Samuel Z. Arkoff: Difference between revisions
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==External links== |
==External links== |
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* [http://www.horror-wood.com/arkoff.htm Article about Samuel Arkoff on the Horror-Wood Webzine] |
* [https://web.archive.org/web/20060913091542/http://www.horror-wood.com/arkoff.htm Article about Samuel Arkoff on the Horror-Wood Webzine] |
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* {{IMDb name|35098}} |
* {{IMDb name|35098}} |
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* {{Find a Grave|5861313}} |
* {{Find a Grave|5861313}} |
Revision as of 13:21, 20 December 2017
Samuel Z. Arkoff | |
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File:Samuel Z. Arkoff.jpg | |
Born | Samuel Zachary Arkoff 12 June 1918 Fort Dodge, Iowa, United States |
Died | 16 September 2001 | (aged 83)
Occupation | Film producer |
Spouse | Hilda Rusoff |
Children | Louis Arkoff Donna Arkoff Roth |
Samuel Zachary Arkoff (12 June 1918 – 16 September 2001) was an American producer of B movies.[1]
Life and career
Born in Fort Dodge, Iowa to a Russian Jewish family, Arkoff first studied to be a lawyer. Along with business partner James H. Nicholson and producer-director Roger Corman, he produced eighteen films. In the 1950s, Nicholson founded the American Releasing Corporation, which later became known as American International Pictures, and made Arkoff the vice-president. AIP films were mostly low-budget, with production completed in a few days, though nearly all of them became profitable.
Arkoff is also credited with starting a few genres, such as the Beach Party and outlaw biker movies, and his company played a substantial part in bringing the horror film genre to a novel level with successes such as Blacula, I Was a Teenage Werewolf and The Thing with Two Heads. American International Pictures movies starred many established actors in principal or cameo roles, such as Boris Karloff, Elsa Lanchester and Vincent Price, as well as others who later became household names, including Don Johnson, Nick Nolte, Diane Ladd, and most notably Jack Nicholson. A number of actors shunned or overlooked by most of Hollywood during the 1960s and 1970s, such as Bruce Dern and Dennis Hopper, also found work in one or more of Arkoff's productions. Arkoff's most financially successful film was the 1979 adaptation of Jay Anson's book The Amityville Horror.
Not long after American International Pictures went out of business, Arkoff founded Arkoff International Pictures.[2]
Arkoff began his career in Hollywood as a producer of The Hank McCune Show, a seminal sitcom produced in 1951. He innovated the television laugh track, rather than go to the expense of a studio audience.
In 2000, Arkoff was featured alongside former collaborators including Roger Corman, Dick Miller and Peter Bogdanovich in the documentary SCHLOCK! The Secret History of American Movies, a film about the rise and fall of American exploitation cinema.
Personal life and death
He was married to Hilda Rusoff. They had two children: Louis Arkoff, who was also his producing partner; and Donna Roth, who is a movie producer married to the former chairman of Walt Disney Studios, Joe Roth. He also has five grandchildren and a great-grandson. Arkoff died in 2001, within weeks of his wife's death.
The ARKOFF formula
During a 1980s television talk show appearance, Arkoff related his "ARKOFF Formula" for a successful, memorable movie. This states that a successful low-budget movie should include:
- Action (exciting, entertaining drama)
- Revolution (novel or controversial themes and ideas)
- Killing (a modicum of violence)
- Oratory (notable dialogue and speeches)
- Fantasy (acted-out fantasies common to the audience)
- Fornication (sex appeal, for young adults)
References
- ^ Aljean Harmetz (19 September 2001). "Samuel Z. Arkoff, Maker of Drive-In Thrillers, Dies at 83". New York Times. Retrieved 27 April 2015.
Samuel Z. Arkoff, the low-budget movie mogul who enticed two generations of teenagers into drive-in theaters with movies like I Was a Teenage Werewolf and Wild in the Streets, died on Sunday in Burbank, Calif. He was 83. ...
- ^ At the Movies: 'Beach Party' man is producing films again, after a pause 'Beverly Hills Cop II' premiere in Britain Richard Gere explores brotherhood on a farm 105th movie for Lillian Gish New from Louis Malle Japanese festival, U.S. films Lawrence Van Gelder. New York Times (1923–Current file) [New York, N.Y.] 2 October 1987: C8.