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维基百科，自由的百科全书
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这是本页的一个历史版本，由EzrealChen（留言 | 贡献）在2018年4月19日 (四) 13:25 （→角色：​ 修正筆誤）编辑。这可能和当前版本存在着巨大的差异。

蝙蝠俠大顯神威
Batman Returns
基本资料
导演提姆·波頓
监制
剧本丹尼爾·華特斯（英语：Daniel Waters (screenwriter)）
故事
原著
主演
配乐丹尼·葉夫曼
摄影史特凡·查普斯基（英语：Stefan Czapsky）
剪辑
制片商寶麗金電影娛樂公司（英语：PolyGram Filmed Entertainment）
片长126分鐘
产地 美国
语言英语
上映及发行
上映日期
  • 1992年6月19日 (1992-06-19)（美國）
发行商華納兄弟
预算8,000萬美元
票房2.66億美元[1]
前作与续作
前作《蝙蝠俠》
续作《永远的蝙蝠侠》
各地片名
中国大陆蝙蝠侠归来
蝙蝠侠重现江湖
香港蝙蝠俠再戰風雲
臺灣蝙蝠俠大顯神威

《蝙蝠俠大顯神威》（英語：Batman Returns）是一部於1992年上映的美國超級英雄電影，由提姆·波頓執導，丹尼爾·華特斯（英语：Daniel Waters (screenwriter)）編劇，劇情圍繞著DC漫畫旗下角色蝙蝠俠展開。該片為華納兄弟最早的蝙蝠俠系列電影的第二部作品，其前作為《蝙蝠俠》（1989年）。《蝙蝠俠大顯神威》由麥可·基顿、丹尼·德维托、蜜雪兒·菲佛、克里斯多夫·華肯、麥可·高福、帕特·亨格爾與麥克·墨菲（英语：Michael Murphy (actor)）等人領銜主演，劇情講述蝙蝠俠阻止尚在襁褓中就被雙親拋棄的畸形人奧斯瓦德·科波特展開的復仇行動。

起初，波頓並不想繼續執導蝙蝠俠電影。山姆·哈姆（英语：Sam Hamm）創作了一份劇本，講述企鵝人與貓女找尋神秘的寶藏。在華納兄弟同意給予波頓更大的主導權後，波頓決定回歸。波頓請來丹尼爾·華特斯取代哈姆。韋斯利·斯崔克（Wesley Strick）改寫了劇本，並刪去了哈維·丹特與羅賓的戲份，，但他的名字並未出現在劇組人員名單中。角色貓女原定由安妮特·班寧飾演，但因班寧懷有身孕而由菲佛取而代之。該片的拍攝作業於1991年6月在加利福尼亞州伯班克的華納兄弟工作室開始。

《蝙蝠俠大顯神威》於1992年6月19日上映。該片獲得了奧斯卡金像獎的最佳視覺效果獎及最佳化妝與髮型設計獎，以及兩項英國電影和電視藝術學院獎。電影在全球的總票房為2.66億美元，而其製片預算則是8,000萬美元。影評人主要稱讚片中的動作場面、丹尼·葉夫曼的配樂、效果及反派，但其黑暗的基調則遭到了批評。

劇情

一個大雪紛飛的聖誕夜，極有權勢的塔克·科波特（Tucker Cobblepot）和愛絲特·科波特（Esther Cobblepot）夫婦生下了一個畸形嬰兒，起名叫奧斯瓦德。夫妻倆認為他的存在可能會形成醜聞，於是秘密將他連帶搖籃一起丟進公園下水道中遺棄掉，而搖籃順著下水道漂至附近廢棄動物園的極地展覽館，奧斯瓦德最終被一群生活在展覽館裏的企鵝救上岸。33年後的高譚市，也是小丑混亂的三年後，市民聚在市政廳前慶祝聖誕節，但一群奇形怪狀的馬戲團武裝罪犯「紅三角幫」（Red Triangle Circus Gang）襲擊了派對現場。布魯斯·韋恩看到信號後化身蝙蝠俠到場解圍，但紅三角幫還是抓走了不法商人——麥斯·史瑞克（Max Shreck）。

麥斯被綁架至如今變成企鵝人的奧斯瓦德面前，奧斯瓦德聲言自己在下水道待太久，因此需要他的幫助來迴歸地面與家人團圓、並奪回屬於他的一切，並威脅麥斯如不合作就會公開他生意上所有的不法行為。當晚，麥斯的女秘書——瑟琳娜·凱爾在公司整理文件時，發現麥斯打算靠未來蓋起的發電廠來非法獨佔城市電力，而麥斯回來時認為她知情太多，於是直接將她推下高樓至一條小巷滅口。摔至重傷的瑟琳娜被一群野貓圍繞，突然清醒後形成了多重人格，回家後突然發瘋而將公寓摔個七零八落，並製作了一條皮鞭和黑色服裝成為了「貓女」。

奧斯瓦德和麥斯合作上演綁架市長的嬰兒、再由奧斯瓦德營救他而獲得城市媒體的愛戴。作為答謝，奧斯瓦德被允許進入高譚市市民文檔庫查詢，知道了他的真實姓名、以及他早已去世的父母，奧斯瓦德便來到父母墓前祭拜了他們。這時，由於麥斯建立發電廠的提案沒被市長通過，麥斯去請求奧斯瓦德幫忙，答應如成功便會協助他選上市長。於是，奧斯瓦德命令紅三角幫在城市裏大肆破壞，藉以摧毀市長的名聲並讓他作賊喊捉賊，最後讓麥斯有理由推選他做市長。布魯斯化身蝙蝠俠見到奧斯瓦德，但兩人的談話被剛炸毀麥斯商店的瑟琳娜打斷。奧斯瓦德逃走後，布魯斯便轉而追趕瑟琳娜，最後在打鬥時不慎使瑟琳娜掉下樓。瑟琳娜摔到卡車裡逃過一劫。因為被蝙蝠俠“殺過一次”，瑟琳娜前去找奧斯瓦德合作摧毀蝙蝠俠的名聲。

瑟琳娜和奧斯瓦德合作綁架了城市選美冠軍“冰雪公主”，留下一個蝙蝠鏢製造了蝙蝠俠犯案過的假像。布魯斯為了洗清罪名而去尋找公主，但紅三角幫趁機在蝙蝠車上動手腳、安裝了一個遠程控制器讓奧斯瓦德操控蝙蝠車。布魯斯因為奧斯瓦德的阻撓而沒有救到公主，使她墜下高樓而在公眾面前摔死，導致所有人認為蝙蝠俠將她推下樓。瑟琳娜因為拒絕繼續和奧斯瓦德合作，於是被奧斯瓦德誘騙而握住他的直升功能雨傘而飛上天，最後掉進一個溫室裡，本應摔死卻還是活了下來。

布魯斯回到蝙蝠車上，但蝙蝠車因被奧斯瓦德遙控而在城市裡橫衝直撞。布魯斯事先錄下了奧斯瓦德通對他所講出的一系列嘲諷城市的真實想法，最後找到了控制器而成功逃回蝙蝠洞。在奧斯瓦德舉辦的新聞發佈會上，布魯斯便以其人之道還治其人之身，遠程播放了奧斯瓦德的錄音而徹底摧毀了他的正面形象。奧斯瓦德為此逃回了下水道，回到動物園後決定靠綁架城市政商名流的長子們來復仇。在麥斯舉辦的變裝舞會上，布魯斯和瑟琳娜遇見了雙方，並互相推斷出了對方的秘密身份。這時，奧斯瓦德襲擊了派對，宣佈了他綁架小孩的陰謀後，準備將麥斯的兒子奇普（Chip）也一同帶走，但麥斯代替了兒子而自願被他帶走。

布魯斯在紅三角幫綁架城市嬰兒時救了他們，而奧斯瓦德為此勃然大怒，將自己撫養的所有企鵝身上安裝導彈發射器，讓它們集體通過下水道聚集在市政廳前，打算一舉炸死城市所有的政商名流。布魯斯通過信上的追蹤器查到了奧斯瓦德的藏身處，駕駛蝙蝠水上快艇前去同時，一和阿爾佛雷德通過干擾信號、誘導所有企鵝全部打道回府。由於蝙蝠俠即將前來，奧斯瓦德發現手下們全部溜之大吉，於是坐上自己的鴨子船逃跑。而布魯斯於是直接沖出下水道劫住了奧斯瓦德，當兩人僵持不下時，布魯斯用信號讓趕回來的眾企鵝發射導彈，炸毀了整個動物園，而奧斯瓦德也不慎從窗戶掉回了總部的水池裏。

麥斯脫身後準備逃跑前被瑟琳娜劫住，正當瑟琳娜準備對他報一箭之仇時，布魯斯來到她面前拿下了面具，打算說服她收手而讓法律來審判麥斯。瑟琳娜還是決定一意孤行，麥斯拿到手槍後對她連開了四槍，但瑟琳娜聲稱自己像貓一樣有九條命而不會死，最後通過電擊棒、加上用她的身體將高壓電導至麥斯身上。爆炸之後，布魯斯從廢墟裏找到麥斯被電焦的屍體，卻一直找不到瑟琳娜。這時，奧斯瓦德從水中起身，因上方爆炸殘骸掉下來加熱了水而瀕臨死亡的他試圖拿武器作最後反擊不成，不支倒地死去，六隻帝王企鵝將奧斯瓦德的遺體推入水中“安葬”。

事情過後，布魯斯獨自坐著阿爾佛雷德的車在街上行駛時，突然在街角注意到瑟琳娜的影子，但下車去街角查看後只找到一隻黑貓，最後認定是自己看錯而將黑貓抱了回去。在布魯斯回車上離開不久後，蝙蝠信號在空中亮起，而站在樓頂的瑟琳娜著裝貓女目睹了景象。

角色

製作

籌拍

在《蝙蝠俠》（1989年）大獲成功後，華納兄弟計劃於1990年5月開始在松林製片廠（英语：Pinewood Studios）拍攝續集。華納兄弟花了25萬美元保存拍攝《蝙蝠俠》的道具和布景。因拍攝《蝙蝠俠》的經歷並不愉快，波頓起初並不想繼續執導續集。「倘若續集能提供新穎且令人興奮的東西，我就會回歸」，波頓在1989年說道，「否則這是史上最蠢的點子」[14]。他決定改為二十世紀福斯執導《剪刀手愛德華》（1990年）。與此同時，《蝙蝠俠》的編劇山姆·哈姆（英语：Sam Hamm）撰寫了最早的兩份劇本草稿，而鮑勃·凱恩則回歸擔任創作顧問[15]。哈姆的劇本講述企鵝人與貓女找尋神秘的寶藏[16]。

波頓對丹尼爾·華特斯（英语：Daniel Waters (screenwriter)）的編劇作品《希德姐妹幫》（1988年）感到印象深刻，便請華特斯為自己的作品《陰間大法師》（1988年）之續集撰寫劇本。華納兄弟同意給予波頓更大的主導權。該片的製片人由丹尼斯·狄·諾維（英语：Denise Di Novi）與波頓擔任，而《蝙蝠俠》的製片人彼得·古柏（英语：Peter Guber）與喬恩·彼得斯（英语：Jon Peters）則和班傑明·梅尼克（英语：Benjamin Melniker）與麥克·E·烏斯蘭（英语：Michael E. Uslan）一同出任執行製片人。波頓對哈姆的劇本不甚滿意，於是請華特斯重寫劇本[15][17][18]。華特斯表示，自己的劇本「有個諷刺社會的地方：一位顯要人物支持企鵝人競選市長。我想表明的是世上的大壞蛋不見得都穿著戲服」[16]。企鵝人競選市長的橋段取自1960年代電視劇《蝙蝠俠》的劇集《企鵝人市長》（Hizzoner the Penguin）和《Dizzoner the Penguin》[16]。華特斯一共寫了五份草稿[18]。

On the characterization of Catwoman, Waters explained "Sam Hamm went back to the way comic books in general treat women, like fetishy sexual fantasy. I wanted to start off just at the lowest point in society, a very beaten down secretary."[19] Harvey Dent appeared in early drafts of the script, but was deleted. His disfiguring appearance of Two-Face would have appeared in the climax when Catwoman kisses him with a taser to the face, which was replaced with Max Shreck. Waters quoted, "Sam Hamm definitely planned that. I flirted with it, having Harvey start to come back and have one scene of him where he flips a coin and it's the good side of the coin, deciding not to do anything, so you had to wait for the next movie."[19] In early scripts Max Shreck was the "golden boy" of the Cobblepot family, whereas Penguin was the deformed outsider. It turned out that Shreck would be the Penguin's long-lost brother.[20] Max Shreck was also a reference to actor Max Schreck, known for his role as Count Orlok in Nosferatu.[21]

前期製作

Burton hired Wesley Strick to do an uncredited rewrite. Strick recalled, "When I was hired to write Batman Returns (Batman II at the time), the big problem of the script was Penguin's lack of a 'master plan'."[22] Warner Bros. presented Strick with warming, or freezing Gotham City, a plot point they would later use in Batman & Robin. Strick gained inspiration from a Moses parallel that had Penguin killing the firstborn sons of Gotham. A similar notion was used when the Penguin's parents threw him into a river as a baby.[22] Robin appeared in the script, but was deleted because Waters felt the film had too many characters. Waters called Robin "the most worthless character in the world, especially with [Batman as] the loner of loners." Robin started out as a juvenile gang leader, who becomes an ally to Batman. Robin was later changed to a black teenage garage mechanic.[19] Waters explained, "He's wearing this old-fashioned garage mechanic uniform and it has an 'R' on it. He drives the Batmobile, which I notice they used in the third film!"[19] Marlon Wayans was cast, and signed for a sequel. The actor had attended a wardrobe fitting, but it was decided to save the character for a third installment.[23]

Michael Keaton returned after a significant increase in his salary to $10 million. Annette Bening was cast as Catwoman after Burton saw her performance in The Grifters, but she dropped out due to her pregnancy.[24][25] Raquel Welch, Jennifer Jason Leigh, Madonna, Ellen Barkin, Cher, Bridget Fonda, Lorraine Bracco, Jennifer Beals and Susan Sarandon were then in competition for the role.[26][27] Sean Young, who was originally chosen for Vicki Vale in the previous film, believed the role should have gone to her. Young visited production offices dressed in a homemade Catwoman costume, demanding an audition.[28] Burton was unfamiliar with Michelle Pfeiffer's work, but was convinced to cast her after one meeting.[29] Pfeiffer received a $3 million salary, $2 million more than Bening, and a percentage of the box office.[24] The actress undertook kickboxing lessons for the role.[30] Kathy Long served as Pfeiffer's body double. On Danny DeVito's casting, Waters explained, "I kind of knew that DeVito was going to play The Penguin. We didn't really officially cast it, but for a short nasty little guy, it's a short list. I ended up writing the character for Danny DeVito."[19]

拍攝

File:Batman Returns set.jpg
Gotham City Square set built inside Studio 16 on Warner Bros. Studios.

In early 1991, two of Hollywood's largest sound stages (Stage 16 at Warner Bros. and Stage 12 at Universal Studios) were being prepared for the filming of Batman Returns.[24] Filming started in June 1991.[29] Stage 16 held Gotham Plaza, based on Rockefeller Center. Universal's Stage 12 housed Penguin's underground lair. A half-a-million gallon tank filled with water was used.[24] Burton wanted to make sure that the penguins felt comfortable.[29] Eight other locations on the Warner Bros. lot were used; over 50% of their property was occupied by Gotham City sets.[24]

Animal rights groups started protesting the film after finding out that penguins would have rockets strapped on their backs. Richard Hill, the curator of the penguins, explained that Warner Bros. was very helpful in making sure the penguins were comfortable.[31] "On the flight over the plane was refrigerated down to 45 degrees", recalls Hill. "In Hollywood, they were given a refrigerated trailer, their own swimming pool, half-a-ton of ice each day, and they had fresh fish delivered daily straight from the docks. Even though it was 100 degrees outside, the entire set was refrigerated down to 35 degrees."[31]

The streets of Gotham City use the old Brownstone Street and Hennessy Street on the Warners' backlot.[32]

Warner Bros. devoted a large amount of secrecy for Batman Returns. The art department was required to keep their office blinds pulled down. Cast and crew had to have photo ID badges with the movie's fake working title Dictel to go anywhere near the sets.[33] Kevin Costner was refused a chance to visit the set. An entertainment magazine leaked the first photos of Danny DeVito as the Penguin; in response Warner Bros. employed a private investigator to track down the accomplice.[24] $65 million was spent during the production of Batman Returns, while $15 million was used for marketing, coming to a total cost of $80 million.[34] The final shot of Catwoman looking at the Bat-Signal was completed during post-production and was not part of the shooting script. After Batman Returns was completed Warner Bros. felt it was best for Catwoman to survive, saving more characterizations in a future installment. Pfeiffer was unavailable and a body double was chosen.[26]

設計與效果

Bo Welch, Burton's collaborator on Beetlejuice and Edward Scissorhands, replaced Anton Furst as production designer, since Furst was unable to return for the sequel due to contractual obligations.[35] Welch blended "Fascist architecture with World's fair architecture" for Gotham City.[36] He also studied Russian architecture and German Expressionism. An iron maiden was used for Bruce Wayne's entry into the Batcave.[37] Stan Winston, who worked with Burton on Edward Scissorhands, designed Danny DeVito's prosthetic makeup, which took two hours to apply.[34] DeVito had to put a combination of mouthwash and red/green food coloring in his mouth "to create a grotesque texture of some weird ooze."[38]

File:PfeifferCatwoman.jpg
Michelle Pfeiffer as Catwoman

More than 60 Catsuits were designed in the six-month shoot at $1,000 each.[39] The Batsuit was updated, which was made out of a thinner, slightly more flexible foam rubber material than the suit from Batman. DeVito was uncomfortable with his costume, but this made it easy for him to get into character. J. P. Morgan's wardrobe was used for inspiration on Max Shreck's costume design.[40]

The bats were entirely composed of computer-generated imagery since it was decided directing real bats on set would be problematic.[24] The Penguin's "bird army" was a combination of CGI, robotic creatures, men in suits and even real penguins.[29] Robotic penguin puppets were commissioned by Stan Winston. In total 30 African penguins and 12 king penguins were used.[41] A miniature effect was used for the exteriors of the Cobblepot Mansion in the opening scene and for Wayne Manor. The same method was used for the Bat Ski-boat and the exterior shots of the Gotham Zoo.[42]

音樂

主条目：Batman Returns (soundtrack)

Danny Elfman had great enthusiasm for returning because "I didn't have to prove myself from the first film. I remember Jon Peters was very skeptical at first to hire me."[43] Elfman's work schedule was 12 hours a day, 7 days a week. "When completing this movie I realized it was something of a film score and an opera. It was 95 minutes long, twice the amount of the average film score."[43] Burton allowed Elfman to be more artistic with the sequel score, such as the "scraping" on violins for the cat themes. Under the pressure of finishing the score, however, the relationship between the two strained, which — along with further "creative differences" on The Nightmare Before Christmas[44] — led Burton to use Howard Shore to score his next film Ed Wood.[45] The musician co-orchestrated "Face to Face", which was written and performed by Siouxsie and the Banshees. The song can be heard in one scene during the film and during the end credits.[43]

發行與反響

評價

Batman Returns was criticized by some for being too dark and violent, but nonetheless received positive reviews. On Rotten Tomatoes, the film has an approval rating of 81% based on 72 reviews, with an average rating of 6.7/10. The site's critical consensus reads, "Director Tim Burton's dark, brooding atmosphere, Michael Keaton's work as the tormented hero, and the flawless casting of Danny DeVito as The Penguin and Christopher Walken make the sequel better than the first."[46] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale.[47]

Janet Maslin in The New York Times thought that "Mr. Burton creates a wicked world of misfits, all of them rendered with the mixture of horror, sympathy and playfulness that has become this director's hallmark." She described Michael Keaton as showing "appropriate earnestness", Danny DeVito as "conveying verve", Christopher Walken as "wonderfully debonair", Michelle Pfeiffer as "captivating... fierce, seductive", Bo Welch's production design as "dazzling", Stefan Czapsky's cinematography as "crisp", and Daniel Waters's screenplay as "sharp."[48]

Peter Travers in Rolling Stone wrote: "Burton uses the summer's most explosively entertaining movie to lead us back into the liberating darkness of dreams." He praised the performances: "Pfeiffer gives this feminist avenger a tough core of intelligence and wit; she's a classic dazzler... Michael Keaton's manic-depressive hero remains a remarkably rich creation. And Danny DeVito's mutant Penguin—a balloon-bellied Richard III with a kingdom of sewer freaks—is as hilariously warped as Jack Nicholson's Joker and even quicker with the quips."[49]

Desson Howe in The Washington Post wrote: "Director Burton not only re-creates his one-of-a-kind atmosphere, he one-ups it, even two-ups it. He's best at evoking the psycho-murky worlds in which his characters reside. The Penguin holds court in a penguin-crowded, Phantom of the Opera-like sewer home. Keaton hides in a castlelike mansion, which perfectly mirrors its owner's inner remoteness. Comic strip purists will probably never be happy with a Batman movie. But Returns comes closer than ever to Bob Kane's dark, original strip, which began in 1939." He described Walken as "engaging", DeVito as "exquisite" and Pfeiffer as "deliciously purry."[50]

Todd McCarthy in Variety wrote that "the real accomplishment of the film lies in the amazing physical realization of an imaginative universe. Where Burton's ideas end and those of his collaborators begin is impossible to know, but the result is a seamless, utterly consistent universe full of nasty notions about societal deterioration, greed and other base impulses." He praised the contributions of Stan Winston, Danny Elfman, Bo Welch and cinematographer Stefan Czapsky, and in terms of performances, opined that "the deck is stacked entirely in favor of the villains", calling DeVito "fascinating" and Pfeiffer "very tasty."[51]

Conversely, Roger Ebert of the Chicago Sun-Times gave the film two stars out of four, writing: "I give the movie a negative review, and yet I don't think it's a bad movie; it's more misguided, made with great creativity, but denying us what we more or less deserve from a Batman story. No matter how hard you try, superheroes and film noir don't go together; the very essence of noir is that there are no more heroes." He compared the Penguin negatively with the Joker of the first film, writing that "the Penguin is a curiously meager and depressing creature; I pitied him, but did not fear him or find him funny. The genius of Danny DeVito is all but swallowed up in the paraphernalia of the role."[52] Jonathan Rosenbaum called DeVito "a pale substitute for Jack Nicholson from the first film" and felt that "there's no suspense in Batman Returns whatsoever".[53] Batman comic book writer/artist Matt Wagner was quoted as saying: "I hated how Batman Returns made Batman little more than just another costumed creep, little better than the villains he's pursuing. Additionally, Burton is so blatantly not an action director. That aspect of both his films just sucked."[54] Ty Burr in Entertainment Weekly gave the film a B-; he wrote that "Burton still hasn't figured out how to tell a coherent story: He's more interested in fashioning pretty beads than in putting them on a string.... Yet for all the wintry weirdness, there's more going on under the surface of this movie than in the original. No wonder some people felt burned by Batman Returns: Tim Burton just may have created the first blockbuster art film."[55]

A "parental backlash" criticized Batman Returns with violence and sexual references that were inappropriate for children despite being rated PG-13. McDonald's shut down their Happy Meal promotion for the film.[56] Burton responded, "I like Batman Returns better than the first one. There was this big backlash that it was too dark, but I found this movie much less dark."[29]

票房

Batman Returns was released in America on June 19, 1992, earning $45.69 million in 2,644 theaters on its opening weekend.[57] This was the highest opening weekend in 1992 and the highest opening weekend of any film up to that point.[58] The film went on to gross $162.83 million in North America, and $104 million in foreign countries, coming to a worldwide total of $266.83 million.[57] Batman Returns was the third highest-grossing film in America of 1992,[58] and sixth highest in worldwide totals.[59]

榮譽

Awarding Body Award Nominee Result
Academy Awards Best Visual Effects Michael L. Fink, Craig Barron, John Bruno, Dennis Skotak 提名
Best Makeup Ve Neill, Ronnie Specter, Stan Winston 提名
British Academy Film Awards (BAFTAs) Best Makeup Artist Ve Neill, Stan Winston 提名
Best Special Effects Michael L. Fink, Craig Barron, John Bruno, Dennis Skotak 提名
BMI Film & TV Awards BMI Film Music Award Danny Elfman 獲獎
Golden Raspberry Awards (Razzies) Worst Supporting Actor Danny DeVito 提名
Hugo Awards Best Dramatic Presentation 提名
MTV Movie Awards Best Kiss Michael Keaton, Michelle Pfeiffer 提名
Best Villain Danny DeVito 提名
Most Desirable Female Michelle Pfeiffer 提名
Saturn Awards Best Fantasy Film 提名
Best Director Tim Burton 提名
Best Supporting Actor Danny DeVito 提名
Best Make-Up Stan Winston, Ve Neill 獲獎
Best Costumes Bob Ringwood, Mary E. Vogt, Vin Burnham 提名

The film is recognized by American Film Institute in these lists:

It was part of Empire's 500 Greatest Films in 2008 at number 401.[61]

影響

"After the traumas of Batman Returns she has amnesia, and she doesn't really remember why she has all these bullet holes in her body, so she goes to relax in Oasisburg. What Gotham City is to New York, Oasisburg is to Las Vegas-Los Angeles-Palm Springs. [It's a] resort area in the middle of the desert. It's run by superheroes, and the movie has great fun at making fun at the whole male superhero mythos. Then they end up being not very good at all deep down, and she's got to go back to that whole Catwoman thing."
—Daniel Waters on his script for Catwoman[19]

Batman Returns would be the last film in the Warner Bros. Batman film series that featured Burton and Michael Keaton as director and leading actor. With Batman Forever, Warner Bros. decided to go in a "lighter" direction to be more mainstream in the process of a family film. Burton had no interest in returning to direct a sequel, but was credited as producer.[62] With Warner Bros. moving on development for Batman Forever in June 1993, a Catwoman spin-off was announced. Michelle Pfeiffer was to reprise her role, with the character not to appear in Forever because of her own spin-off.[63]

Burton became attached as director, while producer Denise Di Novi and writer Daniel Waters also returned.[64] In January 1994, Burton was unsure of his plans to direct Catwoman or an adaptation of "The Fall of the House of Usher".[65] On June 6, 1995, Waters turned in his Catwoman script to Warner Bros., the same day Batman Forever was released. Burton was still being courted to direct. Waters joked, "Turning it in the day Batman Forever opened may not have been my best logistical move, in that it's the celebration of the fun-for-the-whole-family Batman. Catwoman is definitely not a fun-for-the-whole-family script."[19] In an August 1995 interview, Pfeiffer re-iterated her interest in the spin-off, but explained her priorities would be challenged as a mother and commitments to other projects.[66] The film labored in development hell for years, with Pfeiffer replaced by Ashley Judd. The film ended up becoming the critically panned Catwoman (2004), starring Halle Berry.[67][68]

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外部連結

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