圆舞曲 (肖邦):修订间差异
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2013年6月20日 (四) 13:15的版本
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肖邦谱写的圓舞曲(德文:Walzer)都遵从圆舞曲应有的3/4节拍,但是有并非早期用来舞蹈的维也纳华尔兹。肖邦创造的圆舞曲大多以舞台表演为目的。多半考验演奏者表演舒缓音乐的能力,但是其中也有部分非常强调演奏技巧。
1824年,肖邦创作了第一首圆舞曲,直至1849年去世,一共创作了36首圆舞曲 。其中最著名的是D大调“一分钟圆舞曲”(Op.64/1),由于曲风欢快,又被称为“小狗圆舞曲”。
背景
肖邦圆舞曲列表
顺序 | 调式 | 创作年份 | 出版年份 | 编号 | Brown修编 | Kobylańska修编 | Chominski修编 | 贡献 | 备注 |
---|---|---|---|---|---|---|---|---|---|
1 | 降E大调 | 1831-32 | 1834 (6月) | Op. 18 | B.62 | Laura Horsford | Grande valse brilliante; used in Les Sylphides | ||
2 | 降A大调 | 1835 | 1838 | Op. 34/1 | B.94 | Josefine von Thun-Hohenstein | These three waltzes were published as Grandes valses brillantes, but this title is usually reserved for the Waltz in E-flat major, Op. 18 | ||
3 | A小调 | 1834 | 1838 | Op. 34/2 | B.64 | Baroness G. d'Ivry | |||
4 | F大调 | 1838 | 1838 | Op. 34/3 | B.118 | Mlle. A. d'Eichtal | |||
5 | 降A大调 | 1840 | 1840 | Op. 42 | B.131 | Grande valse; sometimes called the 2/4 waltz since the main melody sounds as if in 2/4 time against a 3/4 bass. | |||
6 | 降D大调 | 1847 | 1847 | Op. 64/1 | B.164/1 | Countess Delfina Potocka | 小狗圆舞曲 | ||
7 | 升C小调 | 1847 | 1847 | Op. 64/2 | B.164/2 | Baroness Nathaniel de Rothschild (= Charlotte de Rothschild) | Used in Les Sylphides and Secret | ||
8 | 降A大调 | 1847 | 1847 | Op. 64/3 | B.164/3 | Countess Katarzyna Branicka (or Bronicka) | |||
9 | 降A大调 | 1835 (9月24日) | 1852 | Op. posth. 69/1 | B.95 | Charlotte de Rothschild, Mme Peruzzi and Maria Wodzińska | L'adieu | ||
10 | B小调 | 1829 | 1852 | Op. posth. 69/2 | B.35 | Wilhelm Kolberg | |||
11 | 降G大调 | 1832 | 1855 | Op. posth. 70/1 | B.92 | Used in Les Sylphides | |||
12 | F小调/降A大调 | 1841 (6月) | 1855 | Op. posth. 70/2 | B.138 | Marie de Krudner, Mme. Oury, Élise Gavard & Countess Esterházy | |||
13 | 降D大调 | 1829 (10月3日) | 1855 | Op. posth. 70/3 | B.40 | ||||
14 | E小调 | 1829 (? 1830-35) | 1868 | - | B.56 | KK IVa/15 | P1/15 | ||
15 | E大调 | 1829-30 | 1871-72 | - | B.44 | KK IVa/12 | P1/12 | ||
16 | 降A大调 | 1827-30 | 1902 | - | B.21 | KK IVa/13 | P1/13 | Emily Elsner | |
17 | 降E大调 | 1827-30 | 1902 | - | B.46 | KK IVa/14 | P1/14 | Emily Elsner | Spurious |
18 | 降E大调 | 1840 | 1955 | - | B.133 | KK IVb/10 | Émile Gaillard | Headed "Sostenuto"; not always classified as a waltz | |
19 | A小调 | 1847-49 | 1955, 1958 | - | B.150 | KK IVb/11 | P2/11 | Unedited edition pub. Paris 1955; ed. Jack Werner 1958 | |
20 | 升F小调 | 1838 (?) | 1932 | - | KK Ib/7 | A1/7 | Valse mélancolique; spurious | ||
- | C大调 | 1824 (?) | - | - | KK Vb/8 | Lost | |||
- | A小调 | 1824 | - | - | - | KK Vf | Countess Lubienska | Lost | |
- | C大调 | 1826 | - | - | KK Vb/3 | MS destroyed; copy of first line made by Chopin's sister Ludwika is extant | |||
- | 降A大调 | 1827 | - | - | KK Vb/4 | MS destroyed; copy of first line made by Chopin's sister Ludwika is extant | |||
- | D小调 | 1828 | - | - | KK Vb/6 | La Partenza; MS destroyed; copy of first line made by Chopin's sister Ludwika is extant | |||
- | A小调 | 1829 | - | - | Discovered 1937; was in possession of H. Hinterberger of Vienna, but now believed destroyed | ||||
- | A小调 | 1829 (?) | - | - | - | - | Sketches for a brief prelude and main theme | ||
- | 降A大调 | 1829-30 (至1830年12月21日) | - | - | KK Vb/5 | Mentioned in a letter from Chopin to his family, 21 December 1830; MS destroyed; copy of first line made by Chopin's sister Ludwika is extant | |||
- | 降E大调 | 1829-30 | - | - | KK Vb/7 | MS destroyed; copy of first line made by Chopin's sister Ludwika is extant | |||
- | C大调 | 1831 | - | - | MS destroyed; copy of first line made by Chopin's sister Ludwika is extant | ||||
- | ? | 1845 (by) | - | - | - | KK Ve/12 | Mentioned in diary of L. Niedźwiecki | ||
- | B大调 | 1848 (10月12日) | - | - | B.166 | KK Va/3 | Mrs Erskine | MS in private hands and unavailable | |
- | 降B大调 | 1849 | - | - | Discovered 1952; in possession of Arthur Hedley | ||||
- | ? | ? | - | - | KK Vb/7 | Mentioned in letters from Breitkopf to Izabela Barcińska in 1878 | |||
- | ? | ? | - | - | - | KK Ve/10 | Listed in auction catalogue, Paris, March 1906 | ||
- | ? | ? | - | - | - | KK Vf | Several waltzes; lost |