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Best Of Both World Tour

The Best of Both Worlds Tour was the first concert tour by American recording artist Miley Cyrus. The tour was held to promote the double-disc album Hannah Montana 2/Meet Miley Cyrus (2007), which consisted of the soundtrack to Hannah Montana's second season and her debut studio album. It initiated in October 2007 and concluded in January 2008, visiting cities in the United States and Canada. The tour was promoted by AEG Live and Buena Vista Concerts. Labelmates the Jonas Brothers, Aly & A.J., and Everlife each served as opening act during the tour. One dollar from each ticket sold was donated to the City of Hope National Medical Center, an organization devoted to the fight against cancer. The Best of Both Worlds Tour raised over US $2 million for the organization.

The Best of Both Worlds Tour was created, by Kenny Ortega and Michael Cotten, to be video intensive and was meant to differentiate Cyrus from Hannah Montana as a performer. The show had Cyrus performing first under character, as Hannah Montana. She then performed a duet with the opening act, which continued performing an interlude of songs. For the latter half of the duet, a body double was used to facilitate the transition from Hannah Montana to herself. Videos online caused many fans to become outraged and question whether Cyrus lip-synched on the tour. Her representatives later issued a statement that denied the allegations and stated the reasons for the body double's usage. The fast-paced concert had six segments, divided equally between each persona.

The tour received generally positive responses from critics, some who complimented Cyrus' vocal skills and onstage presence and preferred the Hannah Montana set over Cyrus'. The tour was commercially successful, grossing over $54 million. At the 2008 Billboard Touring Awards, it won the "Breakthrough Artist" award. Furthermore, tickets sold extremely quickly and were found sold by secondary markets. Ticket scalping became so extensive it garnered much media attention and lawsuits were filed against MileyWorld, Cyrus' official fan club, and ticket brokers.

A three-dimensional film, Hannah Montana & Miley Cyrus: Best of Both Worlds Concert, was released to American cinema in February 2008. The film received an overwhelming commercial response, grossing a total of $70.6 million worldwide and setting numerous records, including once being the highest-grossing concert film of all time. Critical response was generally positive to mixed. When televised for the first time on Disney Channel, Hannah Montana & Miley Cyrus: Best of Both Worlds Concert was watched by over 5.9 million viewers. A live album, Best of Both Worlds Concert, with recordings from the same concerts was released in March 2008 and found commercial success in the United States, Australia, and Canada.

Background

The stage being set up before showtime.

Cyrus is a singer-songwriter and actress who starred on the Disney Channel television series Hannah Montana as Miley Stewart, a girl with a secret double life as the popstar Hannah Montana. Through the television series, Cyrus developed fame as a teen idol and released music credited to Hannah Montana.​ In 2006, Cyrus served as opening act on twenty dates of The Cheetah Girls' concert tour The Party's Just Begun Tour, performing solely as Hannah Montana.​ In June 2007, the singer released the double-disc album Hannah Montana 2/Meet Miley Cyrus. The first disc, Hannah Montana 2, of the album was Hannah Montana's second season soundtrack, while the second disc, Meet Miley Cyrus, was Cyrus' debut studio album.​ In order to promote the album, Cyrus decided to embark on her first headlining concert tour, the Best of Both Worlds Tour, where she performed both under character, as Hannah Montana, and as herself for the first time.​

The concert tour was being discussed by executives as early as January 2007.​ It was announced on August 8, 2007 via press release.​ It was confirmed that the tour would be promoted by AEG Live​ and Buena Vista Concerts, a division of The Walt Disney Company.​ It also featured American band and labelmates the Jonas Brothers as opening act.​ The tour would expand throughout North America, from October 18, 2007 in St. Louis, Missouri to January 9, 2008 in Albany, New York, with a total of fifty-four dates; fifty-three of which were in the United States and one which was in Canada.​ In October 2007, another date was annexed in order to meet demand.​ In December 2007, an fourteen date-extension of the tour was announced, with American duo Aly & A.J. opening seven of them; the opening act for the remaining dates was yet be announced.​ The extension featured new opening acts because the Jonas Brothers pulled out to record their then-forthcoming album A Little Bit Longer (2008).​ Subsequently, in the same month, one final date was annexed,​ and the American band Everlife was announced to as the final opening act.​ One dollar from each ticket purchased was donated to the City of Hope National Medical Center, a center dedicated to the prevention, treatment and research for the cure of cancer.​ In total, the Best of Both Worlds Tour raised over US $ 2 million for the center.​

Development

Cyrus opening the show as Hannah Montana with "Rock Star".

The tour was titled Best of Both Worlds Tour after the song of the same name, which was the theme to Hannah Montana and was released on the the series' first soundtrack.​ The title was chosen because of how the concert alternates between Cyrus performing as Hannah Montana and herself.​ She described the tour to differentiate the two according to their respective styles and depict how one girl was able to have two sides to her. She said the most notable difference between the two characters was the style of music, rather than physical appearance. According to her, Hannah Montana was direct pop music, while her own style was more rock music-oriented and included real-life scenarios set to tunes.​ Cyrus rehearsed for the tour simultaneous to filming the final episodes for the second season of Hannah Montana from September to October 2007.​

Kenny Ortega, a common collaborator with The Walt Disney Company at the time, was hired as the tour's director and main choreographer. Ortega, along with set designer Michael Cotten, assembled an experienced personnel and developed the show,​ which was made fairly simple because Cyrus did not feel confident enough as a vocalist to perform stunts and use props while singing.​ Therefore, fixation was turned to video. Cotten envisioned the set to be "an interactive mobile kaleidoscope of flash and style", a conceptualization that involved a massive amount of video.​ Nineteen individual LED video screens were located throughout the stage. Four high definition V9 LED video screens served as walls surrounding the main stage. Five Barco MiTrix cubes, which consisted of three LED panels that faced towards the audience and one supporting panel that faced the stage, were suspended by rigs throughout the stage.​ Nocturne Productions partnered with equipment supplier Video Equipment Rentals (VER) to accomplish the design.​ The lightweight and adaptability of the V9 LED screens allowed for designers to add more lighting elements than in most shows at the time.​

Video content director George Elizando and video engineer Steven Davis controlled the video surfaces using a Pinnacle i9000 switcher and an expanded Vista Systems Spyder system.​ Graphics on the LED walls were fed from a custom video playback system that incorporated three Green Hippo media servers;​ some of the video content was filmed during rehearsals​ and were meant Cyrus to interact with onstage.​ Visual magnification was executed through the usage of Ikegami Tsushinki HL-45 cameras and multiple strategically located point-of-view cameras, in order to cover the show from every angle.​ Extensive amounts of teamwork was necessitated to set up the complex video system at each venue, particularly for weekend daytime performances, as they had less time. Mark Woody, Steve "Bone" Gray, Justin McLean, and Dane Mustola set up the video structures, while Evan Huff and crew chief Eric Geiger built the video thrust into the audience and installed the live cameras. "Thanks to these talented designers a show commensurate with Hannah's popularity has been created", said Paul Becher, co-CEO of Nocturne Productions.​ For audio, Cyrus used Sennheiser's MD 5235 dynamic capsule atop the SKM 5200 wireless handheld transmitter nightly. Sixteen channels of Sennheiser G2 wireless monitors were programmed to ensure that performers could hear what was being played amidst massive, and fervid screams from the audience. Sennheiser 500 series wireless guitar and bass systems were also used.​

Concert synopsis

Cyrus performing the song "I Got Nerve" on the Best of Both Worlds Tour.

The main show initiated with Cyrus being descended onto the stage in a neon pink cube that bore a digital image of her silhouette,​ as pink fireworks were fired behind her.​ Donning a long, sequined silver- and black-striped tank top and cardigan, sparkling black tights, black boots, and the blonde Hannah Montana wig, she begun to perform the concert's opening number, "Rock Star".​ In continuation, Cyrus was joined by multiple backup dancers to perform minimal dance routines for "Life's What You Make It".​ Removing the cardigan, she concluded the segment with "Just Like You".​ Still costumed as Hannah Montana, Cyrus reappeared from the back of the stage, wearing sparkly blue denim jeans, a white tank top, a blue denim vest, and shiny silver tie; she performed "Old Blue Jeans" among female backup dancers and "Nobody's Perfect" roaming the stage alone.​ The next segment begun with the performance of "Pumpin' Up the Party", where Cyrus dressed with a pink sequined mini-dress, fuchsia tights​ and white boots and dancers wore 1960s-inspired attires while performing calisthenics.​​ The segment continued with "I Got Nerve", which required participation and elaborate routines on behalf of the dancers,​ and a duet with the opening act.​​ While they served as opening act, "We Got the Party" was performed as a duet with the Jonas Brothers. She annexed a pink trench coat to her attire and performed with the Jonas Brothers, who also played electric guitars.​ At one point of the performance, Cyrus disappeared to be replaced by a body double who completed the performance.​ While Aly & A.J. and Everlife served as opening acts, a postmodern cover of Kiss' "Rock and Roll All Nite" (1975) was performed them and Cyrus wore a geometric-pattered cocktail dress.​ Afterwards, the opening act performed an interlude of several songs.​

Cyrus opening the section performed as herself with "Start All Over".

After removing the wig, Cyrus then reappeared to perform eight more songs as herself. She was emerged from the bottom of the runaway to perform "Start All Over".​ She was costumed by studded black jeans with chains attached to the waist,​ a white tank top, a black leather vest and a matching glove.​ She roamed throughout the stage, kicking over the microphone stand and banging her head.​ "Good and Broken" and "See You Again", where Cyrus removed the vest and was joined by multiple backup dancers, rounded off the show's fourth segment.​ She returned to the stage in a fuchsia bustier and short, black ruffled skirt to perform "Let's Dance", where she performed Latin-influenced choreography with backup dancers, and "Right Here".​​ Prior to Cyrus re-entering the stage for the sixth segment, backup singers sang a reworked version of Toni Basil's "Mickey" (1982) that replaced the word "Mickey" with "Miley".​ Cyrus, costumed by pink tank top, a plaid miniskirt and sneakers with high-knee socks,​ she performed "East Northumberland High", amidst backup dancers dressed as skateboarders and football players.​ Annexing a black jacket, she concluded the main concert with "G.N.O. (Girl's Night Out)" and the theme to Hannah Montana, "The Best of Both Worlds", a song credited to her alter ego.​ The latter had Cyrus interacting with video that depicted Hannah Montana​ and ended with the firing of confetti and fireworks.​ Sporadically throughout the Best Both Worlds Tour, Cyrus returned onstage for the performance of a one-song encore, which was either "I Miss You" or "Ready, Set, Don't Go", a duet with her father Billy Ray Cyrus.​ Both songs were performed in an acoustic setting, without dancers or special effects.​​ The prior had Cyrus performing acoustic guitar herself,​ while the latter had her father doing so.​

Critical reception

Cyrus playing a keyboard while performing "East Northumberland High".

Chris Wiliam of Entertainment Weekly graded the show a B+ and commented that, despite her age (at the time fourteen), Cyrus was a determined and likeable performer who was able to command the stage the entire show. He continued to compare her to Britney Spears and Avril Lavgine stylistically and musically, respectively.​ Jim Abbott of the Orlando Sentinel believed the Best of Both Worlds Tour was as entertaining as concerts performed by Spears or the Backstreet Boys, adding that the show's quality made past Hilary Duff concerts "look like something in a mall food court."​ However, Abbott also stated that Cyrus was unable to duplicate the energy of Hannah Montana.​ Kelefa Sanneh of The New York Times expected to be letdown by the concert after the commotion and hype build for it, but was not. She said, "The show was terrific: a two-hour sugar rush and one long challenge to fans, who had to keep up with Ms. Cyrus’s hectic pace."​ Regarding Cyrus, Sanneh stated she was a likeable singer, being able to emphasize on certain words and that her demeanor onstage portrayed her as a "hard-working, sweet-natured troublemaker. There’s something slightly disruptive about her bright smile [...] And she brings a welcome hint of chaos to everything she does."​ J. Freedom du Lac of The Washington Post described the concert as "a nearly 90-minute blast of pop in which the charismatic Cyrus -- who complained that she wasn't feeling well -- commanded the stage with confidence, performing with a particular swagger."​ Mikael Wood of the Los Angeles Times described the show to be operated at a "frenzied fever pitch" and be only appealing to children, confusing adults with its presentation.​

J. Edawrd Keyes of Newsday said that producers were able to deliver a concert "that was the visual and sonic equivalent of washing down a pound of sugar with 27 cans of soda." Keyes added that, despite Cyrus' charisma, it was evident the show and the dual-persona arrangement (considering that there were no major divergences between them) was an evident strategy to extend marketing and receive more profits.​ Peter Hartlaub of the San Francisco Chronicle believed Cyrus was a fair singer and commented, "It was relatively wholesome, musically tolerable and certainly had plenty of production value. Some adults may have walked away wondering what the big fuss was about, but none of the kids looked the least bit disappointed."​ Jane Stevenson of the Canadian Online Explorer noted the differences between Hannah Montana and Cyrus, stating that Cyrus was the "marginally tougher cookie of the two singers" and that audiences received two concerts for the price of one.​ An uncredited review from The Palm Beach Post stated, "Both halves [of the concert] were enjoyable and lively, set apart by Cyrus’ preternaturally assured stage presence, in and out of the wig." It also stated that the Hannah Montana set was more satisfying due to the quality of the songs and more energy.​ Geoff Edgers of The Boston Globe wrote, "Of course, most of the mainly tweener fans in the arena weren't splitting [...] musical hairs. They ate up the spectacle of the show, with its costume changes, giant video screens, and sparklers."​

Commercial performance

Cyrus performing "G.N.O. (Girl's Night Out)"

The Best of Both Worlds Tour was financially successful and was able to sell an abundance of shows throughout the United States in record times. The December 6, 2007 concert at the Van Andel Arena in Grand Rapids, Michigan sold out within eight minutes, the third-fastest sell-out in the arena's history.​ Numerous other concerts, such as the one held on December 1, 2007 at the Sprint Center in North Little Rock, Arkansas and December 11, 2007 at the Nationwide Arena in Columbus, Ohio, sold out within approximately twelve and fifteen minutes, respectively.​​ "Absolutely every show sold out within the same amount of time. Whether you were in Moline or Omaha or New York or Los Angeles, it sold out in minutes", stated Debra Rathwell, senior vice president of AEG Live.​ In total, the Best of Both Worlds Tour had a total attendance of approximately one million people​ and grossed over US $54 million, according to Billboard Boxscore,​ becoming the highest-grossing concert tour for a new act in 2007 and 2008. The record was recognized with the award for Breakthrough Act at the 2008 Billboard Touring Awards.​

Ticket controversy

Cyrus performing the final song, "The Best of Both Worlds", on the tour

Tickets for the Best of Both Worlds Tour were selling out quite rapidly. Nevertheless, ticket scalping was one of the primary reasons for it. Many tickets were immediately found for purchase on secondary markets, such as eBay or StubHub, selling for well over the face value of the tickets. Broker prices ranged from $350 to $2,000​ for the tickets originally sold for $29 to $66.​ The shortage of tickets for the tour became so pronounced it gained national attention, with parents frequently expressing their outrage, discontent, and disappointment on behalf of their children.​​ Vice president of Ticketmaster, Joe Freeman commented, "Hell hath no fury like the parent of a child throwing a tantrum. People who have been in this business for a long time are watching what's happening, and they say there hasn't been a demand of this level or intensity since The Beatles or Elvis [Presley]."​ In an instance, a girl was unable to undergo a surgery she needed due to monetary issues, so she sold her tickets to a show of the tour for enough money to pay for the surgery.​ Debra Rathwell, senior vice president of AEG Live said the tickets were priced and sold as fairly as possible and assured there as no conspiracy between those who handled the tour and brokers. "We do everything in our power to stop brokers from getting tickets, but it's impossible", she cooncluded.​ However, some brokers denied the allegations of purchasing most tickets for the shows. Brian Posey, owner of The Ticket Machine, an online broker based in East Lansing, Michigan, commented, "I've never seen this as far as availability for any show.It's never been that hard to get tickets for us. You don't see seats anywhere. Parents shouldn't blame brokers for snapping up loads of tickets."​ He continued to complain that the company was only able to purchase 28 tickets, while they usually averaged hundreds of tickets for hot tours.​

Investigations were held in various states, including Arkansas, Michigan,​ and Missouri, which led to lawsuits that accused brokers of illegally reselling tickets from the Best of Both Worlds Tour. "When you allow the hijacking of the market, it's literally the worst of both worlds. You get charged too much, and there's no access for the locals," said Missouri Attorney General Jay Nixon.​ Numerous ticket brokers accessed tickets prior to fans as a result of a software program by RMG Technologies Inc, which permitted its clients to circumvent Ticketmaster.com’s CAPTCHA access controls, and use the copyrighted website in a manner that violated the site’s "Terms of Use".​ Ticketmaster took legal action against RMG Technologies via the United States District Court for the Central District of California, claiming that the developed software for ticket brokers illegally "allows them to cut in line".​ RMG Technologies representative denied the allegations and said there should not be held accountable because Ticketmaster is getting still paid for the tickets. "This may be the only time in history that any seller sued its customers for paying them too much money", the attorney for RMG Technologies wrote in court documents.​

In November 2007, Kerry Inman, a woman from New Jersey, filed a lawsuit against Cyrus' official fan club, MileyWorld, for not complying with terms. Memberships claimed fans subscribed to MileyWorld were supposed to be given priority for seats. While the site never guaranteed ticket availability, it claimed that members who logged on shortly after tickets became available would have a good opportunity to purchase tickets. "They deceptively lured thousands of individual into purchasing memberships into the Miley Cyrus Fan Club. The scenario has been replayed thousands, if not tens of thousands of times over the past few months", said the woman's attorney.​ Randy Philips, CEO of AEG Live, revealed the logical solution to all the tumult surrounding the Best of Both Worlds Tour, which he and Cyrus herself both longed for, was to add more shows, but was made impossible because Cyrus was already scheduled to film Hannah Montana: The Movie in early 2008.​ Instead, the lawsuit was responded with the addition of a total of 45,000 extra seats that were offered for a limited time to MileyWorld subscribers for the last 21 shows of the Best of Both Worlds Tour.​

With more seats, more radio contests, tickets auctions, and other sorts of contests were offered so fans could attend concerts.​ One contest had participants writing an essay about an event that impacted them the most to win a makeover that included a Hannah Montana wig, flight for four to Albany, New York, and four tickets to the January 9, 2008 concert held at the Times Union Center in Albany.​ The winner, a 6-year-old girl from Garland, Texas, had won with an essay stating the girl's father had died April 17, 2007 in a roadside bombing in Iraq during the Iraq War.​ However, the girl's mother, Priscilla Ceballos, later admitted that the essay and the military information she provided about her daughter's father were untrue. "We did the essay and that's what we did to win. We did whatever we could do to win, but when [Robyn Caulfied] asked me if this essay is true, I said 'No, this essay is not true'", Ceballos said.​ The prizes were awarded to the runner up. The mishap garnered much attention from the media because it exemplified parents' desperate long to please their children.​

Body double scandal

Cyrus (left) with backup dancers Ashlee Nino (center) and Mandy Jiroux (right). Nino was used as a body double during the tour.

In January 2008, numerous videos, which captured the change from Cyrus to the body double during the performance of "We Got the Party", surfaced the Internet.​ The videos made point on how, during the song's bridge, backup dancers crowded her as a crew member covered Cyrus with a sheet and ushered her into a trap door and, through the adjacent side, a body double exited. She wore the same wardrobe as Cyrus and used the blonde wig and large glasses to obscure her face.​ Furthermore, live cameras barely captured her and did not film close-ups​ as she danced, ran hectically, and lip-synched the rest of "We Got the Party".​ Numerous fans and critics became outraged and questioned whether Cyrus lip-synched the entire show during the Best of Both Worlds Tour.​​ One fan expressed his or her irritation to OK! magazine, stating, "The whole time this was happening Miley’s vocals were still playing. The new imposter had her back turned while she danced, trying to hide that fact that she was not Miley Cyrus. At this instant I became very suspicious. Needless to say I was furious! I paid good money to see the concert. I was disappointed and I felt like I was played for a fool."​

On January 11, 2008, Cyrus' publicist confirmed that the videos were legit and that the body double, backup dancer Ashlee Nino, was being used throughout all stops of the Best of Both Worlds Tour. PMK Public Relations issued a statement that explained the purposes for using the body double:

To help speed the transition from Hannah to Miley, there is a production element during the performance of 'We Got the Party' incorporating a body double for Miley. After Hannah has completed the featured verse on the duet with the Jonas Brothers, a body double appears approximately one to two minutes prior to the end of the song in order to allow Miley to remove the Hannah wig and costume and transform into Miley for her solo set. Other than during this very brief transitional moment in the show, Miley performs live during the entirety of both the Hannah and Miley segments of the concert.​

Cyrus later explained that vocals were strategically focused on the Jonas Brothers for the latter portions of "We Got the Party", so that the body double did not have much activity regarding singing. She also said it usually took over an hour and half to transition from Miley to Hannah and viceversa on the television series set, while on tour it took approximately two minutes. With the additional time, Cyrus was able to rest briefly, drink water, and prepare for the remainder of the show.​

Broadcast and recordings

Véanse también: Hannah Montana & Miley Cyrus: Best of Both Worlds Concert y Best of Both Worlds Concert.

Cyrus sometimes performed "Ready, Set, Don't Go" with her father, Billy Ray, as an encore.

The concerts held on October 18, 2007 at the Scottrade Center in St. Louis and October 26, 2007 in the EnergySolutions Arena in Salt Lake City​ were filmed for a Disney Digital 3D release, a group of three-dimensional films distributed by Walt Disney Pictures.​ The film, entitled Hannah Montana & Miley Cyrus: Best of Both Worlds Concert, was directed by Bruce Hendricks and produced by Art Repola.​ The film compiled some of the show's performances, along with backstage footage. Cyrus said Hannah Montana & Miley Cyrus: Best of Both Worlds Concert was made for individuals who did not attend a concert during the tour due to ticket scalping. She continued, "This is like better than front row. You could reach out and feel like you can touch my hand, you could see me right then, right there, right in front of you, which is so fun."​ It was released on February 1, 2008 to American cinema, with an intended span of one week at theaters.​ The film was released to a total of 683, with an extra four being added later.​ In its opening weekend, the film grossed over $31.1 million.​ With its opening week sales, the film set multiple records. It became the highest box office total for Super Bowl weekend, the highest-grossing opening for a three-dimensional film, and highest per-screen average ever – $42,000 per screen.​​ It went on to gross over $42.8 million in its entire opening week, becoming the highest-grossing film of that week​ and the film with the fewest theaters to debut at number one.​ Following its commercial success, the film's run was extended; it eventually closed on May 15, 2008, playing in theaters for 15 weeks.​ With a total gross of $70.6 million worldwide, Hannah Montana & Miley Cyrus: Best of Both Worlds Concert was once the highest-selling concert film of all time, until surpassed by Michael Jackson's This Is It (2009),​ which sold over $189 million worldwide.​

Hannah Montana & Miley Cyrus: Best of Both Worlds Concert received positive to mixed reviews from critics. On Metacritic, it generated generally mixed or average reception, earning a collective score of 59 out of 100 based on 13 reviews.​ On Rotten Tomatoes, the film generated generally fresh reviews, with 73 percent of 42 reviewers giving positive reviews.​ Michael Hann of The Guardian believed the film was only appealing for young girls. He continued, "There's nothing here to detain you, though equally there's nothing to repel you."​ Elizabeth Weitzman of New York City's Daily News newspaper stated that producers did not use three-dimensional technology to its full potential, but complimented the film as whole, declaring it "as you'll come to achieving the best of both worlds".​ Hannah Montana & Miley Cyrus: Best of Both Worlds Concert was released to cinema in international markets, including Europe, Latin America, and Oceania, in early 2008.​ The film was televised on July 20, 2008 on Disney Channel, where it was watched by over 5.9 million viewers.​ It was released on blu-ray and DVD on August 19, 2008, as an extended edition that features more performances and bonus features.​​

A live album, titled Best of Both Worlds Concert, was taken from same concerts as the film and released on March 11, 2008. It consisted of an audio CD and a DVD with two concerts performances and behind-the-scenes footage. The album was first released exclusively to United States' Wal-Mart stores and elsewhere in the United States a month after.​ Stephen Thomas Erlewine of Allmusic stated, "This is another souvenir for those fans who can't live without the show, and in that regard it's perfectly fine -- a nice, polished piece of product that will tide them over until the next new Hannah/Miley album comes along."​ Best of Both Worlds Concert was commercially successful, peaking at number three on both the US Billboard 200 chart and the Canadian Albums Chart.​ It also peaked at number sixteen in Australia​ and was certified gold by the Australian Recording Industry Association for shipments exceeding 35,000 copies.​

Opening acts

• Jonas Brothers (October 18, 2007 – January 9, 2008)​
• Aly & A.J. (January 11, 2007 – January 24, 2008)​
• Everlife (January 25, 2008 – January 31, 2008)​

Setlist

1. "Rock Star"
2. "Life's What You Make It"
3. "Just Like You"
4. "Old Blue Jeans"
5. "Nobody's Perfect"
6. "Pumpin' Up the Party"
7. "I Got Nerve"
8. "We Got the Party"¹
9. "Start All Over"
10. "Good and Broken"
11. "See You Again"
12. "Let's Dance"
13. "Right Here"
14. "East Northumberland High"
15. "G.N.O. (Girl's Night Out)"
16. "The Best of Both Worlds"

Encore:

• "I Miss You"
• "Ready, Set, Don't Go"

¹ Performed from October 18, 2007 to January 9, 2008. "Rock and Roll All Nite" was performed afterwards.​

Source: ​

Tour dates

Date	City	Country	Venue
North America​​
October 18, 2007	St. Louis	United States	Scottrade Center
October 20, 2007	Moline		i wireless Center
October 21, 2007	Minneapolis		Target Center
October 23, 2007	Omaha		Qwest Center
October 25, 2007	Denver		Pepsi Center
October 26, 2007	Salt Lake City		EnergySolutions Arena
October 27, 2007
October 29, 2007	Seattle		Key Arena
October 30, 2007	Portland		Rose Garden Arena
November 1, 2007	Oakland		Oracle Arena
November 3, 2007	Anaheim		Honda Center
November 4, 2007	San Jose		HP Pavilion at San Jose
November 6, 2007	Fresno		Save Mart Center
November 7, 2007	Los Angeles		Staples Center
November 8, 2007	San Diego		San Diego Sports Arena
November 9, 2007	Glendale		Jobing.com Arena
November 11, 2007	Houston		Toyota Center
November 12, 2007	San Antonio		AT&T Center
November 14, 2007	Fort Worth		Fort Worth Convention Center
November 15, 2007	Bossier City		CenturyTel Center
November 19, 2007	Tampa		St. Pete Times Forum
November 20, 2007	Sunrise		BankAtlantic Center
November 23, 2007	Nashville		Sommet Center
November 24, 2007	Knoxville		Thompson-Boling Arena
November 25, 2007	Greensboro		Greensboro Coliseum
November 27, 2007	Charlotte		Charlotte Bobcats Arena
November 28, 2007	Duluth		Arena at Gwinnett Center
November 29, 2007	Memphis		FedEx Forum
December 1, 2007	North Little Rock		Alltel Arena
December 2, 2007	Oklahoma City		Ford Center
December 3, 2007	Kansas City		Sprint Center
December 5, 2007	Auburn Hills		The Palace of Auburn Hills
December 6, 2007	Grand Rapids		Van Andel Arena
December 8, 2007	Rosemont		Allstate Arena
December 9, 2007	Indianapolis		Conseco Fieldhouse
December 11, 2007	Columbus		Nationwide Arena
December 12, 2007	Lexington		Rupp Arena
December 13, 2007	Cincinnati		U.S. Bank Arena
December 15, 2007	Toronto	Canada	Air Canada Centre
December 16, 2007	Rochester	United States	Blue Cross Arena
December 17, 2007	Philadelphia		Wachovia Center
December 19, 2007	Hartford		Hartford Civic Center
December 20, 2007	Providence		Dunkin Donuts Center
December 21, 2007	Worcester		DCU Center
December 22, 2007
December 27, 2007	Uniondale		Nassau Coliseum
December 28, 2007
December 29, 2007	Newark		Prudential Center
December 30, 2007
January 3, 2008	Cleveland		Quicken Loans Arena
January 4, 2008	Pittsburgh		Mellon Arena
January 5, 2008	Atlantic City		Boardwalk Hall
January 7, 2008	Washington, D.C.		Verizon Center
January 8, 2008	Baltimore		1st Mariner Arena
January 9, 2008	Albany		Times Union Center
January 11, 2008	Detroit		Joe Louis Arena
January 13, 2008	Milwaukee		Bradley Center
January 14, 2008	Chicago		United Center
January 15, 2008	St. Louis		Scottrade Center
January 18, 2008	Las Vegas		MGM Grand Arena
January 19, 2008
January 20, 2008
January 22, 2008	Glendale		Jobing.com Arena
January 24, 2008	Austin		Frank Erwin Center
January 25, 2008	Lafayette		Cajundome
January 26, 2008	New Orleans		New Orleans Arena
January 28, 2008	Orlando		Amway Arena
January 29, 2008
January 30, 2008	Jacksonville		Jacksonville Veterans Memorial Arena
January 31, 2008	Miami		American Airlines Arena

Personnel

Creative Team

• Director – Kenny Ortega
• Choreographer – Kenny Ortega, Teresa Espinosa
• Design – Kelly McFadden
• Lighting and Video Designer – Abigail Rosen Holmes
• Management – Jason Morey, Jim Morey
• Photography – Brian Love, Kevin Mazuer, Michael T. Williams
• Production Design – Michael Cotten
• Screens Content Director – Steve Gerdes
• Staff & Crew Production Coordinator – Omar Abderrahman
• Video Techs – Eric Geiger, Steve "Bone" Gray, Evan Huff, Justin McLean, Dane Mustola, Mark Woody
• Wardrobe Designer – Dahlia Foroutan

Band

• Music Direction - Stacy Jones, John Taylor
• Guitar - Jamie Arentzen, John Taylor
• Keyboards - Mike Schmid
• Bass - Greg Garbowski, Vashon Johnson
• Drummers - Stacy Jones, Jack Lawless
• Background Vocals - Candace Accola, Kay Hanley

Source: ​

Wonder World Tour

Plantilla:Good article Plantilla:Infobox concert tour The Wonder World Tour is the second concert tour by American recording artist Miley Cyrus. The tour was held to promote her second studio album Breakout (2008) and first extended play (EP) The Time of Our Lives (2009). It began in September 2009 and concluded in December 2009, visiting cities in the United States and United Kingdom; thus, the Wonder World Tour became Cyrus' first world tour. It also became Cyrus' first tour not to incorporate performances as Hannah Montana. Alternative band Metro Station served as opening act for all tour venues. It was sponsored by Wal-Mart and promoted by AEG Live. All tickets from the Wonder World Tour were sold using paperless ticketing, in order to prevent ticket scalping similar to what had occurred during Cyrus' previous tour. One dollar from each ticket sold was donated to the City of Hope National Medical Center, an organization devoted to the fight against cancer.

The Wonder World Tour has been described as part of Cyrus' transitional period, with more elaborate and edgier characteristics. Each concert was divided into seven segments, each of which bared different themes, the subject of matter for the tour's title. The show opened with Cyrus performing rock-oriented songs. It also featured her and backup dancers being suspended above the stage with aerial rigging various times. At one point, she mounted a Harley-Davidson motorcycle as it was elevated and made its path across the venue. Cyrus also rendered a tribute to the deceased singer Michael Jackson and performed two Hannah Montana-credited songs as herself.

The tour received positive to mixed reception from critics. Some praised it and deemed it a spectacle, while others believed it lacked profundity and portrayal of Cyrus' personality. The Wonder World Tour was commercially successful despite the financial recession that was present in 2009. It was able to sell-out all European dates in ten minutes and marks the largest attendance at The O₂ Arena in London, England. During the first leg of the tour, one bus overturned several times on a highway. The accident resulted in the injury of one person and the death of another. The cause of the accident is yet to be specified, yet multiple theories for it exist. A filtered version of the Wonder World Tour was broadcast on the American Broadcasting Company (ABC) on June 18, 2010 and received a total of over 2.6 million viewers. The full-length concert film was released on the limited, deluxe edition of Cyrus' third studio album Can't Be Tamed (2010).

Background

Cyrus performing the concert tour's opening number, "Breakout"

Cyrus is a singer-songwriter and actress who starred on the Disney Channel television series Hannah Montana as Miley Stewart, a girl with a secret double life as the popstar Hannah Montana. Through the television series, Cyrus developed fame as a teen idol and released music credited to Hannah Montana.​ Cyrus' debut studio album, titled Meet Miley Cyrus, was released as the second disc of the Hannah Montana 2/Meet Miley Cyrus (2007) double-disc album.​ In order to promote the album, Cyrus embarked on her first tour, the Best of Both Worlds Tour (2007–08), a North American tour where she performed both under character, as Hannah Montana, and as herself.​ With the release of Cyrus' second studio album, Breakout (2008), her first not be affiliated with the Hannah Montana franchise,​ and an extended play (EP) The Time of Our Lives (2009),​ Cyrus decided to embark on tour again with the Wonder World Tour, however, without incorporating performances as Hannah Montana, a step which the media interpreted as furthering her distance from the Hannah Montana franchise.​

The concert tour was announced alongside Cyrus' joint apparel line with Max Azria on June 3, 2009, through various outlets, including Cyrus' Twitter account,​ a press release, and MileyWorld, Cyrus' official fan club. It was confirmed that the tour would be sponsored by American retailing company Wal-Mart and promoted by AEG Live. It would expand throughout the United States, from September 14, 2009 in Portland, Oregon to December 2, 2009 in Miami, Florida, with a total of forty-five dates. Alternative rock band Metro Station, where Cyrus' older brother, Trace Cyrus, integrates in, was confirmed as the opening act for all dates.​ Two days later, a European leg, with nine dates in the United Kingdom, was announced, marking Cyrus' first visit to another continent. On June 16, 2009, two more dates were annexed,​ and one final date was annexed in October 2009, in order to meet demand.​

All tickets for the Wonder World Tour were sold exclusively through paperless ticket delivery, meaning that fans did not receive a physical concert ticket for their entry into the event.​ Ticket buyers were required to bring the credit card used to make the purchase and photo identification to the concert venue in order to gain entry. All groups were to enter the concert together, and ushers issued seat locator slips.​ The method of ticket sales was relatively new at the time, although Ticketmaster first experimented it with AC/DC's Black Ice World Tour (2008–10). However, it marked the first time for an arena tour to sell all tickets through paperless ticketing.​ This was done in response to the extensive ticket scalping that occurred during the Best of Both Worlds Tour and in order to give fans the opportunity to purchase good tickets at face value.​ Cyrus' manager and president of Morey Management Group, Jason Morey, stated, "The focus was, 'How do we take all the information we gathered last time out and do a better job of it?' It was important to us to address the issue of demand. We thought that of every single option that was available out there, this was a really viable option, to go with the paperless ticketing."​ As with the Best of Both Worlds Tour, one dollar from each ticket purchased was donated to the City of Hope National Medical Center, a center dedicated to the prevention, treatment and research for the cure of cancer.​

Development

Cyrus performing "Start All Over" on the Wonder World Tour

The tour was titled the Wonder World Tour because of its diversity in themes and styles.​ Cyrus believed the tour was good transition for solidifying a more rock music-based career.​ She described the tour to be edgy and "more of a mature show", with the target audience being teenagers relatively her age, which was sixteen at the time.​ However, performances that would please younger audiences were added to the setlist.​ It was conceptualized to be a more elaborate than Cyrus' previous tour and to reflect Cyrus as an individual.​ The reason for this to occur was because Cyrus felt more confident as a vocalist to perform stunts and use props while singing. Also, more resources were available because more companies were willing to invest in the tour. Ideas were suggested by different individuals and were tested during filmed rehearsals in order to decide which would make the final cut. "Each person has their own character and their own story. So, we've added everyone's kind of specialty into our show [...] This is not just a concert, it is an absolute show", Cyrus said.​ After having completed filming for The Last Song (2010) in Tybee Island, Georgia, Cyrus returned to Los Angeles, California for tour rehearsals at The Forum in mid-August.​ Due to filming The Last Song, Cyrus was only able to rehearse for three weeks although the average rehearsal period for musicians is about three months.​

Jammal Simms was hired as the tour's director and main choreographer. Octavious Terry served as an assistant for directing, meanwhile Dondraico Johnson assisted choreography. They, along with twelve other members, composed the tour's creative team.​ In total, the Wonder World Tour includes 124 traveling workers, 19 truckloads of equipment, and 15 buses.​ The stage was different than the one used during the Best of Both Worlds Tour. It consisted of a rectangular main stage, which featured staircases that elevated the center of the stage, a narrow runway, and a B-stage that ran the length of the main stage and connected to the main stage by the runway.​ Regarding the stage, Cyrus noted that it was "something not many people get to have. I'm able to move around to each side so there's no one person who feels like they don't have the best seat. Every seat is the best seat."​ Six LED multi-screen video units were located throughout the stage; the three largest were placed as the upstage wall, while the other three were hung by rigs above the stage. The center unit consisted of three screens that faced outward; two others were hung right and left to the center unit, both were double faced toward the center of the venue at a 45º angle, while the backside faced the upper-seat audience. The structure of the video panels was designed by Sims to ensure that all seats within the 270º angle at each venue received an equal view of the video screens.​ Video content and lighting were designed by Seán Burke; the latter was provided by Production Resource Group (PRG).​

The tour used seven individual rigs for performers and props to become airborne. For dancers to be flown to the center of each upstage, a wench, which dropped 18 inches off the face of the panel, was placed in the rig. Cyrus' flying required two wenches, one for a vertical lift and one for a horizontal move that coursed the audience and back to the stage.​ Five elevators, or trap doors, were located throughout the stage, some of which had the option of a 4×4 or an 8×8 foot opening. All of the fly rigs and elevators were built and operated by Show Group Production Services (SGPS)/Showrig.​ The challenge that presented the most difficulty for SGPS was time constraint, as there were only three weeks of rehearsal. Brian White, co-owner of SGPS, explained,

There wasn’t a lot of time, but the good news was that it was at the [L.A.] Forum, which gave us a lot of height to fly things around, and there was also a lot of room to lay stuff out on the floor. The other good thing was that our offices are only 10 minutes away. So if I had to send a welder down there to make some changes I could do it pretty fast. The biggest thing we had going for us was a great crew. We had some really good people out there." [...] I’d say that about 90 percent of what we built on Miley Cyrus fit the first time in rehearsal. The only reason we had to retro fit anything was because of last minute design changes that came about once everything was up and they could see it all.​

Cyrus performing "Bottom of the Ocean" on the concert tour

Special effects and pyrotechnics were provided by Pyritz Pyrotechnics Group. Terry Ritz, founder of the organization, and his partner Steve Aleff had created various ideas based on the tour soundtrack that was provided to them by the Wonder World Tour's personnel. They met with the tour's choreographer, band manager, and lighting designer, asking them to bring their "hopes, wishes, and dreams."​ Out of these meetings, the show was completed and a lighting crew, who monitored the stage with a four-camera monitor system when cues were executed, was selected.​ The pyrotechnics for the show were described as more elegant and subtle, being composed of pink flames with accentuation of silver and white glitter.​ Because of the extensive automation executed throughout the concert, two personnel were in charge of running it. Neville Emerton ran the automation from under the stage, and Sean Conner ran all of the flying moves from a position at the front of each venue. Meanwhile, assistant stage manager Seth Posner called cues for each concert. "Normally, in a rock show you don’t need someone calling the show. In this one we had to take a more theatrical approach with someone calling cues every step of the way because there was so much going on at once between props and automation", explained production manager Omar Abderrahman.​ One of the props that required much attention on the part of Posner was a car made to resemble a tractor, designed and built by effects designer and stage manager Scott "Stryker" Christensen. Because it came along late in the design process, the main elevator was not built to handle the weight of the car, though it was eventually reinforced to support the weight and movement of the car. The car was also modified; it was made electric, instead of using a combustion engine, for fire-safety; it was also modified, allowing it to turn around by adjusting its turning radius to automate steering with all four wheels.​ In order to translate the concert tour overseas to the United Kingdom, the Wonder World Tour paired with Sound Moves, a company that was already providing minor support for the North American leg of the tour.​

Concert synopsis

Cyrus performing "Fly on the Wall" during the Wonder World Tour

The main show commenced with Cyrus emerging from the bottom of the stage inside a large, crystal-like glacier. She wore a black leather hot pantsuit and a white fur vest and escaped the cocoon to perform the concert's opening number, "Breakout". Numerous backup dancers accompany her and, towards the conclusion, performed atop movable scaffolding.​ After removing the fur vest, Cyrus performed "Start All Over" atop the scaffolding and continued the remainder of the first segment of the show with "7 Things" and "Kicking and Screaming".​ Cyrus then executed the show's second segment with a performance of "Bottom of the Ocean", which featured an aquatic theme for the stage and Cyrus donning a silver, flowing evening gown that bared a bejeweled bodysuit underneath.​​ The performance ended with Cyrus diving into the stage, succeeded by a simulation of her underwater on the video screens.​ Cyrus returned to the stage for the show's third segment atop a tractor-resembling car to perform "Fly on the Wall".​ During the performance, Cyrus wore an extravagant white dress with a feathered skirt.​ Backup dancers were flown up into contact with panels in order to resemble a fly on a window; meanwhile, Cyrus was flown across the arena.​ Once back in the stage, Cyrus and backup dancers performed a brief dance interlude of Michael Jackson's "Thriller" (1984).​ Replacing the feathered bottom with a tutu, Cyrus performed the Hannah Montana-credited song "Let's Get Crazy"​ and "Hoedown Throwdown". The latter was followed by a video in which will.i.am of The Black Eyed Peas spoke about Cyrus, as she left the stage. When the video was completed, the dancers performed a remix of the Black Eyed Peas' "Boom Boom Pow" (2009).​

Cyrus performing "These Four Walls" during the Wonder World Tour

The show's fourth segment opened with "These Four Walls", in which Cyrus wore a black mullet dress. The song was performed in B-stage with various acoustic musicians.​ The show proceeded with "When I Look at You", a performance that featured the trailer for Cyrus' film The Last Song (2010) and Cyrus performing with a grand piano,​ and concluded with "Obsessed", which she performed atop a simple suspension bridge.​ She re-entered the stage, clothed by a black tee, red cheetah-patterned hot pants, and black boots, to perform the second Hannah Montana-credited song "Spotlight" and, later, "G.N.O. (Girl's Night Out)", replacing the prior hot pants with black ones and adding a denim vest.​ She followed with a cover of Arrows' "I Love Rock 'n' Roll", where Cyrus mounted a red Harley-Davidson Dyna Fat Bob FXDF 2010 that was suspended above the stage and traveled in a semi-oval path across the venue.​ Performances of "Party in the U.S.A.", which made use of a luggage cart,​ and "Hovering", which featured Cyrus' older brother Trace Cyrus, rounded off the segment.​ The sixth segment of the show featured Cyrus performing "Simple Song", in which she dressed in a long, white shirt and a black tuxedo, in order to simulate a music conductor.​ Midway through the performance, Cyrus stepped onto an elevator that rose eight feet from the stage.​ She exited the stage and returned for the final section. During the encore, Cyrus dressed in a white tank top and shorts, boots, and a metallic vest to perform "See You Again", later removing the vest to conclude the concert with "The Climb". Immediately after finishing, she exited through a passageway in the stage as fireworks were fired above.​

Critical reception

Cyrus performing "Spotlight" on the Wonder World Tour

Mikael Wood of The Los Angeles Times, in reference to Hannah Montana, commented, "Once again, make-believe Miley was more compelling than the real thing." Wood believed Cyrus possessed charisma, commenting that she portrayed superstar authority, but failed because she was unable or unwilling to "give her fans a deeper idea of who she is and what her music means. For all its eye-popping detail, the concert offered nothing that viewers of her TV show or buyers of her records don't already know about her."​ Dave Paulson of The Tennessean stated, "Cyrus' spectacle sets her apart from nearly every other A-list act touring today. She's not a renowned vocalist by any stretch, but her show's choreography barely provides a moment for her to catch her breath, and she's still able to deliver."​ Michael Hann of the United Kingdom-based Guardian was impressed by the concert, praising the setlist and deeming it enjoyable for both children and adults. He continued, "Good as the best songs are, though, they take a backseat to the staging [...] The one misstep is when a trailer for her next movie is shown during a costume change. It's a tacky moment and doesn't reflect the attention to detail that makes the rest of it a laugh-out-loud delight."​ Lael Loewenstein of Variety magazine said, "Cyrus knows how to deliver the goods without losing her core audience."​ Loewenstein deemed the concert a mission accomplished because of inevitable hits and Cyrus' charisma, drive, spunk, and a merely-limited vocal range.​ Erik Ensrst of The Milwaukee Journal Sentinel praised the show, stating that it was "a pure visual spectacle", but commented that producers forgot a place for Cyrus' personality.​

Cyrus performing "G.N.O. (Girl's Night Out)" on the tour

Jim Harrington of The Oakland Tribune described the show as a human embodiment of Britney Spears' "I'm Not a Girl, Not Yet a Woman" (2002). He presumed that the tour was a conscious transition for fans who did not want Cyrus to separate herself from the Hannah Montana franchise.​ Kirsty Cameron of The Daily Telegraph wrote, "Despite her relatively young age, Cyrus showed her unfailing capability as performer. With the help of her back-up dancers, Cyrus provided her audience with choreographed set pieces and a different spectacle for each song."​ James Reed of The Boston Globe noted that the Wonder World Tour presented Cyrus as both a "PG-rated tween pop star and an edgy rocker eager". He stated that although she played both roles well, it was apparent that she was more at ease with the latter. Reed also felt the concert did little to display Cyrus' personality and ability to engage with the audience. "We know she’s got impressive vocal chops, but now we need to feel what she’s trying to put across in her songs, something beyond the standard 'You guys are awesome!' banter."​ Scott Iwasaki of Deseret News reviewed a concert in which Cyrus was ill. He mentioned that because of her illness, her voice went flat. Iwasaki also expressed his viewpoint that "if there [were] any worries that Miley Cyrus would become another Britney Spears train wreck, those worries were quelled during Tuesday night's show. She kept the show family-friendly and, although obviously sick, looked like she had a good time."​ Marlin Levison of The Star Tribune believed the concert lacked much profundity until the last performance.​

Commercial performance

Cyrus performing a cover of Arrows' "I Love Rock 'n' Roll" on the Wonder World Tour

The Wonder World Tour was commercially successful and represented stability in the touring industry, despite the financial recession.​ In North America, the tour sold out twenty-nine out of forty-five concert dates and grossed over US $45.2 million.​ The tour was able to remain as one of the hottest tours in the United States during its expansion.​ The Wonder World Tour's entire, ten-date European leg sold out in only ten minutes.​ In order to meet demand, an eleventh date was added and scheduled for December 29, 2009.​ In December 2009, the tour ranked atop Billboard's Hot Tours, based on the tour's European performances. For the month, box office grossed US $21.9 million for eleven shows in four markets. The five concerts held at The O₂ Arena in London, England produced ticket sales that topped $11 million (£6.8 million).​ On December 19, 2009,​ with an audience of 16,196, Cyrus broke the record for the largest attendance at The O₂ Arena; a record that surpassed the previously tied records by Beyoncé Knowles' I Am... Tour (2009–10), Bon Jovi's Lost Highway Tour (2007–08), and Coldplay's Viva la Vida Tour (2008–10).​ In total, the tour grossed over $ 67.1 million,​​ $15 million which were earned by Cyrus.​

Bus accident

Cyrus performing "Party in the U.S.A." during the Wonder World Tour

On November 20, 2009, in its attempt to arrive at the destination of Greensboro, North Carolina, one of the buses for the Wonder World Tour overturned on a Virginian highway. The accident occurred around 8:15 A.M. in Dinwiddie County, about 40 miles south of Richmond, Virginia. The bus ran off the left side of Interstate 85, struck an embankment, and overturned several times. An eye witness of the accident explained that the bus appeared to have drifted off the road for a fairly long stretch before tipping over.​ The bus had nine passengers aboard,​ including members of the lighting team, though Cyrus was not on board during the incident.​ Most of the passengers on the bus suffered only minor injuries​ and escaped the crashed bus through the broken front windshield. One person, Rigger Martin Zilio, required serious medical attention and was hospitalized overnight.​ Zilio recovered from his injuries and was later able to return to work on the tour.​ One person, bus driver Bill "Uncle Bill" Douglas, a 53-year-old of Austin, Texas, died at the scene of the accident.​

In response to the accident, the Cyrus family released a statement via Cyrus' official website; it stated, "We are deeply saddened by the loss of Bill 'Uncle Bill' Douglas. Members of our tour are like members of our family. Our thoughts and prayers go out to his family in the midst of this tragedy. He will truly be missed."​ Omar Abderrahman, the tour's production manager, said, "That was real tough. It’s always a tragedy to lose anyone. Uncle Bill was a great driver and a good friend. He’d done a lot of tours with me, and we’re all going to miss him."​ Although the cause for the accident remains undefined, authorities confirmed the roads were wet from overnight rain.​ However, CBS News reported that speed and weather were not attributed as factors for the accident's occurrence.​ Douglas was seen clutching his heart as he tried to bring the bus to a controlled stop, but no official autopsy report has been released for confirmation.​ Despite the incident, the tour's following concert on November 22, 2009 at the Greensboro Coliseum in Greensboro, North Carolina proceeded as scheduled.​ During the concert, Cyrus dedicated the performance of "The Climb" to Douglas as overhead screens displayed a video commemorating him.

Broadcast and recordings

Cyrus performing "Simple Song" on the Wonder World Tour

The concerts held on December 13, 14, 19, 20, and 29, 2009 at The O₂ Arena in London were filmed. On May 26, 2010, it was announced that the American Broadcasting Company (ABC) would broadcast an hour-long television special entitled Miley Cyrus: Live from London on June 18, 2010, as part of promotion for Cyrus' third studio album Can't Be Tamed (2010). The special was executively produced by Leticia "Tish" Cyrus, Cyrus' mother, and Jason Morey, Cyrus' manager. It was directed by Russell Thomas and produced by Jim Parsons.​ Miley Cyrus: Live from London was described by Cyrus' official website with the following statement: "The program captures how Miley, who has grown up in the public eye, has grown as an artist and reveals her natural progression and sophistication."​ The concert special was watched by over 2.6 million viewers in the United States.​ Miley Cyrus: Live from London's airing on ABC was a filtered version of the full-length concert, which became available on the limited, deluxe edition of Can't Be Tamed, released on June 21, 2010.​​ The deluxe edition featured the audio CD, containing the album's music, and a DVD, which contains nineteen live performances and behind-the-scenes footage with Cyrus.​ "We anticipate an overindexing, if you will, of those who buy the CD/DVD over just the music because it's never been seen before," stated Abbey Konowitch, general manager of Hollywood Records.​ The performances of "Fly on the Wall" and "Start All Over" were included in Cyrus' second video album Can't Be Tamed: Mini DVD (2010), released only in the United Kingdom and Japan.​

Setlist

Cyrus performing the final song, "The Climb", on the Wonder World Tour

1. "Breakout"
2. "Start All Over"
3. "7 Things"
4. "Kicking and Screaming"
5. "Bottom of the Ocean"
6. "Fly on the Wall"
7. "Let's Get Crazy"
8. "Hoedown Throwdown"
9. "These Four Walls"
10. "When I Look at You"
11. "Obsessed"
12. "Spotlight"
13. "G.N.O. (Girl's Night Out)"
14. "I Love Rock 'n' Roll"
15. "Party in the U.S.A."
16. "Hovering" ¹
17. "Simple Song"
18. "See You Again"
19. "The Climb"

¹ Performed from October 10, 2009 to December 29, 2009. "Wake Up America" was performed previously.​

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Tour dates

Date	City	Country	Venue
North America​
September 14, 2009	Portland	United States	Rose Garden
September 16, 2009	Tacoma		Tacoma Dome
September 18, 2009	Oakland		Oracle Arena
September 20, 2009	San Jose		HP Pavilion
September 22, 2009	Los Angeles		Staples Center
September 23, 2009	Anaheim		Honda Center
September 25, 2009	Glendale		Jobing.com Arena
September 26, 2009	Las Vegas		Thomas & Mack Center
September 29, 2009​	Salt Lake City		EnergySolutions Arena
October 6, 2009	Auburn Hills		The Palace of Auburn Hills
October 7, 2009	Columbus		Nationwide Arena
October 9, 2009	Des Moines		Wells Fargo Arena
October 10, 2009	Milwaukee		Bradley Center
October 12, 2009	Tulsa		BOK Center
October 13, 2009​	Omaha		Qwest Center
October 15, 2009	San Antonio		AT&T Center
October 17, 2009​	Kansas City		Sprint Center
October 18, 2009	Dallas		American Airlines Center
October 20, 2009	New Orleans		New Orleans Arena
October 21, 2009	Memphis		FedExForum
October 23, 2009	Birmingham		BJCC Arena
October 24, 2009	North Little Rock		Verizon Arena
October 27, 2009	Chicago		United Center
October 28, 2009​	St. Louis		Scottrade Center
October 29, 2009	Minneapolis		Target Center
October 31, 2009	Louisville		Freedom Hall
November 1, 2009	Lexington		Rupp Arena
November 3, 2009	Washington, D.C.		Verizon Center
November 4, 2009	Philadelphia		Wachovia Center
November 5, 2009	University Park		Bryce Jordan Center
November 7, 2009	Newark		Prudential Center
November 8, 2009
November 9, 2009	Boston		TD Garden
November 12, 2009	Hartford		XL Center
November 15, 2009	Cleveland		Quicken Loans Arena
November 16, 2009	Indianapolis		Conseco Fieldhouse
November 18, 2009	Uniondale		Nassau Coliseum
November 19, 2009
November 22, 2009	Greensboro		Greensboro Coliseum
November 24, 2009	Charlotte		Time Warner Cable Arena
November 25, 2009	Nashville		Sommet Center
November 28, 2009	Columbia		Colonial Life Arena
November 29, 2009	Atlanta		Philips Arena
December 1, 2009	Tampa		St. Pete Times Forum
December 2, 2009	Miami		American Airlines Arena
Europe​
December 13, 2009	London	England	The O2 Arena
December 14, 2009
December 16, 2009	Dublin	Ireland	The O2
December 17, 2009
December 19, 2009	London	England	The O2 Arena
December 20, 2009
December 22, 2009	Birmingham		LG Arena
December 23, 2009
December 27, 2009	Manchester		Manchester Evening News Arena
December 28, 2009
December 29, 2009	London		The O2 Arena

Notes

• A ↑ Esta plantilla está obsoleta, véase el nuevo sistema de referencias. During the September 29, 2009 performance of "7 Things" at the EnergySolutions Arena in Salt Lake City, Utah, Cyrus ran off the stage because of illness from strep throat and the necessity of medical attention. Her band and back up singers covered for her, and, fifteen minutes later, Cyrus returned to resume the concert.​ "Kicking and Screaming" and "Wake Up America" were both omitted from the setlist to make up for the loss of time.​
• B ↑ Esta plantilla está obsoleta, véase el nuevo sistema de referencias. The October 2, 2009 concert at the Qwest Center in Omaha, Nebraska was rescheduled to October 13, 2009 because of Cyrus' illness from strep throat.​
• C ↑ Esta plantilla está obsoleta, véase el nuevo sistema de referencias. The October 3, 2009 concert at the Sprint Center in Kansas City was rescheduled to October 17, 2009 because of Cyrus' illness from strep throat.​
• D ↑ Esta plantilla está obsoleta, véase el nuevo sistema de referencias. The October 4, 2009 concert at the Scottrade Center in St. Louis, Missouri was rescheduled to October 28, 2009 because of Cyrus' illness from strep throat.​

Box office score data

Venue	City	Tickets sold / Available	Gross revenue
Rose Garden	Portland	10,917 / 11,787 (93%)	$728,328 ​
Tacoma Dome	Tacoma	15,242 / 15,920 (96%)	$1,033,221 ​
Oracle Arena	Oakland	13,881 / 14,480 (96%)	$901,747 ​
HP Pavilion at San Jose	San Jose	13,100 / 13,918 (94%)	$835,071 ​
Staples Center	Los Angeles	14,584 / 14,584 (100%)	$1,055,388 ​
Honda Center	Anaheim	12,638 / 12,638 (100%)	$956,981 ​
Jobing.com Arena	Glendale	13,755 / 13,755 (100%)	$993,003 ​
Thomas & Mack Center	Las Vegas	11,426 / 12,512 (91%)	$718,706 ​
EnergySolutions Arena	Salt Lake City	10,885 / 12,525 (87%)	$937,265 ​
The Palace of Auburn Hills	Auburn Hills	16,142 / 16,142 (100%)	$1,090,009 ​
Nationwide Arena	Columbus	14,191 / 15,135 (94%)	$972,592 ​
Wells Fargo Arena	Des Moines	14,174 / 14,174 (100%)	$1,005,453 ​
Bradley Center	Milwaukee	15,335 / 15,335 (100%)	$1,043,433 ​
BOK Center	Tulsa	13,151 / 14,063 (94%)	$937,265 ​
Qwest Center Omaha	Omaha	13,249 / 15,092 (88%)	$928,176 ​
AT&T Center	San Antonio	15,523 / 15,523 (100%)	$1,059,159 ​
Sprint Center	Kansas City	15,525 / 15,525 (100%)	$1,111,178 ​
American Airlines Center	Dallas	15,102 / 15,102 (100%)	$1,039,489 ​
New Orleans Arena	New Orleans	15,359 / 15,359 (100%)	$1,029,841 ​
FedExForum	Memphis	12,256 / 13,010 (94%)	$864,662 ​
BJCC Arena	Birmingham	14,527 / 14,527 (100%)	$1,012,737 ​
Verizon Arena	North Little Rock	14,119 / 15,325 (92%)	$969,281 ​
United Center	Chicago	16,600 / 16,600 (100%)	$1,148,500 ​
Scottrade Center	St. Louis	13,982 / 15,205 (92%)	$982,909 ​
Target Center	Minneapolis	14,966 / 15,867 (94%)	$1,022,257 ​
Freedom Hall	Louisville	13,526 / 16,062 (84%)	$851,635 ​
Rupp Arena	Lexington	15,774 / 18,210 (87%)	$976,313 ​
Verizon Center	Washington, D.C	15,846 / 15,846 (100%)	$1,071,917 ​
Wachovia Center	Philadelphia	17,153 / 17,153 (100%)	$1,209,364 ​
Bryce Jordan Center	University Park	12,901 / 12,901 (100%)	$932,270 ​
Prudential Center	Newark	30,416 / 30,416 (100%)	$2,090,972 ​
TD Garden	Boston	14,981 / 14,981 (100%)	$1,111,590 ​
XL Center	Hartford	13,824 / 13,824 (100%)	$1,000,448 ​
Quicken Loans Arena	Cleveland	15,774 / 16,567 (95%)	$1,072,833 ​
Conseco Fieldhouse	Indianapolis	14,920 / 14,920 (100%)	$1,018,200 ​
Nassau Coliseum	Uniondale	29,277 / 29,277 (100%)	$2,002,982 ​
Greensboro Coliseum	Greensboro	17,597 / 17,597 (100%)	$1,182,082 ​
Time Warner Cable Arena	Charlotte	15,553 / 15,553 (100%)	$1,048,004 ​
Bridgestone Arena	Nashville	14,692 / 14,692 (100%)	$1,040,794 ​
Colonial Life Arena	Columbia	14,557 / 14,557 (100%)	$1,018,682 ​
Philips Arena	Atlanta	15,000 / 15,000 (100%)	$1,041,720 ​
St. Pete Times Forum	Tampa	14,730 / 14,730 (100%)	$1,035,875 ​
American Airlines Arena	Miami	15,819 / 15,819 (100%)	$1,098,931 ​
The O2 Arena	London	80,679 / 80,679 (100%)	$11,081,900 ​
The O2	Dublin	17,495 / 17,495 (100%)	$3,134,370 ​
LG Arena	Birmingham	25,635 / 25,635(100%)	$3,494,140 ​
Manchester Evening News Arena	Manchester	32,926 / 32,926 (100%)	$4,268,120 ​
Total		707,508 / 728,943 (97%)	$67,159,793

Personnel

Creative Team Director, Choreographer – Jamal Sims Assistant Director – Octavious Terry Assistant Choreographer – Dondraico Johnson Assistant – Christopher Scott Creative Consultant – Jeffery Hornaday Lighting and Video Designer – Seán Burke Wardrobe Designer – Simone Harouche Screens Content Director – Richard Turner Screen Content Producer – Justine Catterall Content Creation & Direction – Ben Ib, Seán Evans Content Creation & Animation – Colin Walsh Scenic Consultant – Chris Medvitz Effects Designer – Scott Christensen Flying By Foy – Joe Mcgeough Sound Effects – Clay Janes Band Music Direction, Drummer - Stacy Jones Guitar - Jamie Arentzen, Jaco Caraco Keyboards - Mike Schmid Bass - Vashon Johnson Background Vocals - Sara Mann, Carmel Helene Staff and Crew Staff & Crew Production Manager – Omar Abderrahman Tour Manager – Steve Brumbach Stage Manager – Scott “Striker” Christensen Production Designer – Sean Burke FOH – Paul Hager Monitors – Vish Wadi Assistant Tour Managers – Lauren Abderrahman, Mick Adkins Production Coordinator – Jon Bumgarner Production Assistants – Dillan Esco, Lauren Temple Stage Manager Assistant – Seth Posner Security – Sal Pietripaoli, Thomas Rosehaley Hair Stylist – Scott Cunha Make Up Artist – Denika Bedrossian Prop Master – Chris Malta Props Assistant – Sage Christensen Backline – John Ciasulli, Benoit Brideau Dancers - Jennifer Talarico, Christina Glur, Ashlee Nino, Bianca Brewton, Ryan Novak, Mike Dizon, Cory Graves, Christopher “War” Martinez, Nolan Padilla, Jabari Odom

Pro Tools – Clay Janes, Trevor Robinson Carpenters – Joe Rogers, Carl Ciasulli, Carl Chadwick, Kyle Hoffman Foy Tech – Patrick Leonard Lighting Crew Chief – Ronald Beal Lighting Techs – Peter Feher, Thomas Dubas, Robert Simoneaux, Jason Winfree, Allison Triplet Pyro Techs – Steve Aleff, Brien Capenter, Travis Jameson Riggers – Art Mcconnell, Seyton Pooley, Jeremy Benauer, Antar Abderrahman, Craig “Miami” Powell, Martin Zilio Showrig – Sean Conner, Neville Emerton, James Ford, Jeremy Bryden, Charles Veal, Terry Parker Sound Crew Chief – Tim Holder Sound Techs – Adam Stuart, Jeffery Lutgen, Nyle Wood, Dustin Ponscheck Video Director – Rob Darcy Video Techs – Bob Boynton, Richard Turner, Adam Sion, Bruce Ramos, Redo Jackson, Tommy Kalogiannis, Joe Wolohan Wardrobe Supervisor – Jill Focke Wardrobe – Tiffany Fellar, Zhenni Li-Cagle Wal-Mart (Sponsor Manager) – Paul Douglas Wal-Mart Representatives – Joseph Cesaretti, Jerry Farantatos, Nicholas Farantatos, Ryan Norris, Andria Goodrow Merch (Show Day Team) – Ty Zigler Merch Assistant (Show Day Team) – Luke Underwood Merch (Advance Team) – Jon Kohl Merch Assistant (Advance Team) – Matt Parillo Bus Drivers – John Fry, Joe Reed, George Hampton, Keith Kaminski, Larry Cyrus, Tracy Morgan, Ronny Knox, Bryan Stevensen, Todd Harrison, Bill Douglas, Matt Selah, Charlie Mcpherson, Grant Whitman, Eric Smith Lead Truck Driver – James Johnston Truck Drivers – Larry Hockensmith, Bryan Roddy, Jorge Delgado, Jerry Burnett, Joe Harrison, Jon Mcclain, Danny Martin, Tim Faye, Herchel Cook, Toby Williams, Alex Nino, Jimmy Edelen, Phillip Pedigo, Julie Sword, Leo Johnson, Adam Morris, Neil Lilly, Terry Beebe Merch Truck Driver – Robert Pinkey Merch Advance Truck Driver – Hans Smith

Source:​

Gypsy Heart Tour

The Gypsy Heart Tour (also known as Corazón Gitano Tour) is the third concert tour by American recording artist Miley Cyrus. Primarily visiting South America and Australia, the tour will support her third studio album, Can't Be Tamed.​ Additional stops in Mexico, Panama, Costa Rica and the Philippines are included as well. The trek will begin April 29, 2011 in Quito, Ecuador and end with 20 shows on July 2, 2011 in Perth, Australia. This will be the first tour for Cyrus to reach these territories.​"

Background

The Gypsy Heart tour is a dream come true. Not only because of all the beautiful cities I will get to visit, but all of the beautiful people I will get to meet. Gypsy Heart is not just a tour for me, but a mission to spread love​

Cyrus performing in Rio de Janerio

The tour was announced by various media outlets on March 21, 2011, following Cyrus' appearance on Saturday Night Live.​ Initial tour dates were announced in South America. Dates in Australia, the Philippines, Costa Rica, Panama and Mexico soon followed.​ During an interview with OK!, Cyrus mentioned she will not bring the tour to the United States due to not feeling comfortable to perform in the country.​ Many media outlets believe this is due to Cyrus' personal life. She comments:

"I just think right now America has gotten to a place where I don’t know if they want me to tour or not. Right now I just want to go to the places where I am getting the most love and Australia and South America have done that for me. I'm kind of going to the places where I get the most love. I don’t want to go anywhere where I don’t feel completely comfortable with it.”​

Cyrus states the tour will not be in the same vein as her previous efforts. She says her previous tour, Wonder World Tour, focused more on theatrics and costume changes.​ The singer wants the show to focus on the music and letting the audience see a different side of her that is not portrayed on television. She says the show will feature an acoustic section, along with taking requests from the audience.​

Different songs on the tour

Cyrus performing "Forgiveness and Love"

Miley Cyrus, made ​​her concert in Brazil where she add songs like "When I Look At You", "Stay. " Besides that we made a slight change to the stage to have 2 gateways on each side, to have only one in the middle.According to the staff who worked last night at the Miley concert in Brazil, the concert was recorded on DVD go on sale later as it was done with the Wonder World Tour, which was included on her latest album Can't Be Tamed Deluxe Edition. "The Driveway" was sung from May 10 instead of "Two More Lonely People "The song started to be sung in Paraguay in Brazil and Manila ."Stay"began to be sung in San Jose for the first time, this song was then after "Scars"another song that never before in sung. ​. Another song that began to be sung from June 17 is Permanent December "one of the best known of the famous singer-songwriter Miley Cyrus" this will sung after Party in the USA and before Kicking and Screaming.​.

Secrets

Cyrus performing "Two More Lonely People".

The Brazilian magazine 'Capricho' secrets revealed new tour 'Gypsy Heart' and are as follows:

1. The show lasts 80 minutes and will have between five and six costume changes. Miley will be presented along side with ten dancers to make a completely unique and original show.

2. Although the show promotes her album Can't Be Tamed, Miley will sing 7 Things, Party in the USA, Kicking and Screaming. Stay and Permanent December and also confirmed on the list. The singer will also do a cover of Nirvana, Joan Jett and rumored to be singing one of Shakira song, but apparently it was not true.

3. The stage will feature a middle and side platforms where the singer will move. Tickets sold near the stage are very close to the audience. Miley has confessed that will change the scene from her previous tour. Also rumored to have a fireworks extravaganza.

4. Hannah Montana fans will not be forgotten, during her show, Miley will pay tribute to her famous character with a compilation of seven songs in the series. ​.

Development

Cyrus perfoming "Obsessed"

Miley Cyrus confirm her tour in January the year 2011. First it was confirm that the tour would be called Robot Tour 2011 where she would promote her Can't Be Tamed Album, Miley Cyrus confirmed that she will be visiting Chile Argentina Uruguay Brazil and Panama. This tour would be larger than the Wonder World Tour and Best of Both Worlds Tour, in this tour she would be singing the songs: Wherever I Go and Ordinary Girl but were cancelled, this tour promotes her latest and famous songs such as "Liberty Walk" Can't Be Tamed and "Scars ", these songs besides "Two More Lonely People" and "Stay", the tour toured other countries such as South America, Australia and Asia. This would be the first World Tour Miley Cyrus, this tour also has Covers songs like Landslide and Smells Like Teen Spirit that are cover and one cover song sung my Miley is I Love Rock 'n' Roll a cover of Joan Jett.​.

Concert synopsis

Cyrus perfoming "7 Things"

Miley Cyrus opened the tour with the song "Liberty Walk" which comes with a red jacket ​, after singing that song Cyrus interpret Party in the U.S.A. "where has the same clothes, but in the middle of the song takes off her jacket and to sing better and down on the floor (Gateway) ​ After Party in the U.S.A. she sings "Kicking And Screaming" which comes with the same clothes from Party in the USA ​, after "Kicking And Screaming" is on the stage and change clothes to perform "Robot" where comes with new style of clothing that of previous tours and the clothes she wear on her first tour.Despite that she interprets "I Love Rock 'n' Roll where she remains in the clothes of their previous song, Miley is not taken on the bike as she did in her previous tour "Wonder World Tour"

Miley Cyrus sings Every Rose Has Its Thorn "Obsessed" and "Forgiveness and love" with her clothes changed despite singing "Fly On The Wall, 7 Things "Scars" and "Stay" (only in Costa Rica) Smells Like Teen Spirit in the same clothes then sings Can't Be Tamed where changes clothes despite to interpret this song again and change them to perform" Take Me Along "" The Driveway "and" The Climb "which she sings with the same clothes. then interprets See You Again Who Owns My Heart "and "My Heart Beats For Love"in the same clothes.

Confirmations Argentina

Cyrus performing" My Heart Beats for Love ".

In the countries of Argentina, so far, are those that were announced:

• The brings a co-production between Phoenix Entertainment Group and SPA Entertainment.
• Come next May 6, 2011.
• Play in the River Plate Stadium.
• It is not yet confirmed who will be the sponsors.
• Tickets are sold through Topshow.
• The ticket prices would be released today in the April 6 Topshow page.
• The pre-sales take place (ie to buy a ticket before and at a discount) with the card only 
Rio Santander on Thursday, April 7.
• Ticket sales to the public would be on Friday April 8 ​.

Commercial performance

Cyrus performing "The Climb"

As you may have noticed from last Friday's website has new design, this time dedicated to World Tour for the first time will bring our beloved Miley to Mexico, Corazon Gitano / Gypsy Heart Tour. The design was inspired by the photo used for the worldwide promotion of the Tour, in Miley dress colors, black and red. Again the design is done by FreakStudio and our friend Michael to thank him for giving us such a good design. With the new design is finally open new sections as the FanClub, Site, MileyCyrus, Fan of the Month and a forum where you can all inter-act with each other and be in touch with other Mexican Smilers (All this close to inauguration)​.

Setlist For South America

1. "Liberty Walk"
2. "Party in the U.S.A."
3. "Kicking and Screaming"
4. "Robot"
5. Medley: "I Love Rock 'n' Roll"/ "Cherry Bomb"/ "Bad Reputation"
6. "Every Rose Has Its Thorn"
7. "Obsessed"
8. "Forgiveness and Love"
9. "Fly on the Wall"
10. "7 Things"
11. "Scars"
12. "Smells Like Teen Spirit"
13. "Can't Be Tamed"
14. "Landslide"
15. "Take Me Along"
16. "Two More Lonely People"
17. "The Climb"

Encore

18. "See You Again"
19. "My Heart Beats for Love"
20. "Who Owns My Heart"

Setlist For North America, Asia and Australia

1. "Can't Be Tamed"
2. "7 Things"
3. "Breakout"
4. "Permanent December"
5. "Robot"
6. Medley: "I Love Rock 'n' Roll"/ "Cherry Bomb"/ "Bad Reputation"
7. "Start All Over"
8. "Stay"
9. "Morning Sun"
10. "Fly on the Wall"
11. "Who Owns My Heart"
12. "Two More Lonely People"
13. "Kicking And Screaming"/ "Take Me Along"/ "Forgiveness And Love"/ "Full Circle"/ "Every Rose Has Its Thorn"
14. "When I Look at You
15. "Party in the U.S.A.
16. "Simple Songs"
17. "Scars"
18. "The Climb"
19. "Rock Star"/ "I'm Still Good"/ "Ordinary Girl"/ "Que Sera"/ "Gonna Get This"/ "Let's Get Crazy"/ "The Best of Both Worlds"
20. "G.N.O. (Girl's Night Out)"
21. "Gitano/Gypsy (Shakira)"
22. "The Driveway"
23. "I'll Always Remember You"

Encore

24. "Liberty Walk"
25. "My Heart Beats for Love"
26. "See You Again"

Source: ​ ​ ​ ​ ​ ​

Tour dates

Date	City	Country	Venue
South America​​​​
April 29, 2011	Quito	Ecuador	Estadio Olímpico Atahualpa
May 1, 2011	Lima	Peru	Explanada del Monumental
May 4, 2011	Santiago	Chile	Estadio Nacional
May 6, 2011	Buenos Aires	Argentina	River Plate Stadium
May 10, 2011	Asunción	Paraguay	Hipódromo de Asunción
May 13, 2011	Rio de Janeiro	Brazil	HSBC Arena
May 14, 2011	São Paulo		Arena Anhembi
May 17, 2011	Caracas	Venezuela	Estadio de Fútbol Universidad Simón Bolívar
May 19, 2011	Bogotá	Colombia	Coliseo Cubierto El Campín
North America​​
May 21, 2011	San José	Costa Rica	Estadio Ricardo Saprissa Aymá
May 24, 2011	Panama City	Panama	Figali Convention Center
May 26, 2011	Mexico City	Mexico	Foro Sol
May 28, 2011	Zapopan		Estadio Omnilife
Asia​
June 17, 2011	Pasay	Philippines	SM Mall of Asia Concert Grounds
Australia​​​
June 21, 2011	Brisbane	Australia	Brisbane Entertainment Centre
June 23, 2011	Melbourne		Rod Laver Arena
June 24, 2011
June 26, 2011	Sydney		Acer Arena
June 27, 2011
June 29, 2011	Adelaide		Adelaide Entertainment Centre
July 2, 2011	Perth		Burswood Dome