Jackie Wilson

For the British author, see Jacqueline Wilson. For the American boxer, see Jackie Wilson (boxer).

For other people named Jack Wilson, see Jack Wilson (disambiguation).

Jackie Wilson
Wilson in 1961
Background information
Birth name	Jack Leroy Wilson Jr.
Also known as	Mr. Excitement
Born	(1934-06-09)June 9, 1934 Detroit, Michigan, US
Died	January 21, 1984(1984-01-21) (aged 49) Mount Holly, New Jersey, US
Genres	R&B, soul, pop, rock and roll, doo-wop
Occupation	Singer-songwriter
Instrument	Vocals
Years active	1953–1975
Labels	Dee Gee, King, Federal, Brunswick

Jack Leroy "Jackie" Wilson Jr. (June 9, 1934 – January 21, 1984) was an American soul singer-songwriter and performer. A tenor with a four octave vocal range, he was nicknamed "Mr. Excitement", and was important in the transition of rhythm and blues into soul. He was considered a master showman, and one of the most dynamic and influential singers and performers in R&B and rock 'n' roll history. Gaining fame in his early years as a member of the R&B vocal group Billy Ward and His Dominoes, he went solo in 1957 and recorded over 50 hit singles that spanned R&B, pop, soul, doo-wop and easy listening. This included 16 R&B Top 10 hits, including six R&B number ones. On the Billboard Hot 100, he scored 14 Top 20 Pop hits, six of which made it into the Pop Top 10.

On September 29, 1975, while headlining a Dick Clark Oldies Concert, he collapsed on stage from what was later determined to be a massive heart attack, and subsequently slipped into a coma, slowly awakening over a period of 8 months. He remained semi-comatose for the nine years until his death in 1984, at the age of 49. Wilson was one of the most influential artists of his generation and an inspiration to other singers including Elvis Presley, James Brown and Michael Jackson.

A two-time Grammy Hall of Fame Inductee, Wilson was inducted to the Rock and Roll Hall of Fame in 1987. In 2004, Rolling Stone magazine ranked Jackie Wilson #69 on their list of the 100 Greatest Artists of All Time.

Biography

Early years and career

Jack Leroy Wilson Jr. was born on June 9, 1934, in Detroit, Michigan, the only son of singer-songwriter, Jack Leroy Wilson, Sr. (1903–1983) and Eliza Mae Wilson (1907–1984), as she lost two previous children. Eliza Mae was born on the Billups-Whitfield Place in Columbus, Mississippi. Her parents were Tom and Virginia Ransom. Jackie often visited his family in Columbus and was greatly influenced by the choir at Billups Chapel. Growing up in the rough Detroit area of Highland Park, Wilson joined a gang called the Shakers and often got himself in trouble. Wilson's alcoholic father was frequently absent and usually out of work. Wilson began singing at an early age, accompanying his mother, once a choir singer, to church. In his early teens Jackie joined a quartet, the Ever Ready Gospel Singers, which became a popular feature of churches in the area. Jackie was not very religious, but he enjoyed singing; the money he and his group earned from performing was usually spent on cheap wine, which Wilson began drinking at age nine. Jack Sr. and Eliza separated shortly after Jackie turned nine.

Wilson dropped out of high school at the age of 15, having already been sentenced to detention in the Lansing Corrections system for juveniles twice. During his second stint in detention, he learned to box and began competing around the Detroit amateur circuit at the age of 16. His record in the Golden Gloves was 2 and 8. After his mother forced him to quit boxing, Wilson married Freda Hood and became a father at 17. It is estimated that Wilson fathered at least 10 other children prior to getting married, and that he was forced to marry Hood by her father. He gave up boxing for music, first working at Lee's Sensation club as a solo singer, then forming a group called the Falcons (The same Falcons Wilson Pickett was later a part of), that included cousin Levi Stubbs, who later went on to lead the Four Tops (two more of Wilson's cousins, Hubert Johnson and Levi's brother Joe, later became members of the Contours). The other members joined Hank Ballard as part of the Midnighters. including Alonzo Tucker & Billy Davis, who would work with Wilson several years later as a solo artist. Tucker and Wilson collaborated as songwriters on a few songs Wilson recorded.

Wilson was soon discovered by talent agent Johnny Otis, who assigned him to join a group called the Thrillers. That group would later be known as the Royals (who would later evolve into R&B group, the Midnighters, but Wilson wasn not part of the group when it changed its name and signed with King Records). LaVern Baker, Little Willie John, Johnnie Ray and Della Reese were acts managed by Al Green (not to be confused with R&B singer Al Green, nor Albert "Al" Green of the now defunct National Records). Al Green owned two music publishing companies, Pearl Music and Merrimac Music, and Detroit's Flame Show Bar where Wilson met Baker.

After recording his first version of "Danny Boy" and a few other tracks on Dizzy Gillespie's record label Dee Gee Records under the name Sonny Wilson (his nickname), Wilson was eventually hired by Billy Ward in 1953 to join a group Ward formed in 1950 called the Dominoes, after Wilson's successful audition to replace the immensely popular Clyde McPhatter, who left the Dominoes and formed his own group, the Drifters. Wilson almost blew his chance that day, showing up calling himself "Shit" Wilson and bragging about being a better singer than McPhatter.

Billy Ward felt a stage name would fit the Dominoes' image, hence Jackie Wilson. Prior to leaving the Dominoes, McPhatter coached Wilson on the sound Billy Ward wanted for his group, influencing Wilson's singing style and stage presence. "I learned a lot from Clyde, that high-pitched choke he used and other things...Clyde McPhatter was my man. Clyde and Billy Ward." 1940s blues singer Roy Brown was also a major influence on him, and Wilson grew up listening to the Mills Brothers, the Ink Spots, Louis Jordan and Al Jolson.

Wilson was the group's lead singer for three years, but the Dominoes lost some of their stride with the departure of McPhatter. They were able to make appearances riding on the strength of the group's earlier hits, until 1956 when the Dominoes recorded Wilson with an unlikely interpretation of the pop hit "St. Therese of the Roses", giving the Dominoes another brief moment in the spotlight (Their only other post-McPhatter/Wilson successes were "Stardust", released July 15, 1957, and "Deep Purple", released October 7, 1957.) In 1957 Wilson set out to begin a solo career, leaving the Dominoes and collaborating with cousin Levi and got work at Detroit's Flame Show Bar. Later, Al Green worked out a deal with Decca Records, and Wilson was signed to their subsidiary label, Brunswick.

Solo stardom

Shortly after Wilson signed a solo contract with Brunswick, Green suddenly died. Green's business partner, Nat Tarnopol, took over as Wilson's manager (and later rose to president of Brunswick). Wilson's first single was released, "Reet Petite" from the album He's So Fine, which became a modest R&B success (and many years later, an international smash hit). The song was written by another former boxer, Berry Gordy Jr., who co-wrote it with partner Roquel "Billy" Davis (who also went by the pseudonym Tyran Carlo) and Gordy's sister Gwendolyn. The trio composed and produced six further singles for Wilson, which included "To Be Loved", "I'm Wanderin'", "We Have Love", "That's Why (I Love You So)", "I'll Be Satisfied" and his late-1958 signature song, "Lonely Teardrops", which peaked at No. 7 on the pop charts, No. 1 on the R&B charts in the U.S., and established him as an R&B superstar known for his extraordinary, operatic multi-octave vocal range. "Lonely Teardrops" sold over one million copies, and was awarded a gold disc by the RIAA.

Due to his fervor when performing, with his dynamic dance moves, singing and impeccable dress, he was soon christened "Mr. Excitement", a title he would keep for the remainder of his career. His stagecraft in his live shows inspired James Brown, Michael Jackson and Elvis Presley, as well as a host of other artists that followed. Presley was so impressed with Wilson that he made it a point to meet him, and the two instantly became good friends. In a photo of the two posing together, Presley's caption in the autograph reads "You got you a friend for life." Wilson was sometimes called "The Black Elvis". Reportedly, when asked about this Presley said, "I guess that makes me the white Jackie Wilson." Wilson also said he was influenced by Presley too, saying "A lot of people have accused Elvis of stealing the black man's music, when in fact, almost every black solo entertainer copied his stage mannerisms from Elvis."

Wilson's powerful, electrifying live performances rarely failed to bring audiences to a state of frenzy. His live performances consisted of knee-drops, splits, spins, back-flips, one-footed across-the-floor slides, removing his tie and jacket and throwing them off the stage, a lot of basic boxing steps (advance and retreat shuffling) and one of his favorite routines, getting some of the less attractive girls in the audience to come up and kiss him. "If I kiss the ugliest girl in the audience," Wilson often said, "they'll all think they can have me and keep coming back and buying my records." Having women come up to kiss him is one reason Wilson kept bottles of mouthwash in his dressing room. Another reason may have been his attempt to hide the alcohol on his breath.

Wilson was also a regular on TV, making regular appearances on such shows as The Ed Sullivan Show, American Bandstand, Shindig!, Shivaree and Hullabaloo. His only movie appearance was in the rock and roll film Go, Johnny, Go!, where he performed his 1959 hit song "You Better Know It".

In 1958, Davis and Gordy left Wilson and Brunswick after royalty disputes escalated between them and Nat Tarnopol. Davis soon became a successful staff songwriter and producer for Chess Records, while Gordy borrowed $800 from his family and used money he earned from royalties writing for Wilson to start his own recording studio, Hitsville USA, the foundation of Motown Records in his native Detroit. Meanwhile, convinced that Wilson could venture out of R&B and rock and roll, Tarnopol had the singer record operatic ballads and easy listening material, pairing him with Decca Records' veteran arranger Dick Jacobs.

Wilson scored hits as he entered the 1960s with the No. 15 "Doggin' Around", the No. 1 pop ballad "Night", another million-seller, and "Baby Workout", another Top 10 hit (No. 5), which he composed with Midnighters member Alonzo Tucker. His songwriting alliance with Tucker also turned out other songs, including "No Pity (In The Naked City)" and "I'm So Lonely." Top 10 hits continued with "Alone At Last" (No. 8 in 1960) and "My Empty Arms" (No. 9 in 1961).

Also in 1961, Wilson recorded a tribute album to Al Jolson, Nowstalgia ... You Ain't Heard Nothin' Yet, which included the only album liner notes he ever wrote: "... to the greatest entertainer of this or any other era ... I guess I have just about every recording he's ever made, and I rarely missed listening to him on the radio ... During the three years I've been making records, I've had the ambition to do an album of songs, which, to me, represent the great Jolson heritage ... This is simply my humble tribute to the one man I admire most in this business ... to keep the heritage of Jolson alive." The album was a commercial failure.

Following the success of "Baby Workout", Wilson experienced a lull in his career between 1964 and 1966 as Tarnopol and Brunswick Records released a succession of unsuccessful albums and singles. Despite the lack of sales success, he still made artistic gains as he recorded an album with Count Basie, as well as a series of duets with rhythm and blues artist LaVern Baker and gospel singer Linda Hopkins.

In 1966, he scored the first of two big comeback singles with established Chicago soul producer Carl Davis with "Whispers (Gettin' Louder)" and "(Your Love Keeps Lifting Me) Higher and Higher", a No. 6 pop hit in 1967, which became one of his final hits. This was followed by "I Get the Sweetest Feeling", which, despite its modest initial chart success in the US (Billboard Pop #34), has since become one of his biggest international chart successes, becoming a Top 10 hit in the UK twice, in 1972 and in 1987, and a Top 20 hit in the Dutch Top 40, and has spawned numerous cover versions by other artists such as Edwin Starr, Will Young, Erma Franklin (Aretha Franklin's sister) and Liz McClarnon.

A key to his musical rebirth was that Davis insisted that Wilson no longer record with Brunswick's musicians in New York; instead, he would record with legendary Detroit musicians normally employed by Motown Records and also Davis' own Chicago-based session players. The Detroit musicians, known as the Funk Brothers, participated on Wilson's recordings due to their respect for Davis and Wilson.

By 1975, Wilson and the Chi-Lites were the only significant artists left on Brunswick's roster. Wilson had continued to record singles that found success on the R&B chart, but found no significant pop chart success. His final hit, "You Got Me Walkin'", written by Eugene Record of the Chi-Lites, was released in 1972 with the Chi-Lites backing him on vocals and instruments.

Death

On September 29, 1975, Wilson was one of the featured acts in Dick Clark's Good Ol' Rock and Roll Revue, hosted by the Latin Casino in Cherry Hill, New Jersey. He was in the middle of singing "Lonely Teardrops" when he suffered a heart attack. When he collapsed on stage, audience members initially thought it was part of the act. Clark sensed something was wrong, then ordered the musicians to stop the music. Cornell Gunter of the Coasters, who was backstage, noticed Wilson was not breathing. Gunter was able to resuscitate him and Wilson was then rushed to a nearby hospital.

Medical personnel worked to stabilize his vital signs, but the lack of oxygen to his brain caused him to slip into a coma. He briefly recovered in early 1976, and was even able to take a few wobbly steps but slipped back into a semi-comatose state. He was deemed conscious but incapacitated in early June 1976, unable to speak but aware of his surroundings. He was a resident of the Medford Leas Retirement Center in Medford, New Jersey, when he was admitted into Memorial Hospital of Burlington County in Mount Holly, New Jersey, due to having trouble taking nourishment, according to Wilson's attorney John Mulkerin.

Jackie Wilson died on January 21, 1984, at age 49 from complications of pneumonia. He was initially buried in an unmarked grave at Westlawn Cemetery near Detroit. In 1987, a fundraiser by a Detroit radio station collected enough money to purchase a headstone.

Personal life

Wilson's personal life was laced with tragedy. In 1960 in New Orleans, he was arrested and charged with assaulting a police officer when fans tried to climb on stage. He assaulted a policeman who had shoved one of the fans. Wilson had a reputation for being short-tempered.

On February 15, 1961, in Manhattan, Wilson was injured in a shooting. It is said the real story behind this incident is that one of his girlfriends, Juanita Jones, shot and wounded him in a jealous rage when he returned to his Manhattan apartment with another woman, fashion model Harlean Harris, an ex-girlfriend of Sam Cooke's. Wilson's management supposedly concocted a story to protect Wilson's reputation; that Jones was an obsessed fan who had threatened to shoot herself, and that Wilson's intervention resulted in him being shot. Wilson was shot in the stomach: The bullet would result in the loss of a kidney, and lodged too close to his spine to be operated on. In early 1975, during an interview with author Arnold Shaw, Wilson maintained it actually was a zealous fan whom he did not know that shot him. "We also had some trouble in 1961. That was when some crazy chick took a shot at me and nearly put me away for good..." The story of the zealous fan was accepted, and no charges were brought against Jones.

A month and a half later after the shooting incident, Jackie Wilson was discharged from the hospital. At the time Wilson had declared annual earnings of $263,000, while the average salary a man earned then was just $5,000 a year. But he discovered that, despite being at the peak of success, he was broke. Around this time the Internal Revenue Service (IRS) seized Wilson's Detroit family home. Tarnopol and his accountants were supposed to take care of such matters. Wilson made arrangements with the IRS to make restitution on the unpaid taxes; he also re-purchased the family home at auction. Nat Tarnopol had taken advantage of Wilson's naïveté, mismanaging his money since becoming his manager. Tarnopol also had power-of-attorney over Wilson's finances, giving him complete control over Wilson's money. Wilson was a rather trusting soul, trusting people he should not have like Tarnopol and some of Wilson's other managers.

Tarnopol and 18 other Brunswick executives were indicted on federal charges of mail fraud and tax evasion stemming from bribery and payola scandals in 1975. Also in the indictment was the charge that Tarnopol owed at least $1 million in royalties to Wilson. In 1976 Tarnopol and the others were found guilty; an appeals court overturned their conviction 18 months later. Although the conviction was overturned, judges went into detail, outlining that Tarnopol and Brunswick Records did defraud their artists of royalties, and that they were satisfied that there was sufficient evidence for Wilson to file a lawsuit. However, a trial to sue Tarnopol for royalties never took place, as Wilson lay in a nursing home semi-comatose. Tarnopol never paid Wilson monies he had coming to him, and Wilson died riddled with debt to the IRS and Brunswick Records.

One of the highlights of the federal tax fraud trial of Tarnopol and the other Brunswick executives came when Eugene Record of The Chi-Lites testified that he had been assaulted during a contract negotiation at Brunswick's New York office. Record stated that he asked Tarnopol for advanced money on a recording in 1972 when an associate of Tarnopol's, whom Record identified as Johnny Roberts, asked Tarnopol "should I twist his nose off?" Before any answer came, Record said Roberts "suddenly began to twist my nose, and when I pushed his arm away he punched me in the face, knocking my glasses off." A similar story concerns Wilson, who reportedly was hung out of Tarnopol's office window by his feet when Wilson asked about money, according to Chuck Barksdale of The Dells.

In March 1967, Wilson and friend/drummer Jimmy Smith were arrested in South Carolina on "morals charges"; the two were entertaining two 24-year-old white women in their motel room.

Freda Hood, Wilson's first wife, with whom he had four children, divorced him in 1965 after 14 years of marriage as she was frustrated with his notorious womanizing. Although the divorce was amicable, Freda would regret her decision. His 16-year-old son, Jackie Jr, was shot and killed on a neighbor's porch near their Detroit home in 1970. The death of Jackie Jr. devastated Wilson. He sank into a period of depression, and for the next couple of years remained mostly a recluse. More tragedy hit when two of Wilson's daughters died at a young age. His daughter Sandra died in 1977 at the age of 24 of an apparent heart attack. Jacqueline Wilson was killed in 1988 in a drug-related incident in Highland Park, Michigan.

Wilson's second marriage was to model Harlean Harris in 1967 with whom he had three children, but they too separated in 1970. Wilson later met and lived with Lynn Guidry, a woman who would have two children with him. There was also a woman named Joyce McCrae, a fan who tried to take the role of Wilson's caregiver while he was in the nursing home. He was with Guidry, who was under the impression that she was his legal wife, until his heart attack in 1975. However, as he and Harris never officially divorced, Harris took the role of Wilson's caregiver for the singer's remaining nine years.

Wilson converted to Judaism as an adult.

Tributes and legacy

On August 17, 2013 in Cleveland, Ohio, Jackie Wilson was inducted into the Official R&B Music Hall of Fame.

In 1985, the Commodores recorded "Nightshift" in memory of Wilson and soul singer Marvin Gaye, who had both died in 1984. Reaching No. 1 R&B and No. 3 pop in the U.S., and topping the Dutch singles chart, it was the group's biggest hit after the departure of Lionel Richie.

Van Morrison recorded a tribute song called "Jackie Wilson Said (I'm in Heaven When You Smile)" on his 1972 album Saint Dominic's Preview. This was later covered by Dexy's Midnight Runners. When the track was performed on the British TV show Top of the Pops, a picture of darts player Jocky Wilson was used instead. This has often been speculated to be a mistake but Dexy's frontman Kevin Rowland stated that it was a deliberate joke by the band.

Michael Jackson honored Jackie Wilson at the 1984 Grammy Awards. Jackson dedicated his Album of the Year Grammy for Thriller to Wilson, saying, "In the entertainment business, there are leaders and there are followers. And I just want to say that I think Jackie Wilson was a wonderful entertainer...Jackie, where you are I want to say I love you and thank you so much."

Until Jackson's comments, Wilson's recording legacy had been dormant for almost a decade. Tarnopol owned Wilson's recordings due to Brunswick's separation from MCA, but the label had closed down, essentially deleting Wilson's considerable recorded legacy. When Jackson praised Wilson at the Grammys, interest in the legendary singer stirred, and Tarnopol released the first Wilson album (a two-record compilation) in almost nine years through Epic Records, Jackson's label at the time. Through Tarnopol's son, Wilson's music has become more available.

• In the VH-1 5-part television special, Say It Loud: A Celebration of Black Music in America, fellow Rock and Roll Hall of Famers Smokey Robinson and Bobby Womack both paid tribute to Wilson. Smokey explained that "Jackie Wilson was the most dynamic singer and performer that I think I've ever seen. Bobby added "He was the real Elvis Presley, as far as I'm concerned...and Elvis took a lot from him too."
• In his autobiography To Be Loved (named for one of the hit tunes he wrote for Wilson) Motown founder Berry Gordy stated that Wilson was "The greatest singer I've ever heard. The epitome of natural greatness. Unfortunately for some, he set the standard I'd be looking for in singers forever".
• Wilson is mentioned in the song "Gone But Not Forgotten" sung by artist TQ, which is a song dedicated to the memory of famous musicians who have died. The lyric goes "..and Jackie, will you teach me how to glide across the stage?"
• Wilson scored a posthumous hit when "Reet Petite" reached number one in the United Kingdom, Ireland and the Netherlands in 1986. This success was likely due in part to a new animated video made for the song, featuring a clay model of Wilson, that became popular on television. The following year he hit the UK charts again with "I Get the Sweetest Feeling" (No. 3), and "(Your Love Keeps Lifting Me) Higher and Higher" (No. 15).
• Rita Coolidge covered "Higher and Higher" in 1977; her version reached No. 2 on the US pop charts, earning a gold record.
• In 1999, Wilson's original version of "Higher and Higher" and "Lonely Teardrops" were inducted into the Grammy Hall of Fame; both are on Rolling Stone magazine's list of the 500 Greatest Songs of All Time.
• Wilson was inducted into the Rock and Roll Hall of Fame in 1987; that same year, he was portrayed in the Ritchie Valens biopic La Bamba by Howard Huntsberry.
• Wilson is referenced in the 1986 song "R.O.C.K. in the U.S.A." by John Mellencamp.
• Wilson and "Lonely Teardrops" are referenced in the 1993 song "Jupiter and Teardrop" by Grant Lee Buffalo on their debut album Fuzzy.
• In 1988, his version of "To Be Loved" was featured in the film Coming to America, when Akeem and Lisa were falling in love. Akeem (Eddie Murphy) later came back home singing the song loudly, waking up and infuriating his neighbors.
• In 1989, "Higher and Higher" was featured in the film Ghostbusters II, the soundtrack album of which featured a cover version of the song by Howard Huntsberry. "Higher and Higher" was also featured in Eddie Murphy's 2007 movie "Norbit."
• In 1992, Wilson was portrayed in the ABC miniseries by Grady Harrell in The Jacksons: An American Dream.
• In 1994, Monkee Peter Tork recorded a bluegrass-rock cover of "Higher and Higher" on his first solo album Stranger Things Have Happened. Tork regularly performs the song in concert.
• On November 18, 2011, the Black Ensemble Theater of Chicago produced a musical about Wilson's life.
• In 2014, artist Hozier released a song titled "Jackie and Wilson", a play on Wilson's name. The song includes the lyrics "We'll name our children Jackie and Wilson and raise them on rhythm and blues."
• The Jackie Wilson Hologram Tour 2017 announced by Hologram USA on Billboard:

The singer behind ‘Higher and Higher’ and other hits joins the growing Hologram USA roster.

Add another name to the growing list of artist recreations by Hologram USA: Jackie Wilson. The R&B legend will star in a full stage show with a tour launching in 2017, co-produced by FilmOn TV Networks and distributed online by FilmOn.com. Nicknamed Mr. Excitement, Wilson was a dynamic entertainer whose mesmerizing dance moves and pioneering crossover success influenced a host of future stars including Michael Jackson. In fact, after Thriller won the Grammy for album of the year in 1984, Jackson dedicated his award to Wilson.

Between 1958 and 1970, Wilson charted 16 top 10 R&B hits and six top 10 pop hits. He topped the R&B singles chart six times, starting with 1958's "Lonely Teardrops" (No. 7 on pop). The Detroit native's additional No. 1's included "You Better Know It," "Doggin’ Around," "A Woman, a Lover, a Friend," "Baby Workout" and radio perennial "(Your Love Keeps Lifting Me) Higher and Higher." Wilson, inducted into the Grammy Hall of Fame and the Rock and Roll Hall of Fame, slipped into a coma after collapsing onstage in 1975. He died in 1984.

In a statement announcing Hologram USA's latest artist recreation, CEO Alki David said, "Everything you expect from an exciting ‘rock star’ stage show was invented by Jackie Wilson: the leaps, spins and back-flips, not to mention his amazing four-octave range." David's partners in mounting the new show are Plateau Music Nashville CEO Tony Mantor, who is the Artist Manager for Bobby Brooks Wilson (son of Jackie) and the Heirs of Jackie Wilson.

• A ceremony was held on Saturday, August 20, 2016 at WHPR TV & Radio. At the ceremony, Cottage Grove Street officially became Jackie Wilson Lane.

Discography

Main article: Jackie Wilson discography

Hit singles

Year	Title	Chart positions
		US	US R&B	UK	AU
1957	"Reet Petite"	62	-	6	10
	"To Be Loved"	22	7	23	64
1958	"We Have Love"	93	-	-	-
	"Lonely Teardrops"	7	1	-	53
1959	"That's Why (I Love You So)"	13	2	-	-
	"I'll Be Satisfied"	20	6	-	-
	"You Better Know It"	37	1	-	-
	"Talk That Talk"	34	3	-	-
1960	"A Woman, a Lover, a Friend"	15	1	-	30
	"Night"	4	3	-	19
	"Alone at Last"	8	20	50	11
	"Doggin' Around"	15	1	-	76
	"Am I the Man"	32	10	-	-
	"(You Were Made For) All My Love"	12	-	33	30
1961	"My Empty Arms"	9	25	-	-
	"The Tear of the Year"	44	10	-	-
	"I'm Comin' on Back to You"	19	9	-	-
1963	"Baby Workout"	5	1	-	66
1966	"Whispers (Gettin' Louder)"	11	5	-	-
1967	"(Your Love Keeps Lifting Me) Higher and Higher"	6	1	-	24
1968	"I Get the Sweetest Feeling"	34	12	9	-
1969	"(Your Love Keeps Lifting Me) Higher and Higher" (UK re-release)	-	-	11	-
1970	"(I Can Feel These Vibrations) This Love is For Real"	56	9	-	-
1975	"I Get the Sweetest Feeling" / "(Your Love Keeps Lifting Me) Higher and Higher" (UK re-release)	-	-	25	-
1986	"Reet Petite" (UK re-release)	-	-	1	20
1987	"I Get the Sweetest Feeling" (UK re-release)	-	-	3	-
	"(Your Love Keeps Lifting Me) Higher and Higher" (UK second re-release)	-	-	15	-

Hit albums

Year	Title	Chart positions
		US Pop	US R&B
1963	Baby Workout	36	-
	Merry Christmas from Jackie Wilson	6	-
1966	Whispers	-	15
1967	Higher and Higher	-	28
1968	Manufacturers of Soul	-	18

External links

• Jackie Wilson interviewed on the Pop Chronicles (1969)