新黑色電影列表:修订间差异
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Beta Lohman(留言 | 贡献) 小无编辑摘要 |
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第4,546行: | 第4,546行: | ||
| style="text-align:center;"|<ref>{{cite web|title='Trouble Is My Business': Film Review |url=https://moviecrypt.com/2017/10/16/review-trouble-is-my-business-the-final-word-in-film-noir/ |website=Movie Crypt |date=16 October 2017}}</ref> |
| style="text-align:center;"|<ref>{{cite web|title='Trouble Is My Business': Film Review |url=https://moviecrypt.com/2017/10/16/review-trouble-is-my-business-the-final-word-in-film-noir/ |website=Movie Crypt |date=16 October 2017}}</ref> |
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| [[原鑽]] |
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| {{le|賽佛迪兄弟|Safdie brothers|班·賽佛迪}}<br>{{le|賽佛迪兄弟|Safdie brothers|喬許·賽佛迪}} |
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| Josh and Benny Safdie |
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| 2019 |
| 2019 |
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| 美國 |
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| United States |
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| style="text-align:center;"|<ref>{{cite web |title= Uncut Gems review – this sparkler will be the most exciting film of the year|url= https://www.theguardian.com/film/2020/jan/09/uncut-gems-review-adam-sandler-idina-menzel |work=The Guardian|date=9 January 2020}}</ref> |
| style="text-align:center;"|<ref>{{cite web |title= Uncut Gems review – this sparkler will be the most exciting film of the year|url= https://www.theguardian.com/film/2020/jan/09/uncut-gems-review-adam-sandler-idina-menzel |work=The Guardian|date=9 January 2020}}</ref> |
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| [[銀湖暗湧]] |
| [[銀湖暗湧]] |
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| [[大衛·勞勃·米切爾]] |
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| [[David Robert Mitchell]] |
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| 2018 |
| 2018 |
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| 美國 |
| 美國 |
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第4,564行: | 第4,564行: | ||
| style="text-align:center;"|<ref>{{cite web |title= Upgrade: Sci-Fi John Wick, and That's Not a Bad Thing|url= https://thepopbreak.com/2018/06/04/upgrade-sci-fi-john-wick-and-thats-not-a-bad-thing/ |publisher=The Pop Break|date=4 June 2018}}</ref> |
| style="text-align:center;"|<ref>{{cite web |title= Upgrade: Sci-Fi John Wick, and That's Not a Bad Thing|url= https://thepopbreak.com/2018/06/04/upgrade-sci-fi-john-wick-and-thats-not-a-bad-thing/ |publisher=The Pop Break|date=4 June 2018}}</ref> |
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| [[維多莉亞]] |
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| ''[[Victoria (2015 film)|Victoria]]'' |
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| {{link-en|塞巴斯蒂安·施普爾|Sebastian Schipper}} |
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| 2015 |
| 2015 |
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| 德國 |
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| style="text-align:center;"|<ref>{{cite web |title= Film Noir Files - Victoria|url= https://macguff.in/macguffin-content/film-noir-files/victoria/ |publisher=The MacGuffin|date=21 February 2017}}</ref> |
| style="text-align:center;"|<ref>{{cite web |title= Film Noir Files - Victoria|url= https://macguff.in/macguffin-content/film-noir-files/victoria/ |publisher=The MacGuffin|date=21 February 2017}}</ref> |
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| [[鐵血神探]] |
| [[鐵血神探]] |
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| {{link-en|史葛·法蘭克|Scott Frank}} |
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| 2014 |
| 2014 |
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| 美國 |
| 美國 |
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第4,577行: | 第4,577行: | ||
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| {{le|枷锁|Walking Too Fast}} |
| {{le|枷锁|Walking Too Fast}} |
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| {{link-en|拉迪姆·史派克|Radim Špaček}} |
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| 2010 |
| 2010 |
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| 捷克 |
| 捷克 |
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第4,583行: | 第4,583行: | ||
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| [[目擊者 (2017年電影)|目擊者]] |
| [[目擊者 (2017年電影)|目擊者]] |
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| [[ |
| [[程偉豪]] |
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| 2017 |
| 2017 |
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| 台灣 |
| 台灣 |
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第4,589行: | 第4,589行: | ||
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| [[寡婦 (電影)|寡婦]] |
| [[寡婦 (電影)|寡婦]] |
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| [[史提夫·麥昆 (導演)|史提夫·麥昆]] |
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| [[Steve McQueen (director)|Steve McQueen]] |
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| 2018 |
| 2018 |
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| 美國 |
| 美國 |
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| style="text-align:center;"|<ref>{{cite web|title=Widows: Viola Davis sparkles in this superb modern noir |url=https://www.rte.ie/entertainment/movie-reviews/2018/1102/1008214-widows-review-viola-davis-sparkles-in-this-modern-noir/ |publisher=[[Raidió Teilifís Éireann]] |date=5 November 2018}}</ref> |
| style="text-align:center;"|<ref>{{cite web|title=Widows: Viola Davis sparkles in this superb modern noir |url=https://www.rte.ie/entertainment/movie-reviews/2018/1102/1008214-widows-review-viola-davis-sparkles-in-this-modern-noir/ |publisher=[[Raidió Teilifís Éireann]] |date=5 November 2018}}</ref> |
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| [[南方車站的聚會]] |
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| ''[[The Wild Goose Lake]]'' |
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| [[刁亦男]] |
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| Diao Yinan |
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| 2019 |
| 2019 |
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| 中國/法國 |
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| China/France |
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| style="text-align:center;"|<ref>{{cite web |title= Diao Yinan's shady lady noir is no quacker |url= https://www.theguardian.com/film/2019/may/18/the-wild-goose-lake-review-diao-yinans-shady-lady-noir-is-no-quacker |work=The Guardian|date=18 May 2019}}</ref> |
| style="text-align:center;"|<ref>{{cite web |title= Diao Yinan's shady lady noir is no quacker |url= https://www.theguardian.com/film/2019/may/18/the-wild-goose-lake-review-diao-yinans-shady-lady-noir-is-no-quacker |work=The Guardian|date=18 May 2019}}</ref> |
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| [[極地追擊]] |
| [[極地追擊]] |
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| [[ |
| [[泰勒·謝里丹]] |
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| 2017 |
| 2017 |
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| 美國 |
| 美國 |
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| style="text-align:center;"|<ref>{{cite web|url=https://www.telegraph.co.uk/films/0/wind-river-reviewthe-director-deserves-prize-getting-riveting/|title=Taylor Sheridan's chilly noir gets the riveting best out of Jeremy Renner|first=Robbie|last=Collin|date=7 September 2017|access-date=15 January 2018|work=The Daily Telegraph}}</ref> |
| style="text-align:center;"|<ref>{{cite web|url=https://www.telegraph.co.uk/films/0/wind-river-reviewthe-director-deserves-prize-getting-riveting/|title=Taylor Sheridan's chilly noir gets the riveting best out of Jeremy Renner|first=Robbie|last=Collin|date=7 September 2017|access-date=15 January 2018|work=The Daily Telegraph}}</ref> |
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| [[冰封之心]] |
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| {{link-en|黛布拉·格兰尼克|Debra Granik}} |
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| 2010 |
| 2010 |
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| 美國 |
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| United States |
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| style="text-align:center;"|<ref>{{cite web |title= WINTER'S BONE and the Rural Noir|url= https://brightlightsfilm.com/winters-bone-and-the-rural-noir/#.YBX2Hi3fWhA |publisher=Bright Lights Film Journal|date=27 December 2010}}</ref> |
| style="text-align:center;"|<ref>{{cite web |title= WINTER'S BONE and the Rural Noir|url= https://brightlightsfilm.com/winters-bone-and-the-rural-noir/#.YBX2Hi3fWhA |publisher=Bright Lights Film Journal|date=27 December 2010}}</ref> |
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| [[失控救援]] |
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| ''[[You Were Never Really Here]]'' |
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| [[ |
| [[琳恩·倫賽]] |
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| 2017 |
| 2017 |
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| 英國/美國/法國 |
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| United Kingdom/United States/France |
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| style="text-align:center;"|<ref>{{cite web |title= Exploring the Dark Character Study of You Were Never Really Here |url= https://www.denofgeek.com/movies/exploring-the-dark-character-study-of-you-were-never-really-here/ |publisher=Den of Geek|date=4 April 2018}}</ref> |
| style="text-align:center;"|<ref>{{cite web |title= Exploring the Dark Character Study of You Were Never Really Here |url= https://www.denofgeek.com/movies/exploring-the-dark-character-study-of-you-were-never-really-here/ |publisher=Den of Geek|date=4 April 2018}}</ref> |
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2022年1月28日 (五) 17:49的版本
以下列出电影院发行的新黑色电影。新黑色电影是指1960年代以后的黑色电影。
电影列表: 1960–1989
已隐藏部分未翻译内容,欢迎参与翻译。
Film | Director | Year | Country | Ref(s). |
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10 Rillington Place | Richard Fleischer | 1971 | United Kingdom | [1] |
13 West Street | Philip Leacock | 1962 | United States | [2] |
The 3rd Voice | Hubert Cornfield | 1960 | United States | [3] |
8 Million Ways to Die | Hal Ashby | 1986 | United States | [1] |
99 and 44/100% Dead | John Frankenheimer | 1974 | United States | [4] |
Absence of Malice | Sydney Pollack | 1981 | United States | [1] |
Across 110th Street | Barry Shear | 1972 | United States | [2] |
Afraid to Die | Yasuzo Masumura | 1960 | Japan | [5] |
After Hours | Martin Scorsese | 1985 | United States | [6] |
Against All Odds | Taylor Hackford | 1984 | United States | [1] |
Agnes of God | Norman Jewison | 1985 | United States | [1] |
All Night Long | Basil Dearden | 1962 | United Kingdom | [7] |
All the President's Men | Alan J. Pakula | 1976 | United States | [2] |
Alphaville | Jean-Luc Godard | 1965 | France | [8] |
The American Friend | Wim Wenders | 1977 | West Germany | [9] |
American Gigolo | Paul Schrader | 1980 | United States | [10] |
...And Justice for All. | Norman Jewison | 1979 | United States | [1] |
The Anderson Tapes | Sidney Lumet | 1971 | United States | [2] |
Angel Heart | Alan Parker | 1987 | United States | [11] |
Any Number Can Win | Henri Verneuil | 1963 | France | [12] |
Army of Shadows | Jean-Pierre Melville | 1969 | France | [8] |
The Assassin | Elio Petri | 1961 | Italy | [13] |
Assault on Precinct 13 | John Carpenter | 1976 | United States | [1] |
Assignment K | Val Guest | 1968 | United Kingdom | [1] |
At Close Range | James Foley | 1986 | United States | [14] |
Atlantic City | Louis Malle | 1980 | Canada/France | [15] |
Bad Boys | Rick Rosenthal | 1983 | United States | [1] |
The Bad Sleep Well | Akira Kurosawa | 1960 | Japan | [5] |
Bad Timing | Nicolas Roeg | 1980 | United Kingdom | [1] |
Badge 373 | Howard W. Koch | 1973 | United States | [1] |
Badlands | Terrence Malick | 1973 | United States | [14] |
Band of the Hand | Paul Michael Glaser | 1986 | United States | [14] |
Bande à part | Jean-Luc Godard | 1964 | France | [8] |
Bandits in Milan | Carlo Lizzani | 1968 | Italy | [13] |
Beat Girl | Edmond T. Gréville | 1960 | United Kingdom | [7] |
The Bedroom Window | Curtis Hanson | 1987 | United States | [14] |
Best Seller | Larry Cohen | 1987 | United States | [14] |
Betrayed | Costa-Gavras | 1988 | United States | [16] |
A Better Tomorrow | John Woo | 1986 | Hong Kong | [17] |
The Big Easy | Jim McBride | 1987 | United States | [1] |
The Big Fix | Jeremy Kagan | 1978 | United States | [16] |
The Big Sleep | Michael Winner | 1978 | United Kingdom/United States | [1] |
The Bird with the Crystal Plumage | Dario Argento | 1970 | Italy | [9] |
The Birthday Party | William Friedkin | 1968 | United Kingdom | [1] |
The Black Bird | David Giler | 1975 | United States | [16] |
Black Eye | Jack Arnold | 1974 | United States | [1] |
Black Gunn | Robert Hartford-Davis | 1972 | United States | [1] |
Black Rain | Ridley Scott | 1989 | United States | [1] |
Black Sunday | John Frankenheimer | 1977 | United States | [16] |
Black Widow | Bob Rafelson | 1987 | United States | [1] |
Blade Runner | Ridley Scott | 1982 | United States | [14] |
Blast of Silence | Allen Baron | 1961 | United States | [1][3] |
Blood and Black Lace | Mario Bava | 1964 | Italy | [18] |
Blood Simple | Joel and Ethan Coen | 1984 | United States | [1][19][20] |
Blow Out | Brian De Palma | 1981 | United States | [21][19][20] |
Blowup | Michelangelo Antonioni | 1966 | United Kingdom/Italy/United States | [21] |
Blue Collar | Paul Schrader | 1978 | United States | [22] |
Blue Thunder | John Badham | 1983 | United States | [1] |
Blue Velvet | David Lynch | 1986 | United States | [11] |
Body Double | Brian De Palma | 1984 | United States | [1] |
Body Heat | Lawrence Kasdan | 1981 | United States | [1] |
Bonnie and Clyde | Arthur Penn | 1967 | United States | [11] |
The Border | Tony Richardson | 1982 | United States | [1] |
Le Boucher | Claude Chabrol | 1970 | France | [23] |
Brainstorm | William Conrad | 1965 | United States | [1][3] |
Branded to Kill | Seijun Suzuki | 1967 | Japan | [9][24] |
Breathless | Jean-Luc Godard | 1960 | France | [24] |
Breathless | Jim McBride | 1983 | United States | [1] |
The Bride Wore Black | François Truffaut | 1968 | France | [12] |
Bring Me the Head of Alfredo Garcia | Sam Peckinpah | 1974 | United States/Mexico | [25] |
The Brink's Job | William Friedkin | 1978 | United States | [26] |
Bunny Lake Is Missing | Otto Preminger | 1965 | United Kingdom/United States | [7] |
Buster and Billie | Daniel Petrie | 1974 | United States | [1] |
Cape Fear | J. Lee Thompson | 1962 | United States | [1][3] |
Capricorn One | Peter Hyams | 1977 | United States | [26] |
Carnival of Souls | Herk Harvey | 1962 | United States | [27] |
Cash on Demand | Quentin Lawrence | 1961 | United Kingdom | [28] |
Castle of Blood | Antonio Margheriti and Sergio Corbucci | 1964 | Italy | [13] |
Le cave se rebiffe | Gilles Grangier | 1961 | France | [23] |
La caza | Carlos Saura | 1966 | Spain | [29] |
Le Cercle Rouge | Jean-Pierre Melville | 1970 | France/Italy | [30] |
The Ceremony | Laurence Harvey | 1963 | United States | [1] |
The Champ | Franco Zeffirelli | 1979 | United States | [26] |
The Champagne Murders | Claude Chabrol | 1967 | France | [31] |
Chandler | Paul Magwood | 1971 | United States | [1] |
Charley Varrick | Don Siegel | 1973 | United States | [14] |
The Chase | Arthur Penn | 1966 | United States | [27] |
The China Syndrome | James Bridges | 1979 | United States | [1] |
Chinatown | Roman Polanski | 1974 | United States | [1] |
The Choirboys | Robert Aldrich | 1977 | United States | [26] |
City on Fire | Ringo Lam | 1987 | Hong Kong | [17] |
Le clan des siciliens | Henri Verneuil | 1969 | France | [23] |
Classe Tous Risques | Claude Sautet | 1960 | France | [23] |
Coffy | Jack Hill | 1973 | United States | [26] |
A Colt Is My Passport | Takashi Nomura | 1967 | Japan | [5] |
La commare secca | Bernardo Bertolucci | 1962 | Italy | [13] |
The Conversation | Francis Ford Coppola | 1974 | United States | [1] |
Cool Breeze | Barry Pollack | 1972 | United States | [26] |
Cop | James B. Harris | 1988 | United States | [1] |
Cotton Comes to Harlem | Ossie Davis | 1970 | United States | [32][19][20] |
Crimes of Passion | Ken Russell | 1984 | United States | [33] |
The Criminal | Joseph Losey | 1960 | United Kingdom | [9] |
Crossplot | Alvin Rakoff | 1969 | United Kingdom | [1] |
Cruising | William Friedkin | 1980 | United States | [34] |
Cuba | Richard Lester | 1979 | United States | [1] |
Cul-de-sac | Roman Polanski | 1966 | United Kingdom | [21] |
Cutter's Way | Ivan Passer | 1981 | United States | [35] |
The Damned | Joseph Losey | 1963 | United Kingdom | [36] |
A Dandy in Aspic | Anthony Mann | 1968 | United Kingdom | [32] |
The Day of the Owl | Damiano Damiani | 1968 | Italy | [13] |
Dead Men Don't Wear Plaid | Carl Reiner | 1982 | United States | [37] |
The Dead Pool | Buddy Van Horn | 1988 | United States | [32] |
Deadfall | Bryan Forbes | 1968 | United Kingdom | [36] |
Deadlier Than the Male | Ralph Thomas | 1967 | United Kingdom | [1] |
The Deadly Affair | Sidney Lumet | 1967 | United Kingdom | [38] |
Deadly Strangers | Sidney Hayers | 1975 | United Kingdom | [38] |
Death Wish | Michael Winner | 1974 | United States | [1] |
Defiance | John Flynn | 1980 | United States | [1] |
The Delinquents | Carlos Saura | 1960 | Spain | [29] |
The Detective | Gordon Douglas | 1968 | United States | [1] |
Detroit 9000 | Arthur Marks | 1973 | United States | [32] |
Le deuxième souffle | Jean-Pierre Melville | 1966 | France | [9] |
Dirty Harry | Don Siegel | 1971 | United States | [1] |
Do You Know This Voice? | Dan Duryea and Isa Miranda | 1964 | United Kingdom | [1] |
D.O.A. | Rocky Morton and Annabel Jankel | 1988 | United States | [1] |
Dog Day Afternoon | Sidney Lumet | 1975 | United States | [1] |
The Domino Principle | Stanley Kramer | 1977 | United States | [39] |
Le Doulos | Jean-Pierre Melville | 1962 | France | [9][24] |
Dressed to Kill | Brian De Palma | 1980 | United States | [39] |
The Driver | Walter Hill | 1978 | United States | [1] |
The Drowning Pool | Stuart Rosenberg | 1975 | United States | [1] |
Endless Night | Sidney Gilliat | 1972 | United Kingdom | [38] |
The Enforcer | James Fargo | 1976 | United States | [1] |
Eva | Joseph Losey | 1962 | France | [12] |
The Executioner | Sam Wanamaker | 1970 | United Kingdom | [1] |
Executive Action | David Miller | 1973 | United States | [39] |
Experiment in Terror | Blake Edwards | 1962 | United States | [1][3] |
The Exterminator | James Glickenhaus | 1980 | United States | [1] |
An Eye for an Eye | Steve Carver | 1981 | United States | [1] |
Eyes of Laura Mars | Irvin Kershner | 1978 | United States | [39] |
Eyes Without a Face | Georges Franju | 1960 | France | [40] |
Eyewitness | Peter Yates | 1981 | United States | [1] |
Fantômas | André Hunebelle | 1964 | France | [12] |
Farewell, My Lovely | Dick Richards | 1975 | United States | [1] |
Fat City | John Huston | 1972 | United States | [39] |
Fatal Attraction | Adrian Lyne | 1987 | United States | [1] |
Fear City | Abel Ferrara | 1984 | United States | [1] |
The File of the Golden Goose | Sam Wanamaker | 1969 | United Kingdom | [1] |
Fingers | James Toback | 1978 | United States | [39] |
The First Deadly Sin | Brian G. Hutton | 1980 | United States | [1] |
The First Great Train Robbery | Michael Crichton | 1978 | United Kingdom | [1] |
F.I.S.T | Norman Jewison | 1978 | United States | [1] |
Five Minutes to Live | Bill Karn | 1961 | United States | [14] |
Foxy Brown | Jack Hill | 1974 | United States | [41] |
Framed | Phil Karlson | 1975 | United States | [41] |
Frantic | Roman Polanski | 1988 | United States | [1] |
The French Connection | William Friedkin | 1971 | United States | [1] |
French Connection II | John Frankenheimer | 1975 | United States | [1] |
Frenzy | Alfred Hitchcock | 1972 | United Kingdom | [38] |
Friday Foster | Arthur Marks | 1975 | United States | [41] |
The Friends of Eddie Coyle | Peter Yates | 1973 | United States | [1] |
The Fury | Brian De Palma | 1978 | United States | [41] |
A Game without Rules | Jindřich Polák | 1967 | Czechoslovakia | [42] |
The Gauntlet | Clint Eastwood | 1977 | United States | [41] |
Get Carter | Mike Hodges | 1971 | United Kingdom | [9][24] |
The Getaway | Sam Peckinpah | 1972 | United States | [14] |
The Girl Hunters | Roy Rowland | 1963 | United Kingdom | [43] |
Going Home | Herbert B. Leonard | 1971 | United States | [41] |
Gloria | John Cassavetes | 1980 | United States | [1] |
The Great Spy Chase | Georges Lautner | 1964 | France | [8] |
The Grissom Gang | Robert Aldrich | 1971 | United States | [41] |
The Groundstar Conspiracy | Lamont Johnson | 1972 | United States | [41] |
Gumshoe | Stephen Frears | 1971 | United Kingdom | [44] |
Gunn | Blake Edwards | 1967 | United States | [43] |
Hammerhead | David Miller | 1968 | United Kingdom | [1] |
Hammett | Wim Wenders | 1982 | United States | [1] |
Hands over the City | Francesco Rosi | 1963 | Italy | [13] |
Hard Contract | S. Lee Pogostin | 1969 | United States | [45] |
Hard Times | Walter Hill | 1975 | United States | [1] |
Hardcore | Paul Schrader | 1979 | United States | [1] |
Harper | Jack Smight | 1966 | United States | [1] |
The Haunting | Robert Wise | 1963 | United Kingdom | [27] |
Hell Is a City | Val Guest | 1960 | United Kingdom | [9][24] |
Hell Up in Harlem | Larry Cohen | 1973 | United States | [14] |
Hickey & Boggs | Robert Culp | 1972 | United States | [1] |
Hidden City | Stephen Poliakoff | 1987 | United Kingdom | [9] |
High and Low | Akira Kurosawa | 1963 | Japan | [9][24] |
The High Commissioner | Ralph Thomas | 1968 | United Kingdom/United States | [1] |
The Hit | Stephen Frears | 1984 | United Kingdom | [46] |
Hit Man | George Armitage | 1972 | United States | [45] |
The Hole | Jacques Becker | 1960 | France | [40] |
Hoodlum Priest | Irvin Kershner | 1961 | United States | [3] |
The Hostage | Russell Doughten | 1967 | United States | [27] |
House of Games | David Mamet | 1987 | United States | [1] |
The "Human" Factor | Edward Dmytryk | 1975 | United States | [45] |
The Human Factor | Otto Preminger | 1979 | United Kingdom | [1] |
Hustle | Robert Aldrich | 1975 | United States | [1] |
The Hustler | Robert Rossen | 1961 | United States | [27] |
I, the Jury | Richard T. Heffron | 1982 | United States | [1] |
I Walk the Line | John Frankenheimer | 1970 | United States | [45] |
In Cold Blood | Richard Brooks | 1967 | United States | [3] |
In the Heat of the Night | Norman Jewison | 1967 | United States | [47] |
The Incident | Larry Peerce | 1967 | United States | [3] |
The Ipcress File | Sidney J. Furie | 1965 | United Kingdom | [1] |
Jagged Edge | Richard Marquand | 1985 | United States | [1] |
Johnny Cool | William Asher | 1963 | United States | [14] |
Johnny Handsome | Walter Hill | 1989 | United States | [1] |
Joy House | René Clément | 1964 | France | [12] |
Judex | Georges Franju | 1963 | France | [12] |
Key Witness | Phil Karlson | 1960 | United States | [14] |
Kill Me Again | John Dahl | 1989 | United States | [1] |
The Killer | John Woo | 1989 | Hong Kong | [48] |
The Killer Inside Me | Burt Kennedy | 1976 | United States | [1] |
The Killers | Don Siegel | 1964 | United States | [14] |
The Killing Game | Alain Jessua | 1967 | France | [12] |
The Killing of a Chinese Bookie | John Cassavetes | 1976 | United States | [1] |
Kitten with a Whip | Douglas Heyes | 1964 | United States | [3] |
Klute | Alan J. Pakula | 1971 | United States | [1] |
The Kremlin Letter | John Huston | 1970 | United States | [1] |
Lady in Cement | Gordon Douglas | 1968 | United States | [1] |
Landru | Claude Chabrol | 1963 | France | [12] |
Last Embrace | Jonathan Demme | 1979 | United States | [1] |
The Last of Sheila | Herbert Ross | 1973 | United States | [1] |
The Late Show | Robert Benton | 1977 | United States | [49] |
The Lawbreakers | Joseph M. Newman | 1961 | United States | [27] |
The Liberation of L.B. Jones | William Wyler | 1970 | United States | [1] |
Life Love Death | Claude Lelouch | 1968 | France | [40] |
Lilith | Robert Rossen | 1964 | United States | [1] |
Little Nikita | Richard Benjamin | 1988 | United States | [1] |
The Long Good Friday | John Mackenzie | 1980 | United Kingdom | [9][24] |
The Long Goodbye | Robert Altman | 1973 | United States | [1] |
The Looking Glass War | Frank Pierson | 1970 | United Kingdom | [38] |
Love Is Colder Than Death | Rainer Werner Fassbinder | 1969 | West Germany | [50] |
A Lovely Way to Die | David Lowell Rich | 1968 | United States | [1] |
The MacKintosh Man | John Huston | 1973 | United Kingdom | [1] |
Made in U.S.A. | Jean-Luc Godard | 1966 | France | [12] |
Mademoiselle | Tony Richardson | 1966 | United Kingdom/France | [1] |
Madigan | Don Siegel | 1968 | United States | [1] |
Magnet of Doom | Jean-Pierre Melville | 1963 | France | [8] |
Magnum Force | Ted Post | 1973 | United States | [51] |
The Man Without a Map | Hiroshi Teshigahara | 1968 | Japan | [5] |
Man-Trap | Edmond O'Brien | 1961 | United States | [3] |
The Manchurian Candidate | John Frankenheimer | 1962 | United States | [1][3] |
Manhunter | Michael Mann | 1986 | United States | [1][19][20] |
Marlowe | Paul Bogart | 1969 | United States | [1] |
Marnie | Alfred Hitchcock | 1964 | United States | [27] |
Mean Streets | Martin Scorsese | 1973 | United States | [51] |
Medium Cool | Haskell Wexler | 1969 | United States | [51] |
La Métamorphose des cloportes | Pierre Granier-Deferre | 1965 | France | [12] |
Mickey One | Arthur Penn | 1965 | United States | [3] |
Midnight Express | Alan Parker | 1978 | United States | [51] |
Midnight Lace | David Miller | 1960 | United States | [27] |
The Midnight Man | Roland Kibbee and Burt Lancaster | 1974 | United States | [52] |
Mike's Murder | James Bridges | 1984 | United States | [1] |
Mikey and Nicky | Elaine May | 1976 | United States | [53] |
Mirage | Edward Dmytryk | 1965 | United States | [3] |
Mississippi Mermaid | François Truffaut | 1969 | France | [40] |
Mona Lisa | Neil Jordan | 1986 | United Kingdom | [9][24] |
Money Movers | Bruce Beresford | 1978 | Australia | [54] |
The Money Trap | Burt Kennedy | 1966 | United States | [1][3] |
The Morning After | Sidney Lumet | 1986 | United States | [1] |
Ms. 45 | Abel Ferrara | 1981 | United States | [1] |
Murder, Inc. | Burt Balaban and Stuart Rosenberg | 1960 | United States | [27] |
Murphy's Law | J. Lee Thompson | 1986 | United States | [1] |
My Blood Runs Cold | William Conrad | 1965 | United States | [1] |
The Naked Kiss | Samuel Fuller | 1964 | United States | [1][3] |
Never Let Go | John Guillermin | 1960 | United Kingdom | [55] |
The New Centurions | Richard Fleischer | 1972 | United States | [1] |
The Nickel Ride | Robert Mulligan | 1974 | United States | [1] |
Night Moves | Arthur Penn | 1975 | United States | [1][19][20] |
Night of the Juggler | Robert Butler | 1980 | United States | [1] |
Night Train to Mundo Fine | Coleman Francis | 1966 | United States | [56][57] |
Nighthawks | Bruce Malmuth | 1981 | United States | [1] |
Nightmare | Freddie Francis | 1964 | United Kingdom | [55] |
No Mercy | Richard Pearce | 1986 | United States | [58] |
No Way Out | Roger Donaldson | 1987 | United States | [1] |
Obsession | Brian De Palma | 1976 | United States | [4] |
Ocean's 11 | Lewis Milestone | 1960 | United States | [27] |
The Offence | Sidney Lumet | 1972 | United Kingdom | [38] |
Once a Thief | Ralph Nelson | 1965 | United States | [4] |
The One Man Jury | Charles Martin | 1978 | United States | [4] |
The Onion Field | Harold Becker | 1979 | United States | [1] |
The Organization | Don Medford | 1971 | United States | [4] |
Out of Bounds | Richard Tuggle | 1986 | United States | [1] |
The Outfit | John Flynn | 1973 | United States | [1] |
P.J. | John Guillermin | 1968 | United States | [43] |
Pale Flower | Masahiro Shinoda | 1964 | Japan | [5] |
Panic in the City | Eddie Davis | 1968 | United States | [4] |
The Parallax View | Alan J. Pakula | 1974 | United States | [4] |
Paranoiac | Freddie Francis | 1963 | United Kingdom | [59] |
The Passenger | Michelangelo Antonioni | 1975 | Italy/France/Spain | [1] |
Pay or Die | Richard Wilson | 1960 | United States | [27] |
Peeping Tom | Michael Powell | 1960 | United Kingdom | [59] |
Pendulum | George Schaefer | 1969 | United States | [1] |
Performance | Nicolas Roeg | 1970 | United Kingdom | [9][24] |
Pierrot le Fou | Jean-Luc Godard | 1965 | France | [31] |
La Piscine | Jacques Deray | 1969 | France | [31] |
Play Misty for Me | Clint Eastwood | 1971 | United States | [14] |
Point Blank | John Boorman | 1967 | United States | [1] |
Portrait in Black | Michael Gordon | 1960 | United States | [27] |
The Postman Always Rings Twice | Bob Rafelson | 1981 | United States | [1] |
Pretty Poison | Noel Black | 1968 | United States | [14] |
Prime Cut | Michael Ritchie | 1972 | United States | [43] |
Prince of the City | Sidney Lumet | 1981 | United States | [1] |
Psycho | Alfred Hitchcock | 1960 | United States | [27] |
Pulp | Mike Hodges | 1972 | United Kingdom | [38] |
Purple Noon | René Clément | 1960 | France | [31] |
The Pusher | Gene Milford | 1960 | United States | [27] |
Quicksilver | Thomas Michael Donnelly | 1986 | United States | [1] |
The Quiller Memorandum | Michael Anderson | 1966 | United Kingdom | [1] |
Rage | Gilberto Gazcón | 1966 | Mexico/United States | [1] |
Rage | George C. Scott | 1972 | United States | [1] |
Raging Bull | Martin Scorsese | 1980 | United States | [11] |
Remember My Name | Alan Rudolph | 1978 | United States | [60] |
Repulsion | Roman Polanski | 1965 | United Kingdom | [61] |
Rider on the Rain | René Clément | 1970 | France | [31] |
Robbery | Peter Yates | 1967 | United Kingdom | [1] |
Rolling Thunder | John Flynn | 1977 | United States | [1] |
The Running Man | Carol Reed | 1963 | United Kingdom | [1] |
Salvatore Giuliano | Francesco Rosi | 1962 | Italy | [18] |
Le Samouraï | Jean-Pierre Melville | 1967 | France | [9][24] |
Sandra | Luchino Visconti | 1965 | Italy | [18] |
Scarface | Brian De Palma | 1983 | United States | [1] |
Sea of Love | Harold Becker | 1989 | United States | [1] |
Seance on a Wet Afternoon | Bryan Forbes | 1964 | United Kingdom | [62] |
Seconds | John Frankenheimer | 1966 | United States | [2] |
The Seduction of Joe Tynan | Jerry Schatzberg | 1979 | United States | [1] |
Série noire | Alain Corneau | 1979 | France | [9] |
Serpico | Sidney Lumet | 1973 | United States | [1] |
The Servant | Joseph Losey | 1963 | United Kingdom | [62] |
Seven | Andy Sidaris | 1979 | United States | [1] |
Seven Days in May | John Frankenheimer | 1964 | United States | [2] |
Seven Thieves | Henry Hathaway | 1960 | United States | [2] |
Shaft | Gordon Parks | 1971 | United States | [1] |
Shamus | Buzz Kulik | 1973 | United States | [63] |
Sharky's Machine | Burt Reynolds | 1981 | United States | [1] |
Sheba, Baby | William Girdler | 1975 | United States | [63] |
Shock Corridor | Samuel Fuller | 1963 | United States | [3] |
Shoot the Piano Player | François Truffaut | 1960 | France | [24] |
The Silent Partner | Daryl Duke | 1978 | Canada | [64] |
Silent Rage | Michael Miller | 1982 | United States | [1] |
Sisters | Brian De Palma | 1973 | United States | [63] |
Sitting Target | Douglas Hickox | 1972 | United Kingdom | [61] |
Slam Dance | Wayne Wang | 1987 | United States | [1] |
The Sleeping Car Murders | Costa-Gavras | 1965 | France | [23] |
The Small World of Sammy Lee | Ken Hughes | 1963 | United Kingdom | [65] |
The Soft Skin | François Truffaut | 1964 | France | [31] |
Someone to Watch Over Me | Ridley Scott | 1987 | United States/United Kingdom | [1] |
Sorcerer | William Friedkin | 1977 | United States/Mexico | [1] |
Soylent Green | Richard Fleischer | 1973 | United States | [63] |
Special Delivery | Paul Wendkos | 1976 | United States | [1] |
The Split | Gordon Flemyng | 1968 | United States | [1] |
Spotlight on a Murderer | Georges Franju | 1961 | France | [31] |
The Spy Who Came in from the Cold | Martin Ritt | 1965 | United Kingdom | [61] |
The St. Valentine's Day Massacre | Roger Corman | 1967 | United States | [66] |
Still of the Night | Robert Benton | 1982 | United States | [1] |
The Stone Killer | Michael Winner | 1973 | United States | [1] |
Stormy Monday | Mike Figgis | 1988 | United Kingdom | [9][24] |
Straight Time | Ulu Grosbard | 1978 | United States | [63] |
The Strange Affair | David Greene | 1968 | United Kingdom | [9][24] |
Sudden Impact | Clint Eastwood | 1983 | United States | [1] |
Super Fly | Gordon Parks Jr. | 1972 | United States | [63] |
Sweet Sweetback's Baadasssss Song | Melvin Van Peebles | 1971 | United States | [67] |
The Take | Robert Hartford-Davis | 1974 | United States | [1] |
The Taking of Pelham One Two Three | Joseph Sargent | 1974 | United States | [67] |
Targets | Peter Bogdanovich | 1968 | United States | [67] |
Taste of Fear | Seth Holt | 1961 | United Kingdom | [68] |
Taxi Driver | Martin Scorsese | 1976 | United States | [1] |
Thérèse Desqueyroux | Georges Franju | 1962 | France | [40] |
They Call Me Mister Tibbs! | Gordon Douglas | 1970 | United States | [47] |
They Shoot Horses, Don't They? | Sydney Pollack | 1969 | United States | [28] |
Thief | Michael Mann | 1981 | United States | [1] |
The Thief of Paris | Louis Malle | 1967 | France | [40] |
Thieves Like Us | Robert Altman | 1974 | United States | [1] |
The Third Lover | Claude Chabrol | 1962 | France | [31] |
The Third Secret | Charles Crichton | 1964 | United Kingdom | [1] |
This Man Must Die | Claude Chabrol | 1969 | France | [31] |
The Thomas Crown Affair | Norman Jewison | 1968 | United States | [1] |
The Thousand Eyes of Dr. Mabuse | Fritz Lang | 1960 | West Germany | [50] |
Tightrope | Richard Tuggle | 1984 | United States | [1] |
To Live and Die in L.A. | William Friedkin | 1985 | United States | [1][69] |
Tokyo Drifter | Seijun Suzuki | 1966 | Japan | [5] |
Les Tontons flingueurs | Georges Lautner | 1963 | France | [40] |
Trans-Europ-Express | Alain Robbe-Grillet | 1966 | France | [40] |
The Trial | Orson Welles | 1962 | United States | [3] |
Trouble in Mind | Alan Rudolph | 1985 | United States | [70] |
True Confessions | Ulu Grosbard | 1981 | United States | [1] |
The Truth | Henri-Georges Clouzot | 1960 | France | [40] |
Twilight's Last Gleaming | Robert Aldrich | 1977 | United States | [67] |
Twisted Nerve | Roy Boulting | 1968 | United Kingdom | [68] |
Underworld U.S.A. | Samuel Fuller | 1961 | United States | [1][3] |
The Unfaithful Wife | Claude Chabrol | 1969 | France | [12] |
Union City | Marcus Reichert | 1980 | United States | [1] |
The Upper Hand | Denys de La Patellière | 1966 | France | [12] |
Uptight | Jules Dassin | 1968 | United States | [47] |
Vanishing Point | Richard C. Sarafian | 1971 | United States | [71] |
Victim | Basil Dearden | 1961 | United Kingdom | [28] |
Villain | Michael Tuchner | 1971 | United Kingdom | [61] |
Violent Cop | Takeshi Kitano | 1989 | Japan | [72] |
Viridiana | Luis Buñuel | 1961 | Spain | [29] |
Walking Tall | Phil Karlson | 1973 | United States | [71] |
War Hunt | Denis Sanders | 1962 | United States | [2] |
Warning Shot | Buzz Kulik | 1967 | United States | [14] |
We Still Kill the Old Way | Elio Petri | 1967 | Italy | [13] |
Weekend | Jean-Luc Godard | 1967 | France | [40] |
Welcome to Hard Times | Burt Kennedy | 1967 | United States | [2] |
What Ever Happened to Aunt Alice? | Lee H. Katzin | 1969 | United States | [1] |
The Whip and the Body | Mario Bava | 1963 | Italy | [13] |
White Line Fever | Jonathan Kaplan | 1975 | Canada/United States | [1] |
Who Framed Roger Rabbit | Robert Zemeckis | 1988 | United States | [73] |
Who Killed Teddy Bear | Joseph Cates | 1965 | United States | [2] |
Why Must I Die? | Roy Del Ruth | 1960 | United States | [2] |
Winter Kills | William Richert | 1979 | United States | [71] |
Witness | Peter Weir | 1985 | United States | [1] |
The Yakuza | Sydney Pollack | 1974 | United States | [71] |
Year of the Dragon | Michael Cimino | 1985 | United States | [1] |
Youth of the Beast | Seijun Suzuki | 1963 | Japan | [5] |
Z | Costa-Gavras | 1969 | France | [40] |
Zero Focus | Yoshitaro Nomura | 1961 | Japan | [5] |
电影列表: 1990–1999
已隐藏部分未翻译内容,欢迎参与翻译。
Film | Director | Year | Country | Ref(s). |
---|---|---|---|---|
12 Monkeys | Terry Gilliam | 1995 | United States | [74] |
Affliction | Paul Schrader | 1997 | United States | [2] |
After Dark, My Sweet | James Foley | 1990 | United States | [1] |
Arlington Road | Mark Pellington | 1999 | United States | [1] |
Bad Influence | Curtis Hanson | 1990 | United States | [14] |
Bad Lieutenant | Abel Ferrara | 1992 | United States | [2] |
Basic Instinct | Paul Verhoeven | 1992 | United States | [1] |
Batman Returns | Tim Burton | 1992 | United States | [14] |
Best Laid Plans | Mike Barker | 1999 | United States | [16] |
The Big Lebowski | Joel and Ethan Coen | 1998 | United States/United Kingdom | [75] |
Blink | Michael Apted | 1994 | United States | [14] |
Blood and Wine | Bob Rafelson | 1996 | United States | [76] |
Blue Steel | Kathryn Bigelow | 1990 | United States | [77] |
Bound | Lana and Lilly Wachowski | 1996 | United States | [14] |
Bugsy | Barry Levinson | 1991 | United States | [1] |
Cape Fear | Martin Scorsese | 1991 | United States | [1] |
Carlito's Way | Brian De Palma | 1993 | United States | [78] |
La Cérémonie | Claude Chabrol | 1995 | France | [40] |
China Moon | John Bailey | 1994 | United States | [14] |
Clockers | Spike Lee | 1995 | United States | [79] |
Cop Land | James Mangold | 1997 | United States | [32] |
Croupier | Mike Hodges | 1998 | United Kingdom | [9][24] |
Dark City | Alex Proyas | 1998 | United States/Australia | [14] |
Dead Again | Kenneth Branagh | 1991 | United States | [1] |
Dead Presidents | Albert and Allen Hughes | 1995 | United States | [80] |
Deceiver | Jonas Pate and Josh Pate | 1997 | United States | [14] |
Deep Cover | Bill Duke | 1992 | United States | [14] |
Deep Crimson | Arturo Ripstein | 1996 | Mexico | [9] |
Delusion | Carl Colpaert | 1991 | United States | [14] |
Desperate Hours | Michael Cimino | 1990 | United States | [1] |
Devil in a Blue Dress | Carl Franklin | 1995 | United States | [14] |
Diary of a Hitman | Roy London | 1991 | United States | [14] |
Donnie Brasco | Mike Newell | 1997 | United States | [1] |
Face/Off | John Woo | 1997 | United States | [24] |
Fallen Angels | Wong Kar-wai | 1995 | Hong Kong | [9] |
Fargo | Joel and Ethan Coen | 1996 | United States/United Kingdom | [9] |
Fear | James Foley | 1996 | United States | [14] |
La Femme Nikita | Luc Besson | 1990 | France/Italy | [9] |
Fight Club | David Fincher | 1999 | United States | [14] |
Final Analysis | Phil Joanou | 1992 | United States | [1] |
Flesh and Bone | Steve Kloves | 1993 | United States | [81] |
Following | Christopher Nolan | 1998 | United Kingdom | [82] |
Foreign Land | Walter Salles and Daniela Thomas | 1996 | Brazil | [9] |
The Game | David Fincher | 1997 | United States | [14] |
Gattaca | Andrew Niccol | 1997 | United States | [83] |
The Getaway | Roger Donaldson | 1994 | United States | [14] |
Ghost Dog: The Way of the Samurai | Jim Jarmusch | 1999 | United States | [84] |
The Glass Shield | Charles Burnett | 1994 | United States | [79] |
Gloria | Sidney Lumet | 1999 | United States | [1] |
The Grifters | Stephen Frears | 1990 | United States | [1] |
Guncrazy | Tamra Davis | 1992 | United States | [14] |
La Haine | Matthieu Kassovitz | 1995 | France | [85] |
Hana-bi | Takeshi Kitano | 1997 | Japan | [86] |
Hard Boiled | John Woo | 1992 | Hong Kong | [48] |
Hard Eight | Paul Thomas Anderson | 1996 | United States | [11] |
Heat | Michael Mann | 1995 | United States | [14] |
Homicide | David Mamet | 1991 | United States | [1] |
The Hot Spot | Dennis Hopper | 1990 | United States | [1] |
In the Line of Fire | Wolfgang Petersen | 1993 | United States | [1] |
Insomnia | Erik Skjoldbjærg | 1997 | Norway | [87] |
Internal Affairs | Mike Figgis | 1990 | United States | [1] |
Jackie Brown | Quentin Tarantino | 1997 | United States | [14] |
The Kill-Off | Maggie Greenwald | 1990 | United States | [14] |
King of New York | Abel Ferrara | 1990 | United States | [1] |
A Kiss Before Dying | James Dearden | 1991 | United States | [1] |
Kiss of Death | Barbet Schroeder | 1995 | United States | [14] |
Kiss or Kill | Bill Bennett | 1997 | Australia | [9] |
The Krays | Peter Medak | 1990 | United Kingdom | [14] |
L.A. Confidential | Curtis Hanson | 1997 | United States | [11][14] |
The Last Seduction | John Dahl | 1994 | United States | [14] |
Léon: The Professional | Luc Besson | 1994 | France | [9] |
Lethal Weapon 3 | Richard Donner | 1992 | United States | [1] |
Liebestraum | Mike Figgis | 1991 | United States | [14] |
Light Sleeper | Paul Schrader | 1992 | United States | [88] |
The Limey | Steven Soderbergh | 1999 | United States | [14] |
Live Flesh | Pedro Almodóvar | 1997 | Spain | [29] |
Lock, Stock and Two Smoking Barrels | Guy Ritchie | 1998 | United Kingdom | [24] |
Lone Star | John Sayles | 1996 | United States | [89] |
Lord of Illusions | Clive Barker | 1995 | United States | [90] |
Lost Highway | David Lynch | 1997 | United States | [14] |
Love Crimes | Lizzie Borden | 1992 | United States | [14] |
Malice | Harold Becker | 1993 | United States | [1] |
The Matrix | Lana and Lilly Wachowski | 1999 | Australia/United States | [91] |
Menace II Society | Albert and Allen Hughes | 1993 | United States | [92] |
Miami Blues | George Armitage | 1990 | United States | [14] |
Miller's Crossing | Joel and Ethan Coen | 1990 | United States | [1] |
Mulholland Falls | Lee Tamahori | 1996 | United States | [14] |
Narrow Margin | Peter Hyams | 1990 | United States | [14] |
New Jack City | Melvin Van Peebles | 1991 | United States | [14] |
Night and the City | Irwin Winkler | 1992 | United States | [1] |
Night Train | Les Bernstien | 1999 | United States | [93] |
The Ninth Gate | Roman Polanski | 1999 | United States | [11] |
One False Move | Carl Franklin | 1992 | United States | [14] |
Out of Sight | Steven Soderbergh | 1998 | United States | [94] |
Pacific Heights | John Schlesinger | 1990 | United States | [14] |
Palmetto | Volker Schlöndorff | 1998 | United States | [95][96] |
El Patrullero | Alex Cox | 1991 | Mexico | [9] |
Payback | Brian Helgeland | 1999 | United States | [14] |
Pi | Darren Aronofsky | 1998 | United States | [11] |
The Player | Robert Altman | 1992 | United States | [97] |
Point Break | Kathryn Bigelow | 1991 | United States | [98] |
Poison Ivy | Katt Shea | 1992 | United States | [4] |
Poodle Springs | Bob Rafelson | 1998 | United States | [43] |
The Public Eye | Howard Franklin | 1992 | United States | [14] |
Pulp Fiction | Quentin Tarantino | 1994 | United States | [11] |
Pusher | Nicolas Winding Refn | 1996 | Denmark | [8] |
The Rapture | Michael Tolkin | 1991 | United States | [22] |
Red Rock West | John Dahl | 1993 | United States | [1] |
Reservoir Dogs | Quentin Tarantino | 1992 | United States | [1][11] |
Revenge | Tony Scott | 1990 | United States/Mexico | [14] |
Romeo Is Bleeding | Peter Medak | 1993 | United States | [14] |
Ronin | John Frankenheimer | 1998 | United States | [99] |
Rush | Lili Fini Zanuck | 1991 | United States | [14] |
Set It Off | F. Gary Gray | 1994 | United States | [100] |
Seven | David Fincher | 1995 | United States | [14] |
Shallow Grave | Danny Boyle | 1994 | United Kingdom | [24][28] |
Shattered | Wolfgang Petersen | 1991 | United States | [1] |
The Silence of the Lambs | Jonathan Demme | 1991 | United States | [14] |
Simpatico | Matthew Warchus | 1999 | United States | [14] |
A Simple Plan | Sam Raimi | 1998 | United States | [14] |
Sleeping with the Enemy | Joseph Ruben | 1991 | United States | [14] |
Sling Blade | Billy Bob Thornton | 1996 | United States | [101] |
Sonatine | Takeshi Kitano | 1993 | Japan | [72] |
The Spanish Prisoner | David Mamet | 1997 | United States | [63] |
Strange Days | Kathryn Bigelow | 1995 | United States | [22] |
Suture | Scott McGehee and David Siegel | 1993 | United States | [14] |
Swoon | Tom Kalin | 1992 | United States | [89] |
The Talented Mr. Ripley | Anthony Minghella | 1999 | United States | [102] |
The Temp | Tom Holland | 1993 | United States | [103] |
Things to Do in Denver When You're Dead | Gary Fleder | 1995 | United States | [14] |
This World, Then the Fireworks | Michael Oblowitz | 1997 | United States | [67] |
True Romance | Tony Scott | 1993 | United States | [14] |
Twilight | Robert Benton | 1998 | United States | [14] |
Twin Peaks: Fire Walk with Me | David Lynch | 1992 | United States | [67] |
The Two Jakes | Jack Nicholson | 1990 | United States | [1] |
U Turn | Oliver Stone | 1997 | United States | [24] |
The Underneath | Steven Soderbergh | 1995 | United States | [14] |
Unlawful Entry | Jonathan Kaplan | 1992 | United States | [67] |
The Usual Suspects | Bryan Singer | 1995 | United States | [11][14] |
Where the Day Takes You | Marc Rocco | 1992 | United States | [1] |
White Sands | Roger Donaldson | 1992 | United States | [1] |
Wild at Heart | David Lynch | 1990 | United States | [71] |
Wild Things | John McNaughton | 1998 | United States | [1] |
The X-Files | Rob Bowman | 1998 | United States | [11] |
Zero Effect | Jake Kasdan | 1998 | United States | [89] |
电影列表: 2000–2009
电影列表: 2010-2019
片名 | 导演 | 年份 | 出产地 | Ref(s). |
---|---|---|---|---|
危险时刻 | Thiagarajan Kumararaja | 2011 | 印度 | [126] |
捷克列车员 | Tomáš Luňák | 2011 | 捷克 | [127] |
The American | Anton Corbijn | 2010 | United States | [128] |
美国追梦人 | Derrick Borte | 2018 | 美国 | [129] |
Anon | Andrew Niccol | 2018 | United Kingdom/United States | [130] |
Anti Matter | Keir Burrows | 2017 | United Kingdom | [131] |
Bad Times at the El Royale | Drew Goddard | 2018 | United States | [132] |
Bastards | Claire Denis | 2013 | France/Germany | [133] |
白日焰火 | Diao Yinan | 2014 | 中国 | [134] |
银翼杀手2049 | Denis Villeneuve | 2017 | 美国 | [135] |
Blow the Man Down | Bridget Savage Cole and Danielle Krudy | 2019 | United States | [136] |
Blue Ruin | Jeremy Saulnier | 2014 | United States | [137] |
99号牢房的赛局 | S. Craig Zahler | 2017 | 美国 | [138] |
惊爆危城 | Allen Hughes | 2013 | 美国 | [139] |
Burning | Lee Chang-dong | 2018 | South Korea | [140] |
Cities of Last Things | Ho Wi Ding | 2018 | Taiwan/China/France/United States | [141] |
七月寒潮 | Jim Mickle | 2014 | 美国 | [142] |
黑暗骑士:黎明昇起 | Christopher Nolan | 2012 | 英国、美国 | [143] |
毁灭者 | Karyn Kusama | 2018 | 美国 | [144] |
Detour | Christopher Smith | 2016 | United Kingdom/South Africa | [145] |
逃出水泥地 | S. Craig Zahler | 2018 | 美国 | [146] |
落日车神 | Nicolas Winding Refn | 2011 | 美国 | [147][148] |
Drum | Keywan Karimi | 2016 | Iran/France | [149] |
Earthquake Bird | Wash Westmoreland | 2019 | United States/United Kingdom | [150] |
Elena | Andrey Zvyagintsev | 2011 | Russia | [99] |
Elle | Paul Verhoeven | 2016 | France/Germany | [99] |
Ex Machina | Alex Garland | 2015 | United States/United Kingdom | [151] |
猎杀幽灵写手 | Roman Polanski | 2010 | 英国、法国、德国 | [152] |
龙纹身的女孩 | David Fincher | 2011 | 美国 | [153] |
Gone Girl | David Fincher | 2014 | United States | [22] |
Good Time | Josh and Benny Safdie | 2017 | United States | [154] |
The Handmaiden | Park Chan-wook | 2016 | South Korea | [22] |
Hell or High Water | David Mackenzie | 2016 | United States | [22] |
铁幕阴影下 | David Ondříček | 2012 | 捷克 | [127] |
In the Shadow of the Moon | Jim Mickle | 2019 | United States | [155] |
全面启动 | Christopher Nolan | 2010 | 英国、美国 | [156] |
性本恶 | Paul Thomas Anderson | 2014 | 美国 | [157] |
扞卫任务 | Chad Stahelski | 2014 | 美国 | [158] |
扞卫任务2:杀神回归 | Chad Stahelski | 2017 | 美国 | [159] |
John Wick: Chapter 3 – Parabellum | Chad Stahelski | 2019 | United States | [160] |
Kill List | Ben Wheatley | 2011 | United Kingdom | [161] |
魔由心生 | Michael Winterbottom | 2010 | United States | [43] |
Killer Joe | William Friedkin | 2012 | United States | [162] |
Killing Them Softly | Andrew Dominik | 2012 | United States | [163] |
地球最后的夜晚 | Bi Gan | 2018 | 中国 | [164] |
回路杀手 | Rian Johnson | 2012 | 美国 | [165] |
遗落流域 | Ryan Gosling | 2014 | 美国 | [166] |
神奇女孩 | Carlos Vermut | 2014 | 西班牙 | [167] |
Miss Bala | Gerardo Naranjo | 2011 | Mexico | [99] |
A Morass | Shane James Bordas | 2011 | United Kingdom | [168] |
布鲁克林孤儿 | Edward Norton | 2019 | 美国 | [169] |
默 | Duncan Jones | 2018 | 英国、德国 | [170] |
假会徵信社 | Shane Black | 2016 | 美国 | [171] |
独家腥闻 | Dan Gilroy | 2014 | 美国 | [172] |
夜行动物 | Tom Ford | 2016 | 美国 | [173] |
罪无可赦 | Nicolas Winding Refn | 2013 | 丹麦、法国 | [174] |
杀破狼·贪狼 | Wilson Yip | 2017 | 香港 | [175] |
Phoenix | Christian Petzold | 2014 | Germany | [22] |
不义之财 | Usher Morgan | 2018 | 美国 | [176] |
末路车神 | Derek Cianfrance | 2013 | 美国 | [177][178][179] |
缉杀房仲业 | Conor Allyn | 2016 | 美国 | [180] |
毒玫瑰 | George Gallo and Francesco Cinquemani | 2019 | 美国 | [181] |
Prisoners | Denis Villeneuve | 2013 | United States | [182] |
惊涛布局 | Steven Knight | 2019 | 美国 | [183] |
隔离岛 | Martin Scorsese | 2010 | 美国 | [43] |
放浪青春 | Harmony Korine | 2012 | 美国 | [184] |
窒息 | Árpád Sopsits | 2016 | 匈牙利 | [185] |
无中文译名 | Garo Berberian | 2017 | 英国、亚美尼亚 | [186] |
催眠潜凶 | Danny Boyle | 2013 | 英国 | [184] |
Trouble Is My Business | Tom Konkle | 2018 | United States | [187] |
原钻 | 班·赛佛迪 乔许·赛佛迪 |
2019 | 美国 | [188] |
银湖暗涌 | 大卫·劳勃·米切尔 | 2018 | 美国 | [189] |
Upgrade | Leigh Whannell | 2018 | Australia/United States | [190] |
维多利亚 | 塞巴斯蒂安·施普尔 | 2015 | 德国 | [191] |
铁血神探 | 史葛·法兰克 | 2014 | 美国 | [192] |
枷锁 | 拉迪姆·史派克 | 2010 | 捷克 | [193] |
目击者 | 程伟豪 | 2017 | 台湾 | [194][195] |
寡妇 | 史提夫·麦昆 | 2018 | 美国 | [196] |
南方车站的聚会 | 刁亦男 | 2019 | 中国/法国 | [197] |
极地追击 | 泰勒·谢里丹 | 2017 | 美国 | [198] |
冰封之心 | 黛布拉·格兰尼克 | 2010 | 美国 | [199] |
失控救援 | 琳恩·伦赛 | 2017 | 英国/美国/法国 | [200] |
电影列表: 2020-2029
片名 | 导演 | 年份 | 出产地 | Ref(s). |
---|---|---|---|---|
蝙蝠侠 | Matt Reeves | 2022 | 美国 | [201] |
倚马而息 | Nick Rowland | 2020 | 爱尔兰 | [202] |
算牌手 | Paul Schrader | 2021 | 美国 | [203] |
克利夫顿山失踪案 | Albert Shin | 2020 | 加拿大 | [204] |
手卷烟 | Kin Long Chan | 2020 | 香港 | [205] |
我是你的女人 | Julia Hart | 2020 | 美国 | [206] |
少年侦探 | Evan Morgan | 2020 | 加拿大 | [207] |
双面游戏 | James and Colin Krisel | 2020 | 美国 | [208] |
苏活惊魂夜 | Edgar Wright | 2021 | 英国 | [209] |
细物警探 | John Lee Hancock | 2021 | 美国 | [210] |
夜路 | Guillermo del Toro | 2021 | 美国 | [211] |
勿下错招 | Steven Soderbergh | 2021 | 美国 | [212] |
回忆潜行 | Lisa Joy | 2021 | 美国 | [213] |
玩命钞劫 | Guy Ritchie | 2021 | 英国、美国 | [214] |
参见
注释
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- ^ 3.00 3.01 3.02 3.03 3.04 3.05 3.06 3.07 3.08 3.09 3.10 3.11 3.12 3.13 3.14 3.15 3.16 3.17 Selby 1984
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- ^ 8.0 8.1 8.2 8.3 8.4 8.5 8.6 Spicer 2010, p. 452
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- ^ 18.0 18.1 18.2 18.3 Spicer 2010, p. 464
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- ^ 23.0 23.1 23.2 23.3 23.4 Spicer 2010, p. 453
- ^ 24.00 24.01 24.02 24.03 24.04 24.05 24.06 24.07 24.08 24.09 24.10 24.11 24.12 24.13 24.14 24.15 24.16 24.17 24.18 Spicer 2002
- ^ Wednesday Nightmares Bring Me The Head Of Alfredo Garcia (1974). TimeOut. [9 November 2021].
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- ^ 28.0 28.1 28.2 28.3 28.4 Mayer & McDonnell 2007
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- ^ group of authors/critics. Monday Editor's Pick: Cruising (1980). Alt Screen. 5 September 2011.
- ^ Spicer & Hanson 2013
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- ^ The 10 Most Underrated Neo-Noir Films of The 1980s — Taste of Cinema
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- ^ 43.0 43.1 43.2 43.3 43.4 43.5 43.6 Hogan 2013
- ^ GUMSHOE: a noir fan plays detective. The Movie Gourmet. 2020 [27 February 2019].
- ^ 45.0 45.1 45.2 45.3 Spicer 2010, p. 430
- ^ Noir and Neonoir. Criterion. 2020 [27 February 2019].
- ^ 47.0 47.1 47.2 Covey, William. The Genre Don't Know Where It Came From: African American Neo-Noir Since the 1960s. Journal of Film and Video (JSTOR). Summer 2003, 55 (2/3): 59–72. JSTOR 20688414.
- ^ 48.0 48.1 Spicer 2010, p. 461
- ^ Spicer 2010, p. 431
- ^ 50.0 50.1 Spicer 2010, p. 460
- ^ 51.0 51.1 51.2 51.3 51.4 51.5 51.6 Spicer 2010, p. 432
- ^ Spicer 2010, p. 443
- ^ Mikey and Nicky. Time Out. 30 January 2021.
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But up until then, "No Mercy" is an above-average film noir, and its creepy feeling for the back streets of New Orleans and the sultry evil of its red-light suburbs got under my skin.
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- ^ The Best Old Movies on a Big Screen This Week: December 3. The L Magazine. 12 March 2014.
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- ^ The Black Neo-noirs of the '90s. The Ringer. 29 December 2021.
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- ^ Dark Roots - Christopher Nolan and Noir
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- ^ 101.00 101.01 101.02 101.03 101.04 101.05 101.06 101.07 101.08 101.09 101.10 101.11 101.12 101.13 101.14 101.15 101.16 Naremore 2008
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|newspaper=
与模板{{cite web}}
不匹配(建议改用{{cite news}}
或|website=
) (帮助) - ^ [1]
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- ^ Magical Girl. AQUÍ Y ALLÍ FILMS. 2014 [27 August 2019]. (原始内容存档于22 May 2019) (西班牙语).
- ^ BFI. British Films Directory – A Morass. britishcouncil.org. (原始内容存档于2011-09-06).
- ^ A CERTAIN PROVOCATION: EDWARD NORTON ON THE NEO-NOIR MOTHERLESS BROOKLYN
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《杀破狼》的精髓,在于其“野”(raw),在于其“黑”(noir),在于其“冷”(cool),缺一不可。(The feature of Paradox is on its raw feeling, of noir, of cool, none of them are not included.)
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|magazine=
与模板{{cite web}}
不匹配(建议改用{{cite magazine}}
或|website=
) (帮助) - ^ Film Review: Prisoners. Variety. 30 August 2013.
- ^ Review: Serenity is a ridiculous neo-noir mess. NOW magazine. 24 January 2019. (原始内容存档于19 April 2019).
- ^ 184.0 184.1 Kohn, Eric. From 'Trance' to 'Spring Breakers,' Is This the Golden Age of Film Noir?. Indie Wire. 23 March 2013 [22 September 2016].
- ^ Whittle, Matt. Strangled – Review. One Room with a View. 17 November 2017 [3 April 2019].
- ^ Armenpress. Short film about Taniel Varoujan wins two awards at Bermuda Int'l Film Festival. Armenpress. [30 November 2018].
- ^ 'Trouble Is My Business': Film Review. Movie Crypt. 16 October 2017.
- ^ Uncut Gems review – this sparkler will be the most exciting film of the year. The Guardian. 9 January 2020.
- ^ 'Under the Silver Lake': Film Review. The Village Voice. 17 May 2018.
- ^ Upgrade: Sci-Fi John Wick, and That's Not a Bad Thing. The Pop Break. 4 June 2018.
- ^ Film Noir Files - Victoria. The MacGuffin. 21 February 2017.
- ^ 'A Walk Among the Tombstones': Film Review. The Hollywood Reporter. 17 September 2014. (原始内容存档于10 December 2017).
- ^ Classy Crime-Noir POUTA (Walking Too Fast). CineHouse. 13 February 2010 [14 April 2015].
- ^ Review: Stylish Taiwanese neo-noir 'Who Killed Cock Robin' lacks pep. Los Angeles Times. 21 February 2019. (原始内容存档于20 April 2019). 参数
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) (帮助) - ^ Daniel XIII. Movie Review: Who Killed Cock Robin (2017). horrorfuel. 26 January 2019. (原始内容存档于23 April 2019).
- ^ Widows: Viola Davis sparkles in this superb modern noir. Raidió Teilifís Éireann. 5 November 2018.
- ^ Diao Yinan's shady lady noir is no quacker. The Guardian. 18 May 2019.
- ^ Collin, Robbie. Taylor Sheridan's chilly noir gets the riveting best out of Jeremy Renner. The Daily Telegraph. 7 September 2017 [15 January 2018].
- ^ WINTER'S BONE and the Rural Noir. Bright Lights Film Journal. 27 December 2010.
- ^ Exploring the Dark Character Study of You Were Never Really Here. Den of Geek. 4 April 2018.
- ^ The Batman: Matt Reeves Cites Chinatown and Other 1970s Noirs as Influences. 22 August 2020.
- ^ 'Calm with Horses' Review: A Raw and Thrilling Irish Noir. Headstuff. 28 October 2020.
- ^ The Card Counter Trailer: Oscar Isaac Is A Gambler With A Dark Past. Screenrant. 27 July 2021.
- ^ Review: Disappearance at Clifton Hill – A Neo-Noir that Resembles More of a Concept. The Edge. 12 July 2020.
- ^ 殺入烏甸尼遠東電影節《手捲煙》獲推舉純正黑色港片. Apple Daily. May 12, 2021 [7 June 2021]. (原始内容存档于18 June 2021) (中文).
Sabrina Baracetti, the founder and chairman of the Udinese Far East Film Festival, expressed his thoughts on "Hand-Rolled Cigarette". “It is a pure Hong Kong film noir, representing the Hong Kong film we have loved for more than 20 years!”
- ^ 'I'm Your Woman' Review. RogerEbert.com. 10 December 2020.
- ^ 'The Kid Detective' Review: This Smart, Handsomely Noir-esque Whodunit Is No Child's Play. Variety. 15 October 2020.
- ^ LAST MOMENT OF CLARITY -- A Schlocky and Predictable Thriller. disappointment media. 18 May 2020.
- ^ 'Last Night in Soho' Trailer: Edgar Wright Sends Anya Taylor-Joy Into a Colorful Nightmare. 25 May 2021.
- ^ 'The Little Things': Denzel Washington, Rami Malek, and John Lee Hancock Tease a Twisted Neo-Noir with Incredible Performances. FilmSpeak. January 16, 2021.
- ^ 'Nightmare Alley': 9 Things to Know About Guillermo del Toro's Big Return to Theaters. Indiewire. 23 May 2021.
- ^ No Sudden Move Stars Don Cheadle in a Heist Gone Sideways. 23 May 2021.
- ^ 'Reminiscence' Trailer: Hugh Jackman in a New Film From the Creators of 'Westworld'. 3 June 2021.
- ^ Seitz, Matt Zoller. Wrath of Man movie review & film summary (2021) | Roger Ebert. www.rogerebert.com/. [2021-09-26] (英语).
Bibliography
- Ballinger, Alexander; Graydon, Danny (2007). The Rough Guide to Film Noir. London & New York: Rough Guides. ISBN 978-1-84353-474-7.
- Conard, Mark T.; ed. (2009). The Philosophy of Neo-Noir. Lexington: University Press of Kentucky. ISBN 081319217X.
- Hogan, David J. (2013). Film Noir FAQ: All That's Left to Know About Hollywood's Golden Age of Dames, Detectives, and Danger. Milwaukee, WI: Hal Leonard. ISBN 978-1-55783-855-1.
- Mayer, Geoff; McDonnell, Brian (2007). Encyclopedia of Film Noir. Westport, CT: Greenwood Press. ISBN 978-0-313-33306-4.
- Naremore, James (2008). More Than Night: Film Noir in Its Contexts (2d ed.). Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0-520-25402-2.
- Selby, Spencer (1984). Dark City: The Film Noir. Jefferson, N.C. & London: McFarland Publishing. ISBN 0-89950-103-6.
- Silver, Alain; Ward, Elizabeth; eds. (1992). Film Noir: An Encyclopedic Reference to the American Style (3rd ed.). Woodstock, New York: The Overlook Press. ISBN 0-87951-479-5.
- Silver, Alain; Ward, Elizabeth; Ursini, James; Porfirio, Robert; eds. (2010). Film Noir: The Encyclopedia. New York & London: Overlook/Duckworth. ISBN 978-1-59020-144-2.
- Spicer, Andrew (2002). Film Noir. Harlow, UK: Longman/Pearson Education. ISBN 978-0-582-43712-8.
- Spicer, Andrew (2010). Historical Dictionary of Film Noir. Lanham, MD: Scarecrow Press. ISBN 978-0-8108-5960-9.
- Spicer, Andrew; Hanson, Helen (2013). A Companion to Film Noir. Oxford: Wiley-Blackwell. ISBN 978-1-4443-3627-6.