Vincent van Gogh: Florero con margaritas y amapolas
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Artista |
Vincent van Gogh
(1853–1890) |
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Nombres alternativos |
Vincent Willem van Gogh |
Descripción |
pintor, dibujante y grabador neerlandés |
Fecha de nacimiento/muerte |
30 de marzo de 1853 |
29 de julio de 1890 |
Lugar de nacimiento/muerte |
Zundert |
Auvers-sur-Oise |
Período de trabajo |
hacia 1880 o julio de 1890 date QS:P,+1850-00-00T00:00:00Z/7,P1319,+1880-00-00T00:00:00Z/9,P1326,+1890-07-00T00:00:00Z/10,P1480,Q5727902 |
Lugar de trabajo |
Países Bajos ( Etten, La Haya, Nuenen, …, antes de 1886 date QS:P,+1886-00-00T00:00:00Z/7,P1326,+1886-00-00T00:00:00Z/9 ), París (1886–1887), Arlés (1888–1889), Saint-Rémy-de-Provence (1889–1890), Auvers-sur-Oise (1890) |
Control de autoridades |
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artist QS:P170,Q5582 |
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Título |
Deutsch: Vase mit Kornblumen und Klatschmohn English: Vase with Cornflowers and Poppies |
Object type |
pintura |
Género |
bodegón |
Fecha |
junio de 1890 date QS:P571,+1890-06-00T00:00:00Z/10 |
Técnica |
óleo sobre tela medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
Dimensiones |
altura: 66 cm; ancho: 51 cm dimensions QS:P2048,66U174728 dimensions QS:P2049,51U174728 |
Colección |
Colección privada institution QS:P195,Q768717 |
Lugar de creación |
Auvers-sur-Oise |
Historial de la pieza |
- (probably) Dr. Paul Gachet, Auvers-sur-Oise [per Sotheby's sale catalogue and following]
- Gaston Alexandre Camentron, Paris
- Paul Cassirer, Berlin (acquired from the above in November 1911)
- Antoine Albert, Wiesbaden (acquired in 1914)
- Mrs. A. Albert, Munich (widow of the above; acquired in 1918)
- Georg Caspari, Munich
- M. Knoedler & Co., Inc., London (acquired on April 24, 1926)
- James Carstairs, Philadelphia (acquired in December 1926)
- M. Knoedler & Co., Inc., New York (acquired in October 1928)
- Anson Conger Goodyear, Long Island, New York (acquired in October 1928)
- George F. Goodyear, Buffalo, New York (acquired by decent from the above in December 1941)
- Albright Knox Art Gallery, Buffalo, New York (acquired in part from the above)
- Acquired from the Goodyear family in 1991
- Sale Sotheby's, New York, 4 November 2014: Price realized $61,765,000 includes Hammer Price and Buyer's Premium
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Exhibition history |
- Berlin, Paul Cassirer, Vincent van Gogh, 1914, lot 27a [per Sotheby's sale catalogue and following]
- New York, The Museum of Modern Art, First Loan Exhibition: Cézanne-Gauguin-Seurat-van Gogh, 1929, illustrated pl. 92
- Buffalo, Albright Art Gallery, Catalogue of Exhibition Commemorating the Twenty Fifth Anniversary: An International Group of Paintings of Flowers, 1930, no. 67 (titled Flowers-Still Life)
- New York, The Museum of Modern Art, Modern Works of Art: Fifth Anniversary Exhibition, 1934-35, no. 15 (titled Poppies)
- New York, The Museum of Modern Art ; Philadelphia, Pennsylvania Museum of Art; Boston, Museum of Fine Arts; Cleveland, Museum of Art; San Francisco, Palace of the Legion of Honor; Kansas City, The William Rochill Nelson Gallery of Art; Minneapolis, The Institute of Arts; Chicago, The Art Institute; Detroit, Institute of Arts; New York, The Museum of Modern Art, Vincent van Gogh, 1936-37, no. 14 (titled Poppies)
- Washington, D.C., The Washington Gallery of The Museum of Modern Art, Flowers and Fruits, 1938, no. 22 (titled Poppies)
- Buffalo, Albright-Knox Art Gallery, Paintings, Sculpture, Drawings, Prints Collected by A. Conger Goodyear, 1966, no. 16 (titled Flowers of the Fields)
- Washington, D.C., National Gallery of Art, Paintings from the Albright-Knox Art Gallery, Buffalo, New York, 1968, illustrated in the catalogue
- Buffalo, Albright-Knox Art Gallery, on long-term exhibition, 1962-90
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Notas |
Catálogos razonados:
- F280: Faille, Jacob Baart de la (1970) [1928] The Works of Vincent van Gogh. His Paintings and Drawings, Ámsterdam: J.M. Meulenhoff, nº280 .
- JH2032 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, nº 2032.
- There are no mentions of this painting in Vincent's letters. De La Faille assigned the painting to his Paris era, but later editors to his last year at Auvers because of its stylistic resemblance to Vase with Field Flowers and Thistles (F763), which can be dated to around 17 June 1890 from the letters (Hulsker (1977) p. 466).
- The painting realized $61,765,000 at a Sotheby's sale 4 November 2014, New York. This was a record price for a van Gogh still-life.[1]
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Referencias |
- Naifeh, Steven and Smith, Gregory White. Van Gogh: the Life, New York: Random House, 2011. ISBN 978-0-375-50748-9
- Julius Meier-Graefe, Vincent van Gogh, Munich, 1918, illustrated p. 11 (titled Blumenstrauss) [per Sotheby's sale catalogue and following]
- Jacob-Baart de la Faille, L’Oeuvre de Vincent van Gogh, Paris and Brussels, 1928, vol. I no. 280, catalogued p. 82; vol. II, illustrated pl. 77 (dated incorrectly Epoque de Paris)
- “Fruits & Flowers: Spring in the Capital,” The Art News, New York, April 2, 1938, illustrated p. 11 (titled Poppies)
- Jacob-Baart de la Faille, The Works of Vincent van Gogh: His Painting and Drawings, Amsterdam, 1970, no. 280 , pp 309 and 622 illustrated, p. 308 (titled Still life Vase with Daises and Poppies)
- Paul Aletrino, Tout van Gogh, 1888-1890, La Peinture, Paris, 1982, no. 67, illustrated p. 80 (titled Fleurs de Champs)
- Alain Mothe, Vincent van Gogh à Auvers-sur-Oise, Paris, 1987, illustrated in color p. 81
- Walter Feilchenfeldt, Vincent van Gogh and Paul Cassirer, Berlin, The Reception of van Gogh in Germany from 1902-1913, Amsterdam, 1988, illustrated p. 86 (titled Still life: Vase with Daises and Poppies)
- Ingo Walter & Rainer Metzger, Vincent van Gogh, The Complete Paintings, Cologne, 1990, illustrated p. 661
- Jan Hulsker, The Complete van Gogh, Paintings, Drawings, Sketches, New York, 1996, no. 2032, illustrated p. 466
- The Real Van Gogh, The Artist and his Letters (exhibition catalogue), Royal Academy of Arts, London, 2010, discussed p. 272
- Walter Feilchenfeldt, Vincent van Gogh, The Years in France, Complete Paintings 1886-1890, London, 2013, illustrated in color p. 250
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Fuente/fotógrafo |
repro from artbook |
Permiso (Reutilización de este archivo) |
Esta es una reproducción fotográfica fiel de una obra de arte bidimensional de dominio público. La obra de arte misma se halla en el dominio público por el motivo siguiente:
Public domainPublic domainfalsefalse
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https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
La postura oficial de la Fundación Wikimedia considera que « las reproducciones fieles de obras de arte bidimensionales de dominio público forman parte del dominio público». Esta reproducción fotográfica, por ende, también se considera de dominio público dentro de los Estados Unidos. Es posible que otras jurisdicciones restrinjan la reutilización de este contenido; consúltese Reutilización de fotografías PD-Art (en inglés) para más detalles.
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