|title=Guillermo Del Toro Starting Stop-Motion 'Pinocchio' Feature With Henson And Pathe|url=https://deadline.com/2011/02/guillermo-del-toro-starting-stop-motion-pinocchio-feature-with-henson-and-pathe-107195/|date=February 17, 2011|website=[[Deadline Hollywood]]|access-date=October 19, 2019|archive-date=February 23, 2021|archive-url=https://web.archive.org/web/20210223225815/https://deadline.com/2011/02/guillermo-del-toro-starting-stop-motion-pinocchio-feature-with-henson-and-pathe-107195/|url-status=live}}</ref> Grimly devised Pinocchio's look for the film, depicting him as unfinished wood.<ref name="Breznican" /> Though Grimly was initially set to direct the film and del Toro was set to produce it,<ref name="McIntyre" /> on May 17, 2012, del Toro took over as director.<ref>{{cite web|first=Justin|last=Kroll|title=Del Toro to helm 'Pinocchio' for Jim Henson Co.|url=https://variety.com/2012/film/news/del-toro-to-helm-pinocchio-for-jim-henson-co-1118053758/|date=May 17, 2012|website=[[Variety (magazine)|Variety]]|access-date=October 19, 2019|archive-date=June 8, 2019|archive-url=https://web.archive.org/web/20190608194109/https://variety.com/2012/film/news/del-toro-to-helm-pinocchio-for-jim-henson-co-1118053758/|url-status=live}}</ref> He then teamed up with Gustafson, a stop-motion veteran who had experience in similar stop-motion features like ''[[Fantastic Mr. Fox (film)|Fantastic Mr. Fox]]'' (2009), to assist him in achieving his ambitious vision for the project.<ref name="McIntyre" /> In February 2012, del Toro released some concept art of [[Pinocchio]], [[Geppetto]], the [[Talking Cricket]], [[Mangiafuoco]], and [[the Fox and the Cat]].<ref>{{cite web |url=https://collider.com/guillermo-del-toro-pinocchio-images/ |title=New Artwork from Guillermo del Toro's Stop-Motion Animated PINOCCHIO |website=Collider |first= Adam |last= Chitwood |date=7 June 2012 }}</ref> On July 30, 2012, it was announced that the film would be produced and animated by [[ShadowMachine]]. It was originally scheduled to be released in 2013 or 2014,<ref name=ScreenRant>{{cite web |url= https://screenrant.com/guillermo-del-toro-direct-pinocchio-movie/amp/ |title= Guillermo del Toro to Co-Direct 3D Stop-Motion 'Pinocchio' Flick |first= Sandy |last= Schaefer |date= 10 May 2012 |website= [[ScreenRant]] |access-date= 14 March 2021 |archive-date= 9 July 2021 |archive-url= https://web.archive.org/web/20210709182507/https://screenrant.com/guillermo-del-toro-direct-pinocchio-movie/amp/ |url-status= live }}</ref> but went into [[development hell]], with no further information forthcoming about it for years. On January 23, 2017, ''[[Over the Garden Wall]]'' (2014) creator [[Patrick McHale (artist)|Patrick McHale]] was announced to co-write the script with del Toro.<ref>{{cite web|first=Dave|last=Trumbore|title=Guillermo del Toro's Stop-Motion Movie 'Pinocchio' Adds 'Over the Garden Wall' Creator|url=https://collider.com/guillermo-del-toro-pinocchio-patrick-mchale/|date=January 23, 2017|website=[[Collider (website)|Collider]]|access-date=October 19, 2019|archive-date=October 19, 2017|archive-url=https://web.archive.org/web/20171019124204/http://collider.com/guillermo-del-toro-pinocchio-patrick-mchale|url-status=live}}</ref> On August 31, 2017, del Toro told [[IndieWire]] at the [[74th Venice International Film Festival]] that the film would need a budget increase of $35 million or it would be cancelled.<ref>{{cite web|first=Zack|last=Sharf|title=Guillermo del Toro's 'Pinocchio' Isn't Dead Yet, But He Needs $35 Million to Make It|url=https://www.indiewire.com/2017/08/guillermo-del-toro-pinocchio-details-budget-1201871966/|date=August 31, 2017|website=IndieWire|access-date=November 25, 2019|archive-date=February 6, 2020|archive-url=https://web.archive.org/web/20200206131227/https://www.indiewire.com/2017/08/guillermo-del-toro-pinocchio-details-budget-1201871966/|url-status=live}}</ref> On November 8, 2017, he reported that the project was not happening because no studios were willing to finance it.<ref>{{cite web|url=https://screenrant.com/guillermo-del-toro-pinocchio-canceled/|title=Guillermo del Toro's Pinocchio Movie Is 'Not Happening'|work=[[Screen Rant]]|date=November 8, 2017|access-date=November 11, 2017|archive-url=https://web.archive.org/web/20171111152338/https://screenrant.com/guillermo-del-toro-pinocchio-canceled/#|archive-date=2017-11-11|url-status=live}}</ref> At one point, Matthew Robbins considered making a 2D-animated version of the film with French artist [[Joann Sfar]] to bring the costs down, but del Toro decided that it had to be stop-motion, even if the higher budget made it harder to get it [[Green-light|greenlit]].<ref>{{Cite web |url=https://www.syfy.com/syfywire/guillermo-del-toro-pinocchio-matthew-robbins-exclusive |title=Guillermo del Toro's Pinocchio 'as far as you can get' from Disney version, says one of film's writers - Syfy Wire |date=October 27, 2020 |access-date=2020-10-27 |archive-date=2021-05-11 |archive-url=https://web.archive.org/web/20210511043531/https://www.syfy.com/syfywire/guillermo-del-toro-pinocchio-matthew-robbins-exclusive |url-status=live }}</ref> On October 22, 2018, it was announced that the film had been revived, with [[Netflix]] acquiring it, and Pathé no longer involved.<ref>{{cite web|first=Brent|last=Lang|title=Guillermo del Toro Directing 'Pinocchio' for Netflix|url=https://variety.com/2018/film/news/guillermo-del-toro-pinocchio-netflix-1202987621/|date=October 22, 2018|website=Variety|access-date=October 19, 2019|archive-date=September 27, 2019|archive-url=https://web.archive.org/web/20190927104414/https://variety.com/2018/film/news/guillermo-del-toro-pinocchio-netflix-1202987621/|url-status=live}}</ref> Almost all the years of development were spent by del Toro and Gustafson defining the designs for the principal characters, basing them on either Grimsly's designs or letting del Toro's frequent collaborator [[Guy Davis (comics)|Guy Davis]], who joined the project as co-production designer with ''[[The Boxtrolls]]'' (2014) and ''[[Isle of Dogs (film)|Isle of Dogs]]'' (2018) art director Curt Enderle, to design them. They then gave the animation models to England's Mackinnon & Saunders stop-motion puppet firm, which is considered by del Toro to be the "best in the world", and they fabricated the designs of Pinocchio, Gepetto, Sebastian J. Cricket, Count Volpe, and Spazzatura the Monkey.<ref name="McIntyre" /> The antagonist Count Volpe is a combination of Mangiafuoco and the Fox from the original story. Mangiafuoco was originally supposed to appear in the movie as an antagonist, but he was removed halfway through production as del Toro disliked the character and thought he was a [[cliché]]; as a character model had already been made for Mangiafuoco, to not waste the model, Mangiafuoco's original design was used as a background character for Volpe's circus as a strongman.<ref>{{cite book |url=https://screenrant.com/guillermo-del-toro-pinocchio-villain-production-change/ |title= Pinocchio's Main Villain Was Changed Halfway Through Production|website=ScreenRant |first=Jerome |last=Casio |date=12 December 2022 }}</ref><ref name="NetflixMakingOf">''Guillermo del Toro's Pinocchio: Handcarved Cinema'' (2022)</ref> The Cat, who was shown in a concept art, was replaced by Spazzatura, while the [[Land of Toys]] was replaced with an Italian kids training camp.<ref>{{cite web |url=https://screenrant.com/guillermo-del-toro-pinocchio-disney-toyland-scene-change/ |title= Del Toro's Pinocchio Removes The Scariest Disney Scene (& Makes It Worse!)|website=ScreenRant |first=Robert |last=Pitman }}</ref> ===Writing=== {{quote box | width = 33% | align = left | quote = To me, it's essential to counter the idea that you have to change into a flesh-and-blood child to be a real human. All you need to be human is to really behave like one, you know? I have never believed that transformation [should] be demanded to gain love. | source = – Guillermo del Toro's thoughts on the film's core idea<ref name="Breznican" /> }} Guillermo del Toro was intrigued by similarities between Collodi's ''The Adventures of Pinocchio'' and [[Mary Shelley]]'s ''[[Frankenstein]]''. Both tell of a childlike figure, brought to life and thrown into the world by a father figure who expects him to discover, on his own, the qualities that make us human, such as love and the capacity to distinguish between right and wrong. These themes reminded del Toro of his childhood. ''Frankenstein'' partly inspired del Toro to give his ''Pinocchio'' a [[Gothic fiction|gothic]] direction, but the film was still crafted to be family friendly. He sought to make connections across generations, and convey compassion, a value del Toro feels is essential for children faced with the tremendous complexity of today's world.<ref name="Breznican" /> In del Toro's ''Pinocchio'', the wood used to construct the puppet is carved from a tree that grows over the grave of Carlo, Gepetto's son. Pinocchio's arrival provides his grief-blinded father another opportunity for fatherhood. However, Pinocchio is rowdy, exuberant, and wild, in contrast to the well-behaved and docile Carlo. The characterization of Sebastian J. Cricket, the talking cricket, is also changed. Sebastian somewhat ponderously takes on the role of Pinocchio's conscience. His self-importance annoys Pinocchio, causing him to escape Sebastian's supervision. The cricket comes to see that Pinocchio must discover certain things for himself, such as love, humility, and how to behave. As in the original book, Sebastian is "killed" a number of times over the duration of the film, but always comes back in order to fulfill his [[character arc]].<ref name="Breznican" /> Del Toro did not wish to overly rely upon magical creatures in the film. Desiring more realism, he eliminated the Fox, the Cat, and the Land of Toys. Also, del Toro created Count Volpe, as an homage to, and an amalgamation of, the Fox and Mangiafuoco. In the donkey subplot, [[the Coachman]] is replaced by the [[Podestà]], a [[Italian fascism|fascist]] official who, realizing that Pinocchio cannot be killed, strives to recruit him into [[Royal Italian Army|Italy's military]]. [[Candlewick (character)|Candlewick]] is changed into a bully who eventually redeems himself.<ref name="Breznican" /> Most versions of the story take place in a [[fairy tale]] environment. Del Toro's film resituates the story in [[Fascist Italy (1922–1943)|Fascist Italy]] between [[World War I]] and [[World War II]], during the rise of [[Benito Mussolini]]. Pinocchio thus awakens in a society of people who behave like obedient puppets. By contrast, Pinocchio is independent and irrepressible.<ref name="Breznican" /> He cannot bring himself to abide by the rules or submit to authority figures, even when he encounters Mussolini himself, and then the spirit of [[Death (personification)|Death]], in [[limbo]]. Gustafson was drawn to this characterization of Pinocchio, newly born, arriving in the world fresh and unaware of consequences. Over the course of the narrative, Pinocchio awakens to his latent humanity, and in the end chooses to become mortal in order to save the life of Gepetto.<ref name="McIntyre" /> Del Toro chose to move away the original book's apparent agenda, which seemed to seek to repress the spirits of children. It seemed to encourage blind obedience, to parents and other authority figures. He saw the development of Pinocchio's autonomy as a virtue. Del Toro's film is oriented around self discovery and moral agency. Del Toro's sought to explore aspects of father-son relationships, such as Gepetto's initial inability to accept Pinocchio as his own being, more than just Carlo's replacement. Gepetto struggles with guilt about the disruptiveness of the "freakish monster" that the town rejects initially.<ref name="Breznican" /> Some themes of this work may seen in previous works such as ''[[The Devil's Backbone]]'' (2001), ''[[Pan's Labyrinth]]'' (2006), and ''[[The Shape of Water]]'' (2017). These three films also explore the humanity of those, like Pinocchio, who are perceived as different.<ref name="McIntyre" /> Most previous renditions of this story feature the necessity of physical transmutation from wooden puppet to flesh and blood. Del Toro explicitly rejects this concept, that Pinocchio must physically change in order to be loved by his father and find happiness. The film asserts that the essence of humanity lies in the feelings of interiority and the expressions of exteriority, especially as behavior.<ref name="Breznican" /> Pinocchio is therefore unconcerned with whether or not he turns into a "real boy". The basis of the transformation is instead Geppetto's journey to accepting and loving Pinocchio for who he is. In the end, he loves him as fiercely as he did Carlo. This reminded del Toro of his relationship with his father Federico.<ref name="McIntyre" /> ===Casting=== {{Multiple image | perrow = 3 | total_width = 300 | image1 = Ewan McGregor Cannes 2012.jpg | width1 = 600 | height1 = 720 | image2 = David Bradley by Gage Skidmore 2.jpg | width2 = 600 | height2 = 700 | image3 = Tilda Swinton Viennale 2018.jpg | width3 = 600 | height3 = 720 | image4 = Ron Perlman 2022 (cropped).jpg | width4 = 600 | height4 = 720 | image5 = Cate Blanchett Cannes 2018 2 (cropped).jpg | width5 = 600 | height5 = 700 | image6 = Christoph Waltz Viennale 2017 f (cropped).jpg | width6 = 600 | height6 = 720 | footer = Several of the actors, such as [[Ewan McGregor]], [[David Bradley (English actor)|David Bradley]], [[Tilda Swinton]], [[Ron Perlman]], [[Cate Blanchett]] and [[Christoph Waltz]], were cast in diverse roles, either as characters from the original story such as the [[Talking Cricket]] and [[Geppetto]] or new characters such as the ''[[Podestà]]'', Spazzatura and Count Volpe. }} In assembling the film's voice cast, del Toro and Gustafson selected multiple [[Academy Award]] winners and gifted performers with past creative ties with the former.<ref name="McIntyre" /> [[Daniel Radcliffe]], [[Tom Waits]] and [[Christopher Walken]] were originally considered to star in the film. Waits was reportedly considered to voice Geppetto and del Toro was reported by ''[[/Film]]'' to be floating up casting Walken as the Fox, though he was also considering [[Donald Sutherland]] for that part. Radcliffe would later instead remain as executive producer of the film.<ref>{{cite web|url=https://www.slashfilm.com/guillermo-del-toro-approached-daniel-radcliffe-tom-waits-christopher-walken-pinocchio/|title=Guillermo Del Toro Approached by Daniel Radcliffe, Wants Tom Waits and Christopher Walken for 'Pinocchio'|date=May 18, 2012|access-date=April 30, 2020|archive-date=July 9, 2021|archive-url=https://web.archive.org/web/20210709181810/https://www.slashfilm.com/guillermo-del-toro-approached-daniel-radcliffe-tom-waits-christopher-walken-pinocchio/|url-status=live}}</ref> Early on during the film's development, del Toro first approached [[John Hurt]], with whom he had worked on ''[[Hellboy (2004 film)|Hellboy]]'' (2004) and ''[[Hellboy II: The Golden Army]]'' (2008), to voice Gepetto, but Hurt eventually died in 2017 long before any recordings for the film could begin.<ref>{{cite web|url=https://culturaimpaciente.com/cine/10-curiosidades-sobre-pinocchio-de-guillermo-del-toro|title=10 curiosidades sobre ''Pinocchio'' de Guillermo del Toro|date=December 19, 2022|access-date=December 22, 2022|archive-date=|archive-url=|url-status=}}</ref> On January 31, 2020, it was announced [[Ron Perlman]], [[Tilda Swinton]], [[Ewan McGregor]], [[Christoph Waltz]] and [[David Bradley (English actor)|David Bradley]] had joined the cast of the film.<ref name="Casting">{{cite web|url=https://naekranie.pl/artykuly/david-bradley-nie-chcialem-byc-znany-jedynie-jako-facet-z-harryego-pottera-wywiad|title=David Bradley: Nie chciałem być znany jedynie jako facet z Harry'ego Pottera [WYWIAD]|date=January 31, 2020|access-date=January 31, 2020|archive-date=January 31, 2020|archive-url=https://web.archive.org/web/20200131201828/https://naekranie.pl/artykuly/david-bradley-nie-chcialem-byc-znany-jedynie-jako-facet-z-harryego-pottera-wywiad|url-status=live}}</ref> Bradley was chiefly cast due to his previous collaborations with del Toro on the television shows ''[[The Strain (TV series)|The Strain]]'' and ''[[Trollhunters: Tales of Arcadia]]''. He felt his role as Geppetto was a "real emotion rollercoaster" of a part, feeling it to resemble more ''[[King Lear]]'' than the ''Pinocchio'' story he had heard as a child.<ref name="McIntyre" /> Perlman was originally cast to voice Mangiafuoco, but once del Toro decided to remove the character in favor of Count Volpe, Perlman was recast as the ''Podestà'' while Waltz was cast as Volpe, who del Toro regards as the film's closest character to the [[Devil]], a more over-the-top character than the Fox and the Cat and a comically evil man who seems like taken out from the cartoonish and fantastical tone of the original book.<ref name="NetflixMakingOf" /> On August 19, 2020, Gregory Mann, [[Cate Blanchett]], [[Tim Blake Nelson]], [[Finn Wolfhard]], [[John Turturro]] and [[Burn Gorman]] were added to the cast.<ref>{{cite web|url=https://www.deadline.com/2020/08/guillermo-del-toro-netflix-pinocchio-movie-cate-blanchett-ewan-mcgregor-tilda-swinton-more-round-out-cast-1203017507/|title=Cate Blanchett, Ewan McGregor, Tilda Swinton & More Round Out Cast For Guillermo del Toro Netflix 'Pinocchio' Movie|website=Deadline Hollywood|first=Anthony|last=D’Alessandro|date=August 19, 2020|access-date=August 19, 2020|archive-date=August 19, 2020|archive-url=https://web.archive.org/web/20200819163433/https://deadline.com/2020/08/guillermo-del-toro-netflix-pinocchio-movie-cate-blanchett-ewan-mcgregor-tilda-swinton-more-round-out-cast-1203017507/|url-status=live}}</ref> For Pinocchio, del Toro sought a child actor who sounded like an ordinary young boy instead of a cute one, which led him to cast Mann due to his phenomenal vocal range that made him sound like a natural child, yet one absolutely emotional.<ref name="McIntyre" /> Mann's vocal performance as the title character gave him a "silly and sunny" personality who longs to learn about the world and meet everyone, but given how he was created with the wood of the tree next to Carlo's grave, his roots are somewhat sad.<ref name="Breznican" /> Wolfhard is not particularly fond of voice acting due to feeling himself not as proficient as professional voice actors but felt relaxed enough due to being able to record some of his lines as Candlewick together with Mann, as he felt that he performs voice acting better with people around instead of alone in a recording booth, crediting del Toro and Gustafson for allowing him that.<ref>{{cite web |url=https://screenrant.com/pinocchio-finn-wolfhard-gregory-mann-interview/ |title=Pinocchio's Finn Wolfhard & Gregory Mann On Working With Guillermo Del Toro |website=ScreenRant |first=Tatiana |last=Hullender }}</ref> Blanchett approached del Toro about joining the film as they worked together on ''[[Nightmare Alley (2021 film)|Nightmare Alley]]'' (2021); he told her that all roles had already been cast minus that of Spazzatura the Monkey, which Blanchett gladly accepted as long as she could re-team with del Toro. She also suggested that the monkey was her spirit animal as del Toro prepared to commence production of ''Pinocchio'' to ensure her casting. For the role, Blanchett performed the voice-over shot-by-shot instead of making different emotion sounds to be edited later on like it is usually done in other productions.<ref>{{cite web|url=https://www.moviemaker.com/cate-blanchett-monkey-pinocchio-spirit-animal-guillermo-del-toro/|title=Cate Blanchett Voices the Monkey in Guillermo del Toro's Pinocchio, and She Calls It Her Spirit Animal|website=MovieMaker|first=Margeaux|last=Sippell|date=November 18, 2022|access-date=December 22, 2022|archive-date=|archive-url=|url-status=}}</ref> ===Filming=== Filming commenced at the [[Portland, Oregon]] offices of ShadowMachine by January 31, 2020.<ref name="McIntyre" /><ref name="Casting" /> Production continued through early Summer 2022, with some select sequences being handled by del Toro's own Centro Internacional de Animación (CIA) local studio, settled on [[Guadalajara, Mexico]] since 2019 to foster local talent from Mexico. All sets, props and character costumes were crafted to the same historial and realistic standards del Toro's live-action work has often contained, hence the production's decision to not overly stylize buildings through methods like stylizing them in a curvy, stretched and leaning way, leading to a mix of stop-motion and live-action styles that support the film's themes. Animators were also encouraged to achieve [[Naturalism (philosophy)|naturalistic]] performances from the puppets by making them "commit mistakes" like itching, sneezing or looking away if embarrassed or scared in order to shoot the characters thinking and listening, traits not usually shot in animation.<ref name="McIntyre" /> For Count Volpe's carnival, Davis and Enderle drew from the reference material library collected for del Toro's previous film ''Nightmare Alley'', which prominently starred a 1930s carnival and in which Davis had previously worked as a concept artist, even though that film's carnival was one settled in the [[American Midwest]] rather than in [[Europe]], so despite the great overlap between American and European carnivals, the filmmakers developed looks for both carnivals that were similarly downtrodden and threadbare. Some ''Nightmare Alley'' early shots featuring [[Bradley Cooper]]'s Stanton Carlisle arriving at the carnival inspired the sequence that establishes Volpe's carnival.<ref>''Guillermo del Toro's Pinocchio: A Timeless Tale Told Anew''</ref> The afterlife sequences and the end credits scene were animated by studio El Taller de Chucho in Guadalajara, [[Mexico]].<ref>{{cite web|url=https://elpais.com/mexico/2022-11-24/dentro-del-taller-de-animacion-donde-pinocho-cobro-vida-en-mexico.html|title=Dentro del taller de animación donde 'Pinocho' cobró vida en México|website=El País|first=Constanza|last=Lambertucci|date=November 24, 2022|access-date=November 28, 2022}}</ref> ===Visual effects=== The film's production quality was formed through the ornate detail of the sets and characters with their own textures in order to reinterpret Collodi's work in a way that differed from the [[The Walt Disney Company|Disney]] animated version. Del Toro told ''[[Vanity Fair (magazine)|Vanity Fair]]'': "I have been very vocal about my admiration and my great, great love for Disney all my life, but that is an impulse that actually makes me move away from that version. I think it is a pinnacle of [[Walt Disney Animation Studios|Disney animation]]. It’s done in the most beautiful, [[Traditional animation|hand-drawn 2D animation]]".<ref name="Breznican" /> He saw as "beautiful" the idea of using puppets to create a movie about a puppet, while pushing the boundaries of stop-motion as much as possible to create a "heartfelt" movie any audience could watch.<ref name="McIntyre" /> [[Moving Picture Company]] worked on the visual effects, with Bot VFX and Mist VFX. ===Music=== {{main|Pinocchio (Soundtrack from the Netflix Film)}} On January 8, 2020, [[Alexandre Desplat]] started composing the film's score and original songs.<ref name="Desplat">{{cite web|title=Alexandre Desplat to Reteam with Guillermo del Toro on Netflix Animated Movie 'Pinocchio'|url=http://filmmusicreporter.com/2020/01/08/alexandre-desplat-to-reteam-with-guillermo-del-toro-on-netflix-animated-movie-pinocchio/|date=January 8, 2020|website=Film Music Reporter|access-date=January 8, 2020|archive-date=February 7, 2020|archive-url=https://web.archive.org/web/20200207041945/http://filmmusicreporter.com/2020/01/08/alexandre-desplat-to-reteam-with-guillermo-del-toro-on-netflix-animated-movie-pinocchio/|url-status=live}}</ref> It is Desplat's and del Toro's second collaboration, after ''The Shape of Water''.<ref name="Desplat"/> Roeban Katz was the [[lyricist]].<ref name="McIntyre" /> On August 23, 2012, [[Nick Cave]] was attached to compose the score, but he was replaced by Desplat eight years later.<ref>{{cite web|first=Christina|last=Radish|title=Screenwriter/Composer Nick Cave Talks LAWLESS, Transitioning into Screenwriting, Guillermo del Toro's PINOCCHIO, THE THREEPENNY OPERA, and More|url=https://collider.com/nick-cave-lawless-pinocchio-interview/|date=August 23, 2012|website=Collider|access-date=October 19, 2019|archive-date=July 14, 2020|archive-url=https://web.archive.org/web/20200714000320/https://collider.com/nick-cave-lawless-pinocchio-interview/|url-status=live}}</ref> ==Release== In November 2018, Netflix set the film's release date for 2021.<ref>{{cite web |last=Trumbore |first=Dave |date=November 6, 2018 |title=Netflix Sets Guillermo del Toro's 'Pinocchio' and Henry Selick's 'Wendell & Wild' for 2021 |url=https://collider.com/guillermo-del-toro-pinocchio-release-date/ |url-status=live |archive-url=https://web.archive.org/web/20181106231721/https://collider.com/guillermo-del-toro-pinocchio-release-date/ |archive-date=November 6, 2018 |access-date=October 19, 2019 |website=Collider}}</ref> In January 2021, Netflix CEO [[Ted Sarandos]] revealed that the release could be moved to 2022 or later, with Netflix's notion of releasing six animated films a year.<ref>{{cite web |last=De Wit |first=Alex |date=January 14, 2021 |title=Netflix Unveils 2021 Animated Film Slate, Including Sony Pictures Animation's 'Wish Dragon' And Two Aardman Specials |url=https://www.cartoonbrew.com/streaming/netflix-unveils-2021-animated-film-slate-including-sony-pictures-animations-wish-dragon-and-two-aardman-specials-200798.html |url-status=live |archive-url=https://web.archive.org/web/20210429151215/https://www.cartoonbrew.com/streaming/netflix-unveils-2021-animated-film-slate-including-sony-pictures-animations-wish-dragon-and-two-aardman-specials-200798.html |archive-date=April 29, 2021 |access-date=February 11, 2021 |website=[[Cartoon Brew]]}}</ref> In December 2021, del Toro stated it will be released in the last quarter of 2022.<ref>{{cite web |last=Mancuso |first=Vinnie |date=December 1, 2021 |title=Exclusive: Guillermo del Toro Offers Update on His 'Frankenstein'-Inspired 'Pinocchio', Reveals Release Window |url=https://collider.com/guillermo-del-toro-pinocchio-release-window-comments/ |url-status=live |archive-url=https://web.archive.org/web/20211202062158/https://collider.com/guillermo-del-toro-pinocchio-release-window-comments/ |archive-date=December 2, 2021 |access-date=December 2, 2021 |website=[[Collider (website)|Collider]]}}</ref> In January and July 2022, with the release of the film's first teaser, it was announced for a December release.<ref>{{cite web |last=Sharf |first=Zack |date=January 24, 2022 |title=Guillermo del Toro's 'Pinocchio' Debuts First Stop-Motion Footage, Netflix Sets December Release |url=https://variety.com/2022/film/news/pinocchio-guillermo-del-toro-netflix-trailer-1235161455/ |url-status=live |archive-url=https://web.archive.org/web/20220301093744/https://variety.com/2022/film/news/pinocchio-guillermo-del-toro-netflix-trailer-1235161455/ |archive-date=March 1, 2022 |access-date=January 24, 2022 |website=Variety}}</ref> ''Pinocchio'' premiered at the [[BFI London Film Festival]] on October 15, 2022.<ref>{{cite web |url=https://www.hollywoodreporter.com/movies/movie-news/lff-2022-pinocchio-guillermo-del-toro-1235209277/ |title=Guillermo Del Toro's 'Pinocchio' to Get London Film Festival World Premiere |website=[[The Hollywood Reporter]] |last=Szalai |first=Georg |date=August 31, 2022 |access-date=August 31, 2022 |archive-date=August 31, 2022 |archive-url=https://web.archive.org/web/20220831095037/https://www.hollywoodreporter.com/movies/movie-news/lff-2022-pinocchio-guillermo-del-toro-1235209277/ |url-status=live }}</ref><ref name="whatson.bfi.org.uk">{{Cite web |url=https://whatson.bfi.org.uk/lff/Online/default.asp?BOparam::WScontent::loadArticle::permalink=guillermodeltorospinocchio |title=Guillermo del Toro's Pinocchio at BFI London Film Festival |access-date=2022-09-01 |archive-date=2022-09-01 |archive-url=https://web.archive.org/web/20220901162432/https://whatson.bfi.org.uk/lff/Online/default.asp?BOparam::WScontent::loadArticle::permalink=guillermodeltorospinocchio |url-status=live }}</ref> It debuted in the United States at the 2022 [[AFI Fest]] on November 5, 2022.<ref>{{cite web | url=https://deadline.com/2022/09/afi-fest-2022-red-carpet-movies-list-lineup-1235122945/ | title=AFI Fest Adds 'Bardo', 'The Son', 'She Said', 'Guillermo del Toro's Pinocchio', More to Red Carpet Lineup | date=20 September 2022 }}</ref> It was released in select cinemas on November 9, 2022, and began streaming on Netflix on December 9, 2022.<ref>{{Cite web |url=https://www.hollywoodreporter.com/movies/movie-news/guillermo-del-toro-pinocchio-trailer-netflix-1235187122/ |title='Guillermo del Toro's Pinocchio' Teaser Trailer Drops |website=[[The Hollywood Reporter]] |date=July 27, 2022 |access-date=2022-07-28 |archive-date=2022-07-28 |archive-url=https://web.archive.org/web/20220728210202/https://www.hollywoodreporter.com/movies/movie-news/guillermo-del-toro-pinocchio-trailer-netflix-1235187122/ |url-status=live }}</ref><ref>{{cite tweet|number=1590373657766944768|title=People are sometimes afraid of things they don’t know… Academy Award® winning filmmaker Guillermo del Toro's Pinocchio is now playing in select theaters and on Netflix December 9|user=netflix|author=Netflix|author-link=Netflix|date=November 9, 2022|access-date=November 10, 2022}}</ref> One of the theatres scheduled to show the film on November 11, 2022, was the [[TIFF Bell Lightbox]] in [[Toronto]], [[Ontario]].<ref>{{cite web|url=https://www.tiff.net/events/pinocchio|title=Guillermo del Toro's Pinocchio|date=November 2, 2022|website=[[TIFF]].net|access-date=November 2, 2022}}</ref> In the case of Mexico, the director's country, [[Cinemex]] movie theater chain —one of the largest exhibitors suspended the screenings that were scheduled, causing protests by Del Toro, who wants most of the people in his country to see the film. In response, on November 25, the filmmaker made a call on his Twitter account to show the film in independent theaters throughout the country, and some thirty independent theaters and clubs joined the call to show the film, including the country's [[Cineteca Nacional]], where an exhibition of the figures used in the film was also set up in its central courtyard.<ref>{{Cite web |last= |first= |date=November 25, 2022 |title=Guillermo del Toro proyectará Pinocho gratis tras cancelación de Cinemex |trans-title=Guillermo del Toro to screen Pinocchio for free after Cinemex cancellation |url=https://www.milenio.com/espectaculos/cine/guillermo-toro-proyectara-pinocho-gratis-cancelacion-cinemex |access-date=2022-12-25 |website=Grupo Milenio |language=es-MX}}</ref> On December 18 it was announced that on December 30 a massive screening will be held in Mexico City's main square, the [[Zócalo]].<ref>{{Cite web |date=2022-12-21 |title=Cuándo van a proyectar Pinocho de Guillermo del Toro en el Zócalo |trans-title=When will Guillermo del Toro's Pinocchio be screened at the Zócalo? |url=https://www.eluniversal.com.mx/destinos/cuando-van-proyectar-pinocho-de-guillermo-del-toro-en-el-zocalo |access-date=2022-12-25 |website=El Universal |language=es}}</ref> The event was attended by 10 thousand people.<ref>{{Cite web |date=2022-12-31 |title=Así fue la noche en la que "Pinocho", de Guillermo del Toro, llegó al Zócalo |trans-title=This was the night that Guillermo del Toro's "Pinocchio" came to the Zócalo |url=https://www.eluniversal.com.mx/espectaculos/asi-fue-la-noche-en-la-que-pinocho-de-guillermo-del-toro-llego-al-zocalo |access-date=2022-12-31 |website=El Universal |language=es}}</ref> From December 4, 2022, through January 4, 2023, the film played at the [[Museum of Modern Art]] in New York City in the Debra and Leon Black Family Film Center.<ref>{{Cite web |title=MoMA Presents: Guillermo del Toro's Pinocchio {{!}} MoMA |url=https://www.moma.org/calendar/film/5524 |access-date=2022-12-31 |website=The Museum of Modern Art |language=en}}</ref> This coincided with a multi-floor exhibition at the MoMa called "Guillermo Del Toro: Crafting Pinocchio", which runs through April 15, 2023 and showcases various aspects of the film's inspiration and production.<ref>{{Cite web |title=Guillermo del Toro: Crafting Pinocchio {{!}} MoMA |url=https://www.moma.org/calendar/exhibitions/5504 |access-date=2022-12-31 |website=The Museum of Modern Art |language=en}}</ref> ==Reception== ===Critical response=== {{Rotten Tomatoes prose|97|8.3|269|''Guillermo del Toro's Pinocchio'' delivers fully on its title – which is to say it's a visually stunning adaptation that embraces its source material's darkness.|ref=yes|access-date=December 22, 2022}} {{Metacritic film prose|79|49|ref=yes|access-date=December 21, 2022}} ===Accolades=== In response to his Golden Globe for Best Animated Feature win, Del Toro recalled in his acceptance speech: “Animation is cinema”, after the condemnation of the [[94th Academy Awards]] and [[Bob Chapek]]'s comments by calling "Animation is a genre for kids" and “Our fans and audiences put their kids to bed at night after watching ''[[Pinocchio (1940 film)|Pinocchio]]'', ''[[Dumbo]]'' or ''[[The Little Mermaid (1989 film)|The Little Mermaid]]'', then they’re probably not going to tune in to another animated movie, they want something for them.”.<ref>{{Cite web |last=Shrishty |date=2022-10-27 |title=Disney CEO Bob Chapek Thinks Adults Don't Want to Watch Animated Movies |url=https://collider.com/disney-animated-movies-bob-chapek-comments/ |access-date=2023-01-22 |website=Collider |language=en}}</ref><ref name=":0" /> {| class="wikitable sortable plainrowheaders" style="width: 100%;" |- ! scope="col" style="width:20%;"| Award ! scope="col" style="width:15%;"| Date of ceremony ! scope="col" style="width:25%;"| Category ! scope="col" style="width:35%;"| Recipient(s) ! scope="col" style="width:5%;"| Result ! scope="col" style="width:5%;" class="unsortable" | {{Ref heading}} |- ! rowspan="3" scope="row" | [[Hollywood Music in Media Awards]] | rowspan="3"|[[13th Hollywood Music in Media Awards|November 16, 2022]] | [[Hollywood Music in Media Award for Best Original Score in an Animated Film|Best Original Score in an Animated Film]] | [[Alexandre Desplat]] | {{won}} | rowspan="3" align="center"|<ref>{{Cite web |last=Anderson |first=Erik |date=November 17, 2022 |title=Rihanna, Billy Eichner, ''Elvis'', ''Guillermo del Toro's Pinocchio'' top Hollywood Music in Media Awards (HMMA) winners |url=https://awardswatch.com/rihanna-billy-eichner-elvis-guillermo-del-toros-pinocchio-top-hollywood-music-in-media-awards-hmma-winners/ |url-status=live |archive-url=https://web.archive.org/web/20221118021728/https://awardswatch.com/rihanna-billy-eichner-elvis-guillermo-del-toros-pinocchio-top-hollywood-music-in-media-awards-hmma-winners/ |archive-date=November 18, 2022 |access-date=November 18, 2022 |website=AwardsWatch}}</ref> |- | [[Hollywood Music in Media Award for Best Original Song in an Animated Film|Best Original Song in an Animated Film]] | [[Alexandre Desplat]], Roeben Katz, and [[Guillermo del Toro]] ("Ciao Papa") | {{won}} |- | Music Themed Film, Biopic or Musical | rowspan="3"|''Pinocchio'' | {{nom}} |- ! scope="row" | [[Los Angeles Film Critics Association Awards]] | [[2022 Los Angeles Film Critics Association Awards|December 11, 2022]] | [[Los Angeles Film Critics Association Award for Best Animated Film|Best Animated Film]] | {{won}} | align="center"|<ref>{{Cite web |last=Davis |first=Clayton |date=December 11, 2022 |title=''Tár'' and ''Everything Everywhere All at Once'' Tie for Best Picture at Los Angeles Film Critics Awards |url=https://variety.com/2022/awards/awards/los-angeles-film-critics-lafca-2022-winners-list-1235456657/ |url-status=live |archive-url=https://web.archive.org/web/20221212003502/https://variety.com/2022/awards/awards/los-angeles-film-critics-lafca-2022-winners-list-1235456657/ |archive-date=December 12, 2022 |access-date=December 14, 2022 |website=[[Variety (magazine)|Variety]]}}</ref> |- ! rowspan="5" scope="row" | [[Washington D.C. Area Film Critics Association Awards]] | rowspan="5"|[[Washington D.C. Area Film Critics Association Awards 2022|December 12, 2022]] | [[Washington D.C. Area Film Critics Association Award for Best Animated Feature|Best Animated Feature]] | {{Won}} | rowspan="5" align="center"|<ref>{{Cite web |last=Anderson |first=Erik |date=December 10, 2022 |title=Washington DC Film Critics nominations: ''Everything Everywhere All At Once'', ''The Fabelmans'' lead |url=https://awardswatch.com/washington-dc-film-critics-nominations-everything-everywhere-all-at-once-the-fabelmans-lead/ |url-status=live |archive-url=https://web.archive.org/web/20221211060427/https://awardswatch.com/washington-dc-film-critics-nominations-everything-everywhere-all-at-once-the-fabelmans-lead/ |archive-date=December 10, 2022 |access-date=December 11, 2022 |website=AwardsWatch}}</ref> |- | [[Washington D.C. Area Film Critics Association Award for Best Adapted Screenplay|Best Adapted Screenplay]] | [[Patrick McHale (artist)|Patrick McHale]] and Guillermo del Toro | {{Nominated}} |- | [[Washington D.C. Area Film Critics Association Award for Best Score|Best Original Score]] | Alexandre Desplat | {{Nominated}} |- | rowspan="2"|Best Voice Performance | Gregory Mann | {{Nominated}} |- | [[Ewan McGregor]] | {{Nominated}} |- ! rowspan="3" scope="row" | [[Chicago Film Critics Association Awards]] | rowspan="3"| [[Chicago Film Critics Association Awards 2022|December 14, 2022]] | [[Chicago Film Critics Association Award for Best Adapted Screenplay|Best Adapted Screenplay]] | Guillermo del Toro and Patrick McHale | {{Nominated}} | rowspan="3" align="center"|<ref>{{Cite web |last=Tallerico |first=Brian |date=December 12, 2022 |title=''Everything Everywhere All at Once'' Leads Chicago Film Critics Nominations |url=https://www.rogerebert.com/festivals/everything-everywhere-all-at-once-leads-chicago-film-critics-nominations |url-status=live |archive-url=https://web.archive.org/web/20221212183228/https://www.rogerebert.com/festivals/everything-everywhere-all-at-once-leads-chicago-film-critics-nominations |archive-date=December 12, 2022 |access-date=December 12, 2022 |website=[[RogerEbert.com]]}}</ref> |- | [[Chicago Film Critics Association Award for Best Animated Film|Best Animated Film]] | ''Pinocchio'' | {{Won}} |- | [[Chicago Film Critics Association Award for Best Original Score|Best Original Score]] | Alexandre Desplat | {{Nominated}} |- ! scope="row" | Utah Film Critics Association | December 17, 2022 | Best Animated Feature |''Pinocchio'' | {{draw|Runner-up}} | align="center"| <ref>{{Cite web |last=Neglia |first=Matt |date=December 17, 2022 |title=The 2022 Utah Film Critics Association (UFCA) Winners |url=https://nextbestpicture.com/the-2022-utah-film-critics-association-ufca-winners/ |access-date=December 17, 2022 |website=Next Best Picture}}</ref> |- ! rowspan="2" scope="row" | [[St. Louis Gateway Film Critics Association Awards]] | rowspan="2"|[[St. Louis Gateway Film Critics Association Awards 2022|December 18, 2022]] | [[St. Louis Gateway Film Critics Association Award for Best Screenplay|Best Adapted Screenplay]] | Patrick McHale, Guillermo del Toro and [[Matthew Robbins (screenwriter)|Matthew Robbins]] | {{Nom}} | rowspan="2" align="center"|<ref>{{Cite web |last=Anderson |first=Erik |date=December 11, 2022 |title=''The Banshees of Inisherin'', ''Everything Everywhere All At Once'' lead 2022 St. Louis Film Critics Association nominations |url=https://awardswatch.com/the-banshees-of-inisherin-everything-everywhere-all-at-once-lead-2022-st-louis-film-critics-association-nominations/ |url-status=live |archive-url=https://web.archive.org/web/20221212091842/https://awardswatch.com/the-banshees-of-inisherin-everything-everywhere-all-at-once-lead-2022-st-louis-film-critics-association-nominations/ |archive-date=December 12, 2022 |access-date=December 14, 2022 |website=AwardsWatch}}</ref> |- | [[St. Louis Gateway Film Critics Association Award for Best Animated Film|Best Animated Film]] | rowspan="3"|''Pinocchio'' | {{Nom}} |- ! rowspan="3" scope="row"|[[Dallas–Fort Worth Film Critics Association]] | rowspan="3"| [[Dallas–Fort Worth Film Critics Association Awards 2022|December 19, 2022]] | [[Dallas–Fort Worth Film Critics Association Award for Best Film|Best Picture]] | {{draw|8th place}} | align="center" rowspan="3"|<ref>{{cite web|url=https://nextbestpicture.com/the-2022-dallas-fort-worth-film-critics-association-dfwfca-winners/|title=The 2022 Dallas Fort-Worth Film Critics Association (DFWFCA) Winners|website=NextBestPicture|first=Matt|last=Neglia|date=December 19, 2022|accessdate=December 20, 2022}}</ref> |- | [[Dallas–Fort Worth Film Critics Association Award for Best Animated Film|Best Animated Film]] | {{won}} |- | [[Dallas–Fort Worth Film Critics Association Award for Best Musical Score|Best Musical Score]] | Alexandre Desplat | {{won}} |- ! rowspan="2" scope="row"|[[Florida Film Critics Circle]] | rowspan="2" |[[Florida Film Critics Circle Awards 2022|December 22, 2022]] | [[Florida Film Critics Circle Award for Best Animated Film|Best Animated Film]] | ''Pinocchio'' | {{nom}} | align="center" rowspan="2" |<ref>{{Cite web |last=Anderson |first=Erik |date=December 14, 2022 |title=2022 Florida Film Critics Circle nominations: ''Everything Everywhere All At Once'' leads with 11 |url=https://awardswatch.com/2022-florida-film-critics-circle-nominations-everything-everywhere-all-at-once-leads-with-11/ |url-status=live |archive-url=https://web.archive.org/web/20221215005830/https://awardswatch.com/2022-florida-film-critics-circle-nominations-everything-everywhere-all-at-once-leads-with-11/ |archive-date=December 15, 2022 |access-date=January 23, 2023 |website=AwardsWatch}}</ref><br /><ref>{{Cite web |last=Anderson |first=Erik |date=December 22, 2022 |title=2022 Florida Film Critics Circle winners: ''Decision to Leave,'' ''Everything Everywhere All At Once'' are top winners |url=https://awardswatch.com/2022-florida-film-critics-circle-winners-decision-to-leave-everything-everywhere-all-at-once-are-top-winners/ |url-status=live |archive-url=https://web.archive.org/web/20221223005049/https://awardswatch.com/2022-florida-film-critics-circle-winners-decision-to-leave-everything-everywhere-all-at-once-are-top-winners/ |archive-date=December 23, 2022 |access-date=January 23, 2023 |website=AwardsWatch}}</ref> |- | [[Florida Film Critics Circle Award for Best Screenplay|Best Adapted Screenplay]] | Guillermo del Toro, Matthew Robbins, Gris Grimly, Patrick McHale | {{nom}} |- ! scope="row"| [[Alliance of Women Film Journalists]] | January 5, 2023 | Best Animated Film | ''Pinocchio'' | {{won}} | align="center"|<ref>{{Cite web |title=2022 EDA AWARDS NOMINEES |url=https://awfj.org/eda-awards-2/2022-eda-awards-categories/2022-eda-awards-nominees/ |access-date=December 23, 2022 |publisher=[[Alliance of Women Film Journalists]]}}</ref> |- ! rowspan="3" scope="row"| [[San Diego Film Critics Society]] | rowspan="3"| [[San Diego Film Critics Society Awards 2022|January 6, 2023]] | [[San Diego Film Critics Society Award for Best Adapted Screenplay|Best Adapted Screenplay]] | Guillermo del Toro, Matthew Robbins, Gris Grimly, Patrick McHale | {{draw|Runner-up}} | rowspan="3" style="text-align:center;"|<ref>{{cite web|url=https://www.sdfcs.org/2022-nominations/|title=2022 San Diego Film Critics Society Nominations|website=[[San Diego Film Critics Society]]|date=January 3, 2023|accessdate=January 4, 2023}}</ref> |- | [[San Diego Film Critics Society Award for Best Animated Film|Best Animated Film]] | rowspan="4"| ''Pinocchio'' | {{Won}} |- | Best Visual Effects | {{Nominated}} |- ! scope="row" | [[Toronto Film Critics Association]] | [[Toronto Film Critics Association Awards 2022|January 8, 2023]] | [[Toronto Film Critics Association Award for Best Animated Film|Best Animated Film]] | {{draw|Runner-up}} | align="center"|<ref>{{cite web|url=https://torontofilmcritics.com/features/aftersun-leads-26th-annual-tfca-awards-winners/|title=AFTERSUN LEADS 26TH ANNUAL TFCA AWARDS WINNERS|website=[[Toronto Film Critics Association]]|date=January 8, 2023|accessdate=January 8, 2023}}</ref> |- ! rowspan="2" scope="row"| [[San Francisco Bay Area Film Critics Circle]] | rowspan="2"| [[San Francisco Bay Area Film Critics Circle Awards 2022|January 9, 2023]] | [[San Francisco Bay Area Film Critics Circle Award for Best Animated Feature|Best Animated Feature]] | {{Won}} | rowspan="2" style="text-align:center;"| <ref>{{cite web |url=https://nextbestpicture.com/the-2022-san-francisco-bay-area-film-critics-circle-sfbafcc-nominations/ |title=The 2022 San Francisco Bay Area Film Critics Circle (SFBAFCC) Nominations |last=Neglia |first=Matt |publisher=Next Best Picture |date=January 6, 2023 |access-date=January 6, 2023}}</ref> |- | Best Original Score | Alexandre Desplat | {{Nominated}} |- ! scope="row" rowspan="3" | [[Austin Film Critics Association]] | rowspan="3"| [[Austin Film Critics Association Awards 2022|January 10, 2023]] | [[Austin Film Critics Association Award for Best Animated Film|Best Animated Film]] | ''Pinocchio'' | {{Nominated}} | rowspan="3" style="text-align:center" |<ref>{{cite web|url=https://austinfilmcritics.org/2022-austin-film-critics-association-award-nominations-e921fe958b1d|title=2022 Austin Film Critics Association Award Nominations|website=[[Austin Film Critics Association]]|date=January 3, 2022|accessdate=January 3, 2022}}</ref> |- | [[Austin Film Critics Association Award for Best Adapted Screenplay|Best Adapted Screenplay]] | Guillermo del Toro and Patrick McHale | {{Nominated}} |- | Best Voice Acting/Animated/Digital Performance | Ewan McGregor | {{Nominated}} |- ! rowspan="3" scope="row"| [[Golden Globe Awards]] | rowspan="3"|[[80th Golden Globe Awards|January 10, 2023]] | [[Golden Globe Award for Best Animated Feature Film|Best Animated Feature Film]] | ''Pinocchio'' | {{won}}<ref>[https://www.goldenglobes.com/film/guillermo-del-toros-pinocchio Golden Globes]</ref> | rowspan="3" align="center"|<ref>{{Cite web |last=Nordyke |first=Kimberly |date=January 10, 2023 |title=Golden Globes: Full List of Winners |url=https://www.hollywoodreporter.com/movies/movie-news/golden-globes-2023-winners-list-1235294541/ |url-status=live |archive-url=https://web.archive.org/web/20230111023550/https://www.hollywoodreporter.com/movies/movie-news/golden-globes-2023-winners-list-1235294541/ |archive-date=January 11, 2023 |access-date=January 11, 2023 |website=[[The Hollywood Reporter]]}}</ref> |- | [[Golden Globe Award for Best Original Score|Best Original Score]] | Alexandre Desplat | {{nom}} |- | [[Golden Globe Award for Best Original Song|Best Original Song]] | Alexandre Desplat, Roeben Katz, and Guillermo del Toro ("Ciao Papa") | {{nom}} |- ! rowspan="4" scope="row"|[[Georgia Film Critics Association]] | rowspan="4"| January 13, 2023 | Best Adapted Screenplay | Guillermo del Toro, Matthew Robbins, Gris Grimly, Patrick McHale | {{nom}} | rowspan="4" style="text-align:center;" |<ref>{{Cite web |last=Anderson |first=Erik |date=January 7, 2023 |title=2022 Georgia Film Critics Association (GAFCA) nominations |url=https://awardswatch.com/2022-georgia-film-critics-association-gafca-nominations/ |url-status=live |archive-url=https://web.archive.org/web/20230107164403/https://awardswatch.com/2022-georgia-film-critics-association-gafca-nominations/ |archive-date=January 7, 2023 |access-date=January 7, 2023 |website=AwardsWatch}}</ref><br /><ref>{{Cite web |last=Anderson |first=Erik |date=January 14, 2023 |title=2022 Georgia Film Critics Association (GFCA) winners |url=https://awardswatch.com/2022-georgia-film-critics-association-gfca-winners/ |url-status=live |archive-url=https://web.archive.org/web/20230114222204/https://awardswatch.com/2022-georgia-film-critics-association-gfca-winners/ |archive-date=January 14, 2023 |access-date=January 14, 2023 |website=AwardsWatch}}</ref> |- | Best Original Score | Alexandre Desplat | {{nom}} |- | Best Original Song | Alexandre Desplat, Roeban Katz, Guillermo del Toro ("Ciao Papa") | {{nom}} |- | Best Animated Film | rowspan="2"| ''Pinocchio'' | {{won}} |- ! scope="row" rowspan="3" |[[Critics' Choice Movie Awards]] | rowspan="3" |[[28th Critics' Choice Awards|January 15, 2023]] | [[Critics' Choice Movie Award for Best Animated Feature|Best Animated Feature]] |{{won}} | rowspan="3" align="center"| <ref>{{Cite web |last=Nordyke |first=Kimberly |date=January 15, 2023 |title=Critics Choice Awards: Full List of Winners |url=https://www.hollywoodreporter.com/movies/movie-news/critics-choice-awards-winners-list-full-2023-1235300137/ |url-status=live |archive-url=https://web.archive.org/web/20230116052049/https://www.hollywoodreporter.com/movies/movie-news/critics-choice-awards-winners-list-full-2023-1235300137/ |archive-date=January 16, 2023 |access-date=January 16, 2023 |website=[[The Hollywood Reporter]]}}</ref> |- | [[Critics' Choice Movie Award for Best Score|Best Score]] | Alexandre Desplat | {{nom}} |- | [[Critics' Choice Movie Award for Best Song|Best Song]] | "Ciao Papa" | {{nom}} |- ! scope="row" | [[Seattle Film Critics Society]] | [[2022 Seattle Film Critics Society Awards|January 17, 2023]] | [[Seattle Film Critics Society Award for Best Animated Feature|Best Animated Feature]] | rowspan="2"| ''Pinocchio'' | {{nom}} | align="center"|<ref>{{Cite web |last=Anderson |first=Erik |date=January 9, 2023 |title=2022 Seattle Film Critics Society nominations: ''Everything Everywhere All At Once'' leads with 14 |url=https://awardswatch.com/2022-seattle-film-critics-society-nominations-everything-everywhere-all-at-once-leads-with-14/ |url-status=live |archive-url=https://web.archive.org/web/20230109214326/https://awardswatch.com/2022-seattle-film-critics-society-nominations-everything-everywhere-all-at-once-leads-with-14/ |archive-date=January 9, 2023 |access-date=January 27, 2023 |website=AwardsWatch}}</ref><br /><ref>{{Cite web |last=Anderson |first=Erik |date=January 17, 2023 |title=2022 Seattle Film Critics Society (SFCS) winners |url=https://awardswatch.com/2022-seattle-film-critics-society-sfcs-winners/ |url-status=live |archive-url=https://web.archive.org/web/20230117194950/https://awardswatch.com/2022-seattle-film-critics-society-sfcs-winners/ |archive-date=January 17, 2023 |access-date=January 27, 2023 |website=AwardsWatch}}</ref> |- ! rowspan="2" scope="row"| [[Online Film Critics Society]] | rowspan="2" | [[Online Film Critics Society Awards 2022|January 23, 2023]] | [[Online Film Critics Society Award for Best Animated Film|Best Animated Feature]] | {{won}} | align="center" rowspan="2"|<ref>{{Cite web |last=Anderson |first=Erik |date=January 18, 2023 |title=2022 Online Film Critics Association (OFCS) nominations |url=https://awardswatch.com/2022-online-film-critics-association-ofcs-nominations/ |url-status=live |archive-url=https://web.archive.org/web/20230118171827/https://awardswatch.com/2022-online-film-critics-association-ofcs-nominations/ |archive-date=January 18, 2023 |access-date=January 23, 2023 |website=AwardsWatch}}</ref> |- | [[Online Film Critics Society Award for Best Adapted Screenplay|Best Adapted Screenplay]] | Guillermo del Toro, Patrick McHale, Matthew Robbins | {{nom}} |- ! scope="row"| [[Satellite Awards]] | [[27th Satellite Awards|February 11, 2023]] | [[Satellite Award for Best Animated or Mixed Media Feature|Best Motion Picture – Animated or Mixed Media]] | ''Pinocchio'' | {{pending}} | align="center"|<ref>{{Cite web |last=Anderson |first=Erik |date=December 8, 2022 |title=''Top Gun: Maverick'' leads International Press Academy's 27th Satellite Awards nominations |url=https://awardswatch.com/top-gun-maverick-leads-international-press-academys-27th-satellite-awards-nominations/ |url-status=live |archive-url=https://web.archive.org/web/20221209002942/https://awardswatch.com/top-gun-maverick-leads-international-press-academys-27th-satellite-awards-nominations/ |archive-date=December 9, 2022 |access-date=December 8, 2022 |website=AwardsWatch}}</ref> |- ! scope="row" rowspan="5"|[[Visual Effects Society Awards]] | rowspan="5"|[[21st Visual Effects Society Awards|February 15, 2023]] |[[Visual Effects Society Award for Outstanding Visual Effects in an Animated Feature|Outstanding Visual Effects in an Animated Feature]] |Aaron Weintraub, Jeffrey Schaper, Cameron Carson, Emma Gorbey |{{pending}} | rowspan="5" align="center"|<ref>{{cite magazine |last1=Tangcay |first1=Jazz |title=''Avatar: The Way of Water'' Leads Visual Effects Society Awards Nominations |url=https://variety.com/2023/artisans/news/visual-effects-society-2023-awards-nominations-announced-ves-1235491339/ |magazine=[[Variety (magazine)|Variety]] |publisher=[[Penske Media Corporation]] |date=January 17, 2023}}</ref> |- | rowspan="2"|[[Visual Effects Society Award for Outstanding Animated Character in an Animated Feature|Outstanding Animated Character in an Animated Feature]] |Charles Greenfield, Peter Saunders, Shani Lang-Rinderspacher, Noel Estevez-Baker {{Small|(Geppetto)}} |{{pending}} |- |Oliver Beale, Richard Pickersgill, Brian Leif Hansen, Kim Slate {{Small|(Pinocchio)}} |{{pending}} |- |[[Visual Effects Society Award for Outstanding Created Environment in an Animated Feature|Outstanding Created Environment in an Animated Feature]] |Warren Lawtey, Anjum Sakharkar, Javier Gonzalez Alonso, Quinn Carvalho {{Small|(In the Stomach of a Sea Monster)}} |{{pending}} |- |Emerging Technology Award |Richard Pickersgill, Glen Southern, Peter Saunders, Brian Leif Hansen {{Small|(3D Printed Metal Armature)}} |{{pending}} |- ! scope="row" rowspan="2"|[[Hollywood Critics Association|Hollywood Critics Association Creative Arts Awards]] | rowspan="2"|[[1st Hollywood Critics Association Creative Arts Awards|February 17, 2023]] | Best Score | Alexandre Desplat | {{pending}} | rowspan="2" align="center"|<ref>{{cite web |url=https://www.awardsdaily.com/2022/12/08/everything-everywhere-top-gun-lead-inaugural-hca-creative-arts-awards-nominations/ |title='Everything, Everywhere,' 'Top Gun' Lead Inaugural HCA Creative Arts Awards Nominations |first=Clarence |last=Moye |publisher=[[Awards Daily]] |date=December 8, 2022 |access-date=December 16, 2022}}</ref> |- | Best Visual Effects | Aaron Weintraub, Brian Leif Hansen, Georgina Hayns, and Ian Mackinnon | {{pending}} |- ! scope="row"| [[Art Directors Guild Awards]] | [[Art Directors Guild Awards 2022|February 18, 2023]] | [[Art Directors Guild Award for Excellence in Production Design for a Animated Film|Excellence in Production Design for an Animated Film]] | Guy Davis, Curt Enderle | {{pending}} | align="center"| <ref>{{cite web|url=https://variety.com/2023/artisans/awards/art-directors-guild-2023-nominations-1235481698/|title='Elvis,' 'Babylon,' 'Avatar: The Way of Water' Lead Art Directors Guild 2023 Nominations|website=[[Variety (magazine)|Variety]]|first=Jazz|last=Tangcay|date=January 9, 2023|accessdate=January 9, 2023}}</ref> |- ! scope="row" rowspan="4"| [[Houston Film Critics Society]] | rowspan="4"| [[Houston Film Critics Society Awards 2022|February 18, 2023]] | [[Houston Film Critics Society Award for Best Picture|Best Picture]] | rowspan="2"|''Pinocchio'' | {{pending}} | rowspan="4" style="text-align:center;"| <ref>{{cite web |url=https://preview.houstonchronicle.com/movies-tv/houston-film-critics-nominations-17708296 |title='Everything Everywhere,' 'Banshees of Inisherin' top list of Houston critics' nominations |last=Darling |first=Cary |work=[[Houston Chronicle]] |date=10 January 2023 |access-date=11 January 2023}}</ref> |- | Best Animated Feature | {{pending}} |- | [[Houston Film Critics Society Award for Best Original Score|Best Original Score]] | Alexandre Desplat | {{pending}} |- | Best Original Song | "Ciao Papa" | {{pending}} |- ! rowspan="3" scope="row"| [[British Academy Film Awards]] | rowspan="3"| [[76th British Academy Film Awards|February 19, 2023]] | [[BAFTA Award for Best Animated Film|Best Animated Film]] | Guillermo del Toro, Mark Gustafson, Gary Ungar, Alex Bulkley | {{pending}} | rowspan="3" align="center"|<ref>{{Cite web |last=Ritman |first=Alex |date=January 19, 2023 |title=BAFTA Awards: ''All Quiet'' Leads With 14 Noms, ''Banshees'', ''Everything Everywhere'' Dominate Performance Categories |url=https://www.hollywoodreporter.com/movies/movie-news/bafta-nominations-2023-film-awards-1235303089/ |url-status=live |archive-url=https://web.archive.org/web/20230119194224/https://www.hollywoodreporter.com/movies/movie-news/bafta-nominations-2023-film-awards-1235303089/ |archive-date=January 19, 2023 |access-date=January 19, 2023 |website=[[The Hollywood Reporter]]}}</ref> |- | [[BAFTA Award for Best Original Music|Best Original Score]] | Alexandre Desplat | {{pending}} |- | [[BAFTA Award for Best Production Design|Best Production Design]] | Curt Enderle, Guy Davis | {{pending}} |- ! scope="row" | [[International Film Music Critics Association Awards]] | February 23, 2023 | [[International Film Music Critics Association Award for Best Original Score for an Animated Film|Best Original Score for an Animated Film]] | [[Alexandre Desplat]] | {{pending}} | style="text-align:center;"|<ref>{{Cite web |last=Anderson |first=Erik |title=Bear McCreary, Michael Giacchino and Daniel Pemberton lead 2022 International Film Music Critics Association (IFMCA) nominations |date=February 9, 2023 |url=https://awardswatch.com/bear-mccreary-michael-giacchino-and-daniel-pemberton-lead-2022-international-film-music-critics-association-ifmca-nominations/ |url-status=live |archive-url=https://web.archive.org/web/20230209195239/https://awardswatch.com/bear-mccreary-michael-giacchino-and-daniel-pemberton-lead-2022-international-film-music-critics-association-ifmca-nominations/ |archive-date=February 9, 2023 |access-date=February 10, 2023 |website=AwardsWatch}}</ref> |- ! scope="row" rowspan="3"|[[Hollywood Critics Association|Hollywood Critics Association Awards]] | rowspan="3"|[[6th Hollywood Critics Association Film Awards|February 24, 2023]] | Best Animated Film | ''Pinocchio'' | {{pending}} | rowspan="3" align="center"|<ref>{{cite web |url=https://awardswatch.com/6th-hollywood-critics-association-film-awards-nominations-everything-everywhere-all-at-one-the-banshees-of-inisherin-lead/ |title=6th Hollywood Critics Association Film Awards nominations: 'Everything Everywhere All At One,' 'The Banshees of Inisherin' lead |first=Erik |last=Anderson |publisher=AwardsWatch |date=December 15, 2022 |access-date=December 16, 2022}}</ref> |- | Best Adapted Screenplay | Guillermo del Toro and Patrick McHale | {{pending}} |- | Best Voice or Motion-Capture Performance | Ewan McGregor | {{pending}} |- ! scope="row" | [[Producers Guild of America Awards]] | [[34th Producers Guild of America Awards|February 25, 2023]] | [[Producers Guild of America Award for Best Animated Motion Picture|Outstanding Producer of Animated Theatrical Motion Pictures]] | ''Pinocchio''<!-- Specific nominated producers TBD according to nominations announcement.--> | {{pending}} | style="text-align:center;"|<ref>{{Cite web |last=Verhoeven |first=Beatrice |date=January 12, 2023 |title=Producers Guild Awards 2023 Film and TV Nominations Revealed |url=https://www.hollywoodreporter.com/movies/movie-news/producers-guild-awards-2023-movie-tv-nominations-list-nominees-1235297935/ |url-status=live |archive-url=https://web.archive.org/web/20230112214256/https://www.hollywoodreporter.com/movies/movie-news/producers-guild-awards-2023-movie-tv-nominations-list-nominees-1235297935/ |archive-date=January 12, 2023 |access-date=January 12, 2023 |website=[[The Hollywood Reporter]]}}</ref> |- ! rowspan="9" scope="row"| [[Annie Awards]] | rowspan="9"| [[50th Annie Awards|February 25, 2023]] | [[Annie Award for Best Animated Feature|Best Animated Feature]] | ''Pinocchio'' | {{pending}} | rowspan="9" align="center"|<ref>{{cite web|url=https://deadline.com/2023/01/annie-awards-nominations-2023-list-1235224045/|title=Annie Awards Nominations: 'Guillermo del Toro's Pinocchio' & 'Marcel The Shell' Lead Field|website=[[Deadline Hollywood|Deadline]]|first=Erik|last=Pedersen|date=January 17, 2023|accessdate=January 17, 2023}}</ref> |- | [[Annie Award for Outstanding Achievement for Animated Effects in an Animated Production|Outstanding Achievement for Animated Effects in an Animated Production]] | Aaron Weintraub, Warren Lawtey, Alireza Malmiri, Baptiste Malbranque, Mikhail Donchenko | {{pending}} |- | [[Annie Award for Outstanding Achievement for Character Animation in a Feature Production|Outstanding Achievement for Character Animation in an Animated Feature Production]] | Tucker Barrie | {{pending}} |- | [[Annie Award for Outstanding Achievement for Directing in a Feature Production|Outstanding Achievement for Directing in an Animated Feature Production]] | Guillermo del Toro, Mark Gustafson | {{pending}} |- | [[Annie Award for Outstanding Achievement for Editorial in a Feature Production|Outstanding Achievement for Editorial in an Animated Feature Production]] | Ken Schretzmann, Holly Klein, Emily Chiu, Hamilton Barrett | {{pending}} |- | [[Annie Award for Outstanding Achievement for Music in a Feature Production|Outstanding Achievement for Music in an Animated Feature Production]] | Alexandre Desplat, Roeban Katz, Guillermo del Toro, Patrick McHale | {{pending}} |- | [[Annie Award for Outstanding Achievement for Production Design in an Animated Feature Production|Outstanding Achievement for Production Design in an Animated Feature Production]] | Curt Enderle, Guy Davis | {{pending}} |- | rowspan="2"| [[Annie Award for Outstanding Achievement for Voice Acting in a Feature Production|Outstanding Achievement for Voice Acting in an Animated Feature Production]] | Gregory Mann | {{pending}} |- | [[David Bradley (English actor)|David Bradley]] | {{pending}} |- ! rowspan="2" scope="row"| [[Motion Picture Sound Editors#Golden Reel Awards|Golden Reel Awards]] | rowspan="2"| [[Golden Reel Awards 2022|February 26, 2023]] | [[Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Dialogue and ADR for Animated Feature Film|Outstanding Achievement in Sound Editing – Feature Animation]] | Scott Martin Gershin, Masanobu "Tomi" Tomita, Andrew Vernon, Dan Gamache, Dan O'Connell, John Cucci | {{pending}} | rowspan="2" style="text-align:center;"| <ref>{{cite web|url=https://variety.com/2023/artisans/awards/mpse-golden-reel-awards-nominations-2023-1235481720/|title='Everything Everywhere All At Once' Leads Sound Editors' Golden Reel Nominations|website=[[The Hollywood Reporter]]|first=Carolyn|last=Giardina|date=January 9, 2023|accessdate=January 9, 2023}}</ref> |- | [[Golden Reel Award for Outstanding Achievement in Sound Editing – Feature Underscore|Outstanding Achievement in Music Editing – Feature Motion Picture]] | Lewis Morison, Eric Caudieux, Chris Barret | {{pending}} |- ! scope="row"| [[Cinema Audio Society Awards]] | [[Cinema Audio Society Awards 2022|March 4, 2023]] | [[Cinema Audio Society Award for Outstanding Achievement in Sound Mixing for a Motion Picture – Animated|Outstanding Achievement in Sound Mixing for a Motion Picture – Animated]] | Jon Taylor, Frank Montaño, Peter Cobbin, Tavish Grade | {{pending}} | align="center"|<ref>{{cite web|url=https://deadline.com/2023/01/cas-awards-nominations-2023-avatar-the-way-of-water-top-gun-maverick-elvis-1235215538/|title=Cinema Audio Society Awards Nominations Set: 'Avatar: The Way Of Water', 'Top Gun: Maverick', 'Elvis' & More|website=[[Deadline Hollywood|Deadline]]|first=Erik|last=Pedersen|date=January 10, 2023|accessdate=January 10, 2023}}</ref> |- ! scope="row"| [[USC Scripter Awards]] | March 4, 2023 | Best Adapted Screenplay – Film | Guillermo del Toro, Patrick McHale, and Matthew Robbins | {{pending}} | align="center"|<ref>{{cite web|url=https://variety.com/2023/awards/news/2023-usc-scripter-awards-nominees-pinocchio-top-gun-maverick-1235492458/|title=USC Scripter Awards 2023 Nominations: 'Guillermo del Toro's Pinocchio' Becomes First Animated Nominee, 'Top Gun: Maverick' Flies In|website=[[Variety (magazine)|Variety]]|first=Clayton|last=Davis|date=January 18, 2023|accessdate=January 18, 2023}}</ref> |- ! scope="row"| [[American Cinema Editors Awards]] | [[American Cinema Editors Awards 2023|March 5, 2023]] | [[American Cinema Editors Award for Best Edited Animated Feature Film|Best Edited Animated Feature Film]] | Ken Schretzmann, Holly Klein | {{pending}} | align="center"|<ref>{{Cite web |last=Giardina |first=Carolyn |date=February 1, 2023 |title=''Elvis'', ''Everything Everywhere All At Once'', ''The Woman King'' Among American Cinema Editors' Eddie Nominees |url=https://www.hollywoodreporter.com/movies/movie-news/american-cinema-editors-2023-eddie-awards-nominations-1235314659/ |url-status=live |archive-url=https://web.archive.org/web/20230202211015/https://www.hollywoodreporter.com/movies/movie-news/american-cinema-editors-2023-eddie-awards-nominations-1235314659/ |archive-date=February 2, 2023 |access-date=February 1, 2023 |website=[[The Hollywood Reporter]]}}</ref> |- ! scope="rowgroup" | [[Academy Awards]] | [[95th Academy Awards|{{dts|March 12, 2023|nowrap=off}}]] | [[Academy Award for Best Animated Feature|Best Animated Feature Film]] | Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley | {{pending}} | align="center"|<ref>{{Cite web |last=Lewis |first=Hilary |date=January 24, 2023 |title=Oscars: Full List of Nominations |url=https://www.hollywoodreporter.com/movies/movie-news/oscar-nominations-2023-nominees-list-1235307974/ |url-status=live |archive-url=https://web.archive.org/web/20230124150506/https://www.hollywoodreporter.com/movies/movie-news/oscar-nominations-2023-nominees-list-1235307974/ |archive-date=January 24, 2023 |access-date=January 27, 2023 |website=[[The Hollywood Reporter]]}}</ref> |- |} ==References== {{Reflist}} ==External links== * {{Netflix title}} * {{IMDb title|tt1488589}} * [https://deadline.com/wp-content/uploads/2022/12/Guillermo-del-Toros-Pinocchio-Read-The-Screenplay.pdf Official screenplay] {{Pinocchio}} {{Guillermo del Toro}} {{The Jim Henson Company}} {{Netflix original animated series and films}} {{Navboxes |title = Awards for ''Guillermo del Toro's Pinocchio'' |list = {{Chicago Film Critics Association Award for Best Animated Film}} {{Broadcast Film Critics Association Award for Best Animated Feature}} {{Dallas–Fort Worth Film Critics Association Award for Best Animated Film}} {{Golden Globe Award for Best Animated Feature Film}} {{Los Angeles Film Critics Association Award for Best Animated Film}} {{Online Film Critics Society Award for Best Animated Film}} {{San Diego Film Critics Society Award for Best Animated Film}} {{San Francisco Bay Area Film Critics Circle Award for Best Animated Feature}} {{Washington D.C. Area Film Critics Association Award for Best Animated Feature}} }} [[Category:2022 films]] [[Category:2020s American animated films]] [[Category:2020s musical films]] [[Category:2020s stop-motion animated films]] [[Category:2022 animated films]] [[Category:2022 fantasy films]] [[Category:American comedy films]] [[Category:American fantasy films]] [[Category:American musical films]] [[Category:American musical comedy films]] [[Category:Mexican animated films]] [[Category:Mexican children's films]] [[Category:Mexican comedy films]] [[Category:English-language Mexican films]] [[Category:English-language Netflix original films]] [[Category:Animated films set in Italy]] [[Category:Animated musical films]] [[Category:Best Animated Feature Film Golden Globe winners]] [[Category:Best Animated Feature Broadcast Film Critics Association Award winners]] [[Category:Dark fantasy films]] [[Category:Films about Fascist Italy]] [[Category:Films about fascists]] [[Category:Films directed by Guillermo del Toro]] [[Category:Films scored by Alexandre Desplat]] [[Category:Films set in 1916]] [[Category: Films set in the 1910s]] [[Category:Films set in the 1930s]] [[Category:Films shot in Mexico]] [[Category:Films shot in France]] [[Category:Films shot in Portland, Oregon]] [[Category:Films with screenplays by Guillermo del Toro]] [[Category:The Jim Henson Company films]] [[Category:Magic realism films]] [[Category:Netflix Animation films]] [[Category:Pinocchio films]] [[Category:Stop-motion animated films]] [[Category:World War I films]] [[Category:World War II films]] [[Category:American children's animated musical films]] [[Category:American children's animated comedy films]] [[Category:American children's animated drama films]] [[Category:Films produced by Lisa Henson]] [[Category:2020s English-language films]] [[Category:2020s Mexican films]] [[Category:Cultural depictions of Benito Mussolini]] [[Category:Fantasy war films]]'
New page wikitext, after the edit (new_wikitext)
'{{Short description|2022 film by Guillermo del Toro and Mark Gustafson}} {{About|the stop-motion animated film|the live-action remake of the 1940 Disney film|Pinocchio (2022 live-action film)}} {{Use American English|date=January 2023}} {{Use mdy dates|date=December 2022}} {{Infobox film | name = Guillermo del Toro's Pinocchio | image = Pinocchio (2022 animated film).jpg | caption = Release poster | alt = A wooden puppet stands in a doorway. In front of him is a creature resembling a Chimera. | border = no | director = {{plainlist| * [[Guillermo del Toro]] * Mark Gustafson }} | producer = {{plainlist| * Guillermo del Toro * [[Lisa Henson]] * Gary Ungar * Alex Bulkley * Corey Campodonico }} | screenplay = {{plainlist| * Guillermo del Toro * [[Patrick McHale (artist)|Patrick McHale]] }} |story = {{plainlist| * Guillermo del Toro * [[Matthew Robbins (screenwriter)|Matthew Robbins]] }} | based_on = {{based on|''[[The Adventures of Pinocchio]]''|[[Carlo Collodi]]}}<br>{{based on|Illustrations|[[Gris Grimly]]}} | starring = {{Plainlist|<!--Per end credits--> * [[Ewan McGregor]] * [[David Bradley (English actor)|David Bradley]] * Gregory Mann * [[Burn Gorman]] * [[Ron Perlman]] * [[John Turturro]] * [[Finn Wolfhard]] * [[Cate Blanchett]] * [[Tim Blake Nelson]] * [[Christoph Waltz]] * [[Tilda Swinton]] }} | music = [[Alexandre Desplat]]<ref name="Desplat"/> | cinematography = Frank Passingham | editing = {{plainlist| * [[Ken Schretzmann]] * Holly Klein }} | studio = {{plainlist| * [[Netflix Animation]] * Double Dare You<!-- Do not change this order. Per credits order. --> * [[ShadowMachine]] * [[The Jim Henson Company]] *Taller del Chucho<ref>{{cite web |url=https://www.publimetro.com.mx/mx/entretenimiento/2021/04/27/pinocchio-empieza-a-cobrar-vida-en-el-taller-del-chucho-en-guadalajara.html |title=Pinocchio empieza a cobrar vida en el Taller del Chucho en Guadalajara (Pinocchio begins to come to life at El Taller del Chucho in Guadalajara) |last=Acosta |first=Gabriel |date=April 27, 2021 |website=Publimetro |language=spanish |access-date=November 21, 2021 |quote= |archive-date=November 21, 2021 |archive-url=https://web.archive.org/web/20211121090410/https://www.publimetro.com.mx/mx/entretenimiento/2021/04/27/pinocchio-empieza-a-cobrar-vida-en-el-taller-del-chucho-en-guadalajara.html |url-status=live }}</ref> }} | distributor = [[Netflix]] | released = {{Film date|2022|10|15|[[BFI London Film Festival|BFI]]|2022|11|9|United States|2022|12|9|Netflix}} | runtime = 117 minutes<ref name="whatson.bfi.org.uk">{{Cite web |url=https://whatson.bfi.org.uk/lff/Online/default.asp?BOparam::WScontent::loadArticle::permalink=guillermodeltorospinocchio |title=Guillermo del Toro's Pinocchio at BFI London Film Festival |access-date=2022-09-01 |archive-date=2022-09-01 |archive-url=https://web.archive.org/web/20220901162432/https://whatson.bfi.org.uk/lff/Online/default.asp?BOparam::WScontent::loadArticle::permalink=guillermodeltorospinocchio |url-status=live }}</ref> | country = {{Plainlist| * United States * Mexico<ref>{{cite web |url=https://mexiconewsdaily.com/news/new-pinocchio-film-gives-jump-start-to-jalisco-animation-studio/ |title=New Pinocchio film gives jump start to Jalisco animation studio |website=mexiconewsdaily.com |access-date=January 11, 2022}}</ref> }} | language = English | budget = $35 million<ref>{{cite web|first=Zack|last=Sharf|title=Guillermo del Toro's 'Pinocchio' Isn't Dead Yet, But He Needs $35 Million to Make It|url=https://www.indiewire.com/2017/08/guillermo-del-toro-pinocchio-details-budget-1201871966/|date=August 31, 2017|website=[[IndieWire]]|access-date=January 2, 2020|archive-date=February 6, 2020|archive-url=https://web.archive.org/web/20200206131227/https://www.indiewire.com/2017/08/guillermo-del-toro-pinocchio-details-budget-1201871966/|url-status=live}}</ref> | gross = $108,967<ref>{{cite web |url=https://www.boxofficemojo.com/title/tt1488589/?ref_=bo_se_r_1 |title=Guillermo del Toro's Pinocchio |website=[[Box Office Mojo]] |access-date=January 23, 2022}}</ref> }} '''''Guillermo del Toro's Pinocchio''''' (or simply '''''Pinocchio''''') is a 2022 [[stop motion|stop-motion animated]] [[Musical film|musical]] [[dark fantasy|dark]] [[Fantasy film|fantasy]] film directed by [[Guillermo del Toro]] and Mark Gustafson, with a screenplay by del&nbsp;Toro and [[Patrick McHale (artist)|Patrick McHale]] from a story by del Toro and [[Matthew Robbins (screenwriter)|Matthew Robbins]].<ref>{{cite web | url=https://www.animationmagazine.net/streaming/netflix-animation-at-annecy-entergalactic-premiere-date-new-pics-from-pinocchio-sea-beast/ | title=Netflix Blitz at Annecy: 'Entergalactic' Date; New Pics from 'Pinocchio,' 'Sea Beast'; 'LD+R' Featurette | date=15 June 2022 | access-date=15 June 2022 | archive-date=16 June 2022 | archive-url=https://web.archive.org/web/20220616110423/https://www.animationmagazine.net/streaming/netflix-animation-at-annecy-entergalactic-premiere-date-new-pics-from-pinocchio-sea-beast/ | url-status=live }}</ref> Loosely based on the 1883 Italian novel ''[[The Adventures of Pinocchio]]'' by [[Carlo Collodi]], and strongly influenced by [[Gris Grimly]]'s illustrations for a 2002 edition of the book, it reimagines the story of [[Pinocchio]], a wooden [[puppet]] who comes to life as the son of his carver [[Geppetto]]. It is "a story of love and disobedience as Pinocchio struggles to live up to his father's expectations, learning the true meaning of life", set in [[Fascist Italy (1922–1943)|Fascist Italy]] during the [[interwar period]] and [[World War II]].<ref>{{cite tweet|user=NetflixFilm| author=Netflix Film|date=19 August 2020|number=1296111254264668160|title=Set during the rise of Fascism in Mussolini's Italy, PINOCCHIO — a musical directed by del Toro and Mark Gustafson (FANTASTIC MR. FOX) with a score by Alexandre Desplat — is a story of love and disobedience as Pinocchio struggles to live up to his father's expectations.}}</ref> The film stars the voices of Gregory Mann and [[David Bradley (English actor)|David Bradley]] as the title character and [[Geppetto]] respectively, alongside [[Ewan McGregor]], [[Burn Gorman]], [[Ron Perlman]], [[John Turturro]], [[Finn Wolfhard]], [[Cate Blanchett]], [[Tim Blake Nelson]], [[Christoph Waltz]], and [[Tilda Swinton]]. A longtime passion project for del&nbsp;Toro, who considers that no other character ever "had as deep of a personal connection to [him]" as Pinocchio, the film was originally announced in 2008 aiming for a 2013 or 2014 release. However, it went into [[development hell]]. In January 2017, McHale, creator of ''[[Over the Garden Wall]]'', was announced to co-write the screenplay, but production was suspended in November 2017 as no studios were willing to provide financing. It was revived the following year after being acquired by [[Netflix]]. The film is dedicated to the memories of del&nbsp;Toro's parents. ''Pinocchio'' premiered at the [[BFI London Film Festival]] on October 15, 2022. It was released in [[Limited theatrical release|select theaters]] on November 9, 2022, and began [[Streaming media|streaming]] on Netflix on December 9. The film received critical acclaim for its animation, visuals, music, story, emotional weight and voice acting. It received numerous accolades, including a nomination for [[Academy Award for Best Animated Feature|Best Animated Feature]] at the [[95th Academy Awards]],<ref>[https://www.youtube.com/watch?v=dhdaLnKMJHA&t=227s 95th Oscar Nominations Announcement | Hosted by Riz Ahmed & Allison Williams on official YouTube channel]</ref> three nominations at the [[80th Golden Globe Awards]], winning [[Golden Globe Award for Best Animated Feature Film|Best Animated Feature Film]],<ref>[https://m.youtube.com/watch?v=TASL0ZwXw80 Guillermo del Toro's Pinocchio Wins Best Animated Motion Picture | 2023 Golden Globe Awards on NBC - official YouTube channel]</ref> Del Toro marks the first Latino to win the category as well as becoming the first animated film for a streaming service to win,<ref name=":0">{{Cite web |title=Guillermo del Toro Makes History with 2023 Golden Globes Win |url=https://www.netflix.com/tudum/articles/guillermo-del-toro-golden-globes-win-2023 |access-date=2023-01-22 |website=Netflix Tudum |language=en}}</ref> as well as the second stop-motion animated and non-[[Computer Animation|computer animated]] film to win after ''[[Missing Link (2019 film)|Missing Link]]'' (2019). ==Plot== [[File:Guillermo del Toro's Pinocchio exhibition at Cineteca Nacional - 4.tif|thumb|Resin sculpture of Pinocchio, along with a tiny sculpture of Sebastian J. Cricket on his right hand, used in Guillermo del Toro's film. Images from the exhibition of Guillermo del Toro's ''Pinocchio''. Esplanade of the Cineteca Nacional de México, Mexico City, Mexico]] In [[Kingdom of Italy|Italy]] during [[World War I]], the carpenter [[Geppetto]], twenty years after losing his son Carlo to an [[aerial bombardment]] by [[Austro-Hungarian Aviation Troops|Austro-Hungarian forces]], cuts down a [[pine tree]], which he uses to create a wooden boy in a fit of [[Alcoholism|drunken rage]] but passes out. The [[Fairy with Turquoise Hair|Wood Sprite]] brings the puppet to life, christening him [[Pinocchio]], and assigns [[The Talking Cricket|Sebastian J. Cricket]] to guide him as his conscience, promising Sebastian a wish in exchange. Geppetto wakes up to a living Pinocchio, but becomes terrified and fed up with his antics, resulting on the village [[Podestà#Facist era|Podestà]] ordering Geppetto to send Pinocchio to school. On his way, Pinocchio is intercepted by showman [[Mangiafuoco|Count Volpe]] and his monkey Spazzatura, who bring Pinocchio to their circus. However, Geppetto arrives to take Pinocchio back, ensuing a confrontation between him and Volpe that ends with Pinocchio being fatally hit by a truck. In the afterlife, he meets the Wood Sprite's sister [[Death (personification)|Death]] who explains to Pinocchio he is immortal and revives him when a hourglass empties, cautioning him that the more he dies, the more time he will spend in the afterlife. After returning to the mortal realm and having a heated argument with Geppetto, Pinocchio decides to earn money for Geppetto by performing in the circus as well as to avoid being conscripted into the [[Royal Italian Army during World War II]] by the Podestà. In an attempt to reinstate himself as the circus star, a jealous Spazzatura reveals to Pinocchio that Volpe is conning him out of the money he falsely promised to send to his father. Hearing this, Volpe viciously beats Spazzatura, upsetting Pinocchio, who tries to defend him. During a performance, in order to sabotage Volpe, Pinocchio sings a ridiculing song aimed at [[Benito Mussolini]], who orders Pinocchio be executed and the circus burned. Once revived, Pinocchio finds himself being taken by the Podestà to a [[Military recruit training|boot camp]], where other boys are trained to fight in the war. Pinocchio befriends the Podestà's son [[Candlewick (character)|Candlewick]] who is scared of disappointing his father. After a training game between two teams led by Pinocchio and Candlewick ends in a tie, the Podestà orders Candlewick to shoot Pinocchio. Candlewick refuses and finally stands up to his father. The training camp is then bombed by Allied aircraft, killing the Podestà, while Candlewick and the other boys flee. Pinocchio is captured by Volpe, who tries to [[Death by burning|burn him to death]] as revenge for ruining his career. Spazzatura defends Pinocchio, resulting in Volpe falling off a cliff to his death alongside Pinocchio and Spazzatura during a struggle with the monkey. Despite Spazzatura saving Pinocchio from drowning, both are swallowed by a [[The Terrible Dogfish|giant dogfish]]. Inside the monster's belly, Pinocchio and Spazzatura find Geppetto and Sebastian, who were also swallowed during their search for Pinocchio. Thanks to an idea by Sebastian, Pinocchio lies to make his nose grow into a large branch, thus forming a bridge leading out of the monster's blowhole. Making their escape as the monster attempts to eat them again, Pinocchio sacrifices himself by detonating a [[naval mine]] inside the monster, killing them both. Upon meeting Death again, Pinocchio demands to be sent back early to save Geppetto from drowning. Death warns him that doing so will make him mortal, but Pinocchio breaks the hourglass to return, and ends up drowning while saving his father. The Wood Sprite reappears to a mourning Geppetto and Sebastian uses his wish to make her revive Pinocchio. Pinocchio returns home with his father, Sebastian and Spazzatura to live together as a family. Outliving all of his loved ones, Pinocchio decides to travel the world. During the credits, Sebastian sings a song for The Black Rabbits in the afterlife that he’d been attempting to sing throughout the film, indicating on how Sebastian narrated the whole film’s events to them. ==Voice cast== * Gregory Mann as: ** [[Pinocchio]], an exuberant and rowdy living wooden [[puppet]].<ref name="Breznican" /> ** Carlo, Geppetto's deceased son who was killed in a [[bombing raid]]. He is named after [[Carlo Collodi]], author of the original book. * [[Ewan McGregor]] as [[Talking Cricket|Sebastian J. Cricket]], a traveling [[Cricket (insect)|cricket]] and the [[narration|narrator]] of the story, who lives inside Pinocchio as his guide and conscience.<ref name="Breznican">{{cite magazine |last=Breznican |first=Anthony |date=14 June 2022 |title=Guillermo del Toro's Pinocchio Carves a New Path: An Exclusive First Look |url=https://www.vanityfair.com/hollywood/2022/06/guillermo-del-toro-pinocchio-first-look/ |magazine=Vanity Fair |access-date=14 June 2022 |archive-date=14 June 2022 |archive-url=https://web.archive.org/web/20220614150851/https://www.vanityfair.com/hollywood/2022/06/guillermo-del-toro-pinocchio-first-look |url-status=live }}</ref> * [[David Bradley (English actor)|David Bradley]] as Master [[Geppetto]], Pinocchio's father, a heartbroken Italian woodcarver grieving his deceased son Carlo.<ref name="Breznican"/> * [[Christoph Waltz]] as Count Volpe, a conniving and cruel former aristocrat-turned-[[Puppeteer|puppet master]], [[con artist]], and [[Ringmaster (circus)|ringmaster]] living in destitution. His name means "fox" in Italian and he is a combination of [[The Fox and the Cat|the Fox]], [[Mangiafuoco]], and the Ringmaster from the original Pinocchio story.<ref name="Breznican"/> * [[Tilda Swinton]] as: ** The [[Fairy with Turquoise Hair|Wood Sprite]], a wise magical fairy who gives Pinocchio life.<ref>{{cite web | url=https://netflixqueue.com/guillermo-del-toro-pinocchio | title=Guillermo del Toro's Pinocchio Puts a Fantastical Spin on a Classic Tale }}</ref> Her appearance is a humanoid with eight wings that have eyes on them and a feathered snake-like tail. ** [[Death (personification)|Death]], the Wood Sprite's sister who oversees the afterlife. Her appearance is a [[Chimera (mythology)|Chimera]] with the face of a human, the horns of a [[African buffalo|cape buffalo]] with eyes on them, the lower horns of a [[Jacob sheep]], the body of a [[lion]], the wings of an [[eagle]] with eyes on them, and a two-headed [[snake]]-like tail. * [[Cate Blanchett]] as Spazzatura, Count Volpe's mistreated [[monkey]] assistant.<ref name="Breznican" /> His name means "trash" or "garbage" in Italian and he is the film's counterpart of [[The Fox and the Cat|the Cat]] from the original Pinocchio story. Spazzatura can only speak through the puppets he operates. * [[Ron Perlman]] as the [[Podestà#Fascist era|Podestà]], a strict [[Italian fascism|fascist]] government official who turns Pinocchio into a soldier.<ref name="Breznican" /> He is the film's counterpart of [[the Coachman]] from the original story. * [[Finn Wolfhard]] as [[Candlewick (character)|Candlewick]], the Podestà's son, who bullies Pinocchio before befriending him.<ref name="Breznican" /> * [[Burn Gorman]] as the Priest, a [[Catholic Church in Italy|Roman Catholic]] priest at Geppetto's village who’s also his former client. * [[John Turturro]] as the Dottore, a doctor at Geppetto's village who examines Pinocchio. * [[Tim Blake Nelson]] as the Black Rabbits, a flock of black rabbits with skeletal bodies who work for Death. They are based on the Undertaker Rabbits from the original story. * [[Tom Kenny]] as: ** [[Benito Mussolini]], [[Il Duce|the leader]] of [[Fascist Italy (1922–1943)|Fascist Italy]]. ** Benito Mussolini's right-hand man ** A [[sea captain]] with a hook for a hand and a peg leg who tells Geppetto and Sebastian about the [[The Terrible Dogfish|Dogfish]]. ==Production== ===Development=== [[File:Guillermo del Toro by Gage Skidmore 3.jpg|thumb|upright|[[Guillermo del Toro]] conceived initial ideas for his own ''Pinocchio'' adaptation in 2003 and has been working on the film since 2008]] In 2008, [[Guillermo del Toro]] announced that his next project, a darker adaptation of the Italian novel ''[[The Adventures of Pinocchio]]'', was in development.<ref>{{cite web|url=http://www.slashfilm.com/guillermo-del-toros-next-film-to-be-horror-also-producing-stop-motion-pinocchio-and-horror-anthology-tv-series/|title=Guillermo del Toro's Next Film to be Horror; Also Producing Stop-Motion Pinocchio and Horror Anthology TV Series - /Film |work=Slashfilm |first=Russ |last=Fischer |date=23 July 2010 }}</ref> He has called ''Pinocchio'' his "passion project", stating: "No art form has influenced my life and my work more than animation, and no single character in history has had as deep of a personal connection to me as Pinocchio", and "I've wanted to make this movie for as long as I can remember".<ref>{{cite web |url= https://artchive.ru/it/news/3675~Longawaited_Pinocchio_by_Guillermo_del_Toro_will_finally_become_a_movie_at_Netflix |title= Long-awaited 'Pinocchio' by Guillermo del Toro will finally become a movie at Netflix |website= artchive.ru |date= 31 October 2018 |access-date= 14 July 2020 |archive-date= 15 July 2020 |archive-url=https://web.archive.org/web/20200715061840/https://artchive.ru/it/news/3675~Longawaited_Pinocchio_by_Guillermo_del_Toro_will_finally_become_a_movie_at_Netflix |url-status= live }}</ref> When he was a child, del Toro saw and liked [[Walt Disney]]'s [[Pinocchio (1940 film)|1940 animated film adaptation]] in [[Guadalajara]], Mexico, partially because he felt it like a "[[horror movie]]" in its own way due to a few intense moments it included. Since his teen years, he had longed to make his own version of the story. In 2003, del Toro discovered [[Gris Grimly]]'s illustrations for the 2002 edition of [[Carlo Collodi]]'s book, portraying Pinocchio as a puppet with a long, pointed nose and spindly limbs, with gestures that del Toro felt captured the energy of an unruly but otherwise goodhearted puppet. He concluded that Grimly's illustrations reflected the setting he had in mind for his own, more somber version of Collodi's tale.<ref name="McIntyre">{{cite web|first=Gina|last=McIntyre|title=Guillermo del Toro's Pinocchio|url=https://netflixqueue.com/guillermo-del-toro-pinocchio|date=August 16, 2022|website=Netflix Queue|access-date=December 8, 2022|archive-date=August 24, 2022|archive-url=https://web.archive.org/web/20220824153147/https://netflixqueue.com/guillermo-del-toro-pinocchio|url-status=live}}</ref> On February 17, 2011, it was announced that Grimly and Mark Gustafson would co-direct a [[stop motion|stop-motion animated]] ''Pinocchio'' film written by del Toro and his long-time collaborator [[Matthew Robbins (screenwriter)|Matthew Robbins]], and that it would be visually based by Grimly's designs. Del Toro would produce the film along with [[The Jim Henson Company]] and [[Pathé]].<ref name="Fleming">{{cite web|first=Mike Jr.|last=Fleming|title=Guillermo Del Toro Starting Stop-Motion 'Pinocchio' Feature With Henson And Pathe|url=https://deadline.com/2011/02/guillermo-del-toro-starting-stop-motion-pinocchio-feature-with-henson-and-pathe-107195/|date=February 17, 2011|website=[[Deadline Hollywood]]|access-date=October 19, 2019|archive-date=February 23, 2021|archive-url=https://web.archive.org/web/20210223225815/https://deadline.com/2011/02/guillermo-del-toro-starting-stop-motion-pinocchio-feature-with-henson-and-pathe-107195/|url-status=live}}</ref> Grimly devised Pinocchio's look for the film, depicting him as unfinished wood.<ref name="Breznican" /> Though Grimly was initially set to direct the film and del Toro was set to produce it,<ref name="McIntyre" /> on May 17, 2012, del Toro took over as director.<ref>{{cite web|first=Justin|last=Kroll|title=Del Toro to helm 'Pinocchio' for Jim Henson Co.|url=https://variety.com/2012/film/news/del-toro-to-helm-pinocchio-for-jim-henson-co-1118053758/|date=May 17, 2012|website=[[Variety (magazine)|Variety]]|access-date=October 19, 2019|archive-date=June 8, 2019|archive-url=https://web.archive.org/web/20190608194109/https://variety.com/2012/film/news/del-toro-to-helm-pinocchio-for-jim-henson-co-1118053758/|url-status=live}}</ref> He then teamed up with Gustafson, a stop-motion veteran who had experience in similar stop-motion features like ''[[Fantastic Mr. Fox (film)|Fantastic Mr. Fox]]'' (2009), to assist him in achieving his ambitious vision for the project.<ref name="McIntyre" /> In February 2012, del Toro released some concept art of [[Pinocchio]], [[Geppetto]], the [[Talking Cricket]], [[Mangiafuoco]], and [[the Fox and the Cat]].<ref>{{cite web |url=https://collider.com/guillermo-del-toro-pinocchio-images/ |title=New Artwork from Guillermo del Toro's Stop-Motion Animated PINOCCHIO |website=Collider |first= Adam |last= Chitwood |date=7 June 2012 }}</ref> On July 30, 2012, it was announced that the film would be produced and animated by [[ShadowMachine]]. It was originally scheduled to be released in 2013 or 2014,<ref name=ScreenRant>{{cite web |url= https://screenrant.com/guillermo-del-toro-direct-pinocchio-movie/amp/ |title= Guillermo del Toro to Co-Direct 3D Stop-Motion 'Pinocchio' Flick |first= Sandy |last= Schaefer |date= 10 May 2012 |website= [[ScreenRant]] |access-date= 14 March 2021 |archive-date= 9 July 2021 |archive-url= https://web.archive.org/web/20210709182507/https://screenrant.com/guillermo-del-toro-direct-pinocchio-movie/amp/ |url-status= live }}</ref> but went into [[development hell]], with no further information forthcoming about it for years. On January 23, 2017, ''[[Over the Garden Wall]]'' (2014) creator [[Patrick McHale (artist)|Patrick McHale]] was announced to co-write the script with del Toro.<ref>{{cite web|first=Dave|last=Trumbore|title=Guillermo del Toro's Stop-Motion Movie 'Pinocchio' Adds 'Over the Garden Wall' Creator|url=https://collider.com/guillermo-del-toro-pinocchio-patrick-mchale/|date=January 23, 2017|website=[[Collider (website)|Collider]]|access-date=October 19, 2019|archive-date=October 19, 2017|archive-url=https://web.archive.org/web/20171019124204/http://collider.com/guillermo-del-toro-pinocchio-patrick-mchale|url-status=live}}</ref> On August 31, 2017, del Toro told [[IndieWire]] at the [[74th Venice International Film Festival]] that the film would need a budget increase of $35 million or it would be cancelled.<ref>{{cite web|first=Zack|last=Sharf|title=Guillermo del Toro's 'Pinocchio' Isn't Dead Yet, But He Needs $35 Million to Make It|url=https://www.indiewire.com/2017/08/guillermo-del-toro-pinocchio-details-budget-1201871966/|date=August 31, 2017|website=IndieWire|access-date=November 25, 2019|archive-date=February 6, 2020|archive-url=https://web.archive.org/web/20200206131227/https://www.indiewire.com/2017/08/guillermo-del-toro-pinocchio-details-budget-1201871966/|url-status=live}}</ref> On November 8, 2017, he reported that the project was not happening because no studios were willing to finance it.<ref>{{cite web|url=https://screenrant.com/guillermo-del-toro-pinocchio-canceled/|title=Guillermo del Toro's Pinocchio Movie Is 'Not Happening'|work=[[Screen Rant]]|date=November 8, 2017|access-date=November 11, 2017|archive-url=https://web.archive.org/web/20171111152338/https://screenrant.com/guillermo-del-toro-pinocchio-canceled/#|archive-date=2017-11-11|url-status=live}}</ref> At one point, Matthew Robbins considered making a 2D-animated version of the film with French artist [[Joann Sfar]] to bring the costs down, but del Toro decided that it had to be stop-motion, even if the higher budget made it harder to get it [[Green-light|greenlit]].<ref>{{Cite web |url=https://www.syfy.com/syfywire/guillermo-del-toro-pinocchio-matthew-robbins-exclusive |title=Guillermo del Toro's Pinocchio 'as far as you can get' from Disney version, says one of film's writers - Syfy Wire |date=October 27, 2020 |access-date=2020-10-27 |archive-date=2021-05-11 |archive-url=https://web.archive.org/web/20210511043531/https://www.syfy.com/syfywire/guillermo-del-toro-pinocchio-matthew-robbins-exclusive |url-status=live }}</ref> On October 22, 2018, it was announced that the film had been revived, with [[Netflix]] acquiring it, and Pathé no longer involved.<ref>{{cite web|first=Brent|last=Lang|title=Guillermo del Toro Directing 'Pinocchio' for Netflix|url=https://variety.com/2018/film/news/guillermo-del-toro-pinocchio-netflix-1202987621/|date=October 22, 2018|website=Variety|access-date=October 19, 2019|archive-date=September 27, 2019|archive-url=https://web.archive.org/web/20190927104414/https://variety.com/2018/film/news/guillermo-del-toro-pinocchio-netflix-1202987621/|url-status=live}}</ref> Almost all the years of development were spent by del Toro and Gustafson defining the designs for the principal characters, basing them on either Grimsly's designs or letting del Toro's frequent collaborator [[Guy Davis (comics)|Guy Davis]], who joined the project as co-production designer with ''[[The Boxtrolls]]'' (2014) and ''[[Isle of Dogs (film)|Isle of Dogs]]'' (2018) art director Curt Enderle, to design them. They then gave the animation models to England's Mackinnon & Saunders stop-motion puppet firm, which is considered by del Toro to be the "best in the world", and they fabricated the designs of Pinocchio, Gepetto, Sebastian J. Cricket, Count Volpe, and Spazzatura the Monkey.<ref name="McIntyre" /> The antagonist Count Volpe is a combination of Mangiafuoco and the Fox from the original story. Mangiafuoco was originally supposed to appear in the movie as an antagonist, but he was removed halfway through production as del Toro disliked the character and thought he was a [[cliché]]; as a character model had already been made for Mangiafuoco, to not waste the model, Mangiafuoco's original design was used as a background character for Volpe's circus as a strongman.<ref>{{cite book |url=https://screenrant.com/guillermo-del-toro-pinocchio-villain-production-change/ |title= Pinocchio's Main Villain Was Changed Halfway Through Production|website=ScreenRant |first=Jerome |last=Casio |date=12 December 2022 }}</ref><ref name="NetflixMakingOf">''Guillermo del Toro's Pinocchio: Handcarved Cinema'' (2022)</ref> The Cat, who was shown in a concept art, was replaced by Spazzatura, while the [[Land of Toys]] was replaced with an Italian kids training camp.<ref>{{cite web |url=https://screenrant.com/guillermo-del-toro-pinocchio-disney-toyland-scene-change/ |title= Del Toro's Pinocchio Removes The Scariest Disney Scene (& Makes It Worse!)|website=ScreenRant |first=Robert |last=Pitman }}</ref> ===Writing=== {{quote box | width = 33% | align = left | quote = To me, it's essential to counter the idea that you have to change into a flesh-and-blood child to be a real human. All you need to be human is to really behave like one, you know? I have never believed that transformation [should] be demanded to gain love. | source = – Guillermo del Toro's thoughts on the film's core idea<ref name="Breznican" /> }} Guillermo del Toro was intrigued by similarities between Collodi's ''The Adventures of Pinocchio'' and [[Mary Shelley]]'s ''[[Frankenstein]]''. Both tell of a childlike figure, brought to life and thrown into the world by a father figure who expects him to discover, on his own, the qualities that make us human, such as love and the capacity to distinguish between right and wrong. These themes reminded del Toro of his childhood. ''Frankenstein'' partly inspired del Toro to give his ''Pinocchio'' a [[Gothic fiction|gothic]] direction, but the film was still crafted to be family friendly. He sought to make connections across generations, and convey compassion, a value del Toro feels is essential for children faced with the tremendous complexity of today's world.<ref name="Breznican" /> In del Toro's ''Pinocchio'', the wood used to construct the puppet is carved from a tree that grows over the grave of Carlo, Gepetto's son. Pinocchio's arrival provides his grief-blinded father another opportunity for fatherhood. However, Pinocchio is rowdy, exuberant, and wild, in contrast to the well-behaved and docile Carlo. The characterization of Sebastian J. Cricket, the talking cricket, is also changed. Sebastian somewhat ponderously takes on the role of Pinocchio's conscience. His self-importance annoys Pinocchio, causing him to escape Sebastian's supervision. The cricket comes to see that Pinocchio must discover certain things for himself, such as love, humility, and how to behave. As in the original book, Sebastian is "killed" a number of times over the duration of the film, but always comes back in order to fulfill his [[character arc]].<ref name="Breznican" /> Del Toro did not wish to overly rely upon magical creatures in the film. Desiring more realism, he eliminated the Fox, the Cat, and the Land of Toys. Also, del Toro created Count Volpe, as an homage to, and an amalgamation of, the Fox and Mangiafuoco. In the donkey subplot, [[the Coachman]] is replaced by the [[Podestà]], a [[Italian fascism|fascist]] official who, realizing that Pinocchio cannot be killed, strives to recruit him into [[Royal Italian Army|Italy's military]]. [[Candlewick (character)|Candlewick]] is changed into a bully who eventually redeems himself.<ref name="Breznican" /> Most versions of the story take place in a [[fairy tale]] environment. Del Toro's film resituates the story in [[Fascist Italy (1922–1943)|Fascist Italy]] between [[World War I]] and [[World War II]], during the rise of [[Benito Mussolini]]. Pinocchio thus awakens in a society of people who behave like obedient puppets. By contrast, Pinocchio is independent and irrepressible.<ref name="Breznican" /> He cannot bring himself to abide by the rules or submit to authority figures, even when he encounters Mussolini himself, and then the spirit of [[Death (personification)|Death]], in [[limbo]]. Gustafson was drawn to this characterization of Pinocchio, newly born, arriving in the world fresh and unaware of consequences. Over the course of the narrative, Pinocchio awakens to his latent humanity, and in the end chooses to become mortal in order to save the life of Gepetto.<ref name="McIntyre" /> Del Toro chose to move away the original book's apparent agenda, which seemed to seek to repress the spirits of children. It seemed to encourage blind obedience, to parents and other authority figures. He saw the development of Pinocchio's autonomy as a virtue. Del Toro's film is oriented around self discovery and moral agency. Del Toro's sought to explore aspects of father-son relationships, such as Gepetto's initial inability to accept Pinocchio as his own being, more than just Carlo's replacement. Gepetto struggles with guilt about the disruptiveness of the "freakish monster" that the town rejects initially.<ref name="Breznican" /> Some themes of this work may seen in previous works such as ''[[The Devil's Backbone]]'' (2001), ''[[Pan's Labyrinth]]'' (2006), and ''[[The Shape of Water]]'' (2017). These three films also explore the humanity of those, like Pinocchio, who are perceived as different.<ref name="McIntyre" /> Most previous renditions of this story feature the necessity of physical transmutation from wooden puppet to flesh and blood. Del Toro explicitly rejects this concept, that Pinocchio must physically change in order to be loved by his father and find happiness. The film asserts that the essence of humanity lies in the feelings of interiority and the expressions of exteriority, especially as behavior.<ref name="Breznican" /> Pinocchio is therefore unconcerned with whether or not he turns into a "real boy". The basis of the transformation is instead Geppetto's journey to accepting and loving Pinocchio for who he is. In the end, he loves him as fiercely as he did Carlo. This reminded del Toro of his relationship with his father Federico.<ref name="McIntyre" /> ===Casting=== {{Multiple image | perrow = 3 | total_width = 300 | image1 = Ewan McGregor Cannes 2012.jpg | width1 = 600 | height1 = 720 | image2 = David Bradley by Gage Skidmore 2.jpg | width2 = 600 | height2 = 700 | image3 = Tilda Swinton Viennale 2018.jpg | width3 = 600 | height3 = 720 | image4 = Ron Perlman 2022 (cropped).jpg | width4 = 600 | height4 = 720 | image5 = Cate Blanchett Cannes 2018 2 (cropped).jpg | width5 = 600 | height5 = 700 | image6 = Christoph Waltz Viennale 2017 f (cropped).jpg | width6 = 600 | height6 = 720 | footer = Several of the actors, such as [[Ewan McGregor]], [[David Bradley (English actor)|David Bradley]], [[Tilda Swinton]], [[Ron Perlman]], [[Cate Blanchett]] and [[Christoph Waltz]], were cast in diverse roles, either as characters from the original story such as the [[Talking Cricket]] and [[Geppetto]] or new characters such as the ''[[Podestà]]'', Spazzatura and Count Volpe. }} In assembling the film's voice cast, del Toro and Gustafson selected multiple [[Academy Award]] winners and gifted performers with past creative ties with the former.<ref name="McIntyre" /> [[Daniel Radcliffe]], [[Tom Waits]] and [[Christopher Walken]] were originally considered to star in the film. Waits was reportedly considered to voice Geppetto and del Toro was reported by ''[[/Film]]'' to be floating up casting Walken as the Fox, though he was also considering [[Donald Sutherland]] for that part. Radcliffe would later instead remain as executive producer of the film.<ref>{{cite web|url=https://www.slashfilm.com/guillermo-del-toro-approached-daniel-radcliffe-tom-waits-christopher-walken-pinocchio/|title=Guillermo Del Toro Approached by Daniel Radcliffe, Wants Tom Waits and Christopher Walken for 'Pinocchio'|date=May 18, 2012|access-date=April 30, 2020|archive-date=July 9, 2021|archive-url=https://web.archive.org/web/20210709181810/https://www.slashfilm.com/guillermo-del-toro-approached-daniel-radcliffe-tom-waits-christopher-walken-pinocchio/|url-status=live}}</ref> Early on during the film's development, del Toro first approached [[John Hurt]], with whom he had worked on ''[[Hellboy (2004 film)|Hellboy]]'' (2004) and ''[[Hellboy II: The Golden Army]]'' (2008), to voice Gepetto, but Hurt eventually died in 2017 long before any recordings for the film could begin.<ref>{{cite web|url=https://culturaimpaciente.com/cine/10-curiosidades-sobre-pinocchio-de-guillermo-del-toro|title=10 curiosidades sobre ''Pinocchio'' de Guillermo del Toro|date=December 19, 2022|access-date=December 22, 2022|archive-date=|archive-url=|url-status=}}</ref> On January 31, 2020, it was announced [[Ron Perlman]], [[Tilda Swinton]], [[Ewan McGregor]], [[Christoph Waltz]] and [[David Bradley (English actor)|David Bradley]] had joined the cast of the film.<ref name="Casting">{{cite web|url=https://naekranie.pl/artykuly/david-bradley-nie-chcialem-byc-znany-jedynie-jako-facet-z-harryego-pottera-wywiad|title=David Bradley: Nie chciałem być znany jedynie jako facet z Harry'ego Pottera [WYWIAD]|date=January 31, 2020|access-date=January 31, 2020|archive-date=January 31, 2020|archive-url=https://web.archive.org/web/20200131201828/https://naekranie.pl/artykuly/david-bradley-nie-chcialem-byc-znany-jedynie-jako-facet-z-harryego-pottera-wywiad|url-status=live}}</ref> Bradley was chiefly cast due to his previous collaborations with del Toro on the television shows ''[[The Strain (TV series)|The Strain]]'' and ''[[Trollhunters: Tales of Arcadia]]''. He felt his role as Geppetto was a "real emotion rollercoaster" of a part, feeling it to resemble more ''[[King Lear]]'' than the ''Pinocchio'' story he had heard as a child.<ref name="McIntyre" /> Perlman was originally cast to voice Mangiafuoco, but once del Toro decided to remove the character in favor of Count Volpe, Perlman was recast as the ''Podestà'' while Waltz was cast as Volpe, who del Toro regards as the film's closest character to the [[Devil]], a more over-the-top character than the Fox and the Cat and a comically evil man who seems like taken out from the cartoonish and fantastical tone of the original book.<ref name="NetflixMakingOf" /> On August 19, 2020, Gregory Mann, [[Cate Blanchett]], [[Tim Blake Nelson]], [[Finn Wolfhard]], [[John Turturro]] and [[Burn Gorman]] were added to the cast.<ref>{{cite web|url=https://www.deadline.com/2020/08/guillermo-del-toro-netflix-pinocchio-movie-cate-blanchett-ewan-mcgregor-tilda-swinton-more-round-out-cast-1203017507/|title=Cate Blanchett, Ewan McGregor, Tilda Swinton & More Round Out Cast For Guillermo del Toro Netflix 'Pinocchio' Movie|website=Deadline Hollywood|first=Anthony|last=D’Alessandro|date=August 19, 2020|access-date=August 19, 2020|archive-date=August 19, 2020|archive-url=https://web.archive.org/web/20200819163433/https://deadline.com/2020/08/guillermo-del-toro-netflix-pinocchio-movie-cate-blanchett-ewan-mcgregor-tilda-swinton-more-round-out-cast-1203017507/|url-status=live}}</ref> For Pinocchio, del Toro sought a child actor who sounded like an ordinary young boy instead of a cute one, which led him to cast Mann due to his phenomenal vocal range that made him sound like a natural child, yet one absolutely emotional.<ref name="McIntyre" /> Mann's vocal performance as the title character gave him a "silly and sunny" personality who longs to learn about the world and meet everyone, but given how he was created with the wood of the tree next to Carlo's grave, his roots are somewhat sad.<ref name="Breznican" /> Wolfhard is not particularly fond of voice acting due to feeling himself not as proficient as professional voice actors but felt relaxed enough due to being able to record some of his lines as Candlewick together with Mann, as he felt that he performs voice acting better with people around instead of alone in a recording booth, crediting del Toro and Gustafson for allowing him that.<ref>{{cite web |url=https://screenrant.com/pinocchio-finn-wolfhard-gregory-mann-interview/ |title=Pinocchio's Finn Wolfhard & Gregory Mann On Working With Guillermo Del Toro |website=ScreenRant |first=Tatiana |last=Hullender }}</ref> Blanchett approached del Toro about joining the film as they worked together on ''[[Nightmare Alley (2021 film)|Nightmare Alley]]'' (2021); he told her that all roles had already been cast minus that of Spazzatura the Monkey, which Blanchett gladly accepted as long as she could re-team with del Toro. She also suggested that the monkey was her spirit animal as del Toro prepared to commence production of ''Pinocchio'' to ensure her casting. For the role, Blanchett performed the voice-over shot-by-shot instead of making different emotion sounds to be edited later on like it is usually done in other productions.<ref>{{cite web|url=https://www.moviemaker.com/cate-blanchett-monkey-pinocchio-spirit-animal-guillermo-del-toro/|title=Cate Blanchett Voices the Monkey in Guillermo del Toro's Pinocchio, and She Calls It Her Spirit Animal|website=MovieMaker|first=Margeaux|last=Sippell|date=November 18, 2022|access-date=December 22, 2022|archive-date=|archive-url=|url-status=}}</ref> ===Filming=== Filming commenced at the [[Portland, Oregon]] offices of ShadowMachine by January 31, 2020.<ref name="McIntyre" /><ref name="Casting" /> Production continued through early Summer 2022, with some select sequences being handled by del Toro's own Centro Internacional de Animación (CIA) local studio, settled on [[Guadalajara, Mexico]] since 2019 to foster local talent from Mexico. All sets, props and character costumes were crafted to the same historial and realistic standards del Toro's live-action work has often contained, hence the production's decision to not overly stylize buildings through methods like stylizing them in a curvy, stretched and leaning way, leading to a mix of stop-motion and live-action styles that support the film's themes. Animators were also encouraged to achieve [[Naturalism (philosophy)|naturalistic]] performances from the puppets by making them "commit mistakes" like itching, sneezing or looking away if embarrassed or scared in order to shoot the characters thinking and listening, traits not usually shot in animation.<ref name="McIntyre" /> For Count Volpe's carnival, Davis and Enderle drew from the reference material library collected for del Toro's previous film ''Nightmare Alley'', which prominently starred a 1930s carnival and in which Davis had previously worked as a concept artist, even though that film's carnival was one settled in the [[American Midwest]] rather than in [[Europe]], so despite the great overlap between American and European carnivals, the filmmakers developed looks for both carnivals that were similarly downtrodden and threadbare. Some ''Nightmare Alley'' early shots featuring [[Bradley Cooper]]'s Stanton Carlisle arriving at the carnival inspired the sequence that establishes Volpe's carnival.<ref>''Guillermo del Toro's Pinocchio: A Timeless Tale Told Anew''</ref> The afterlife sequences and the end credits scene were animated by studio El Taller de Chucho in Guadalajara, [[Mexico]].<ref>{{cite web|url=https://elpais.com/mexico/2022-11-24/dentro-del-taller-de-animacion-donde-pinocho-cobro-vida-en-mexico.html|title=Dentro del taller de animación donde 'Pinocho' cobró vida en México|website=El País|first=Constanza|last=Lambertucci|date=November 24, 2022|access-date=November 28, 2022}}</ref> ===Visual effects=== The film's production quality was formed through the ornate detail of the sets and characters with their own textures in order to reinterpret Collodi's work in a way that differed from the [[The Walt Disney Company|Disney]] animated version. Del Toro told ''[[Vanity Fair (magazine)|Vanity Fair]]'': "I have been very vocal about my admiration and my great, great love for Disney all my life, but that is an impulse that actually makes me move away from that version. I think it is a pinnacle of [[Walt Disney Animation Studios|Disney animation]]. It’s done in the most beautiful, [[Traditional animation|hand-drawn 2D animation]]".<ref name="Breznican" /> He saw as "beautiful" the idea of using puppets to create a movie about a puppet, while pushing the boundaries of stop-motion as much as possible to create a "heartfelt" movie any audience could watch.<ref name="McIntyre" /> [[Moving Picture Company]] worked on the visual effects, with Bot VFX and Mist VFX. ===Music=== {{main|Pinocchio (Soundtrack from the Netflix Film)}} On January 8, 2020, [[Alexandre Desplat]] started composing the film's score and original songs.<ref name="Desplat">{{cite web|title=Alexandre Desplat to Reteam with Guillermo del Toro on Netflix Animated Movie 'Pinocchio'|url=http://filmmusicreporter.com/2020/01/08/alexandre-desplat-to-reteam-with-guillermo-del-toro-on-netflix-animated-movie-pinocchio/|date=January 8, 2020|website=Film Music Reporter|access-date=January 8, 2020|archive-date=February 7, 2020|archive-url=https://web.archive.org/web/20200207041945/http://filmmusicreporter.com/2020/01/08/alexandre-desplat-to-reteam-with-guillermo-del-toro-on-netflix-animated-movie-pinocchio/|url-status=live}}</ref> It is Desplat's and del Toro's second collaboration, after ''The Shape of Water''.<ref name="Desplat"/> Roeban Katz was the [[lyricist]].<ref name="McIntyre" /> On August 23, 2012, [[Nick Cave]] was attached to compose the score, but he was replaced by Desplat eight years later.<ref>{{cite web|first=Christina|last=Radish|title=Screenwriter/Composer Nick Cave Talks LAWLESS, Transitioning into Screenwriting, Guillermo del Toro's PINOCCHIO, THE THREEPENNY OPERA, and More|url=https://collider.com/nick-cave-lawless-pinocchio-interview/|date=August 23, 2012|website=Collider|access-date=October 19, 2019|archive-date=July 14, 2020|archive-url=https://web.archive.org/web/20200714000320/https://collider.com/nick-cave-lawless-pinocchio-interview/|url-status=live}}</ref> ==Release== In November 2018, Netflix set the film's release date for 2021.<ref>{{cite web |last=Trumbore |first=Dave |date=November 6, 2018 |title=Netflix Sets Guillermo del Toro's 'Pinocchio' and Henry Selick's 'Wendell & Wild' for 2021 |url=https://collider.com/guillermo-del-toro-pinocchio-release-date/ |url-status=live |archive-url=https://web.archive.org/web/20181106231721/https://collider.com/guillermo-del-toro-pinocchio-release-date/ |archive-date=November 6, 2018 |access-date=October 19, 2019 |website=Collider}}</ref> In January 2021, Netflix CEO [[Ted Sarandos]] revealed that the release could be moved to 2022 or later, with Netflix's notion of releasing six animated films a year.<ref>{{cite web |last=De Wit |first=Alex |date=January 14, 2021 |title=Netflix Unveils 2021 Animated Film Slate, Including Sony Pictures Animation's 'Wish Dragon' And Two Aardman Specials |url=https://www.cartoonbrew.com/streaming/netflix-unveils-2021-animated-film-slate-including-sony-pictures-animations-wish-dragon-and-two-aardman-specials-200798.html |url-status=live |archive-url=https://web.archive.org/web/20210429151215/https://www.cartoonbrew.com/streaming/netflix-unveils-2021-animated-film-slate-including-sony-pictures-animations-wish-dragon-and-two-aardman-specials-200798.html |archive-date=April 29, 2021 |access-date=February 11, 2021 |website=[[Cartoon Brew]]}}</ref> In December 2021, del Toro stated it will be released in the last quarter of 2022.<ref>{{cite web |last=Mancuso |first=Vinnie |date=December 1, 2021 |title=Exclusive: Guillermo del Toro Offers Update on His 'Frankenstein'-Inspired 'Pinocchio', Reveals Release Window |url=https://collider.com/guillermo-del-toro-pinocchio-release-window-comments/ |url-status=live |archive-url=https://web.archive.org/web/20211202062158/https://collider.com/guillermo-del-toro-pinocchio-release-window-comments/ |archive-date=December 2, 2021 |access-date=December 2, 2021 |website=[[Collider (website)|Collider]]}}</ref> In January and July 2022, with the release of the film's first teaser, it was announced for a December release.<ref>{{cite web |last=Sharf |first=Zack |date=January 24, 2022 |title=Guillermo del Toro's 'Pinocchio' Debuts First Stop-Motion Footage, Netflix Sets December Release |url=https://variety.com/2022/film/news/pinocchio-guillermo-del-toro-netflix-trailer-1235161455/ |url-status=live |archive-url=https://web.archive.org/web/20220301093744/https://variety.com/2022/film/news/pinocchio-guillermo-del-toro-netflix-trailer-1235161455/ |archive-date=March 1, 2022 |access-date=January 24, 2022 |website=Variety}}</ref> ''Pinocchio'' premiered at the [[BFI London Film Festival]] on October 15, 2022.<ref>{{cite web |url=https://www.hollywoodreporter.com/movies/movie-news/lff-2022-pinocchio-guillermo-del-toro-1235209277/ |title=Guillermo Del Toro's 'Pinocchio' to Get London Film Festival World Premiere |website=[[The Hollywood Reporter]] |last=Szalai |first=Georg |date=August 31, 2022 |access-date=August 31, 2022 |archive-date=August 31, 2022 |archive-url=https://web.archive.org/web/20220831095037/https://www.hollywoodreporter.com/movies/movie-news/lff-2022-pinocchio-guillermo-del-toro-1235209277/ |url-status=live }}</ref><ref name="whatson.bfi.org.uk">{{Cite web |url=https://whatson.bfi.org.uk/lff/Online/default.asp?BOparam::WScontent::loadArticle::permalink=guillermodeltorospinocchio |title=Guillermo del Toro's Pinocchio at BFI London Film Festival |access-date=2022-09-01 |archive-date=2022-09-01 |archive-url=https://web.archive.org/web/20220901162432/https://whatson.bfi.org.uk/lff/Online/default.asp?BOparam::WScontent::loadArticle::permalink=guillermodeltorospinocchio |url-status=live }}</ref> It debuted in the United States at the 2022 [[AFI Fest]] on November 5, 2022.<ref>{{cite web | url=https://deadline.com/2022/09/afi-fest-2022-red-carpet-movies-list-lineup-1235122945/ | title=AFI Fest Adds 'Bardo', 'The Son', 'She Said', 'Guillermo del Toro's Pinocchio', More to Red Carpet Lineup | date=20 September 2022 }}</ref> It was released in select cinemas on November 9, 2022, and began streaming on Netflix on December 9, 2022.<ref>{{Cite web |url=https://www.hollywoodreporter.com/movies/movie-news/guillermo-del-toro-pinocchio-trailer-netflix-1235187122/ |title='Guillermo del Toro's Pinocchio' Teaser Trailer Drops |website=[[The Hollywood Reporter]] |date=July 27, 2022 |access-date=2022-07-28 |archive-date=2022-07-28 |archive-url=https://web.archive.org/web/20220728210202/https://www.hollywoodreporter.com/movies/movie-news/guillermo-del-toro-pinocchio-trailer-netflix-1235187122/ |url-status=live }}</ref><ref>{{cite tweet|number=1590373657766944768|title=People are sometimes afraid of things they don’t know… Academy Award® winning filmmaker Guillermo del Toro's Pinocchio is now playing in select theaters and on Netflix December 9|user=netflix|author=Netflix|author-link=Netflix|date=November 9, 2022|access-date=November 10, 2022}}</ref> One of the theatres scheduled to show the film on November 11, 2022, was the [[TIFF Bell Lightbox]] in [[Toronto]], [[Ontario]].<ref>{{cite web|url=https://www.tiff.net/events/pinocchio|title=Guillermo del Toro's Pinocchio|date=November 2, 2022|website=[[TIFF]].net|access-date=November 2, 2022}}</ref> In the case of Mexico, the director's country, [[Cinemex]] movie theater chain —one of the largest exhibitors suspended the screenings that were scheduled, causing protests by Del Toro, who wants most of the people in his country to see the film. In response, on November 25, the filmmaker made a call on his Twitter account to show the film in independent theaters throughout the country, and some thirty independent theaters and clubs joined the call to show the film, including the country's [[Cineteca Nacional]], where an exhibition of the figures used in the film was also set up in its central courtyard.<ref>{{Cite web |last= |first= |date=November 25, 2022 |title=Guillermo del Toro proyectará Pinocho gratis tras cancelación de Cinemex |trans-title=Guillermo del Toro to screen Pinocchio for free after Cinemex cancellation |url=https://www.milenio.com/espectaculos/cine/guillermo-toro-proyectara-pinocho-gratis-cancelacion-cinemex |access-date=2022-12-25 |website=Grupo Milenio |language=es-MX}}</ref> On December 18 it was announced that on December 30 a massive screening will be held in Mexico City's main square, the [[Zócalo]].<ref>{{Cite web |date=2022-12-21 |title=Cuándo van a proyectar Pinocho de Guillermo del Toro en el Zócalo |trans-title=When will Guillermo del Toro's Pinocchio be screened at the Zócalo? |url=https://www.eluniversal.com.mx/destinos/cuando-van-proyectar-pinocho-de-guillermo-del-toro-en-el-zocalo |access-date=2022-12-25 |website=El Universal |language=es}}</ref> The event was attended by 10 thousand people.<ref>{{Cite web |date=2022-12-31 |title=Así fue la noche en la que "Pinocho", de Guillermo del Toro, llegó al Zócalo |trans-title=This was the night that Guillermo del Toro's "Pinocchio" came to the Zócalo |url=https://www.eluniversal.com.mx/espectaculos/asi-fue-la-noche-en-la-que-pinocho-de-guillermo-del-toro-llego-al-zocalo |access-date=2022-12-31 |website=El Universal |language=es}}</ref> From December 4, 2022, through January 4, 2023, the film played at the [[Museum of Modern Art]] in New York City in the Debra and Leon Black Family Film Center.<ref>{{Cite web |title=MoMA Presents: Guillermo del Toro's Pinocchio {{!}} MoMA |url=https://www.moma.org/calendar/film/5524 |access-date=2022-12-31 |website=The Museum of Modern Art |language=en}}</ref> This coincided with a multi-floor exhibition at the MoMa called "Guillermo Del Toro: Crafting Pinocchio", which runs through April 15, 2023 and showcases various aspects of the film's inspiration and production.<ref>{{Cite web |title=Guillermo del Toro: Crafting Pinocchio {{!}} MoMA |url=https://www.moma.org/calendar/exhibitions/5504 |access-date=2022-12-31 |website=The Museum of Modern Art |language=en}}</ref> ==Reception== ===Critical response=== {{Rotten Tomatoes prose|97|8.3|269|''Guillermo del Toro's Pinocchio'' delivers fully on its title – which is to say it's a visually stunning adaptation that embraces its source material's darkness.|ref=yes|access-date=December 22, 2022}} {{Metacritic film prose|79|49|ref=yes|access-date=December 21, 2022}} ===Accolades=== In response to his Golden Globe for Best Animated Feature win, Del Toro recalled in his acceptance speech: “Animation is cinema”, after the condemnation of the [[94th Academy Awards]] and [[Bob Chapek]]'s comments by calling "Animation is a genre for kids" and “Our fans and audiences put their kids to bed at night after watching ''[[Pinocchio (1940 film)|Pinocchio]]'', ''[[Dumbo]]'' or ''[[The Little Mermaid (1989 film)|The Little Mermaid]]'', then they’re probably not going to tune in to another animated movie, they want something for them.”.<ref>{{Cite web |last=Shrishty |date=2022-10-27 |title=Disney CEO Bob Chapek Thinks Adults Don't Want to Watch Animated Movies |url=https://collider.com/disney-animated-movies-bob-chapek-comments/ |access-date=2023-01-22 |website=Collider |language=en}}</ref><ref name=":0" /> {| class="wikitable sortable plainrowheaders" style="width: 100%;" |- ! scope="col" style="width:20%;"| Award ! scope="col" style="width:15%;"| Date of ceremony ! scope="col" style="width:25%;"| Category ! scope="col" style="width:35%;"| Recipient(s) ! scope="col" style="width:5%;"| Result ! scope="col" style="width:5%;" class="unsortable" | {{Ref heading}} |- ! rowspan="3" scope="row" | [[Hollywood Music in Media Awards]] | rowspan="3"|[[13th Hollywood Music in Media Awards|November 16, 2022]] | [[Hollywood Music in Media Award for Best Original Score in an Animated Film|Best Original Score in an Animated Film]] | [[Alexandre Desplat]] | {{won}} | rowspan="3" align="center"|<ref>{{Cite web |last=Anderson |first=Erik |date=November 17, 2022 |title=Rihanna, Billy Eichner, ''Elvis'', ''Guillermo del Toro's Pinocchio'' top Hollywood Music in Media Awards (HMMA) winners |url=https://awardswatch.com/rihanna-billy-eichner-elvis-guillermo-del-toros-pinocchio-top-hollywood-music-in-media-awards-hmma-winners/ |url-status=live |archive-url=https://web.archive.org/web/20221118021728/https://awardswatch.com/rihanna-billy-eichner-elvis-guillermo-del-toros-pinocchio-top-hollywood-music-in-media-awards-hmma-winners/ |archive-date=November 18, 2022 |access-date=November 18, 2022 |website=AwardsWatch}}</ref> |- | [[Hollywood Music in Media Award for Best Original Song in an Animated Film|Best Original Song in an Animated Film]] | [[Alexandre Desplat]], Roeben Katz, and [[Guillermo del Toro]] ("Ciao Papa") | {{won}} |- | Music Themed Film, Biopic or Musical | rowspan="3"|''Pinocchio'' | {{nom}} |- ! scope="row" | [[Los Angeles Film Critics Association Awards]] | [[2022 Los Angeles Film Critics Association Awards|December 11, 2022]] | [[Los Angeles Film Critics Association Award for Best Animated Film|Best Animated Film]] | {{won}} | align="center"|<ref>{{Cite web |last=Davis |first=Clayton |date=December 11, 2022 |title=''Tár'' and ''Everything Everywhere All at Once'' Tie for Best Picture at Los Angeles Film Critics Awards |url=https://variety.com/2022/awards/awards/los-angeles-film-critics-lafca-2022-winners-list-1235456657/ |url-status=live |archive-url=https://web.archive.org/web/20221212003502/https://variety.com/2022/awards/awards/los-angeles-film-critics-lafca-2022-winners-list-1235456657/ |archive-date=December 12, 2022 |access-date=December 14, 2022 |website=[[Variety (magazine)|Variety]]}}</ref> |- ! rowspan="5" scope="row" | [[Washington D.C. Area Film Critics Association Awards]] | rowspan="5"|[[Washington D.C. Area Film Critics Association Awards 2022|December 12, 2022]] | [[Washington D.C. Area Film Critics Association Award for Best Animated Feature|Best Animated Feature]] | {{Won}} | rowspan="5" align="center"|<ref>{{Cite web |last=Anderson |first=Erik |date=December 10, 2022 |title=Washington DC Film Critics nominations: ''Everything Everywhere All At Once'', ''The Fabelmans'' lead |url=https://awardswatch.com/washington-dc-film-critics-nominations-everything-everywhere-all-at-once-the-fabelmans-lead/ |url-status=live |archive-url=https://web.archive.org/web/20221211060427/https://awardswatch.com/washington-dc-film-critics-nominations-everything-everywhere-all-at-once-the-fabelmans-lead/ |archive-date=December 10, 2022 |access-date=December 11, 2022 |website=AwardsWatch}}</ref> |- | [[Washington D.C. Area Film Critics Association Award for Best Adapted Screenplay|Best Adapted Screenplay]] | [[Patrick McHale (artist)|Patrick McHale]] and Guillermo del Toro | {{Nominated}} |- | [[Washington D.C. Area Film Critics Association Award for Best Score|Best Original Score]] | Alexandre Desplat | {{Nominated}} |- | rowspan="2"|Best Voice Performance | Gregory Mann | {{Nominated}} |- | [[Ewan McGregor]] | {{Nominated}} |- ! rowspan="3" scope="row" | [[Chicago Film Critics Association Awards]] | rowspan="3"| [[Chicago Film Critics Association Awards 2022|December 14, 2022]] | [[Chicago Film Critics Association Award for Best Adapted Screenplay|Best Adapted Screenplay]] | Guillermo del Toro and Patrick McHale | {{Nominated}} | rowspan="3" align="center"|<ref>{{Cite web |last=Tallerico |first=Brian |date=December 12, 2022 |title=''Everything Everywhere All at Once'' Leads Chicago Film Critics Nominations |url=https://www.rogerebert.com/festivals/everything-everywhere-all-at-once-leads-chicago-film-critics-nominations |url-status=live |archive-url=https://web.archive.org/web/20221212183228/https://www.rogerebert.com/festivals/everything-everywhere-all-at-once-leads-chicago-film-critics-nominations |archive-date=December 12, 2022 |access-date=December 12, 2022 |website=[[RogerEbert.com]]}}</ref> |- | [[Chicago Film Critics Association Award for Best Animated Film|Best Animated Film]] | ''Pinocchio'' | {{Won}} |- | [[Chicago Film Critics Association Award for Best Original Score|Best Original Score]] | Alexandre Desplat | {{Nominated}} |- ! scope="row" | Utah Film Critics Association | December 17, 2022 | Best Animated Feature |''Pinocchio'' | {{draw|Runner-up}} | align="center"| <ref>{{Cite web |last=Neglia |first=Matt |date=December 17, 2022 |title=The 2022 Utah Film Critics Association (UFCA) Winners |url=https://nextbestpicture.com/the-2022-utah-film-critics-association-ufca-winners/ |access-date=December 17, 2022 |website=Next Best Picture}}</ref> |- ! rowspan="2" scope="row" | [[St. Louis Gateway Film Critics Association Awards]] | rowspan="2"|[[St. Louis Gateway Film Critics Association Awards 2022|December 18, 2022]] | [[St. Louis Gateway Film Critics Association Award for Best Screenplay|Best Adapted Screenplay]] | Patrick McHale, Guillermo del Toro and [[Matthew Robbins (screenwriter)|Matthew Robbins]] | {{Nom}} | rowspan="2" align="center"|<ref>{{Cite web |last=Anderson |first=Erik |date=December 11, 2022 |title=''The Banshees of Inisherin'', ''Everything Everywhere All At Once'' lead 2022 St. Louis Film Critics Association nominations |url=https://awardswatch.com/the-banshees-of-inisherin-everything-everywhere-all-at-once-lead-2022-st-louis-film-critics-association-nominations/ |url-status=live |archive-url=https://web.archive.org/web/20221212091842/https://awardswatch.com/the-banshees-of-inisherin-everything-everywhere-all-at-once-lead-2022-st-louis-film-critics-association-nominations/ |archive-date=December 12, 2022 |access-date=December 14, 2022 |website=AwardsWatch}}</ref> |- | [[St. Louis Gateway Film Critics Association Award for Best Animated Film|Best Animated Film]] | rowspan="3"|''Pinocchio'' | {{Nom}} |- ! rowspan="3" scope="row"|[[Dallas–Fort Worth Film Critics Association]] | rowspan="3"| [[Dallas–Fort Worth Film Critics Association Awards 2022|December 19, 2022]] | [[Dallas–Fort Worth Film Critics Association Award for Best Film|Best Picture]] | {{draw|8th place}} | align="center" rowspan="3"|<ref>{{cite web|url=https://nextbestpicture.com/the-2022-dallas-fort-worth-film-critics-association-dfwfca-winners/|title=The 2022 Dallas Fort-Worth Film Critics Association (DFWFCA) Winners|website=NextBestPicture|first=Matt|last=Neglia|date=December 19, 2022|accessdate=December 20, 2022}}</ref> |- | [[Dallas–Fort Worth Film Critics Association Award for Best Animated Film|Best Animated Film]] | {{won}} |- | [[Dallas–Fort Worth Film Critics Association Award for Best Musical Score|Best Musical Score]] | Alexandre Desplat | {{won}} |- ! rowspan="2" scope="row"|[[Florida Film Critics Circle]] | rowspan="2" |[[Florida Film Critics Circle Awards 2022|December 22, 2022]] | [[Florida Film Critics Circle Award for Best Animated Film|Best Animated Film]] | ''Pinocchio'' | {{nom}} | align="center" rowspan="2" |<ref>{{Cite web |last=Anderson |first=Erik |date=December 14, 2022 |title=2022 Florida Film Critics Circle nominations: ''Everything Everywhere All At Once'' leads with 11 |url=https://awardswatch.com/2022-florida-film-critics-circle-nominations-everything-everywhere-all-at-once-leads-with-11/ |url-status=live |archive-url=https://web.archive.org/web/20221215005830/https://awardswatch.com/2022-florida-film-critics-circle-nominations-everything-everywhere-all-at-once-leads-with-11/ |archive-date=December 15, 2022 |access-date=January 23, 2023 |website=AwardsWatch}}</ref><br /><ref>{{Cite web |last=Anderson |first=Erik |date=December 22, 2022 |title=2022 Florida Film Critics Circle winners: ''Decision to Leave,'' ''Everything Everywhere All At Once'' are top winners |url=https://awardswatch.com/2022-florida-film-critics-circle-winners-decision-to-leave-everything-everywhere-all-at-once-are-top-winners/ |url-status=live |archive-url=https://web.archive.org/web/20221223005049/https://awardswatch.com/2022-florida-film-critics-circle-winners-decision-to-leave-everything-everywhere-all-at-once-are-top-winners/ |archive-date=December 23, 2022 |access-date=January 23, 2023 |website=AwardsWatch}}</ref> |- | [[Florida Film Critics Circle Award for Best Screenplay|Best Adapted Screenplay]] | Guillermo del Toro, Matthew Robbins, Gris Grimly, Patrick McHale | {{nom}} |- ! scope="row"| [[Alliance of Women Film Journalists]] | January 5, 2023 | Best Animated Film | ''Pinocchio'' | {{won}} | align="center"|<ref>{{Cite web |title=2022 EDA AWARDS NOMINEES |url=https://awfj.org/eda-awards-2/2022-eda-awards-categories/2022-eda-awards-nominees/ |access-date=December 23, 2022 |publisher=[[Alliance of Women Film Journalists]]}}</ref> |- ! rowspan="3" scope="row"| [[San Diego Film Critics Society]] | rowspan="3"| [[San Diego Film Critics Society Awards 2022|January 6, 2023]] | [[San Diego Film Critics Society Award for Best Adapted Screenplay|Best Adapted Screenplay]] | Guillermo del Toro, Matthew Robbins, Gris Grimly, Patrick McHale | {{draw|Runner-up}} | rowspan="3" style="text-align:center;"|<ref>{{cite web|url=https://www.sdfcs.org/2022-nominations/|title=2022 San Diego Film Critics Society Nominations|website=[[San Diego Film Critics Society]]|date=January 3, 2023|accessdate=January 4, 2023}}</ref> |- | [[San Diego Film Critics Society Award for Best Animated Film|Best Animated Film]] | rowspan="4"| ''Pinocchio'' | {{Won}} |- | Best Visual Effects | {{Nominated}} |- ! scope="row" | [[Toronto Film Critics Association]] | [[Toronto Film Critics Association Awards 2022|January 8, 2023]] | [[Toronto Film Critics Association Award for Best Animated Film|Best Animated Film]] | {{draw|Runner-up}} | align="center"|<ref>{{cite web|url=https://torontofilmcritics.com/features/aftersun-leads-26th-annual-tfca-awards-winners/|title=AFTERSUN LEADS 26TH ANNUAL TFCA AWARDS WINNERS|website=[[Toronto Film Critics Association]]|date=January 8, 2023|accessdate=January 8, 2023}}</ref> |- ! rowspan="2" scope="row"| [[San Francisco Bay Area Film Critics Circle]] | rowspan="2"| [[San Francisco Bay Area Film Critics Circle Awards 2022|January 9, 2023]] | [[San Francisco Bay Area Film Critics Circle Award for Best Animated Feature|Best Animated Feature]] | {{Won}} | rowspan="2" style="text-align:center;"| <ref>{{cite web |url=https://nextbestpicture.com/the-2022-san-francisco-bay-area-film-critics-circle-sfbafcc-nominations/ |title=The 2022 San Francisco Bay Area Film Critics Circle (SFBAFCC) Nominations |last=Neglia |first=Matt |publisher=Next Best Picture |date=January 6, 2023 |access-date=January 6, 2023}}</ref> |- | Best Original Score | Alexandre Desplat | {{Nominated}} |- ! scope="row" rowspan="3" | [[Austin Film Critics Association]] | rowspan="3"| [[Austin Film Critics Association Awards 2022|January 10, 2023]] | [[Austin Film Critics Association Award for Best Animated Film|Best Animated Film]] | ''Pinocchio'' | {{Nominated}} | rowspan="3" style="text-align:center" |<ref>{{cite web|url=https://austinfilmcritics.org/2022-austin-film-critics-association-award-nominations-e921fe958b1d|title=2022 Austin Film Critics Association Award Nominations|website=[[Austin Film Critics Association]]|date=January 3, 2022|accessdate=January 3, 2022}}</ref> |- | [[Austin Film Critics Association Award for Best Adapted Screenplay|Best Adapted Screenplay]] | Guillermo del Toro and Patrick McHale | {{Nominated}} |- | Best Voice Acting/Animated/Digital Performance | Ewan McGregor | {{Nominated}} |- ! rowspan="3" scope="row"| [[Golden Globe Awards]] | rowspan="3"|[[80th Golden Globe Awards|January 10, 2023]] | [[Golden Globe Award for Best Animated Feature Film|Best Animated Feature Film]] | ''Pinocchio'' | {{won}}<ref>[https://www.goldenglobes.com/film/guillermo-del-toros-pinocchio Golden Globes]</ref> | rowspan="3" align="center"|<ref>{{Cite web |last=Nordyke |first=Kimberly |date=January 10, 2023 |title=Golden Globes: Full List of Winners |url=https://www.hollywoodreporter.com/movies/movie-news/golden-globes-2023-winners-list-1235294541/ |url-status=live |archive-url=https://web.archive.org/web/20230111023550/https://www.hollywoodreporter.com/movies/movie-news/golden-globes-2023-winners-list-1235294541/ |archive-date=January 11, 2023 |access-date=January 11, 2023 |website=[[The Hollywood Reporter]]}}</ref> |- | [[Golden Globe Award for Best Original Score|Best Original Score]] | Alexandre Desplat | {{nom}} |- | [[Golden Globe Award for Best Original Song|Best Original Song]] | Alexandre Desplat, Roeben Katz, and Guillermo del Toro ("Ciao Papa") | {{nom}} |- ! rowspan="4" scope="row"|[[Georgia Film Critics Association]] | rowspan="4"| January 13, 2023 | Best Adapted Screenplay | Guillermo del Toro, Matthew Robbins, Gris Grimly, Patrick McHale | {{nom}} | rowspan="4" style="text-align:center;" |<ref>{{Cite web |last=Anderson |first=Erik |date=January 7, 2023 |title=2022 Georgia Film Critics Association (GAFCA) nominations |url=https://awardswatch.com/2022-georgia-film-critics-association-gafca-nominations/ |url-status=live |archive-url=https://web.archive.org/web/20230107164403/https://awardswatch.com/2022-georgia-film-critics-association-gafca-nominations/ |archive-date=January 7, 2023 |access-date=January 7, 2023 |website=AwardsWatch}}</ref><br /><ref>{{Cite web |last=Anderson |first=Erik |date=January 14, 2023 |title=2022 Georgia Film Critics Association (GFCA) winners |url=https://awardswatch.com/2022-georgia-film-critics-association-gfca-winners/ |url-status=live |archive-url=https://web.archive.org/web/20230114222204/https://awardswatch.com/2022-georgia-film-critics-association-gfca-winners/ |archive-date=January 14, 2023 |access-date=January 14, 2023 |website=AwardsWatch}}</ref> |- | Best Original Score | Alexandre Desplat | {{nom}} |- | Best Original Song | Alexandre Desplat, Roeban Katz, Guillermo del Toro ("Ciao Papa") | {{nom}} |- | Best Animated Film | rowspan="2"| ''Pinocchio'' | {{won}} |- ! scope="row" rowspan="3" |[[Critics' Choice Movie Awards]] | rowspan="3" |[[28th Critics' Choice Awards|January 15, 2023]] | [[Critics' Choice Movie Award for Best Animated Feature|Best Animated Feature]] |{{won}} | rowspan="3" align="center"| <ref>{{Cite web |last=Nordyke |first=Kimberly |date=January 15, 2023 |title=Critics Choice Awards: Full List of Winners |url=https://www.hollywoodreporter.com/movies/movie-news/critics-choice-awards-winners-list-full-2023-1235300137/ |url-status=live |archive-url=https://web.archive.org/web/20230116052049/https://www.hollywoodreporter.com/movies/movie-news/critics-choice-awards-winners-list-full-2023-1235300137/ |archive-date=January 16, 2023 |access-date=January 16, 2023 |website=[[The Hollywood Reporter]]}}</ref> |- | [[Critics' Choice Movie Award for Best Score|Best Score]] | Alexandre Desplat | {{nom}} |- | [[Critics' Choice Movie Award for Best Song|Best Song]] | "Ciao Papa" | {{nom}} |- ! scope="row" | [[Seattle Film Critics Society]] | [[2022 Seattle Film Critics Society Awards|January 17, 2023]] | [[Seattle Film Critics Society Award for Best Animated Feature|Best Animated Feature]] | rowspan="2"| ''Pinocchio'' | {{nom}} | align="center"|<ref>{{Cite web |last=Anderson |first=Erik |date=January 9, 2023 |title=2022 Seattle Film Critics Society nominations: ''Everything Everywhere All At Once'' leads with 14 |url=https://awardswatch.com/2022-seattle-film-critics-society-nominations-everything-everywhere-all-at-once-leads-with-14/ |url-status=live |archive-url=https://web.archive.org/web/20230109214326/https://awardswatch.com/2022-seattle-film-critics-society-nominations-everything-everywhere-all-at-once-leads-with-14/ |archive-date=January 9, 2023 |access-date=January 27, 2023 |website=AwardsWatch}}</ref><br /><ref>{{Cite web |last=Anderson |first=Erik |date=January 17, 2023 |title=2022 Seattle Film Critics Society (SFCS) winners |url=https://awardswatch.com/2022-seattle-film-critics-society-sfcs-winners/ |url-status=live |archive-url=https://web.archive.org/web/20230117194950/https://awardswatch.com/2022-seattle-film-critics-society-sfcs-winners/ |archive-date=January 17, 2023 |access-date=January 27, 2023 |website=AwardsWatch}}</ref> |- ! rowspan="2" scope="row"| [[Online Film Critics Society]] | rowspan="2" | [[Online Film Critics Society Awards 2022|January 23, 2023]] | [[Online Film Critics Society Award for Best Animated Film|Best Animated Feature]] | {{won}} | align="center" rowspan="2"|<ref>{{Cite web |last=Anderson |first=Erik |date=January 18, 2023 |title=2022 Online Film Critics Association (OFCS) nominations |url=https://awardswatch.com/2022-online-film-critics-association-ofcs-nominations/ |url-status=live |archive-url=https://web.archive.org/web/20230118171827/https://awardswatch.com/2022-online-film-critics-association-ofcs-nominations/ |archive-date=January 18, 2023 |access-date=January 23, 2023 |website=AwardsWatch}}</ref> |- | [[Online Film Critics Society Award for Best Adapted Screenplay|Best Adapted Screenplay]] | Guillermo del Toro, Patrick McHale, Matthew Robbins | {{nom}} |- ! scope="row"| [[Satellite Awards]] | [[27th Satellite Awards|February 11, 2023]] | [[Satellite Award for Best Animated or Mixed Media Feature|Best Motion Picture – Animated or Mixed Media]] | ''Pinocchio'' | {{pending}} | align="center"|<ref>{{Cite web |last=Anderson |first=Erik |date=December 8, 2022 |title=''Top Gun: Maverick'' leads International Press Academy's 27th Satellite Awards nominations |url=https://awardswatch.com/top-gun-maverick-leads-international-press-academys-27th-satellite-awards-nominations/ |url-status=live |archive-url=https://web.archive.org/web/20221209002942/https://awardswatch.com/top-gun-maverick-leads-international-press-academys-27th-satellite-awards-nominations/ |archive-date=December 9, 2022 |access-date=December 8, 2022 |website=AwardsWatch}}</ref> |- ! scope="row" rowspan="5"|[[Visual Effects Society Awards]] | rowspan="5"|[[21st Visual Effects Society Awards|February 15, 2023]] |[[Visual Effects Society Award for Outstanding Visual Effects in an Animated Feature|Outstanding Visual Effects in an Animated Feature]] |Aaron Weintraub, Jeffrey Schaper, Cameron Carson, Emma Gorbey |{{pending}} | rowspan="5" align="center"|<ref>{{cite magazine |last1=Tangcay |first1=Jazz |title=''Avatar: The Way of Water'' Leads Visual Effects Society Awards Nominations |url=https://variety.com/2023/artisans/news/visual-effects-society-2023-awards-nominations-announced-ves-1235491339/ |magazine=[[Variety (magazine)|Variety]] |publisher=[[Penske Media Corporation]] |date=January 17, 2023}}</ref> |- | rowspan="2"|[[Visual Effects Society Award for Outstanding Animated Character in an Animated Feature|Outstanding Animated Character in an Animated Feature]] |Charles Greenfield, Peter Saunders, Shani Lang-Rinderspacher, Noel Estevez-Baker {{Small|(Geppetto)}} |{{pending}} |- |Oliver Beale, Richard Pickersgill, Brian Leif Hansen, Kim Slate {{Small|(Pinocchio)}} |{{pending}} |- |[[Visual Effects Society Award for Outstanding Created Environment in an Animated Feature|Outstanding Created Environment in an Animated Feature]] |Warren Lawtey, Anjum Sakharkar, Javier Gonzalez Alonso, Quinn Carvalho {{Small|(In the Stomach of a Sea Monster)}} |{{pending}} |- |Emerging Technology Award |Richard Pickersgill, Glen Southern, Peter Saunders, Brian Leif Hansen {{Small|(3D Printed Metal Armature)}} |{{pending}} |- ! scope="row" rowspan="2"|[[Hollywood Critics Association|Hollywood Critics Association Creative Arts Awards]] | rowspan="2"|[[1st Hollywood Critics Association Creative Arts Awards|February 17, 2023]] | Best Score | Alexandre Desplat | {{pending}} | rowspan="2" align="center"|<ref>{{cite web |url=https://www.awardsdaily.com/2022/12/08/everything-everywhere-top-gun-lead-inaugural-hca-creative-arts-awards-nominations/ |title='Everything, Everywhere,' 'Top Gun' Lead Inaugural HCA Creative Arts Awards Nominations |first=Clarence |last=Moye |publisher=[[Awards Daily]] |date=December 8, 2022 |access-date=December 16, 2022}}</ref> |- | Best Visual Effects | Aaron Weintraub, Brian Leif Hansen, Georgina Hayns, and Ian Mackinnon | {{pending}} |- ! scope="row"| [[Art Directors Guild Awards]] | [[Art Directors Guild Awards 2022|February 18, 2023]] | [[Art Directors Guild Award for Excellence in Production Design for a Animated Film|Excellence in Production Design for an Animated Film]] | Guy Davis, Curt Enderle | {{pending}} | align="center"| <ref>{{cite web|url=https://variety.com/2023/artisans/awards/art-directors-guild-2023-nominations-1235481698/|title='Elvis,' 'Babylon,' 'Avatar: The Way of Water' Lead Art Directors Guild 2023 Nominations|website=[[Variety (magazine)|Variety]]|first=Jazz|last=Tangcay|date=January 9, 2023|accessdate=January 9, 2023}}</ref> |- ! scope="row" rowspan="4"| [[Houston Film Critics Society]] | rowspan="4"| [[Houston Film Critics Society Awards 2022|February 18, 2023]] | [[Houston Film Critics Society Award for Best Picture|Best Picture]] | rowspan="2"|''Pinocchio'' | {{pending}} | rowspan="4" style="text-align:center;"| <ref>{{cite web |url=https://preview.houstonchronicle.com/movies-tv/houston-film-critics-nominations-17708296 |title='Everything Everywhere,' 'Banshees of Inisherin' top list of Houston critics' nominations |last=Darling |first=Cary |work=[[Houston Chronicle]] |date=10 January 2023 |access-date=11 January 2023}}</ref> |- | Best Animated Feature | {{pending}} |- | [[Houston Film Critics Society Award for Best Original Score|Best Original Score]] | Alexandre Desplat | {{pending}} |- | Best Original Song | "Ciao Papa" | {{pending}} |- ! rowspan="3" scope="row"| [[British Academy Film Awards]] | rowspan="3"| [[76th British Academy Film Awards|February 19, 2023]] | [[BAFTA Award for Best Animated Film|Best Animated Film]] | Guillermo del Toro, Mark Gustafson, Gary Ungar, Alex Bulkley | {{pending}} | rowspan="3" align="center"|<ref>{{Cite web |last=Ritman |first=Alex |date=January 19, 2023 |title=BAFTA Awards: ''All Quiet'' Leads With 14 Noms, ''Banshees'', ''Everything Everywhere'' Dominate Performance Categories |url=https://www.hollywoodreporter.com/movies/movie-news/bafta-nominations-2023-film-awards-1235303089/ |url-status=live |archive-url=https://web.archive.org/web/20230119194224/https://www.hollywoodreporter.com/movies/movie-news/bafta-nominations-2023-film-awards-1235303089/ |archive-date=January 19, 2023 |access-date=January 19, 2023 |website=[[The Hollywood Reporter]]}}</ref> |- | [[BAFTA Award for Best Original Music|Best Original Score]] | Alexandre Desplat | {{pending}} |- | [[BAFTA Award for Best Production Design|Best Production Design]] | Curt Enderle, Guy Davis | {{pending}} |- ! scope="row" | [[International Film Music Critics Association Awards]] | February 23, 2023 | [[International Film Music Critics Association Award for Best Original Score for an Animated Film|Best Original Score for an Animated Film]] | [[Alexandre Desplat]] | {{pending}} | style="text-align:center;"|<ref>{{Cite web |last=Anderson |first=Erik |title=Bear McCreary, Michael Giacchino and Daniel Pemberton lead 2022 International Film Music Critics Association (IFMCA) nominations |date=February 9, 2023 |url=https://awardswatch.com/bear-mccreary-michael-giacchino-and-daniel-pemberton-lead-2022-international-film-music-critics-association-ifmca-nominations/ |url-status=live |archive-url=https://web.archive.org/web/20230209195239/https://awardswatch.com/bear-mccreary-michael-giacchino-and-daniel-pemberton-lead-2022-international-film-music-critics-association-ifmca-nominations/ |archive-date=February 9, 2023 |access-date=February 10, 2023 |website=AwardsWatch}}</ref> |- ! scope="row" rowspan="3"|[[Hollywood Critics Association|Hollywood Critics Association Awards]] | rowspan="3"|[[6th Hollywood Critics Association Film Awards|February 24, 2023]] | Best Animated Film | ''Pinocchio'' | {{pending}} | rowspan="3" align="center"|<ref>{{cite web |url=https://awardswatch.com/6th-hollywood-critics-association-film-awards-nominations-everything-everywhere-all-at-one-the-banshees-of-inisherin-lead/ |title=6th Hollywood Critics Association Film Awards nominations: 'Everything Everywhere All At One,' 'The Banshees of Inisherin' lead |first=Erik |last=Anderson |publisher=AwardsWatch |date=December 15, 2022 |access-date=December 16, 2022}}</ref> |- | Best Adapted Screenplay | Guillermo del Toro and Patrick McHale | {{pending}} |- | Best Voice or Motion-Capture Performance | Ewan McGregor | {{pending}} |- ! scope="row" | [[Producers Guild of America Awards]] | [[34th Producers Guild of America Awards|February 25, 2023]] | [[Producers Guild of America Award for Best Animated Motion Picture|Outstanding Producer of Animated Theatrical Motion Pictures]] | ''Pinocchio''<!-- Specific nominated producers TBD according to nominations announcement.--> | {{pending}} | style="text-align:center;"|<ref>{{Cite web |last=Verhoeven |first=Beatrice |date=January 12, 2023 |title=Producers Guild Awards 2023 Film and TV Nominations Revealed |url=https://www.hollywoodreporter.com/movies/movie-news/producers-guild-awards-2023-movie-tv-nominations-list-nominees-1235297935/ |url-status=live |archive-url=https://web.archive.org/web/20230112214256/https://www.hollywoodreporter.com/movies/movie-news/producers-guild-awards-2023-movie-tv-nominations-list-nominees-1235297935/ |archive-date=January 12, 2023 |access-date=January 12, 2023 |website=[[The Hollywood Reporter]]}}</ref> |- ! rowspan="9" scope="row"| [[Annie Awards]] | rowspan="9"| [[50th Annie Awards|February 25, 2023]] | [[Annie Award for Best Animated Feature|Best Animated Feature]] | ''Pinocchio'' | {{pending}} | rowspan="9" align="center"|<ref>{{cite web|url=https://deadline.com/2023/01/annie-awards-nominations-2023-list-1235224045/|title=Annie Awards Nominations: 'Guillermo del Toro's Pinocchio' & 'Marcel The Shell' Lead Field|website=[[Deadline Hollywood|Deadline]]|first=Erik|last=Pedersen|date=January 17, 2023|accessdate=January 17, 2023}}</ref> |- | [[Annie Award for Outstanding Achievement for Animated Effects in an Animated Production|Outstanding Achievement for Animated Effects in an Animated Production]] | Aaron Weintraub, Warren Lawtey, Alireza Malmiri, Baptiste Malbranque, Mikhail Donchenko | {{pending}} |- | [[Annie Award for Outstanding Achievement for Character Animation in a Feature Production|Outstanding Achievement for Character Animation in an Animated Feature Production]] | Tucker Barrie | {{pending}} |- | [[Annie Award for Outstanding Achievement for Directing in a Feature Production|Outstanding Achievement for Directing in an Animated Feature Production]] | Guillermo del Toro, Mark Gustafson | {{pending}} |- | [[Annie Award for Outstanding Achievement for Editorial in a Feature Production|Outstanding Achievement for Editorial in an Animated Feature Production]] | Ken Schretzmann, Holly Klein, Emily Chiu, Hamilton Barrett | {{pending}} |- | [[Annie Award for Outstanding Achievement for Music in a Feature Production|Outstanding Achievement for Music in an Animated Feature Production]] | Alexandre Desplat, Roeban Katz, Guillermo del Toro, Patrick McHale | {{pending}} |- | [[Annie Award for Outstanding Achievement for Production Design in an Animated Feature Production|Outstanding Achievement for Production Design in an Animated Feature Production]] | Curt Enderle, Guy Davis | {{pending}} |- | rowspan="2"| [[Annie Award for Outstanding Achievement for Voice Acting in a Feature Production|Outstanding Achievement for Voice Acting in an Animated Feature Production]] | Gregory Mann | {{pending}} |- | [[David Bradley (English actor)|David Bradley]] | {{pending}} |- ! rowspan="2" scope="row"| [[Motion Picture Sound Editors#Golden Reel Awards|Golden Reel Awards]] | rowspan="2"| [[Golden Reel Awards 2022|February 26, 2023]] | [[Golden Reel Award for Outstanding Achievement in Sound Editing – Sound Effects, Foley, Dialogue and ADR for Animated Feature Film|Outstanding Achievement in Sound Editing – Feature Animation]] | Scott Martin Gershin, Masanobu "Tomi" Tomita, Andrew Vernon, Dan Gamache, Dan O'Connell, John Cucci | {{pending}} | rowspan="2" style="text-align:center;"| <ref>{{cite web|url=https://variety.com/2023/artisans/awards/mpse-golden-reel-awards-nominations-2023-1235481720/|title='Everything Everywhere All At Once' Leads Sound Editors' Golden Reel Nominations|website=[[The Hollywood Reporter]]|first=Carolyn|last=Giardina|date=January 9, 2023|accessdate=January 9, 2023}}</ref> |- | [[Golden Reel Award for Outstanding Achievement in Sound Editing – Feature Underscore|Outstanding Achievement in Music Editing – Feature Motion Picture]] | Lewis Morison, Eric Caudieux, Chris Barret | {{pending}} |- ! scope="row"| [[Cinema Audio Society Awards]] | [[Cinema Audio Society Awards 2022|March 4, 2023]] | [[Cinema Audio Society Award for Outstanding Achievement in Sound Mixing for a Motion Picture – Animated|Outstanding Achievement in Sound Mixing for a Motion Picture – Animated]] | Jon Taylor, Frank Montaño, Peter Cobbin, Tavish Grade | {{pending}} | align="center"|<ref>{{cite web|url=https://deadline.com/2023/01/cas-awards-nominations-2023-avatar-the-way-of-water-top-gun-maverick-elvis-1235215538/|title=Cinema Audio Society Awards Nominations Set: 'Avatar: The Way Of Water', 'Top Gun: Maverick', 'Elvis' & More|website=[[Deadline Hollywood|Deadline]]|first=Erik|last=Pedersen|date=January 10, 2023|accessdate=January 10, 2023}}</ref> |- ! scope="row"| [[USC Scripter Awards]] | March 4, 2023 | Best Adapted Screenplay – Film | Guillermo del Toro, Patrick McHale, and Matthew Robbins | {{pending}} | align="center"|<ref>{{cite web|url=https://variety.com/2023/awards/news/2023-usc-scripter-awards-nominees-pinocchio-top-gun-maverick-1235492458/|title=USC Scripter Awards 2023 Nominations: 'Guillermo del Toro's Pinocchio' Becomes First Animated Nominee, 'Top Gun: Maverick' Flies In|website=[[Variety (magazine)|Variety]]|first=Clayton|last=Davis|date=January 18, 2023|accessdate=January 18, 2023}}</ref> |- ! scope="row"| [[American Cinema Editors Awards]] | [[American Cinema Editors Awards 2023|March 5, 2023]] | [[American Cinema Editors Award for Best Edited Animated Feature Film|Best Edited Animated Feature Film]] | Ken Schretzmann, Holly Klein | {{pending}} | align="center"|<ref>{{Cite web |last=Giardina |first=Carolyn |date=February 1, 2023 |title=''Elvis'', ''Everything Everywhere All At Once'', ''The Woman King'' Among American Cinema Editors' Eddie Nominees |url=https://www.hollywoodreporter.com/movies/movie-news/american-cinema-editors-2023-eddie-awards-nominations-1235314659/ |url-status=live |archive-url=https://web.archive.org/web/20230202211015/https://www.hollywoodreporter.com/movies/movie-news/american-cinema-editors-2023-eddie-awards-nominations-1235314659/ |archive-date=February 2, 2023 |access-date=February 1, 2023 |website=[[The Hollywood Reporter]]}}</ref> |- ! scope="rowgroup" | [[Academy Awards]] | [[95th Academy Awards|{{dts|March 12, 2023|nowrap=off}}]] | [[Academy Award for Best Animated Feature|Best Animated Feature Film]] | Guillermo del Toro, Mark Gustafson, Gary Ungar and Alex Bulkley | {{pending}} | align="center"|<ref>{{Cite web |last=Lewis |first=Hilary |date=January 24, 2023 |title=Oscars: Full List of Nominations |url=https://www.hollywoodreporter.com/movies/movie-news/oscar-nominations-2023-nominees-list-1235307974/ |url-status=live |archive-url=https://web.archive.org/web/20230124150506/https://www.hollywoodreporter.com/movies/movie-news/oscar-nominations-2023-nominees-list-1235307974/ |archive-date=January 24, 2023 |access-date=January 27, 2023 |website=[[The Hollywood Reporter]]}}</ref> |- |} ==References== {{Reflist}} ==External links== * {{Netflix title}} * {{IMDb title|tt1488589}} * [https://deadline.com/wp-content/uploads/2022/12/Guillermo-del-Toros-Pinocchio-Read-The-Screenplay.pdf Official screenplay] {{Pinocchio}} {{Guillermo del Toro}} {{The Jim Henson Company}} {{Netflix original animated series and films}} {{Navboxes |title = Awards for ''Guillermo del Toro's Pinocchio'' |list = {{Chicago Film Critics Association Award for Best Animated Film}} {{Broadcast Film Critics Association Award for Best Animated Feature}} {{Dallas–Fort Worth Film Critics Association Award for Best Animated Film}} {{Golden Globe Award for Best Animated Feature Film}} {{Los Angeles Film Critics Association Award for Best Animated Film}} {{Online Film Critics Society Award for Best Animated Film}} {{San Diego Film Critics Society Award for Best Animated Film}} {{San Francisco Bay Area Film Critics Circle Award for Best Animated Feature}} {{Washington D.C. Area Film Critics Association Award for Best Animated Feature}} }} [[Category:2022 films]] [[Category:2020s American animated films]] [[Category:2020s musical films]] [[Category:2020s stop-motion animated films]] [[Category:2022 animated films]] [[Category:2022 fantasy films]] [[Category:American comedy films]] [[Category:American fantasy films]] [[Category:American musical films]] [[Category:American musical comedy films]] [[Category:Mexican animated films]] [[Category:Mexican children's films]] [[Category:Mexican comedy films]] [[Category:English-language Mexican films]] [[Category:English-language Netflix original films]] [[Category:Animated films set in Italy]] [[Category:Animated musical films]] [[Category:Best Animated Feature Film Golden Globe winners]] [[Category:Best Animated Feature Broadcast Film Critics Association Award winners]] [[Category:Dark fantasy films]] [[Category:Films about Fascist Italy]] [[Category:Films about fascists]] [[Category:Films directed by Guillermo del Toro]] [[Category:Films scored by Alexandre Desplat]] [[Category:Films set in 1916]] [[Category: Films set in the 1910s]] [[Category:Films set in the 1930s]] [[Category:Films shot in Mexico]] [[Category:Films shot in France]] [[Category:Films shot in Portland, Oregon]] [[Category:Films with screenplays by Guillermo del Toro]] [[Category:The Jim Henson Company films]] [[Category:Magic realism films]] [[Category:Netflix Animation films]] [[Category:Pinocchio films]] [[Category:Stop-motion animated films]] [[Category:World War I films]] [[Category:World War II films]] [[Category:American children's animated musical films]] [[Category:American children's animated comedy films]] [[Category:American children's animated drama films]] [[Category:Films produced by Lisa Henson]] [[Category:2020s English-language films]] [[Category:2020s Mexican films]] [[Category:Cultural depictions of Benito Mussolini]] [[Category:Fantasy war films]]'
Unified diff of changes made by edit (edit_diff)
'@@ -86,4 +86,6 @@ Pinocchio returns home with his father, Sebastian and Spazzatura to live together as a family. Outliving all of his loved ones, Pinocchio decides to travel the world. + +During the credits, Sebastian sings a song for The Black Rabbits in the afterlife that he’d been attempting to sing throughout the film, indicating on how Sebastian narrated the whole film’s events to them. ==Voice cast== '
New page size (new_size)
89636
Old page size (old_size)
89424
Size change in edit (edit_delta)
212
Lines added in edit (added_lines)
[ 0 => '', 1 => 'During the credits, Sebastian sings a song for The Black Rabbits in the afterlife that he’d been attempting to sing throughout the film, indicating on how Sebastian narrated the whole film’s events to them.' ]
Lines removed in edit (removed_lines)
[]
Whether or not the change was made through a Tor exit node (tor_exit_node)
false
Unix timestamp of change (timestamp)
'1676134330'