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'{{short description|1996 film by Peter Jackson}} {{About||the Matt Helm spy novel by Donald Hamilton|The Frighteners (novel)|The Avengers episode|The Frighteners (The Avengers)}} {{Use mdy dates|date=May 2020}} {{Infobox film | name = The Frighteners | image = Frighteners ver1.jpg | alt = | caption = Theatrical release poster | director = [[Peter Jackson]] | producer = {{Plainlist| * Peter Jackson * [[Jamie Selkirk]] }} | writer = {{Plainlist| * [[Fran Walsh]] * Peter Jackson }} | starring = {{Plainlist|<!--Per poster billing--> * [[Michael J. Fox]] * [[Trini Alvarado]] * [[Peter Dobson]] * [[John Astin]] * [[Dee Wallace|Dee Wallace Stone]] * [[Jeffrey Combs]] * [[Jake Busey]]}} | music = [[Danny Elfman]] | cinematography = {{Plainlist| * John Blick * [[Alun Bollinger]] }} | editing = Jamie Selkirk | studio = [[WingNut Films]]<ref name=afi>{{cite web|url=http://catalog.afi.com/Catalog/MovieDetails/60331|title=The Frighteners (1996)|work=[[AFI Catalog of Feature Films]]|access-date=September 11, 2020}}</ref> | distributor = [[Universal Pictures]]<ref name=afi/> | released = {{Film date|1996|07|19}} | runtime = 110 minutes<!--Theatrical runtime: 110:10--><ref>{{cite web |title=''THE FRIGHTENERS'' (15)|url=https://www.bbfc.co.uk/AFF066313|work=[[British Board of Film Classification]]|date=January 10, 1997|access-date=November 21, 2012}}</ref> | country = {{Plainlist| * United States<ref name="bfi">{{cite web |url=http://www.bfi.org.uk/films-tv-people/4ce2b7dd5f03a|archive-url=https://web.archive.org/web/20160403041731/http://www.bfi.org.uk/films-tv-people/4ce2b7dd5f03a|url-status=dead|archive-date=April 3, 2016|title=The Frighteners (1996)|work=[[British Film Institute]]|access-date=February 19, 2017}}</ref> * New Zealand<ref name="bfi" /> }} | language = English | budget = $26 million<ref name=stress>{{cite book|author=Pryor, Ian|title=Peter Jackson: From Prince of Splatter to Lord of the Rings|publisher=[[Thomas Dunne Books]]|year=2003|pages=[https://archive.org/details/peterjacksonfrom0000pryo/page/204 204–205]|isbn=0-312-32294-1|location=New York|url-access=registration|url=https://archive.org/details/peterjacksonfrom0000pryo/page/204}}</ref> | gross = $29.3 million }} '''''The Frighteners''''' is a 1996 [[supernatural film|supernatural]] [[comedy horror]] film directed by [[Peter Jackson]] and co-written with [[Fran Walsh]]. The film stars [[Michael J. Fox]], [[Trini Alvarado]], [[Peter Dobson]], [[John Astin]], [[Dee Wallace|Dee Wallace Stone]], [[Jeffrey Combs]], [[R. Lee Ermey]] and [[Jake Busey]]. ''The Frighteners'' tells the story of Frank Bannister (Fox), an architect who develops psychic abilities allowing him to see, hear, and communicate with [[ghost]]s after his wife's murder. He initially uses his new abilities to befriend ghosts, whom he sends to haunt people so that he can charge them handsome fees for "exorcising" the ghosts. However, the spirit of a mass murderer appears posing as the [[Death (personification)|Grim Reaper]], able to attack the living and the dead, prompting Frank to investigate the supernatural presence. Jackson and Walsh conceived the idea for ''The Frighteners'' during the script-writing phase of ''[[Heavenly Creatures]]''. Executive producer [[Robert Zemeckis]] hired the duo to write the script, with the original intention of Zemeckis directing ''The Frighteners'' as a [[Spin-off (media)|spin-off]] film of the television series, ''[[Tales from the Crypt (TV series)|Tales from the Crypt]]''. With Jackson and Walsh's first draft submitted in January 1994, Zemeckis believed the film would be better off directed by Jackson, produced by Zemeckis and funded/distributed by [[Universal Pictures|Universal Studios]]. The visual effects were created by Jackson's [[Weta Digital]], which had only been in existence for three years. This, plus the fact that ''The Frighteners'' required more digital effects shots than almost any movie made until that time, resulted in the eighteen-month period for effects work by Weta Digital being largely stressed. Despite a rushed [[post-production]] schedule, Universal was so impressed with Jackson's [[rough cut]] on ''The Frighteners'', the studio moved the theatrical release date up by three months. The film was not a [[box office]] success, but received generally positive reviews from critics. The film gained a cult following and is considered a [[cult classic]] in Jackson's catalog.<ref>{{cite web | url=https://www.vulture.com/2018/12/frighteners-grim-reaper-backstory.html | title=How Peter Jackson's the Frighteners Brought the Personification of Death to Life | date=December 14, 2018 }}</ref><ref>{{cite web | url=https://bloody-disgusting.com/editorials/3497661/peter-jacksons-frighteners-unjustly-forgotten-gem/ | title=Peter Jackson's 'The Frighteners': An Unjustly Forgotten Gem | date=May 8, 2018 }}</ref><ref>{{cite web | url=https://www.joblo.com/peter-jackson-the-frighteners-the-best-movie-you-never-saw/ | title=Peter Jackson's the Frighteners: The Best Movie You Never Saw | date=October 20, 2020 }}</ref><ref>{{cite web | url=https://www.dreadcentral.com/editorials/433777/the-frighteners-is-the-perfect-bookend-to-peter-jacksons-horror-period/ | title='The Frighteners' is the Perfect Bookend to Peter Jackson's Horror Period | date=July 21, 2022 }}</ref><ref>{{cite web | url=https://gizmodo.com/the-frighteners-peter-jacksons-precursor-to-lord-of-th-1825891383 | title=The Frighteners, Peter Jackson's Precursor to Lord of the Rings, Still Scares and Surprises | date=May 11, 2018 }}</ref> ==Plot== <!-- PER WP:FILMPLOT, PLOT SUMMARIES IN FEATURE FILM ARTICLES SHOULD BE 400-700 WORDS. --> In 1964, in the town of Fairwater, California, orderly Johnny Bartlett is executed for killing 12 people at a sanatorium, driven by his ambition to become the most prolific serial killer. His teenage lover, Patricia Ann Bradley, is treated as an accomplice and sentenced to prison. Many years later, she is released into her mother's care and kept under strict house arrest. In 1990, Frank Bannister, a successful architect, is a self-centered husband to his wife, Debra. During an argument, an inebriated Frank crashes his car, and police later find Debra dead nearby with the number '13' carved into her forehead. Frank has no memory of the event, but the trauma grants him the ability to see the spirit world. In the present, Frank lives in the unfinished remnants of the dream home he was building for Debra. Wracked with guilt over her death, Frank has become a cynical con man, using his abilities to "[[exorcism|exorcise]]" hauntings staged by ghosts in his employ: street gangster Cyrus, nerdy Stuart, and The Judge, an [[American frontier|Old West]] gunslinger. While exorcising the home of physician Lucy Lynskey and her self-absorbed husband Ray, Frank notices the number "37" glowing on Ray's forehead. Ray later dies of a heart attack. As Frank helps Lucy communicate with Ray's ghost at a local restaurant, he witnesses a [[Death (personification)|Grim Reaper]]-like entity crush the heart of a man marked "38". Panicked, Frank flees and follows a heavenly light to the museum, where he discovers the number 39 victim and the Reaper's next target, newspaper editor Magda Rees-Jones. Frank fails to save Magda from the Reaper, who also kills The Judge. Realizing the murders are pointing to him, Frank turns himself in to the police. He is investigated by Milton Dammers, an eccentric and unstable [[Federal Bureau of Investigation|FBI]] agent traumatized by years of torture and sexual abuse while working undercover with Satanic cults. Dammers is convinced that Frank killed Debra and is responsible for the high number of unexplained heart attack deaths in the town. Lucy visits Frank in jail and they bond over their shared losses. The Reaper attacks Lucy, the number 41 victim, and Cyrus and Stuart are killed defending her and Frank while they escape. Aware he cannot protect her from the Reaper as a human, Lucy induces a near-death experience in Frank using drugs to slow his heart. Dammers captures Lucy, intending to let Frank remain dead, but Frank's spirit rescues her and inflicts enough damage on the Reaper to destroy his disguise, revealing him as the spirit of Bartlett. Though poised to finish Barlett, Frank is resurrected before landing the final blow, allowing Barlett to escape. While Frank recovers following his revival, Lucy warns her patient, Patricia, of Bartlett's return. Patricia reveals she is still in love with Bartlett and summoned him from Hell to continue their murder spree. Patricia kills her mother, while Frank and Lucy trap Bartlett in his urn and flee to the abandoned sanitorium, intending to take his ashes to the chapel and banish him back to Hell. While Patricia and Dammers each pursue the pair through the sanitorium, Frank experiences visions of the 1964 massacre, showing Patricia was actively involved in the murders. This helps Frank recall that Bartlett's ghost killed Debra after the crash and Patricia carved the number into her forehead. Dammers manages to corner Frank in front of the chapel and takes the urn, unwittingly releasing Bartlett before being killed by Patricia. Patricia fatally strangles Frank before moving on to a restrained Lucy, but as a spirit, he pulls her soul from her body and ascends to heaven, dragging Patricia's spirit with him and forcing Bartlett to give chase. Although Bartlett frees Patricia and attempts to return to Earth, they are consumed by a demonic creature and taken to Hell. Frank arrives in Heaven where he is reunited with Cyrus, Stuart, and Debra, who sends him back to Earth, telling him to be happy. Sometime later, Frank demolishes his incomplete house and starts a relationship with Lucy, who, following her own close encounter with death, can now see ghosts. ==Cast== <!--- Cast and order per tombstone opening credits, roles per closing credits scroll ---> * [[Michael J. Fox]] as Frank Bannister, a former architect turned ghost hunter after the trauma of his wife dying. Although Jackson and Walsh envisioned ''The Frighteners'' as a low-budget film with unknown actors, Zemeckis suggested casting his ''[[Back to the Future (franchise)|Back to the Future]]'' star Fox in the lead role. Fox became enthusiastic about working with Jackson when he saw ''[[Heavenly Creatures]]'' at the [[Toronto International Film Festival]].<ref name=biography /> * [[Trini Alvarado]] as Lucy Lynskey, a physician that Frank meets. The character is named after ''Heavenly Creatures'' star [[Melanie Lynskey]] (who also cameos in ''The Frighteners'').<ref name=biography /> * [[Peter Dobson]] as Ray Lynskey, Lucy's health-obsessed and comically hot-headed husband who dislikes Frank's tactics * [[John Astin]] as The Judge, a decaying [[Gunfighter|gunslinger]] ghost from the Old West with a penchant for [[Mummy|mummies]] and firing guns at random.<ref name=biography /> * [[Jeffrey Combs]] as Milton Dammers, an eccentric FBI agent who has a vendetta against Bannister. A former [[Espionage|undercover agent]] known for his work with [[cult]]ists, which caused him to sustain multiple massive mutilations and drove him to the brink of [[insanity]], he has a problem with women screaming at him. Jackson opted to cast Combs as Dammers because he was a fan of the actor's work in ''[[Re-Animator]]''.<ref name=camp /> * [[Dee Wallace|Dee Wallace Stone]] as Patricia Bradley, inspired by [[Caril Ann Fugate]]. Bartlett's [[Mental disorder|mentally ill]] lover (escaping execution at the time of the original murders as she was underage) who is under strict observation by her mother. * [[Jake Busey]] as Johnny Bartlett, a [[mass murder]]er inspired by [[Charles Starkweather]] sharing the last name of his second and third victims, girlfriend and accomplice Caril Ann Fugate's mother and step-father Velda and Marion Bartlett. He continues his work in the afterlife, focusing on increasing his body count as a form of competition with other famous murderers. He returns from Hell, able to attack the living and the dead posing as the [[Death (personification)|Grim Reaper]]. * [[Chi McBride]] as Cyrus. One of Frank's deceased associates for his ghost-hunting business. * [[Jim Fyfe]] as Stuart, a [[nerd]] who is one of Frank's deceased associates for his ghost-hunting business. * [[Troy Evans (actor)|Troy Evans]] as Sheriff Walt Perry, a local law enforcement officer and ally to Frank. * [[Julianna McCarthy]] as Old Lady Bradley, Patricia's mother and former director of the psychiatric hospital, who is constantly monitoring her daughter. * [[R. Lee Ermey]] as Hiles, the ghost of a Master Sergeant. Ermey's performance in this film is heavily reminiscent of his performance as Gunnery Sergeant Hartman in the 1987 film ''[[Full Metal Jacket]]'', sharing many mannerisms with the aforementioned character.<ref>{{cite web|url=https://www.sbs.com.au/guide/article/2017/12/05/legend-r-lee-ermey-full-metal-jacket-drill-sergeant|title=The Legend of R. Lee Ermey, 'Full Metal Jacket' drill sergeant|website=[[Special Broadcasting Service|SBS]]|date=December 15, 2017|access-date=April 29, 2018}}</ref> * [[Elizabeth Hawthorne]] as Magda Rees-Jones, the snooty British editor of the local newspaper. In addition, [[Peter Jackson]] cameos as a man with piercings, his son Billy is a baby in a bouncer, [[Melanie Lynskey]] cameos as the deputy who is briefly seen standing next to Lucy Lynskey, Byron McCrawerly plays Victim #38 and [[Angela Bloomfield]] plays Frank's deceased wife, Debra. == Production == === Development === [[Peter Jackson]] and co-writer [[Fran Walsh]] conceived the idea for ''The Frighteners'' in 1992, during the script-writing phase of ''[[Heavenly Creatures]]''.<ref name=Bob /> Together, they wrote a three-page [[film treatment]] and sent it to their [[talent agent]] in Hollywood. [[Robert Zemeckis]] viewed their treatment with the intention of directing ''The Frighteners'' as a [[Spin-off (media)|spin-off]] film of the television series, ''[[Tales from the Crypt (TV series)|Tales from the Crypt]]'' (which he helped produce).<ref name=blood>{{cite news | author = Helms, Michael | title = The Frighteners | work = [[Fangoria]] | date = July 1996 | pages = 35–41 }}</ref><ref name=better /> Zemeckis hired Jackson and Walsh to turn their treatment into a full-length screenplay in January 1993.<ref name=biography>{{cite book | author= Sibley, Brian | title = Peter Jackson: A Film-maker's Journey | publisher =[[HarperCollins]] | year =2006 | isbn = 0-00-717558-2 | location = London | pages= 261, 303–322, 331–333 | author-link = Brian Sibley}}</ref> The husband and wife duo completed their first draft for ''The Frighteners'' in early-January 1994. Zemeckis was so impressed with their script, he decided ''The Frighteners'' would work better directed by Jackson, executive produced by Zemeckis and funded/distributed by [[Universal Pictures]].<ref name=better>Sibley, p.273-279</ref> Universal [[green-light]]ed the film to commence [[pre-production]] on a $26 million budget in April 1994.<ref name=Bob>Pryor, p.191-195</ref><ref name=market>Sibley, p.330-339</ref> The studio also granted Jackson and Zemeckis total [[artistic control]] and the right of [[final cut privilege]].<ref name=blood /> === Filming === Jackson decided to film ''The Frighteners'' entirely in New Zealand.<ref>{{cite news | author = Archerd, Amy | title = Cates thinks diverse noms make for good TV | url = https://www.variety.com/article/VR1117862643 | work = [[Variety (magazine)|Variety]] | date = February 15, 1995 | access-date = December 24, 2008 | author-link = Army Archerd}}</ref> Zemeckis and Universal agreed on the condition that Jackson made New Zealand look similar to the [[Midwestern United States]].<ref name=camp /> [[Principal photography]] began on May 14, 1995, and lasted until November 16, which is one of the longest [[shooting schedule]]s ever approved by Universal Pictures. Six weeks into the shoot, [[cinematographer]] [[Alun Bollinger]] had a serious car accident. His replacement, John Blick, later alternated duties with Bollinger for much of the rest of the shoot.<ref name=long>Pryor, p.201-203</ref> [[Location shooting]] primarily included [[Wellington]] and three weeks spent in [[Lyttelton, New Zealand|Lyttelton]]. Interior scenes were compiled at Camperdown Studios in [[Miramar, New Zealand|Miramar]].<ref name=camp>Pryor, p.196-200</ref> ===Visual effects=== Jackson's [[Weta Digital]] created the visual effects, which included [[computer-generated imagery]], as well as [[scale model]]s (which were necessary to make [[Lyttelton, New Zealand|Lyttelton]] look American),<ref name=biography /> [[prosthetic makeup]] and practical effects with help from [[Weta Workshop]]. [[Visual effects supervisor]] [[Richard Taylor (filmmaker)|Richard Taylor]] explained that effects work on ''The Frighteners'' was complex due to Weta's inexperience with computer technology in the mid-1990s. Prior to this film, Weta worked largely with [[Practical effect|physical effects]]. With so many ghosts among its main cast, ''The Frighteners'' required more digital effects shots than almost any movie made up till that time. For a special effects company that had been in existence less than three years, the eighteen-month period for completing ''The Frighteners'' was largely stressful.<ref name=long /> Some shots were handled by a small New Zealand company called Pixel Perfect, many of whose employees would eventually join Weta Digital.<ref name=biography /> [[Rick Baker]] was hired to design the prosthetic makeup for The Judge, portrayed by [[John Astin]] (the detachable jawbone was later added digitally). However, Baker was not able to apply Astin's five hours of makeup due to his commitment on ''[[The Nutty Professor (1996 film)|The Nutty Professor]]''.<ref name=long /> Makeup artist Brian Penikas ([[Pirates of the Caribbean (film series)|''Pirates of the Caribbean'' trilogy]], ''[[Indiana Jones and the Kingdom of the Crystal Skull]]'') fulfilled Baker's duties.<ref name=Indy>{{cite news | author = Vaz, Mark Cota | title = ''The Frighteners'': The Thrill of the Haunt | work = [[Cinefex]] | date = June 1996 | pages = 67–71 }}</ref> The extended shooting schedule owed much to the fact that scenes where ghosts and human characters interacted had to be filmed twice; once with human characters acting on set, and then with the ghost characters acting against a [[Chroma key|blue screen]]. The two elements would later be digitally composited into one shot with the use of [[Split screen (video production)|split screen photography]]. Such sequences required precise timing from the cast as they traded dialogue with characters who were merely blank air.<ref name=long /> The hardest challenge for the digital animators at Weta was creating the [[Death (personification)|Grim Reaper]], which went through many transformations before finding physical form.<ref name=Indy /> "We set out with the intention of doing the Reaper as a rod [[puppet]], maybe shooting it in a water tank," Jackson commented. "We even thought of filming someone, dressed in costume, at different camera speeds."<ref name=long /> Test footage was shot with puppets and a man in a Reaper suit, but in the end, it was decided that using [[computer animation]] would be the easiest task. Another entirely computerized character called "the Gatekeeper", a winged [[cherub]] who helps guard the cemetery, was deleted from the [[final cut privilege|final cut]].<ref name=Japan>Sibley, p.320-329</ref> With digital effects work running behind schedule, Zemeckis convinced [[Wes Takahashi]], an animation supervisor from visual effects company [[Industrial Light & Magic]], to help work on ''The Frighteners''.<ref name=Japan /> "The shots Zemeckis showed me were pretty remarkable," Takahashi reflected, "but there were still about 400 shots to do, and everyone was kind of worried."<ref name=stress /> Takahashi was quickly drafted as a visual effects supervisor, and began looking at the schedule, trying to work out whether ''The Frighteners'' could be finished in time. "There was no way we'd make the deadline. I figured out a concerted plan involving Jackson and Zemeckis to convince Universal it was worthy of asking for more money."<ref name=stress /> The executives at Universal proposed splitting some of the shots to visual effects companies in the United States, but Jackson, for whom the film was a chance to show New Zealand filmmaking could stand alongside Hollywood, convinced Universal otherwise.<ref name=stress /> Instead, ''The Frighteners'' received an accelerated release date, four months earlier than planned, and an additional $6 million in financing, with fifteen digital animators and computer workstations (some were borrowed from Universal and other effects companies in the US).<ref>Pryor, pp. 300-309</ref> ==Soundtrack== {{Further|The Frighteners (soundtrack)}} The [[film score]] was written and composed by [[Danny Elfman]]. It was released in 1996 on [[Compact Cassette|cassette]] and [[compact disc]] by [[MCA Records]] and [[Universal Records (1995−2006)|Universal Records]].<ref name="allmusic">{{cite news | url = {{AllMusic|class=album|id=r238037|pure_url=yes}} | title = The Frighteners overview | work = [[AllMusic]] | access-date = February 20, 2009}}</ref> The closing credits play a cover of [[Blue Öyster Cult]]'s "[[(Don't Fear) The Reaper]]" performed by [[Music of New Zealand|New Zealand]] [[alternative rock]] band [[The Mutton Birds]].<ref>{{cite news | url={{AllMusic|class=artist|id=p165401|pure_url=yes}} | title = The Mutton Birds: overview | work = [[AllMusic]] | access-date = February 20, 2009}}</ref><ref>{{cite news | asin = B000002P1W | title = The Frighteners: Music From The Motion Picture [SOUNDTRACK] | work = [[Amazon (company)|Amazon.com]] }}</ref> The Mutton Birds version of the song had been previously released as a [[A-side and B-side|B-side]] to their single "She's Been Talking" released in 1996.<ref>{{cite news | url = {{AllMusic|class=album|id=r365085|pure_url=yes}} | title = She's Been Talking | work = [[AllMusic]] | access-date = February 20, 2009}}</ref> The credits also feature "[[Superstar (Delaney and Bonnie song)|Superstar]]", written by [[Bonnie Bramlett]] + [[Leon Russell]] and performed by [[Sonic Youth]]. ==Release== The intended release date was October 1996, but after Universal [[studio executive]]s viewed a [[rough cut]] of ''The Frighteners'', they were impressed enough to move the release date to their "summer [[Blockbuster (entertainment)|blockbuster]] slot" on July 19, 1996.<ref name=shop>{{cite magazine | author = Thompson, Anne | title = Little Shop of Horror | url = https://ew.com/article/1996/08/02/frighteners-has-plenty-scare-no-blood/ | magazine = [[Entertainment Weekly]] | date = August 2, 1996 | access-date = December 24, 2008 | author-link = Anne Thompson (film critic)}}</ref> In addition, Universal offered the filmmaker the opportunity to make ''[[King Kong (2005 film)|King Kong]]'', which was not released until 2005.<ref>Sibley, p.210-319</ref> Jackson often disputed the [[Motion Picture Association of America]] (MPAA)'s decision on the film's rating. Aware that he was meant to be delivering Universal a PG-13 rated film, Jackson tried his best to omit [[graphic violence]] as much as possible, but the MPAA still believed ''The Frighteners'' deserved an R rating.<ref name=fright>Pryor, p.206-211</ref> ===Box office=== ''The Frighteners'' was released in the United States in 1,675 theaters, and opened at #5, earning $5,565,495 during its opening weekend, averaging $3,335 per theater. The film eventually grossed a worldwide total of $29,359,216.<ref>{{cite web | url = https://boxofficemojo.com/movies/?id=frighteners.htm | title = The Frighteners | work = [[Box Office Mojo]] | access-date = December 24, 2008}}</ref> ''The Frighteners'' ended up being a [[box-office bomb|box office disappointment]], mostly due to competition from ''[[Independence Day (1996 film)|Independence Day]]'';<ref>{{cite news | author = Woods, Mark | title = "Daylight" in Money O'Seas | url = https://www.variety.com/vstory/VR1117436171 | work = [[Variety (magazine)|Variety]] | date = December 31, 1996 | access-date = December 24, 2008}}</ref> in interviews conducted years after ''The Frighteners''{{'}} release, Jackson commented he was disappointed by Universal's ubiquitous marketing campaign, including a poster which "didn't tell you anything about the picture",<ref name=biography /> which he believed was the primary reason the film was not a financial success.<ref name=market /> Additionally, the film opened on the same day the [[1996 Summer Olympics|Atlanta Summer Olympics]] began; when Jackson realized this and told the studio, they answered "'We don't think so; our research indicates that's not the case...' And I just thought how the hell do they know? There had only ever been three Olympic Games held in the United States in one hundred years!" Jackson acknowledged ''The Frighteners''{{'}} tone made it hard to pigeon-hole and sell, and his experience on the film made him understand the importance of marketing.<ref name=biography /> ===Critical reception=== [[File:Peter Jackson SDCC 2014.jpg|right|thumb|[[Peter Jackson]] received two [[Saturn Award]] nominations]] {{As of|2021|12|11|df=US}}, 67% of the 42 reviewers selected by review aggregator [[Rotten Tomatoes]] gave the film a positive review, and the average score is 6.2/10. The website's critical consensus states, "Boasting top-notch special effects and exuberant direction from Peter Jackson, ''The Frighteners'' is visually striking but tonally uneven."<ref>{{cite web|url=https://rottentomatoes.com/m/frighteners/|title=The Frighteners (1996)|work=[[Rotten Tomatoes]]|publisher=[[Fandango Media]]|access-date=June 14, 2018}}</ref> Audiences polled by [[CinemaScore]] gave the film an average grade of "B−" on an A+ to F scale.<ref name="CinemaScore">{{cite web |url=https://m.cinemascore.com |title=CinemaScore |work=cinemascore.com}}</ref> [[Kenneth Turan]] of the ''[[Los Angeles Times]]'' stated "Director Peter Jackson, at home with all kinds of excess in New Zealand, keeps everything spinning nicely, not even losing a step when the mood turns increasingly disturbing."<ref>{{cite news | author = Turan, Kenneth | title = ''Frighteners'' Jolts Both Nerves and Funny Bone | work = [[Los Angeles Times]] | date = July 19, 1996 | url = http://www.calendarlive.com/movies/reviews/cl-movie960719-3,0,6464899.story | access-date = December 24, 2008 | author-link = Kenneth Turan}}</ref> [[Janet Maslin]] from ''[[The New York Times]]'' enjoyed ''The Frighteners'', but "walked out the theater with mixed emotions," she commented that "Peter Jackson deserves more enthusiasm for expert, imaginative effects than for his live actors anyhow. These lively touches would leave ''The Frighteners'' looking more like a more frantic ''[[Beetlejuice]]'' if Jackson's film weren't so wearyingly overcrowded. ''The Frighteners'' is not immune to overkill, even though most of its characters are already dead."<ref>{{cite news | author = Maslin, Janet | title = Ghosts All Over the Place | work = [[The New York Times]] | date = July 19, 1996 | author-link = Janet Maslin}}</ref> Jeff Vice of the ''[[Deseret News]]'' praised the acting in the film, with the performances of Fox and Alvarado in particular, but said that there were also "bits that push the taste barrier too far and which grind things to a screeching halt", and that if "Jackson had used the restraint he showed in ''Heavenly Creatures'', the movie could have "been the best of its kind".<ref>{{cite news|url=http://deseretnews.com/movies/review/1,5208,653,00.html |author=Vice, Jeff |date=July 23, 1996 |title=Frighteners, The |work=[[Deseret News]] |access-date=February 10, 2009 |url-status=dead |archive-url=https://web.archive.org/web/20090223222652/http://deseretnews.com/movies/review/1%2C5208%2C653%2C00.html |archive-date=February 23, 2009}}</ref> Critic [[Christopher Null]] praised the film, as he described it as a mixture between ''[[Ghostbusters]]'' and ''[[Twin Peaks]]''.<ref name="null">{{cite news|url=http://www.filmcritic.com/misc/emporium.nsf/reviews/The-Frighteners |author=Null, Christopher |author-link=Christopher Null |year=1996 |publisher=[[Christopher Null|Filmcritic.com]] |title=The Frighteners |access-date=February 10, 2009 |url-status=dead |archive-url=https://web.archive.org/web/20080709064126/http://www.filmcritic.com/misc/emporium.nsf/reviews/The-Frighteners |archive-date=July 9, 2008}}</ref> Michael Drucker of [[IGN]] said that although the film would not make Jackson's top five of movies, it "is a harmless and fun dark comedy that you'll enjoy casually watching from time to time".<ref name=Kong>{{cite news | author = Drucker, Michael | title = I Can't Believe It's Not Burton | work = [[IGN]] | url = http://dvd.ign.com/articles/675/675620p1.html | date = December 14, 2005 | access-date = December 24, 2008}}</ref> ''The Frighteners'' received mixed reviews from critics from Jackson's native country, New Zealand.<ref name=fright /> Conversely, Todd McCarthy of ''[[Variety (magazine)|Variety]]'' thought that the film should have remained an episode of ''Tales from the Crypt''.<ref>{{cite news|url=https://www.variety.com/review/VE1117905416.html?categoryid=31&cs=1|title=The Frighteners|author=McCarthy, Todd|date=July 15, 1996|work=[[Variety (magazine)|Variety]]|access-date=February 10, 2009}}</ref> Critic [[James Berardinelli]] believed that although ''The Frighteners'' wasn't "a bad film", it was "a disappointment, following Jackson's powerful, true-life matricide tale, ''[[Heavenly Creatures]]''", and because of that "''The Frighteners'' fell short of expectations by being just one of many in the long line of 1996 summer movies."<ref name="reelviews">{{cite web | year = 1996 | author = Berardinelli, James | title = The Frighteners | work = ReelViews | url =http://preview.reelviews.net/movies/f/frighteners.html | access-date = December 24, 2008 | author-link = James Berardinelli}}</ref> ''[[Chicago Sun-Times]]''{{'}} [[Roger Ebert]] gave the film one star out of four, and felt that Jackson was more interested in [[prosthetic makeup]] designs, [[computer animation]], and special effects than writing a cohesive storyline.<ref>{{cite news | author = Ebert, Roger | title = The Frighteners | url =https://www.rogerebert.com/reviews/the-frighteners-1996 | work = [[Chicago Sun-Times]] | date = July 19, 1996 | access-date = October 24, 2022 | author-link = Roger Ebert}}</ref> Ebert and critic [[Gene Siskel]] gave it a "two thumbs down" rating on their TV show ''[[At the Movies (1982 TV program)|At the Movies with Gene Siskel and Roger Ebert]]''.<ref name="Siskel/Ebert">{{cite news|url=http://bventertainment.go.com/tv/buenavista/ebertandroeper/index2.html?sec=6&subsec=Frighteners|title=The Frighteners|work=[[At the Movies (1982 TV program)|At the Movies with Gene Siskel and Roger Ebert]]|author=[[Roger Ebert|Ebert, Roger]]; [[Gene Siskel|Siskel, Gene]]|date=July 19, 1996|access-date=February 11, 2009}} {{Dead link|date=April 2012|bot=H3llBot}}</ref> ''[[Chicago Reader]]'' critic [[Jonathan Rosenbaum]], described the film's special effects as "ugly, aggressive" and "proliferating", saying that "trying to keep interested in [the special effects] was like trying to remain interested in a loudmouth shouting in [his] ear".<ref>{{cite news|url=http://www.chicagoreader.com/chicago/quick-change-artists/Content?oid=891073|title=Quick Change Artists |last=Rosenbaum |first=Jonathan |author-link=Jonathan Rosenbaum|work=[[Chicago Reader]]|year=1996|access-date=February 10, 2009}}</ref> Edward Guthmann of the ''[[San Francisco Chronicle]]'' stated that "instead of moving the horror genre in new directions, ''The Frighteners'' simply falls apart from its barrage of visual effects and the overmixed onslaught of Danny Elfman's music score".<ref>{{cite news|url=http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/1996/07/19/DD61313.DTL|title=Film Review — "Frighteners" Busted by Special Effects|date=July 19, 1996|author=Guthmann, Edward|page=D13|work=[[San Francisco Chronicle]]|access-date=February 10, 2009}}</ref> ''[[The Austin Chronicle]]''{{'}}s Joey O'Brien, said that although the screenplay was "practically loaded with wild ideas, knowingly campy dialogue and offbeat characterizations", it "switched gears" too fast and too frequently that "the audience is left struggling to catch up as [''The Frighteners''] twists and turns its way unmercifully towards a literally out-of-this-world finale".<ref>{{cite news|url=http://www.austinchronicle.com/gyrobase/Calendar/Film?Film=oid%3A138104|title=The Frighteners|author=O'Brien, Joey|date=July 19, 1996|work=[[The Austin Chronicle]]|access-date=February 10, 2009}}</ref> ===Accolades=== At the [[23rd Saturn Awards]], the [[Academy of Science Fiction, Fantasy and Horror Films]] honored Jackson with nominations for [[Saturn Award for Best Director|Best Director]] and [[Saturn Award for Best Writing|Best Writing]], the latter he shared with wife [[Fran Walsh]]. ''The Frighteners'' also was nominated for [[Saturn Award for Best Horror Film|Best Horror Film]], and for its [[Saturn Award for Best Special Effects|Special Effects]], [[Saturn Award for Best Make-up|Make-up]] ([[Rick Baker]]) and [[Saturn Award for Best Make-up|Music]] ([[Danny Elfman]]). [[Michael J. Fox]] and [[Jeffrey Combs]] were also nominated for their work.<ref>{{cite web |url=http://www.saturnawards.org/past.html |title=Past Saturn Awards |work=Academy of Science Fiction, Fantasy & Horror Films |access-date=December 23, 2008 |url-status=dead |archive-url=https://web.archive.org/web/20110512032708/http://www.saturnawards.org/past.html |archive-date=May 12, 2011 }}</ref> ==Home media== "The Frighteners" was released on Laserdisc in 1996 in a standard release with Dolby surround on both Digital and Analog channels. In 1998 Universal Home Video as part of the Signature Series collection released a special edition. This includes the first release of the 12 minute longer "Directors Cut" plus the following extras: Feature commentary by director Peter Jackson 4 hour documentary 'The Making Of The Frighteners' directed by Peter Jackson featuring cast interviews, rehearsals, storyboarding, miniatures and special effects Deleted scenes Theatrical trailer The later DVD was a re-release of this with inferior audio. ''The Frighteners'' was first released on DVD in August 1998, but included no special features.<ref>{{cite book | title = The Frighteners (1996) | isbn = 078322799X }}</ref> To coincide with the release of Jackson's ''[[King Kong (2005 film)|King Kong]]'',<ref name=Kong /> [[Universal Pictures Home Entertainment|Universal Studios Home Entertainment]] issued a double-sided director's cut DVD of the film in November 2005,<ref name="amazon">{{cite web | title = The Frighteners (Director's Cut) (1996) | work = [[Amazon (company)|Amazon.com]] | date = November 29, 2005 | url = https://www.amazon.com/dp/B000ASATYO/ | access-date = December 25, 2008}}</ref> which featured a version of ''The Frighteners'' that was 12 minutes longer.<ref name="null" /> The other side includes a documentary prepared by Jackson and WingNut Films originally for the Laserdisc release.<ref name="amazon" /> The theatrical and director's cut were also made available in HD DVD in 2007 and Blu-ray in 2011.<ref>{{cite web | title = The Frighteners (Peter Jackson's Director's Cut) [HD DVD] (1996) | url = https://www.amazon.com/dp/B000O179EA/ | work = [[Amazon (company)|Amazon.com]] | date = May 29, 2007 | access-date = December 25, 2008}}</ref><ref>{{Citation|title=The Frighteners Blu-ray|url=http://www.blu-ray.com/movies/The-Frighteners-Blu-ray/16134/|access-date=April 30, 2018}}</ref> ==See also== * [[List of ghost films]] * "[[The Purple Testament]]", an episode of ''[[The Twilight Zone]]'' with a similar plotline ==References== {{Reflist}} * {{cite book | author= [[Michael Jahn]] | title = The Frighteners: A Novel | publisher =[[Berkley Books]] | date =July 1996 | isbn = 978-1-57297-187-5 | others=[[Novelization]] of the film}} ==External links== {{Wikiquote}} * {{IMDb title|116365|The Frighteners}} * {{mojo title|frighteners|The Frighteners}} * {{cite magazine |date=April 26, 2004 |author = Richard Corliss |author-link=Richard Corliss |url=http://www.time.com/time/specials/packages/article/0,28804,1970858_1970890_1971159,00.html |archive-url=https://web.archive.org/web/20100506020503/http://www.time.com/time/specials/packages/article/0,28804,1970858_1970890_1971159,00.html |url-status=dead |archive-date=May 6, 2010 |title = The 2004 Time 100: Peter Jackson|magazine=[[Time (magazine)|Time]] }} {{Peter Jackson}} {{Tales from the Crypt}} {{good article}} {{DEFAULTSORT:Frighteners, The}} [[Category:1996 films]] [[Category:1996 black comedy films]] [[Category:1996 comedy horror films]] [[Category:1990s ghost films]] [[Category:1990s serial killer films]] [[Category:1990s supernatural horror films]] [[Category:American black comedy films]] [[Category:American comedy horror films]] [[Category:American serial killer films]] [[Category:American supernatural horror films]] [[Category:New Zealand comedy films]] [[Category:New Zealand horror films]] [[Category:New Zealand comedy horror films]] [[Category:Films about architects]] [[Category:Films about the Federal Bureau of Investigation]] [[Category:Films directed by Peter Jackson]] [[Category:Films with screenplays by Peter Jackson]] [[Category:Films with screenplays by Fran Walsh]] [[Category:Films scored by Danny Elfman]] [[Category:Films set in 1964]] [[Category:Films set in 1990]] [[Category:Films shot in Oklahoma]] [[Category:Films shot in New Zealand]] [[Category:WingNut Films films]] [[Category:Universal Pictures films]] [[Category:Films about exorcism]] [[Category:Films about the afterlife]] [[Category:Resurrection in film]] [[Category:1990s English-language films]] [[Category:1990s American films]] [[Category:Films produced by Peter Jackson]] [[Category:Films about personifications of death]] [[Category:Films about architecture]] [[Category:English-language comedy horror films]] [[Category:English-language crime films]]'