Archivo:LDBALL1950s.jpg

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Resumen

DescripciónLDBALL1950s.jpg	English: Lucille Ball in a 1955 film still, for I Love Lucy episode "Face to Face", aired on November 14, 1955.
Fecha	Taken circa 1955. Posted on Flickr 5/9/2009.
Fuente	Flickr and Doctor Macro
Autor	CBS Television

Licencia

Este archivo se encuentra en el dominio público en los Estados Unidos porque fue publicado en ese país entre los años 1929 y 1963, y, teniendo un aviso de derechos de autor, no se renovó su protección. A menos que su autor haya fallecido años antes, se mantiene bajo propiedad intelectual en los países o zonas que no aplican la regla del plazo más corto para las obras estadounidenses, como China continental (50 años p.m.a., a excepción de Hong Kong o Macao), Alemania (70), Canadá (70), Suiza (70), México (100) y otros países con reglas particulares. Vea Commons:Hirtle chart como referencia e información.

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Copyright details

Additional source information:

English: This is a publicity still taken and publicly distributed to promote a film actor.

As stated by film production expert Eve Light Honathaner in The Complete Film Production Handbook (Focal Press, 2001, p. 211.):
"Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."
Nancy Wolff, in The Professional Photographer's Legal Handbook (Allworth Communications, 2007, p. 55.), notes:
"There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them."
Film industry author Gerald Mast, in Film Study and the Copyright Law (1989, p. 87), writes:
"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference of cinema scholars and editors[1], that:
"[The conference] expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements... [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."

Historial del archivo

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	Fecha y hora	Dimensiones	Usuario	Comentario
actual	13:35 30 sep 2021	2604 × 4168 (630 kB)	Lemonreader	Crop
	13:32 30 sep 2021	3830 × 4872 (1,1 MB)	Lemonreader	Higher resolution
	08:44 10 abr 2020	916 × 1320 (883 kB)	Lemonreader	Crop
	08:43 10 abr 2020	1300 × 1653 (797 kB)	Lemonreader	Clearer version
	04:41 3 jun 2018	906 × 1232 (225 kB)	Clarawolfe	User created page with UploadWizard