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Upon its release as a single, Alan Jones from ''[[Music Week]]'' gave it three out of five, commenting that "an aggressively strummed acoustic guitar gives way to Moyet's strident vocals on an intense work which allows her to show the searing side of her voice more than of late".<ref>{{cite magazine|first= Alan |last= Jones |url= https://worldradiohistory.com/UK/Music-Week/1994/Music-Week-1994-10-22.pdf |title= Market Preview: Mainstream - Singles |magazine= [[Music Week]] |date= 1994-10-22 |page= 18 |accessdate= 2021-04-21}}</ref> Patrick Brennan of ''[[Hot Press]]'' stated, "In her days before [[Vince Clarke]] got his technological hands on her, Alison Moyet was quite a raucous [[R&B|rhythm and blues]] singer. It's that throaty tradition she draws on here to churn out an uninhibited diatribe of womanly desire and admiration for a veritable hunk on wheels. Fast, acoustic and frenetic 'Ode To Boy' lacks the soul of previously more restrained outings in spite of its energy and lust."<ref>{{cite web|url=http://www.hotpress.com/Alison-Moyet/music/reviews/singles/Ode-To-Boy/485745.html |title=Ode To Boy &#124; Music Review &#124; Single |publisher=Hot Press |access-date=2017-04-18}}</ref> ''Lennox Herald'' felt it was "nearly there as far as a good song goes" and added, "Moyet has a wonderful voice which is not always shown off to great effect but this still lacks that little something for truly massive success."<ref>{{cite journal|date=28 October 1994|title=Singles review|journal=Lennox Herald}}</ref>
Upon its release as a single, Alan Jones from ''[[Music Week]]'' gave it three out of five, commenting that "an aggressively strummed acoustic guitar gives way to Moyet's strident vocals on an intense work which allows her to show the searing side of her voice more than of late".<ref>{{cite magazine|first= Alan |last= Jones |url= https://worldradiohistory.com/UK/Music-Week/1994/Music-Week-1994-10-22.pdf |title= Market Preview: Mainstream - Singles |magazine= [[Music Week]] |date= 1994-10-22 |page= 18 |accessdate= 2021-04-21}}</ref> Patrick Brennan of ''[[Hot Press]]'' stated, "In her days before [[Vince Clarke]] got his technological hands on her, Alison Moyet was quite a raucous [[R&B|rhythm and blues]] singer. It's that throaty tradition she draws on here to churn out an uninhibited diatribe of womanly desire and admiration for a veritable hunk on wheels. Fast, acoustic and frenetic 'Ode To Boy' lacks the soul of previously more restrained outings in spite of its energy and lust."<ref>{{cite web|url=http://www.hotpress.com/Alison-Moyet/music/reviews/singles/Ode-To-Boy/485745.html |title=Ode To Boy &#124; Music Review &#124; Single |publisher=Hot Press |access-date=2017-04-18}}</ref> ''Lennox Herald'' felt it was "nearly there as far as a good song goes" and added, "Moyet has a wonderful voice which is not always shown off to great effect but this still lacks that little something for truly massive success."<ref>{{cite journal|date=28 October 1994|title=Singles review|journal=Lennox Herald}}</ref>


In a review of ''Essex'', William Ruhlmann of [[AllMusic]] commented that the re-recording was "an unnecessary remake" which had been "arranged to sound like '[[Pinball Wizard]]'."<ref>{{cite web|author=William Ruhlmann |url=http://www.allmusic.com/album/essex-mw0000106316 |title=Essex - Alison Moyet &#124; Songs, Reviews, Credits |publisher=AllMusic |date=1994-03-22 |access-date=2017-04-18}}</ref> ''[[Louder Than War (website)|Louder Than War]]'' writer Paul Scott-Bates described the original Yazoo version as "incredible" and noted that on Moyet's version "guitar and manic production accompany [her] vocals and easily becomes the icing on the cake on ''Essex''".<ref>{{cite web|url=http://louderthanwar.com/alison-moyet-alf-raindancing-hoodoo-essex-deluxe-editions-album-reviews/ |title=Alison Moyet: Alf &#124; Raindancing &#124; Hoodoo &#124; Essex Deluxe Editions - album reviews |publisher=Louder Than War |date=2016-11-30 |access-date=2017-04-18}}</ref> ''Penny Black Music'' writer Adrian Janes commented that "Ode to Boy" "eagerly delights in the female gaze".<ref>{{cite web|url=http://www.pennyblackmusic.co.uk/MagSitePages/Article/8475/Alison-Moyet-Profile |title=Alison Moyet - Profile |publisher=Pennyblackmusic.co.uk |access-date=2017-04-18}}</ref> Helena Adams of the music website ''Reflections of Darkness'' felt the song was a "total rip off" of the [[Guns N' Roses]] song "[[One in a Million (Guns N' Roses song)|One in a Million]]", but without [[Axl Rose]]'s "rawness or charm".<ref>{{cite web|url=http://www.reflectionsofdarkness.com/artists-a-e-cdreviews-131/17269-cd-review-alison-moyet-essex-deluxe-edition |title=Music Magazine - CD Review: Alison Moyet - Essex (Deluxe Edition) |publisher=Reflections of Darkness |access-date=2017-04-18}}</ref>
In a review of ''Essex'', William Ruhlmann of [[AllMusic]] commented that the re-recording was "an unnecessary remake" which had been "arranged to sound like '[[Pinball Wizard]]'."<ref>{{cite web|author=William Ruhlmann |url=http://www.allmusic.com/album/essex-mw0000106316 |title=Essex - Alison Moyet &#124; Songs, Reviews, Credits |publisher=AllMusic |date=1994-03-22 |access-date=2017-04-18}}</ref> ''[[Louder Than War (website)|Louder Than War]]'' writer Paul Scott-Bates described the original Yazoo version as "incredible" and noted that on Moyet's version "guitar and manic production accompany [her] vocals and easily becomes the icing on the cake on ''Essex''".<ref>{{cite web|url=http://louderthanwar.com/alison-moyet-alf-raindancing-hoodoo-essex-deluxe-editions-album-reviews/ |title=Alison Moyet: Alf &#124; Raindancing &#124; Hoodoo &#124; Essex Deluxe Editions - album reviews |publisher=Louder Than War |date=2016-11-30 |access-date=2017-04-18}}</ref> ''Penny Black Music'' writer Adrian Janes commented that "Ode to Boy" "eagerly delights in the female gaze".<ref>{{cite web|url=http://www.pennyblackmusic.co.uk/MagSitePages/Article/8475/Alison-Moyet-Profile |title=Alison Moyet - Profile |publisher=Pennyblackmusic.co.uk |access-date=2017-04-18}}</ref>


===Track listing===
===Track listing===

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'/* Critical reception */Critical reviews should be from well known sources, not fringe sources. If a source (such as a publication or website) is not notable enough to have its own Wikipedia article, it should not be included.'
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'{{Short description|1982 song by Yazoo}} {{Infobox song | name = Ode to Boy | cover = | alt = | type = | artist = [[Yazoo (band)|Yazoo]] | album = [[You and Me Both]] | released = 1982 | recorded = | studio = | venue = | genre = [[Synth-pop]] | length = {{Duration|m=3|s=36}} | label = [[Mute Records|Mute]] | writer = [[Alison Moyet]] | producer = [[Yazoo (band)|Yazoo]], [[Eric Radcliffe]] }} "'''Ode to Boy'''" is a song by [[United Kingdom|British]] synthpop duo [[Yazoo (band)|Yazoo]]. Originally the B-side to their 1982 hit "[[The Other Side of Love]]", it was later included on their second and final studio album ''[[You and Me Both]]'' in 1983.<ref>{{cite web|url=https://www.discogs.com/master/view/17200 |title=Yazoo - You And Me Both at Discogs |publisher=Discogs.com |access-date=2017-04-18}}</ref> Whereas Yazoo's version is a sparse atmospheric track with synths and percussion, vocalist [[Alison Moyet]] later recorded her own version of the song in an uptempo indie-rock style for her 1994 album ''[[Essex (album)|Essex]]''. ==Yazoo version== "Ode to Boy" was originally recorded in 1982 and appeared as the B-Side to Yazoo's 1982 non-album single "[[The Other Side of Love]]".<ref>{{cite web|url=http://www.45cat.com/record/yaz002 |title=Yazoo - The Other Side Of Love / Ode To Boy - Mute - UK - YAZ 002 |publisher=45cat |access-date=2017-04-18}}</ref> It then appeared as an album track on the duo's ''You and Me Both'' album. The song was produced by Yazoo and Eric Radcliffe. Speaking of the song to ''Record Mirror'' in 1983, Moyet revealed: "[it] started being of someone I knew, but ended up being more of a poetic exercise".<ref name="RM19830723">{{cite news |first=Simon |last=Hills |title=Alison Alf Moyet |newspaper=[[Record Mirror]] |pages=24–25 |date=23 July 1983}}</ref> Moyet later revealed the song was about her bandmate [[Vince Clarke]]. Later recalling the song's writing and development in 2016, she said: "It was written, as all my guitar songs are written, fast. It was made slower for Yazoo."<ref name="autogenerated1">Essex - 2016 deluxe edition CD booklet liner notes</ref> ===Critical reception=== [[Neil Tennant]] of ''[[Smash Hits]]'' described the song as being the "darker side of Yazoo" and featuring "one of [Moyet's] smokiest vocals".<ref>Smash Hits - 11–24 November 1982 issue - Singles reviews - page 25</ref> In a 2008 issue of ''The Advocate'', the song was described as "smoldering".<ref>{{cite web|url=https://books.google.com/books?id=m6EgAQAAMAAJ&q=alison+moyet+ode+to+boy |title=The Advocate - Google Books |date=2011-04-27 |access-date=2017-04-18}}</ref> William Ruhlmann of [[AllMusic]] highlighted "Ode to Boy" as a standout track from ''You and Me Both'' by labeling it an AMG Pick Track.<ref>{{cite web|author=Yaz |url=http://www.allmusic.com/album/you-and-me-both-mw0000398779 |title=You and Me Both - Yazoo &#124; Songs, Reviews, Credits |publisher=AllMusic |access-date=2017-04-18}}</ref> In a review of the album by music website ''Sputnikmusic'', the song was described as "one of the high points on the record - dares to slow things down with a sluggish, dingy melody and disjointed, echoed vocals from Moyet".<ref>{{cite web|url=https://www.sputnikmusic.com/review/42555/Yazoo-You-and-Me-Both/ |title=Yazoo - You and Me Both (album review ) |publisher=Sputnikmusic |date=2011-03-23 |access-date=2017-04-18}}</ref> ===Personnel=== *[[Alison Moyet]] – vocals, producer *[[Vince Clarke]] – instrumentation, producer *[[Eric Radcliffe]] - producer ==Alison Moyet version== {{Infobox song | name = Ode to Boy | cover = Alison Moyet Ode to Boy 1994 Single Cover.jpg | alt = | type = single | artist = [[Alison Moyet]] | album = [[Essex (album)|Essex]] | released = October 1994<ref name="worlds1">{{cite web|url=http://www.45worlds.com/cdsingle/cd/6607952 |title=CD Singles - Alison Moyet - Ode To Boy / Life In A Hole - Columbia - UK - 660795 2 |publisher=45worlds.com |access-date=2017-04-18}}</ref> | recorded = | studio = | venue = | genre = | length = 2:55 | label = [[Columbia Records|Columbia]] | writer = [[Alison Moyet]] | producer = [[Pete Glenister]] | prev_title = [[Getting into Something]] | prev_year = 1994 | next_title = [[The First Time Ever I Saw Your Face]] | next_year = 1995 }} "'''Ode to Boy'''" was later recorded for Moyet's fourth studio album ''[[Essex (album)|Essex]]'', released in 1994. In October 1994, "Ode to Boy" was released as the album's fourth and final single.<ref name="discogs1">{{cite web|url=https://www.discogs.com/Alison-Moyet-Ode-To-Boy/master/82817 |title=Alison Moyet - Ode To Boy at Discogs |publisher=Discogs.com |access-date=2017-04-18}}</ref><ref name="worlds1"/> ===Background=== For its inclusion on ''Essex'', Moyet recorded "Ode to Boy" in its original form; a guitar-dominant version. The song was produced by [[Pete Glenister]]. Speaking of the song's re-recording for ''Essex'' in contrast to the slower Yazoo version, Moyet revealed: "It was sped back up for ''Essex''. They are two completely different songs."<ref name="autogenerated1"/> Columbia rejected the original recording of ''Essex'' and insisted that it be re-recorded to create a more commercial package. A mix of the song, titled "Ode to Boy II", featured additional production and mixing done by Adrian Bushby and Pete Davis. This version was included on ''Essex'' as a bonus track. When "Ode to Boy" was released as a single, this remix was selected and the "II" was dropped from its title. For the single, Columbia also hired Junior Vasquez to give the song a dance remix treatment. He produced two mixes: the "Factory Mix" and the "NY-LA Mix".<ref>{{cite web|url=https://www.discogs.com/Alison-Moyet-Ode-To-Boy/release/983078 |title=Alison Moyet - Ode To Boy (Vinyl) at Discogs |publisher=Discogs.com |access-date=2017-04-18}}</ref> The song peaked at No. 59 in the UK and remained in the Top 100 for two weeks.<ref name="officialcharts1">{{Cite web|url=http://www.officialcharts.com/artist/12673/alison-moyet/|title = Alison Moyet &#124; full Official Chart History &#124; Official Charts Company|website = [[Official Charts Company|Official Charts]]}}</ref> "Ode to Boy" was released on 12", cassette and CD in the UK and on CD across Europe.<ref name="discogs1"/> A music video was filmed to promote the single, which was directed by [[The Douglas Brothers]].<ref>{{cite web|author=Published on Nov 18, 2012 |url=https://www.youtube.com/watch?v=HtG9gZ-irlY |title=Alison Moyet - Ode to Boy |publisher=YouTube |date=2012-11-18 |access-date=2017-04-18}}</ref> In 2016, a deluxe edition of ''Essex'' was released by BMG, however due to limited space across the two discs, none of the remixes of "Ode to Boy" were included.<ref>{{cite web|url=http://www.gaytimes.co.uk/culture/54233/review-alison-moyet-special-editions/ |title=Review: Alison Moyet Special Editions |publisher=Gay Times |date=2016-11-15 |access-date=2017-04-18}}</ref> ===Critical reception=== Upon its release as a single, Alan Jones from ''[[Music Week]]'' gave it three out of five, commenting that "an aggressively strummed acoustic guitar gives way to Moyet's strident vocals on an intense work which allows her to show the searing side of her voice more than of late".<ref>{{cite magazine|first= Alan |last= Jones |url= https://worldradiohistory.com/UK/Music-Week/1994/Music-Week-1994-10-22.pdf |title= Market Preview: Mainstream - Singles |magazine= [[Music Week]] |date= 1994-10-22 |page= 18 |accessdate= 2021-04-21}}</ref> Patrick Brennan of ''[[Hot Press]]'' stated, "In her days before [[Vince Clarke]] got his technological hands on her, Alison Moyet was quite a raucous [[R&B|rhythm and blues]] singer. It's that throaty tradition she draws on here to churn out an uninhibited diatribe of womanly desire and admiration for a veritable hunk on wheels. Fast, acoustic and frenetic 'Ode To Boy' lacks the soul of previously more restrained outings in spite of its energy and lust."<ref>{{cite web|url=http://www.hotpress.com/Alison-Moyet/music/reviews/singles/Ode-To-Boy/485745.html |title=Ode To Boy &#124; Music Review &#124; Single |publisher=Hot Press |access-date=2017-04-18}}</ref> ''Lennox Herald'' felt it was "nearly there as far as a good song goes" and added, "Moyet has a wonderful voice which is not always shown off to great effect but this still lacks that little something for truly massive success."<ref>{{cite journal|date=28 October 1994|title=Singles review|journal=Lennox Herald}}</ref> In a review of ''Essex'', William Ruhlmann of [[AllMusic]] commented that the re-recording was "an unnecessary remake" which had been "arranged to sound like '[[Pinball Wizard]]'."<ref>{{cite web|author=William Ruhlmann |url=http://www.allmusic.com/album/essex-mw0000106316 |title=Essex - Alison Moyet &#124; Songs, Reviews, Credits |publisher=AllMusic |date=1994-03-22 |access-date=2017-04-18}}</ref> ''[[Louder Than War (website)|Louder Than War]]'' writer Paul Scott-Bates described the original Yazoo version as "incredible" and noted that on Moyet's version "guitar and manic production accompany [her] vocals and easily becomes the icing on the cake on ''Essex''".<ref>{{cite web|url=http://louderthanwar.com/alison-moyet-alf-raindancing-hoodoo-essex-deluxe-editions-album-reviews/ |title=Alison Moyet: Alf &#124; Raindancing &#124; Hoodoo &#124; Essex Deluxe Editions - album reviews |publisher=Louder Than War |date=2016-11-30 |access-date=2017-04-18}}</ref> ''Penny Black Music'' writer Adrian Janes commented that "Ode to Boy" "eagerly delights in the female gaze".<ref>{{cite web|url=http://www.pennyblackmusic.co.uk/MagSitePages/Article/8475/Alison-Moyet-Profile |title=Alison Moyet - Profile |publisher=Pennyblackmusic.co.uk |access-date=2017-04-18}}</ref> Helena Adams of the music website ''Reflections of Darkness'' felt the song was a "total rip off" of the [[Guns N' Roses]] song "[[One in a Million (Guns N' Roses song)|One in a Million]]", but without [[Axl Rose]]'s "rawness or charm".<ref>{{cite web|url=http://www.reflectionsofdarkness.com/artists-a-e-cdreviews-131/17269-cd-review-alison-moyet-essex-deluxe-edition |title=Music Magazine - CD Review: Alison Moyet - Essex (Deluxe Edition) |publisher=Reflections of Darkness |access-date=2017-04-18}}</ref> ===Track listing=== ;12" Single #"Ode To Boy" - 2:55 #"Ode To Boy (N.Y.- L.A. Mix)" - 3:27 #"Ode To Boy (Factory Mix)" - 9:56 #"Ode To Boy (N.Y.- L.A. Dub)" - 3:12 #"Ode To Boy (Factory Dub 2)" - 4:40 ;12" Single (UK promo) #"Ode To Boy (N.Y.- L.A. Mix)" - 3:27 #"Ode To Boy (Factory Mix)" - 9:56 #"Ode To Boy (N.Y.- L.A. Dub)" - 3:12 #"Ode To Boy (Factory Dub 1)" - 3:52 #"Ode To Boy (Factory Dub 2)" - 4:40 ;Cassette Single #"Ode to Boy" - 2:55 #"Life in a Hole" - 3:45 ;CD Single #"Ode to Boy" - 2:55 #"Life in a Hole" - 3:45 #"Sunderland Glynn" - 2:50 #"Ode To Boy (Factory Mix)" - 9:53 ;CD Single (UK promo) #"Ode to Boy" - 2:55 ===Charts=== {| class="wikitable sortable" |- !Chart (1994) !Peak<br>position |- |align="left"|[[UK Singles Chart|UK Singles]] ([[Official Charts Company]])<ref name="officialcharts1"/> | style="text-align:center;"|59 |} ===Personnel=== ====Musicians==== * Alison Moyet - lead vocals, tambourine on "Ode to Boy", harmonica on "Sunderland Glynn" * Christian Mars - guitar on "Ode to Boy" * [[Pete Glenister]] - guitar on "Ode to Boy", "Life in a Hole" and "Sunderland Glynn" * Andy Coughlan - bass on "Ode to Boy" * David Ballard - bongos on "Ode to Boy" * Tony Riley - drums on "Ode to Boy" * Steve Cradock - guitar on "Life in a Hole" * Dave Ruffey - drums on "Life in a Hole" and "Sunderland Glynn" * John Mackenzie - bass on "Life in a Hole" and "Sunderland Glynn" ====Production==== * Pete Glenister - producer of "Ode to Boy", "Life in a Hole" and "Sunderland Glynn", mixing on "Life in a Hole" * [[Neil Brockbank]], Vic Van Vugt - engineers on "Ode to Boy" * [[Alan Winstanley]] - mixing on "Ode to Boy" and "Sunderland Glynn" * Pete Davis, Adrian Bushby - additional production and mix on "Ode to Boy" * Junior Vasquez - additional production and mix on "Factory Mix" and "N.Y.-L.A. Mix" * Alison Moyet, Vic Van Vugt - mixing on "Life in a Hole" ====Other==== * Alison Moyet, Martin Jenkins - design * Robert Clifford - photography ==References== {{Reflist}} {{Yazoo}} {{Alison Moyet}} {{Authority control}} [[Category:1994 singles]] [[Category:Yazoo (band) songs]] [[Category:Alison Moyet songs]] [[Category:Songs written by Alison Moyet]] [[Category:Song recordings produced by Eric Radcliffe]] [[Category:1982 songs]] [[Category:Columbia Records singles]]'
New page wikitext, after the edit (new_wikitext)
'{{Short description|1982 song by Yazoo}} {{Infobox song | name = Ode to Boy | cover = | alt = | type = | artist = [[Yazoo (band)|Yazoo]] | album = [[You and Me Both]] | released = 1982 | recorded = | studio = | venue = | genre = [[Synth-pop]] | length = {{Duration|m=3|s=36}} | label = [[Mute Records|Mute]] | writer = [[Alison Moyet]] | producer = [[Yazoo (band)|Yazoo]], [[Eric Radcliffe]] }} "'''Ode to Boy'''" is a song by [[United Kingdom|British]] synthpop duo [[Yazoo (band)|Yazoo]]. Originally the B-side to their 1982 hit "[[The Other Side of Love]]", it was later included on their second and final studio album ''[[You and Me Both]]'' in 1983.<ref>{{cite web|url=https://www.discogs.com/master/view/17200 |title=Yazoo - You And Me Both at Discogs |publisher=Discogs.com |access-date=2017-04-18}}</ref> Whereas Yazoo's version is a sparse atmospheric track with synths and percussion, vocalist [[Alison Moyet]] later recorded her own version of the song in an uptempo indie-rock style for her 1994 album ''[[Essex (album)|Essex]]''. ==Yazoo version== "Ode to Boy" was originally recorded in 1982 and appeared as the B-Side to Yazoo's 1982 non-album single "[[The Other Side of Love]]".<ref>{{cite web|url=http://www.45cat.com/record/yaz002 |title=Yazoo - The Other Side Of Love / Ode To Boy - Mute - UK - YAZ 002 |publisher=45cat |access-date=2017-04-18}}</ref> It then appeared as an album track on the duo's ''You and Me Both'' album. The song was produced by Yazoo and Eric Radcliffe. Speaking of the song to ''Record Mirror'' in 1983, Moyet revealed: "[it] started being of someone I knew, but ended up being more of a poetic exercise".<ref name="RM19830723">{{cite news |first=Simon |last=Hills |title=Alison Alf Moyet |newspaper=[[Record Mirror]] |pages=24–25 |date=23 July 1983}}</ref> Moyet later revealed the song was about her bandmate [[Vince Clarke]]. Later recalling the song's writing and development in 2016, she said: "It was written, as all my guitar songs are written, fast. It was made slower for Yazoo."<ref name="autogenerated1">Essex - 2016 deluxe edition CD booklet liner notes</ref> ===Critical reception=== [[Neil Tennant]] of ''[[Smash Hits]]'' described the song as being the "darker side of Yazoo" and featuring "one of [Moyet's] smokiest vocals".<ref>Smash Hits - 11–24 November 1982 issue - Singles reviews - page 25</ref> In a 2008 issue of ''The Advocate'', the song was described as "smoldering".<ref>{{cite web|url=https://books.google.com/books?id=m6EgAQAAMAAJ&q=alison+moyet+ode+to+boy |title=The Advocate - Google Books |date=2011-04-27 |access-date=2017-04-18}}</ref> William Ruhlmann of [[AllMusic]] highlighted "Ode to Boy" as a standout track from ''You and Me Both'' by labeling it an AMG Pick Track.<ref>{{cite web|author=Yaz |url=http://www.allmusic.com/album/you-and-me-both-mw0000398779 |title=You and Me Both - Yazoo &#124; Songs, Reviews, Credits |publisher=AllMusic |access-date=2017-04-18}}</ref> In a review of the album by music website ''Sputnikmusic'', the song was described as "one of the high points on the record - dares to slow things down with a sluggish, dingy melody and disjointed, echoed vocals from Moyet".<ref>{{cite web|url=https://www.sputnikmusic.com/review/42555/Yazoo-You-and-Me-Both/ |title=Yazoo - You and Me Both (album review ) |publisher=Sputnikmusic |date=2011-03-23 |access-date=2017-04-18}}</ref> ===Personnel=== *[[Alison Moyet]] – vocals, producer *[[Vince Clarke]] – instrumentation, producer *[[Eric Radcliffe]] - producer ==Alison Moyet version== {{Infobox song | name = Ode to Boy | cover = Alison Moyet Ode to Boy 1994 Single Cover.jpg | alt = | type = single | artist = [[Alison Moyet]] | album = [[Essex (album)|Essex]] | released = October 1994<ref name="worlds1">{{cite web|url=http://www.45worlds.com/cdsingle/cd/6607952 |title=CD Singles - Alison Moyet - Ode To Boy / Life In A Hole - Columbia - UK - 660795 2 |publisher=45worlds.com |access-date=2017-04-18}}</ref> | recorded = | studio = | venue = | genre = | length = 2:55 | label = [[Columbia Records|Columbia]] | writer = [[Alison Moyet]] | producer = [[Pete Glenister]] | prev_title = [[Getting into Something]] | prev_year = 1994 | next_title = [[The First Time Ever I Saw Your Face]] | next_year = 1995 }} "'''Ode to Boy'''" was later recorded for Moyet's fourth studio album ''[[Essex (album)|Essex]]'', released in 1994. In October 1994, "Ode to Boy" was released as the album's fourth and final single.<ref name="discogs1">{{cite web|url=https://www.discogs.com/Alison-Moyet-Ode-To-Boy/master/82817 |title=Alison Moyet - Ode To Boy at Discogs |publisher=Discogs.com |access-date=2017-04-18}}</ref><ref name="worlds1"/> ===Background=== For its inclusion on ''Essex'', Moyet recorded "Ode to Boy" in its original form; a guitar-dominant version. The song was produced by [[Pete Glenister]]. Speaking of the song's re-recording for ''Essex'' in contrast to the slower Yazoo version, Moyet revealed: "It was sped back up for ''Essex''. They are two completely different songs."<ref name="autogenerated1"/> Columbia rejected the original recording of ''Essex'' and insisted that it be re-recorded to create a more commercial package. A mix of the song, titled "Ode to Boy II", featured additional production and mixing done by Adrian Bushby and Pete Davis. This version was included on ''Essex'' as a bonus track. When "Ode to Boy" was released as a single, this remix was selected and the "II" was dropped from its title. For the single, Columbia also hired Junior Vasquez to give the song a dance remix treatment. He produced two mixes: the "Factory Mix" and the "NY-LA Mix".<ref>{{cite web|url=https://www.discogs.com/Alison-Moyet-Ode-To-Boy/release/983078 |title=Alison Moyet - Ode To Boy (Vinyl) at Discogs |publisher=Discogs.com |access-date=2017-04-18}}</ref> The song peaked at No. 59 in the UK and remained in the Top 100 for two weeks.<ref name="officialcharts1">{{Cite web|url=http://www.officialcharts.com/artist/12673/alison-moyet/|title = Alison Moyet &#124; full Official Chart History &#124; Official Charts Company|website = [[Official Charts Company|Official Charts]]}}</ref> "Ode to Boy" was released on 12", cassette and CD in the UK and on CD across Europe.<ref name="discogs1"/> A music video was filmed to promote the single, which was directed by [[The Douglas Brothers]].<ref>{{cite web|author=Published on Nov 18, 2012 |url=https://www.youtube.com/watch?v=HtG9gZ-irlY |title=Alison Moyet - Ode to Boy |publisher=YouTube |date=2012-11-18 |access-date=2017-04-18}}</ref> In 2016, a deluxe edition of ''Essex'' was released by BMG, however due to limited space across the two discs, none of the remixes of "Ode to Boy" were included.<ref>{{cite web|url=http://www.gaytimes.co.uk/culture/54233/review-alison-moyet-special-editions/ |title=Review: Alison Moyet Special Editions |publisher=Gay Times |date=2016-11-15 |access-date=2017-04-18}}</ref> ===Critical reception=== Upon its release as a single, Alan Jones from ''[[Music Week]]'' gave it three out of five, commenting that "an aggressively strummed acoustic guitar gives way to Moyet's strident vocals on an intense work which allows her to show the searing side of her voice more than of late".<ref>{{cite magazine|first= Alan |last= Jones |url= https://worldradiohistory.com/UK/Music-Week/1994/Music-Week-1994-10-22.pdf |title= Market Preview: Mainstream - Singles |magazine= [[Music Week]] |date= 1994-10-22 |page= 18 |accessdate= 2021-04-21}}</ref> Patrick Brennan of ''[[Hot Press]]'' stated, "In her days before [[Vince Clarke]] got his technological hands on her, Alison Moyet was quite a raucous [[R&B|rhythm and blues]] singer. It's that throaty tradition she draws on here to churn out an uninhibited diatribe of womanly desire and admiration for a veritable hunk on wheels. Fast, acoustic and frenetic 'Ode To Boy' lacks the soul of previously more restrained outings in spite of its energy and lust."<ref>{{cite web|url=http://www.hotpress.com/Alison-Moyet/music/reviews/singles/Ode-To-Boy/485745.html |title=Ode To Boy &#124; Music Review &#124; Single |publisher=Hot Press |access-date=2017-04-18}}</ref> ''Lennox Herald'' felt it was "nearly there as far as a good song goes" and added, "Moyet has a wonderful voice which is not always shown off to great effect but this still lacks that little something for truly massive success."<ref>{{cite journal|date=28 October 1994|title=Singles review|journal=Lennox Herald}}</ref> In a review of ''Essex'', William Ruhlmann of [[AllMusic]] commented that the re-recording was "an unnecessary remake" which had been "arranged to sound like '[[Pinball Wizard]]'."<ref>{{cite web|author=William Ruhlmann |url=http://www.allmusic.com/album/essex-mw0000106316 |title=Essex - Alison Moyet &#124; Songs, Reviews, Credits |publisher=AllMusic |date=1994-03-22 |access-date=2017-04-18}}</ref> ''[[Louder Than War (website)|Louder Than War]]'' writer Paul Scott-Bates described the original Yazoo version as "incredible" and noted that on Moyet's version "guitar and manic production accompany [her] vocals and easily becomes the icing on the cake on ''Essex''".<ref>{{cite web|url=http://louderthanwar.com/alison-moyet-alf-raindancing-hoodoo-essex-deluxe-editions-album-reviews/ |title=Alison Moyet: Alf &#124; Raindancing &#124; Hoodoo &#124; Essex Deluxe Editions - album reviews |publisher=Louder Than War |date=2016-11-30 |access-date=2017-04-18}}</ref> ''Penny Black Music'' writer Adrian Janes commented that "Ode to Boy" "eagerly delights in the female gaze".<ref>{{cite web|url=http://www.pennyblackmusic.co.uk/MagSitePages/Article/8475/Alison-Moyet-Profile |title=Alison Moyet - Profile |publisher=Pennyblackmusic.co.uk |access-date=2017-04-18}}</ref> ===Track listing=== ;12" Single #"Ode To Boy" - 2:55 #"Ode To Boy (N.Y.- L.A. Mix)" - 3:27 #"Ode To Boy (Factory Mix)" - 9:56 #"Ode To Boy (N.Y.- L.A. Dub)" - 3:12 #"Ode To Boy (Factory Dub 2)" - 4:40 ;12" Single (UK promo) #"Ode To Boy (N.Y.- L.A. Mix)" - 3:27 #"Ode To Boy (Factory Mix)" - 9:56 #"Ode To Boy (N.Y.- L.A. Dub)" - 3:12 #"Ode To Boy (Factory Dub 1)" - 3:52 #"Ode To Boy (Factory Dub 2)" - 4:40 ;Cassette Single #"Ode to Boy" - 2:55 #"Life in a Hole" - 3:45 ;CD Single #"Ode to Boy" - 2:55 #"Life in a Hole" - 3:45 #"Sunderland Glynn" - 2:50 #"Ode To Boy (Factory Mix)" - 9:53 ;CD Single (UK promo) #"Ode to Boy" - 2:55 ===Charts=== {| class="wikitable sortable" |- !Chart (1994) !Peak<br>position |- |align="left"|[[UK Singles Chart|UK Singles]] ([[Official Charts Company]])<ref name="officialcharts1"/> | style="text-align:center;"|59 |} ===Personnel=== ====Musicians==== * Alison Moyet - lead vocals, tambourine on "Ode to Boy", harmonica on "Sunderland Glynn" * Christian Mars - guitar on "Ode to Boy" * [[Pete Glenister]] - guitar on "Ode to Boy", "Life in a Hole" and "Sunderland Glynn" * Andy Coughlan - bass on "Ode to Boy" * David Ballard - bongos on "Ode to Boy" * Tony Riley - drums on "Ode to Boy" * Steve Cradock - guitar on "Life in a Hole" * Dave Ruffey - drums on "Life in a Hole" and "Sunderland Glynn" * John Mackenzie - bass on "Life in a Hole" and "Sunderland Glynn" ====Production==== * Pete Glenister - producer of "Ode to Boy", "Life in a Hole" and "Sunderland Glynn", mixing on "Life in a Hole" * [[Neil Brockbank]], Vic Van Vugt - engineers on "Ode to Boy" * [[Alan Winstanley]] - mixing on "Ode to Boy" and "Sunderland Glynn" * Pete Davis, Adrian Bushby - additional production and mix on "Ode to Boy" * Junior Vasquez - additional production and mix on "Factory Mix" and "N.Y.-L.A. Mix" * Alison Moyet, Vic Van Vugt - mixing on "Life in a Hole" ====Other==== * Alison Moyet, Martin Jenkins - design * Robert Clifford - photography ==References== {{Reflist}} {{Yazoo}} {{Alison Moyet}} {{Authority control}} [[Category:1994 singles]] [[Category:Yazoo (band) songs]] [[Category:Alison Moyet songs]] [[Category:Songs written by Alison Moyet]] [[Category:Song recordings produced by Eric Radcliffe]] [[Category:1982 songs]] [[Category:Columbia Records singles]]'
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'@@ -66,5 +66,5 @@ Upon its release as a single, Alan Jones from ''[[Music Week]]'' gave it three out of five, commenting that "an aggressively strummed acoustic guitar gives way to Moyet's strident vocals on an intense work which allows her to show the searing side of her voice more than of late".<ref>{{cite magazine|first= Alan |last= Jones |url= https://worldradiohistory.com/UK/Music-Week/1994/Music-Week-1994-10-22.pdf |title= Market Preview: Mainstream - Singles |magazine= [[Music Week]] |date= 1994-10-22 |page= 18 |accessdate= 2021-04-21}}</ref> Patrick Brennan of ''[[Hot Press]]'' stated, "In her days before [[Vince Clarke]] got his technological hands on her, Alison Moyet was quite a raucous [[R&B|rhythm and blues]] singer. It's that throaty tradition she draws on here to churn out an uninhibited diatribe of womanly desire and admiration for a veritable hunk on wheels. Fast, acoustic and frenetic 'Ode To Boy' lacks the soul of previously more restrained outings in spite of its energy and lust."<ref>{{cite web|url=http://www.hotpress.com/Alison-Moyet/music/reviews/singles/Ode-To-Boy/485745.html |title=Ode To Boy &#124; Music Review &#124; Single |publisher=Hot Press |access-date=2017-04-18}}</ref> ''Lennox Herald'' felt it was "nearly there as far as a good song goes" and added, "Moyet has a wonderful voice which is not always shown off to great effect but this still lacks that little something for truly massive success."<ref>{{cite journal|date=28 October 1994|title=Singles review|journal=Lennox Herald}}</ref> -In a review of ''Essex'', William Ruhlmann of [[AllMusic]] commented that the re-recording was "an unnecessary remake" which had been "arranged to sound like '[[Pinball Wizard]]'."<ref>{{cite web|author=William Ruhlmann |url=http://www.allmusic.com/album/essex-mw0000106316 |title=Essex - Alison Moyet &#124; Songs, Reviews, Credits |publisher=AllMusic |date=1994-03-22 |access-date=2017-04-18}}</ref> ''[[Louder Than War (website)|Louder Than War]]'' writer Paul Scott-Bates described the original Yazoo version as "incredible" and noted that on Moyet's version "guitar and manic production accompany [her] vocals and easily becomes the icing on the cake on ''Essex''".<ref>{{cite web|url=http://louderthanwar.com/alison-moyet-alf-raindancing-hoodoo-essex-deluxe-editions-album-reviews/ |title=Alison Moyet: Alf &#124; Raindancing &#124; Hoodoo &#124; Essex Deluxe Editions - album reviews |publisher=Louder Than War |date=2016-11-30 |access-date=2017-04-18}}</ref> ''Penny Black Music'' writer Adrian Janes commented that "Ode to Boy" "eagerly delights in the female gaze".<ref>{{cite web|url=http://www.pennyblackmusic.co.uk/MagSitePages/Article/8475/Alison-Moyet-Profile |title=Alison Moyet - Profile |publisher=Pennyblackmusic.co.uk |access-date=2017-04-18}}</ref> Helena Adams of the music website ''Reflections of Darkness'' felt the song was a "total rip off" of the [[Guns N' Roses]] song "[[One in a Million (Guns N' Roses song)|One in a Million]]", but without [[Axl Rose]]'s "rawness or charm".<ref>{{cite web|url=http://www.reflectionsofdarkness.com/artists-a-e-cdreviews-131/17269-cd-review-alison-moyet-essex-deluxe-edition |title=Music Magazine - CD Review: Alison Moyet - Essex (Deluxe Edition) |publisher=Reflections of Darkness |access-date=2017-04-18}}</ref> +In a review of ''Essex'', William Ruhlmann of [[AllMusic]] commented that the re-recording was "an unnecessary remake" which had been "arranged to sound like '[[Pinball Wizard]]'."<ref>{{cite web|author=William Ruhlmann |url=http://www.allmusic.com/album/essex-mw0000106316 |title=Essex - Alison Moyet &#124; Songs, Reviews, Credits |publisher=AllMusic |date=1994-03-22 |access-date=2017-04-18}}</ref> ''[[Louder Than War (website)|Louder Than War]]'' writer Paul Scott-Bates described the original Yazoo version as "incredible" and noted that on Moyet's version "guitar and manic production accompany [her] vocals and easily becomes the icing on the cake on ''Essex''".<ref>{{cite web|url=http://louderthanwar.com/alison-moyet-alf-raindancing-hoodoo-essex-deluxe-editions-album-reviews/ |title=Alison Moyet: Alf &#124; Raindancing &#124; Hoodoo &#124; Essex Deluxe Editions - album reviews |publisher=Louder Than War |date=2016-11-30 |access-date=2017-04-18}}</ref> ''Penny Black Music'' writer Adrian Janes commented that "Ode to Boy" "eagerly delights in the female gaze".<ref>{{cite web|url=http://www.pennyblackmusic.co.uk/MagSitePages/Article/8475/Alison-Moyet-Profile |title=Alison Moyet - Profile |publisher=Pennyblackmusic.co.uk |access-date=2017-04-18}}</ref> ===Track listing=== '
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[ 0 => 'In a review of ''Essex'', William Ruhlmann of [[AllMusic]] commented that the re-recording was "an unnecessary remake" which had been "arranged to sound like '[[Pinball Wizard]]'."<ref>{{cite web|author=William Ruhlmann |url=http://www.allmusic.com/album/essex-mw0000106316 |title=Essex - Alison Moyet &#124; Songs, Reviews, Credits |publisher=AllMusic |date=1994-03-22 |access-date=2017-04-18}}</ref> ''[[Louder Than War (website)|Louder Than War]]'' writer Paul Scott-Bates described the original Yazoo version as "incredible" and noted that on Moyet's version "guitar and manic production accompany [her] vocals and easily becomes the icing on the cake on ''Essex''".<ref>{{cite web|url=http://louderthanwar.com/alison-moyet-alf-raindancing-hoodoo-essex-deluxe-editions-album-reviews/ |title=Alison Moyet: Alf &#124; Raindancing &#124; Hoodoo &#124; Essex Deluxe Editions - album reviews |publisher=Louder Than War |date=2016-11-30 |access-date=2017-04-18}}</ref> ''Penny Black Music'' writer Adrian Janes commented that "Ode to Boy" "eagerly delights in the female gaze".<ref>{{cite web|url=http://www.pennyblackmusic.co.uk/MagSitePages/Article/8475/Alison-Moyet-Profile |title=Alison Moyet - Profile |publisher=Pennyblackmusic.co.uk |access-date=2017-04-18}}</ref>' ]
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[ 0 => 'In a review of ''Essex'', William Ruhlmann of [[AllMusic]] commented that the re-recording was "an unnecessary remake" which had been "arranged to sound like '[[Pinball Wizard]]'."<ref>{{cite web|author=William Ruhlmann |url=http://www.allmusic.com/album/essex-mw0000106316 |title=Essex - Alison Moyet &#124; Songs, Reviews, Credits |publisher=AllMusic |date=1994-03-22 |access-date=2017-04-18}}</ref> ''[[Louder Than War (website)|Louder Than War]]'' writer Paul Scott-Bates described the original Yazoo version as "incredible" and noted that on Moyet's version "guitar and manic production accompany [her] vocals and easily becomes the icing on the cake on ''Essex''".<ref>{{cite web|url=http://louderthanwar.com/alison-moyet-alf-raindancing-hoodoo-essex-deluxe-editions-album-reviews/ |title=Alison Moyet: Alf &#124; Raindancing &#124; Hoodoo &#124; Essex Deluxe Editions - album reviews |publisher=Louder Than War |date=2016-11-30 |access-date=2017-04-18}}</ref> ''Penny Black Music'' writer Adrian Janes commented that "Ode to Boy" "eagerly delights in the female gaze".<ref>{{cite web|url=http://www.pennyblackmusic.co.uk/MagSitePages/Article/8475/Alison-Moyet-Profile |title=Alison Moyet - Profile |publisher=Pennyblackmusic.co.uk |access-date=2017-04-18}}</ref> Helena Adams of the music website ''Reflections of Darkness'' felt the song was a "total rip off" of the [[Guns N' Roses]] song "[[One in a Million (Guns N' Roses song)|One in a Million]]", but without [[Axl Rose]]'s "rawness or charm".<ref>{{cite web|url=http://www.reflectionsofdarkness.com/artists-a-e-cdreviews-131/17269-cd-review-alison-moyet-essex-deluxe-edition |title=Music Magazine - CD Review: Alison Moyet - Essex (Deluxe Edition) |publisher=Reflections of Darkness |access-date=2017-04-18}}</ref>' ]
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'1677014051'