葛連·基恩:修订间差异
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當基恩從[[鳳凰城]]的[[單性別教育|男子高中]]「{{Link-en|布羅菲大學預備學校|Brophy College Preparatory}}」畢業之後,他申請進入[[加州藝術學院]],同時推辭了另一所大學發放的美式足球獎學金。之後基恩遇到了生涯中一個幸運的轉折點,他的申請書被意外地送至影片繪圖課程({{lang|en|Program in Film Graphics}},今實驗動畫課程),而任課導師正是今已享有盛譽的動畫教授{{Link-en|祖司·安格爾|Jules Engel}}<ref name="ghez"/><ref>[http://art.tnnua.edu.tw/animate/%E5%8B%95%E7%95%AB%E7%9A%84%E6%9C%AC%E8%B3%AA.htm 動畫的本質 文/余為政]</ref>。1974年從藝術學院畢業後即於童年加入迪士尼。Keane left CalArts in 1974 and joined Disney the same year. His debut work, which was created over a 3-year period, was featured in 《[[救難小英雄 (迪士尼)|救難小英雄]]》, for which he was an animator for the characters of Bernard and Penny, alongside the famed {{Link-en|奧立·強司頓|Ollie Johnston}}. In 1975, during the production of his debut film, Keane married Linda Hesselroth, and they are the parents of design artist Claire Keane, and computer graphics artist Max Keane. |
當基恩從[[鳳凰城]]的[[單性別教育|男子高中]]「{{Link-en|布羅菲大學預備學校|Brophy College Preparatory}}」畢業之後,他申請進入[[加州藝術學院]],同時推辭了另一所大學發放的美式足球獎學金。之後基恩遇到了生涯中一個幸運的轉折點,他的申請書被意外地送至影片繪圖課程({{lang|en|Program in Film Graphics}},今實驗動畫課程),而任課導師正是今已享有盛譽的動畫教授{{Link-en|祖司·安格爾|Jules Engel}}<ref name="ghez"/><ref>[http://art.tnnua.edu.tw/animate/%E5%8B%95%E7%95%AB%E7%9A%84%E6%9C%AC%E8%B3%AA.htm 動畫的本質 文/余為政]</ref>。1974年從藝術學院畢業後即於童年加入迪士尼。Keane left CalArts in 1974 and joined Disney the same year. His debut work, which was created over a 3-year period, was featured in 《[[救難小英雄 (迪士尼)|救難小英雄]]》, for which he was an animator for the characters of Bernard and Penny, alongside the famed {{Link-en|奧立·強司頓|Ollie Johnston}}. In 1975, during the production of his debut film, Keane married Linda Hesselroth, and they are the parents of design artist Claire Keane, and computer graphics artist Max Keane. |
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After "The Rescuers" was completed, Keane went on to animate Elliott the Dragon in 《{{Link-en|妙妙龍|Pete's Dragon}}》. Keane also animated the climactic bear showdown in 《[[狐狸與獵狗]]》. In 1982, after being inspired by the groundbreaking film 《[[電子世界爭霸戰]]》, Keane collaborated with fellow animator [[約翰·拉薩特]] on a 30-second test scene of [[Maurice Sendak]]'s 《[[野獸家園]]》, which was optioned for them by Disney executive Tom Wilhite.<ref>{{cite book | first1=Karen | last1=Paik | first2=Leslie | last2=Iwerks | title=To infinity and beyond!: the story of Pixar Animation Studios | pages=38–39 | publisher=Chronicle Books | month=November | year=2007 | ISBN= 0-8118-5012-9}}</ref> The test integrated traditional character animation and computer-generated backgrounds (''see'' [http://www.youtube.com/watch?v=LvIDRoO8KnM YouTube]), and, like 《 |
After "The Rescuers" was completed, Keane went on to animate Elliott the Dragon in 《{{Link-en|妙妙龍|Pete's Dragon}}》. Keane also animated the climactic bear showdown in 《[[狐狸與獵狗]]》. In 1982, after being inspired by the groundbreaking film 《[[電子世界爭霸戰]]》, Keane collaborated with fellow animator [[約翰·拉薩特]] on a 30-second test scene of [[Maurice Sendak]]'s 《[[野獸家園]]》, which was optioned for them by Disney executive Tom Wilhite.<ref>{{cite book | first1=Karen | last1=Paik | first2=Leslie | last2=Iwerks | title=To infinity and beyond!: the story of Pixar Animation Studios | pages=38–39 | publisher=Chronicle Books | month=November | year=2007 | ISBN= 0-8118-5012-9}}</ref> The test integrated traditional character animation and computer-generated backgrounds (''see'' [http://www.youtube.com/watch?v=LvIDRoO8KnM YouTube]), and, like 《電子世界爭霸戰》, was a cooperation with [[Mathematical Applications Group, Inc.|MAGI]]. It was also Disney's first experimentation with digital inked and painted characters.<ref>[http://design.osu.edu/carlson/history/lesson14.html A Critical History of Computer Graphics and Animation]</ref> But, the project turned out to be too expensive, and the studio was unwilling to invest further in the planned featurette. The test for ''Where the Wild Things Are'' was revolutionary for its time, and a predecessor to the famous ballroom scene in 《[[美女與野獸 (1991年電影)|美女與野獸]]》. |
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In 1983, Keane left Disney as a contracted employee and worked as a freelance artist.<ref name="ghez">Ghez, Didier, ''[http://www.aimeemajor.com/anim/dkeane.html Interview with Glen Keane''], Walt Disney Feature Animation France, Montreuil: May 2, 1997 retrieved 2008-08-10</ref> During this time, he worked on the character of Professor Ratigan in Disney's 《[[妙妙探]]》. He also did some work on 《{{Link-en|小花鼠歷險記|The Chipmunk Adventure}}》 where he did the sequences of "Boys and Girls of Rock N' Roll" and "Getting Lucky". He returned to Disney to work on the characters of Fagin, Sykes and Georgette for 《[[奧麗華歷險記]]》. Keane rose to lead character animator, becoming one of the group sometimes referred to as the "Nine New Men". In this post he was responsible for animating some of Disney's most memorable characters in what has been referred to as the "New "Golden Age" of Disney Animation. Keane designed and animated the character of Ariel in the 1989 film 《[[小美人魚]]》. Then the eagle Marahute in 《[[救難小英雄澳洲歷險記]]》. Subsequently, Keane worked as the supervising animator on the title characters for three Disney hit features: 《[[阿拉丁 (電影)|阿拉丁]]》, 《美女與野獸》 and 《[[風中奇緣]]》. |
In 1983, Keane left Disney as a contracted employee and worked as a freelance artist.<ref name="ghez">Ghez, Didier, ''[http://www.aimeemajor.com/anim/dkeane.html Interview with Glen Keane''], Walt Disney Feature Animation France, Montreuil: May 2, 1997 retrieved 2008-08-10</ref> During this time, he worked on the character of Professor Ratigan in Disney's 《[[妙妙探]]》. He also did some work on 《{{Link-en|小花鼠歷險記|The Chipmunk Adventure}}》 where he did the sequences of "Boys and Girls of Rock N' Roll" and "Getting Lucky". He returned to Disney to work on the characters of Fagin, Sykes and Georgette for 《[[奧麗華歷險記]]》. Keane rose to lead character animator, becoming one of the group sometimes referred to as the "Nine New Men". In this post he was responsible for animating some of Disney's most memorable characters in what has been referred to as the "New "Golden Age" of Disney Animation. Keane designed and animated the character of Ariel in the 1989 film 《[[小美人魚]]》. Then the eagle Marahute in 《[[救難小英雄澳洲歷險記]]》. Subsequently, Keane worked as the supervising animator on the title characters for three Disney hit features: 《[[阿拉丁 (電影)|阿拉丁]]》, 《美女與野獸》 and 《[[風中奇緣]]》. |
2013年10月6日 (日) 15:22的版本
此條目目前正依照其他维基百科上的内容进行翻译。 (2013年10月3日) |
葛連·基恩 Glen Keane | |
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出生 | 美国賓州費城 | 1954年4月13日
职业 | 動畫師 作家 插畫家 |
活跃时期 | 1973年至今 |
配偶 | 琳達·海瑟羅斯 (Linda Hesselroth) |
葛連·基恩(英語:Glen Keane,1954年4月13日-)是一名美國動畫師、作家和插畫家,因為參與過《小美人魚》、《阿拉丁》、《美女與野獸》、《泰山》和《魔髮奇緣》等數部華特迪士尼經典動畫長片的角色監製和創作而聞名。他曾獲頒1992年安妮獎的最佳動畫角色獎,和2007年溫瑟·麥凱獎的終身貢獻獎。
生涯
葛連·基恩出生於賓州的費城,父親是美國著名連載漫畫《家庭馬戲團》的作者比爾·基恩。後來在亞利桑納州的天堂谷。基恩對於藝術的興趣是從長期觀看父親繪製漫畫的過程中萌生的[1],而童稚時期的他也被當成父親作品中的漫畫角色「比利」的角色藍本。在開始想學畫之後,父親給了他一套伯恩·霍加斯所著的《動態素描‧人體解剖》(Dynamic Anatomy)的複印本,教他如何分析身體動作和人體速寫的創新繪法。
當基恩從鳳凰城的男子高中「布羅菲大學預備學校」畢業之後,他申請進入加州藝術學院,同時推辭了另一所大學發放的美式足球獎學金。之後基恩遇到了生涯中一個幸運的轉折點,他的申請書被意外地送至影片繪圖課程(Program in Film Graphics,今實驗動畫課程),而任課導師正是今已享有盛譽的動畫教授祖司·安格爾[1][2]。1974年從藝術學院畢業後即於童年加入迪士尼。Keane left CalArts in 1974 and joined Disney the same year. His debut work, which was created over a 3-year period, was featured in 《救難小英雄》, for which he was an animator for the characters of Bernard and Penny, alongside the famed 奧立·強司頓. In 1975, during the production of his debut film, Keane married Linda Hesselroth, and they are the parents of design artist Claire Keane, and computer graphics artist Max Keane.
After "The Rescuers" was completed, Keane went on to animate Elliott the Dragon in 《妙妙龍》. Keane also animated the climactic bear showdown in 《狐狸與獵狗》. In 1982, after being inspired by the groundbreaking film 《電子世界爭霸戰》, Keane collaborated with fellow animator 約翰·拉薩特 on a 30-second test scene of Maurice Sendak's 《野獸家園》, which was optioned for them by Disney executive Tom Wilhite.[3] The test integrated traditional character animation and computer-generated backgrounds (see YouTube), and, like 《電子世界爭霸戰》, was a cooperation with MAGI. It was also Disney's first experimentation with digital inked and painted characters.[4] But, the project turned out to be too expensive, and the studio was unwilling to invest further in the planned featurette. The test for Where the Wild Things Are was revolutionary for its time, and a predecessor to the famous ballroom scene in 《美女與野獸》.
In 1983, Keane left Disney as a contracted employee and worked as a freelance artist.[1] During this time, he worked on the character of Professor Ratigan in Disney's 《妙妙探》. He also did some work on 《小花鼠歷險記》 where he did the sequences of "Boys and Girls of Rock N' Roll" and "Getting Lucky". He returned to Disney to work on the characters of Fagin, Sykes and Georgette for 《奧麗華歷險記》. Keane rose to lead character animator, becoming one of the group sometimes referred to as the "Nine New Men". In this post he was responsible for animating some of Disney's most memorable characters in what has been referred to as the "New "Golden Age" of Disney Animation. Keane designed and animated the character of Ariel in the 1989 film 《小美人魚》. Then the eagle Marahute in 《救難小英雄澳洲歷險記》. Subsequently, Keane worked as the supervising animator on the title characters for three Disney hit features: 《阿拉丁》, 《美女與野獸》 and 《風中奇緣》.
While living with his family in Paris, France for three years, Keane completed work on Disney's 1999 《泰山》 for which he drew the eponymous character. Keane then returned to Disney's Burbank studio as the lead animator for Long John Silver in 《星銀島》. In 2003, Keane began work as the director of Disney's CGI animated film, 《魔髮奇緣》 (based on the 格林兄弟 story 《長髮姑娘》), which released in November 2010. In 《魔髮奇緣》, Glen and his team hoped to bring the unique style and warmth of traditional cel animation to computer animation. In October 2008, due to some "non-life threatening health issues", Keane stepped back as director of 《魔髮奇緣》, but remained the film's executive producer and an animating director.[5]
On March 23, 2012, having worked approximately 37 years at Disney, Glen Keane left Walt Disney Animation Studios. Keane said in a letter sent to his co-workers, “I owe so much to those great animators who mentored me – Eric Larson, Frank Thomas and Ollie Johnston – as well as to the many other wonderful people at Disney whom I have been fortunate to work with in the past nearly 38 years. I am convinced that animation really is the ultimate form of our time with endless new territories to explore. I can’t resist its siren call to step out and discover them.”[6]
In addition to his work as an animator, Keane is the author and illustrator of a series of children's Bible parable books featuring Adam Raccoon and King Aren the Lion.
語錄
- 「People are who they are by the way they react to things.」[7]
參與作品
年份 | 片名 | 擔任工作 | 角色 | 備註 |
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1973 | 星艦奇航記:動畫版 | 構圖設計師 | ||
1977 | 救難小英雄 | 角色動畫師 | Penny,[8] Bernard[8] | |
1977 | 妙妙龍 | 角色動畫師 | Elliot the Dragon[8] | |
1979 | A Family Circus Christmas | 動畫師/Models | ||
1981 | 狐狸與獵狗 | 動畫總監 | The Bear[8] | |
1982 | A Family Circus Easter | Models | ||
1983 | Mickey's Christmas Carol | 動畫師 | Willie the Giant[8] | |
1985 | The Black Cauldron | 角色動畫師 | Gurgi, Eilonwy[1] | |
1986 | 妙妙探 | 動畫總監 | Professor Ratigan[8] | |
1987 | 小花鼠歷險記 | 動畫師 動畫分鏡師 |
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1988 | 奧麗華歷險記 | 動畫總監 角色設計師 |
Sykes,[8] Georgette,[8] Fagin,[8] | |
1989 | 小美人魚 | 動畫總監 角色設計師 |
Ariel[8] | |
1990 | 救難小英雄澳洲歷險記 | 動畫總監 角色設計師 |
Marahute[8] | |
1991 | 美女與野獸 | 動畫總監 | Beast[8] | |
1992 | 阿拉丁 | 動畫總監 | Aladdin | |
1995 | 風中奇緣 | 動畫總監 視像開發 編劇 |
Pocahontas | |
1999 | 泰山 | 動畫總監 編劇 |
Tarzan | |
2002 | 星銀島 | 動畫總監 | John Silver | |
2003 | 米奇幻想曲 | 動畫師 | Ariel | |
2010 | 魔髮奇緣 | 執行製作人 動畫導演 編劇 |
樂佩公主 | |
2012 | 紙人 | 角色設計師 |
著作
- Keane, Glen. Adam Raccoon and the King's Big Dinner. Colorado Springs, Col.: Chariot Victor Pub. 1986. ISBN 978-0-7814-0039-8. OCLC 49002064.
- Keane, Glen. Adam Raccoon at Forever Falls. Elgin, Ill.: Chariot Books. 1987. ISBN 978-1-55513-087-9. OCLC 14588033.
- Keane, Glen. Adam Raccoon in Lost Woods. Elgin, Ill.: Chariot Books. 1987. ISBN 978-1-55513-088-6. OCLC 14905950.
- Keane, Glen. Adam Raccoon and the Circus Master. Elgin, Ill.: Chariot Books. 1987. ISBN 978-1-55513-090-9. OCLC 14931727.
- Keane, Glen. Adam Raccoon and the Flying Machine. Elgin, Ill.: Chariot Books. 1989. ISBN 978-1-55513-287-3. OCLC 18050595.
- Keane, Glen. Adam Raccoon and the Mighty Giant. Elgin, Ill.: Chariot Books. 1989. ISBN 978-1-55513-288-0. OCLC 19397210.
- Campbell, Stan; Jane Vogel; John Duckworth; Jim Townsend. Quick studies: Philippians–Hebrews. Glen Keane (ill.). Elgin, Ill.: D.C. Cook Pub. Co. 1992. ISBN 978-0-7814-0028-2. OCLC 28687078.
- Campbell, Stan; John Duckworth; Jim Townsend. Quick Studies: James–Revelation. Glen Keane (ill.). Elgin, Ill.: D.C. Cook Pub. Co. 1992. ISBN 978-0-7814-0029-9. OCLC 28687002.
- Keane, Glen. Adam Raccoon and the Race to Victory Mountain. Elgin, Ill.: Chariot Books. 1993. ISBN 978-1-55513-363-4. OCLC 25367425.
- Keane, Glen. Adam Raccoon and Bully Garumph. Elgin, Ill.: Chariot Books. 1995. ISBN 978-1-55513-367-2. OCLC 32745892.
- Keane, Glen. Cookie time: a first lesson in obedience. Elgin, Ill.: Chariot Books. 1995. ISBN 978-0-7814-0206-4. OCLC 37453329.
- Keane, Glen. Follow the king: A first lesson in trust. Elgin, Ill.: Chariot Books. 1995. ISBN 978-0-7814-0207-1. OCLC 37453329.
- Keane, Glen; Samii Taylor; Joe Yakovetic. Parables for Little Kids. Elgin, Ill.: Chariot Family Pub. 1995. ISBN 978-0-7814-0258-3. OCLC 33440835.
註釋及參考文獻
- ^ 1.0 1.1 1.2 1.3 Ghez, Didier, Interview with Glen Keane, Walt Disney Feature Animation France, Montreuil: May 2, 1997 retrieved 2008-08-10
- ^ 動畫的本質 文/余為政
- ^ Paik, Karen; Iwerks, Leslie. To infinity and beyond!: the story of Pixar Animation Studios. Chronicle Books. 2007: 38–39. ISBN 0-8118-5012-9. 已忽略未知参数
|month=
(建议使用|date=
) (帮助) - ^ A Critical History of Computer Graphics and Animation
- ^ Glen Keane leaving Disney's RAPUNZEL. Who's stepping up?, Disney in-house memo, Ain't It Cool News, October 9, 2008
- ^ Anderson, Paul. Glen Keane quits Disney Animation after 38 years. Big Cartoon News. March 25, 2012 [March 25, 2012].
- ^ Glen Keane Lecture, California Institute of the Arts, March 2, 2007
- ^ 8.00 8.01 8.02 8.03 8.04 8.05 8.06 8.07 8.08 8.09 8.10 8.11 Cawley John Glen Keane How to Create Animation, Interviews, August 22, 1990