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使用者:王炯浜/User:王炯浜/創建區

維基百科，自由的百科全書
Alive 2007
Daft Punk的現場專輯
發行日期19 November 2007
錄製時間14 June 2007
場地Palais Omnisports de Paris-Bercy (Paris, France)
類型
時長
  • 73:55
  • 88:28 (with bonus disc)
唱片公司Virgin
製作人
Daft Punk專輯年表
Musique Vol. 1 1993–2005
（2006年） 		Alive 2007
（2007年） 		Tron: Legacy
（2010年）
收錄於《Alive 2007》的單曲
  1. Harder, Better, Faster, Stronger (Alive 2007)
    發行日期：15 October 2007

Alive 2007 is the second live album by the French electronic music duo Daft Punk, released on 19 November 2007 by Virgin Records. It features the duo's performance at the Palais Omnisports de Paris-Bercy arena in Paris on 14 June 2007 during their Alive 2006/2007 tour.[1][2] The set features an assortment of Daft Punk's music, incorporated with synthesizers, mixers and live effects.[3]

The physical release in North America was delayed to 4 December 2007 due to production problems,[4] but the album later became available as a download on 20 November 2007, and was released in the United Kingdom on 25 February 2008.[5] The album won a Grammy Award for Best Electronic/Dance Album in 2009.[6] A special edition of the album was released that includes the encore from the Alive 2007 tour on a second disc. It also includes a 50-page book containing photographs from the tour taken by DJ Falcon.[7]

Background

[編輯]
Daft Punk performing at Bercy during the Alive 2007 tour

Alive 2007 comes from Daft Punk's performance at their Palais Omnisports de Paris-Bercy show on 14 June 2007, during their Alive 2006/2007 tour.[7] For the performance, Daft Punk used Ableton Live software on "custom made super-computers"[3] controlled remotely with Behringer BCR2000 MIDI controllers and JazzMutant Lemur touchscreen pads. They also used Minimoog Voyager RME[3] units, which, with the mixers, allowed them to "mix, shuffle, trigger loops, filter, distort samples, EQ in and out, transpose or destroy and deconstruct synth lines". The majority of the equipment was stored away during the live sets within offstage towers.[3]

Daft Punk performed reworked and remixed versions of many of their most popular tracks;[8] for example, they mixed vocal elements from "Too Long" with new music,[9] and mixed elements of "Television Rules the Nation" with "Crescendolls", "Around the World" with "Harder, Better, Faster, Stronger" and "Superheroes" with "Human After All".[10] The use of music from Human After All, which had received mixed reviews, prompted critics to reconsider the album.[11]

The performances for the Alive 2007 tour were an expansion of Daft Punk's 2006 live sets. Noted additions include elements of the tracks "Burnin'" and "Phœnix" as well as an encore.[9] Bangalter explained that the 2006 sets were initially designed for performances within larger festivals, but later refined to accommodate Daft Punk-specific shows. "The goal was to try and bring a complete global experience to the audience."[12] The introduction for the live show featured the five-note sequence used in Close Encounters of the Third Kind.[13]

The album includes elements of the Busta Rhymes song "Touch It", the original version of which was produced by Swizz Beatz featuring a sample of "Technologic". Also featured are elements of Gabrielle's "Forget About the World", the original version of which was remixed by Daft Punk for her single. The encore of the Alive 2007 set features Bangalter's side projects: Stardust's "Music Sounds Better with You" and Together's self-titled track "Together".[1]

Critical reception

[編輯]
專業評分
綜合得分
來源評分
Metacritic78/100[14]
評論得分
來源評分
AllMusic4/5顆星[15]
The A.V. ClubB+[16]
The Boston Phoenix3.5/4顆星[17]
Entertainment WeeklyA−[18]
The Guardian3/5顆星[19]
MSN Music (Consumer Guide)A−[20]
NME7/10[21]
Pitchfork8.5/10[22]
Rolling Stone3.5/5顆星[23]
Spin4/5顆星[24]

On the review aggregator Metacritic, Alive 2007 has a score of 78 out of 100, indicating "generally favourable reviews."[25] Pitchfork regarded it as "the Ultimate Daft Punk Mixtape", finding that songs from Human After All had been "constantly improved and born anew" for the live set.[22] The sentiment was also shared by AllMusic, stating that "It has the feel of a greatest-hits-live concert, but energized by Daft Punk's talents at weaving songs in and out of each other."[15] AllMusic considered it weaker than Alive 1997.[15] A review by The Star noted that the release and Daft Punk's concurrent tours cumulatively restored the duo's reputation following the mixed reception for Human After All.[26]

Dave de Sylvia of Sputnikmusic gave the album a score of four stars out of five and said, "Despite a few individual disappointments, Alive 2007 is as exciting a collection of music as any released this year."[27] Entertainment Weekly felt that the live crowd enhanced the positive mood of the performance.[18] Rolling Stone stated that Alive 2007 "loses some of the essential experience" of attending the live Daft Punk events.[23] The Boston Phoenix also felt that the album package would have benefited from more video content, expressing that a key factor of the live show was its implementation of visual elements.[17] In his first positive review for a Daft Punk album, Robert Christgau believed that a full video representation was avoided because "too much scale, flesh and bodily effluvia would be lost."[20] Thomas Bangalter expressed his reasons of not releasing a DVD by stating "the thousands of clips on the internet are better to us than any DVD that could have been released."[22]

On 3 December 2008, Alive 2007 and its single "Harder, Better, Faster, Stronger" received Grammy Awards nominations for Best Electronic/Dance Album and Best Dance Recording, respectively.[28] Both the album and the single were announced as winners during the 51st Grammy Awards pre-telecast ceremony.[29]

Track listing

[編輯]
全碟詞曲：Daft Punk　
Original track listing
曲序曲目時長
1.Robot Rock / Oh Yeah6:27
2.Touch It / Technologic5:29
3.Television Rules the Nation / Crescendolls4:50
4.Too Long / Steam Machine7:01
5.Around the World / Harder, Better, Faster, Stronger5:42
6.Burnin' / Too Long7:11
7.Face to Face / Short Circuit4:55
8.One More Time / Aerodynamic6:10
9.Aerodynamic Beats / Forget About the World3:31
10.Prime Time of Your Life / Brainwasher / Rollin' & Scratchin' / Alive10:22
11.Da Funk / Daftendirekt6:36
12.Superheroes / Human After All / Rock'n Roll5:41
總時長：73:55
Bonus disc
曲序曲目時長
1.Human After All / Together / One More Time (reprise) / Music Sounds Better with You9:58
2.Harder, Better, Faster, Stronger (Alive 2007)（video）4:35
總時長：88:28

Chart positions

[編輯]

Certifications

[編輯]
地區 認證 認證單位/銷量
澳大利亞（澳大利亞唱片業協會）[46] 金 35,000^
比利時（比利時唱片音樂協會）[47] 白金 30,000*
法國（法國唱片出版業公會）[48] 2× 白金 200,000*
英國（英國唱片業協會）[49] 銀 60,000*

*僅含認證的實際銷量
^僅含認證的出貨量

Vinyl editions

[編輯]

In December 2014, two vinyl editions of the album were released.[50] The first being standard black dual LPs and the second being a limited edition collectors boxset. The boxset edition was shipped along with a reissue Alive 1997 vinyl with stickers, Dual Alive 2007 Vinyls in white in a threefold sleeve and a separate white LP with the 'Encore'. Also included is a large hardback 52-page photo book, Alive 2007 concert pass replica, Daft Punk printed slipmat and a download card to download digital versions of the songs.

References

[編輯]
  1. ^ 1.0 1.1 Exclusive: Daft Punk Unveil Live Album Details Spin.com. Retrieved on 16 September 2007.
  2. ^ Alive 2007 teaser 網際網路檔案館的存檔，存檔日期11 October 2007. daft-musique.com. Retrieved on 16 September 2007.
  3. ^ 3.0 3.1 3.2 3.3 "Daft Punk's Magical Pyramid/Spaceship: Infiltrated!" 網際網路檔案館的存檔，存檔日期11 October 2007.. pitchfork.com. Retrieved on 10 December 2007
  4. ^ Daft Punk's Newsletter[永久失效連結] EMI. Retrieved on 2 November 2007.
  5. ^ Daft Punk's YouTube channel youtube.com. Retrieved on 16 September 2007.
  6. ^ 53rd Annual Grammy Awards nominees list. Los Angeles Times (Tribune Company). [2 December 2010]. 
  7. ^ 7.0 7.1 Live Album To Chronicle Daft Punk Tour Billboard.com. Retrieved on 17 August 2007.
  8. ^ "French Touch Is Back in Its Homeland" 網際網路檔案館的存檔，存檔日期20 July 2011.. mycow.eu. Retrieved on 13 September 2007.
  9. ^ 9.0 9.1 Bercy Review 網際網路檔案館的存檔，存檔日期11 December 2007. thedaftclub.com. Retrieved on 13 September 2007.
  10. ^ Daft Punk Embrase Bercy 網際網路檔案館的存檔，存檔日期14 September 2007. （法語） lejdd.fr. Retrieved on 13 September 2007.
  11. ^ "Daft Punk and the Rise of the New Parisian Nightlife". Paper Magazine. Retrieved on 3 November 2007.
  12. ^ Buy It Use It Break It Fix It LA Weekly. Retrieved on 6 November 2007.
  13. ^ "Daft Punk thrill massive LA crowd" 網際網路檔案館的存檔，存檔日期7 October 2012.. NME. Retrieved on 14 November 2007.
  14. ^ Reviews for Alive 2007 by Daft Punk. Metacritic. [17 June 2013]. 
  15. ^ 15.0 15.1 15.2 Bush, John. Alive 2007 – Daft Punk. AllMusic. [17 June 2013]. 
  16. ^ Battaglia, Andy. Daft Punk: Alive 2007. The A.V. Club. 4 December 2007 [17 June 2013]. 
  17. ^ 17.0 17.1 Wood, Mikael. Daft Punk | Alive 2007. The Boston Phoenix. 10 December 2007 [17 June 2013]. （原始內容存檔於13 May 2017）.  已忽略未知參數|df= (幫助)
  18. ^ 18.0 18.1 Vozick-Levinson, Simon. Alive 2007. Entertainment Weekly. 23 November 2007 [3 September 2008]. 
  19. ^ Lynskey, Dorian. Daft Punk, Alive 2007. The Guardian. 23 November 2007 [17 June 2013]. 
  20. ^ 20.0 20.1 Christgau, Robert. Consumer Guide. MSN Music. March 2008 [17 June 2013]. 
  21. ^ Richards, Sam. Daft Punk: 'Alive 2007'. NME. 16 November 2007 [26 November 2011]. （原始內容存檔於4 March 2016）.  已忽略未知參數|df= (幫助)
  22. ^ 22.0 22.1 22.2 Dombal, Ryan. Daft Punk: Alive 2007. Pitchfork. 20 November 2007 [3 September 2008]. 
  23. ^ 23.0 23.1 Sheffield, Rob. Alive 2007. Rolling Stone. 16 November 2007 [17 June 2013]. 
  24. ^ Walters, Barry. Save the Robots. Spin. December 2007, 23 (12): 119 [15 November 2018]. 
  25. ^ Alive 2007 by Daft Punk, [2021-04-14] （英語） 
  26. ^ Rayner, Ben (4 December 2007). "Daft Punk redemption". The Star. Retrieved on 3 September 2008.
  27. ^ de Sylvia, Dave. Daft Punk - Alive 2007 Review. Sputnikmusic. 4 December 2007 [17 June 2013]. （原始內容存檔於12 December 2007）. 
  28. ^ EMI Music's Coldplay Earns Seven Grammy Nominations Including Record of the Year, Album of the Year and Song of the Year. EMI. 4 December 2008 [9 February 2009]. （原始內容存檔於5 June 2011）. 
  29. ^ 51st Annual GRAMMY Awards (2008). 
  30. ^ "Daft Punk – Alive 2007". Australiancharts.com. Hung Medien. [30 May 2012].
  31. ^ "Daft Punk – Alive 2007" (in Dutch). Ultratop.be. Hung Medien. [30 May 2012].
  32. ^ "Daft Punk – Alive 2007" (in French). Ultratop.be. Hung Medien. [30 May 2012].
  33. ^ "Daft Punk – Alive 2007" (in Dutch). Dutchcharts.nl. Hung Medien. [30 May 2012].
  34. ^ "Daft Punk – Alive 2007". Lescharts.com. Hung Medien. [30 May 2012].
  35. ^ "Irish-charts.com – Discography Daft Punk". Hung Medien. Retrieved 13 December 2020.
  36. ^ "Daft Punk – Alive 2007". Italiancharts.com. Hung Medien. [13 December 2020].
  37. ^ Mexicancharts.com – Daft Punk – Alive 2007. [30 May 2012]. 
  38. ^ "Daft Punk – Alive 2007". Swisscharts.com. Hung Medien. [30 May 2012].
  39. ^ "Daft Punk | Artist | Official Charts". Official Charts Company. [30 May 2012].
  40. ^ "Daft Punk Chart History (Billboard 200)". Billboard. Retrieved 30 May 2012.
  41. ^ "Daft Punk Album & Song Chart History" Billboard Dance/Electronic Albums for Daft Punk. Prometheus Global Media. [30 May 2012].
  42. ^ Top de l'année Top Albums 2007. SNEP. [14 November 2020] （法語）. 
  43. ^ ARIA Top 100 Albums for 2008. Australian Recording Industry Association. [14 November 2020]. 
  44. ^ Top de l'année Top Albums 2008. SNEP. [14 November 2020] （法語）. 
  45. ^ Top Dance/Electronic Albums – Year-End 2008. Billboard. [14 November 2020]. 
  46. ^ ARIA Charts – Accreditations – 2008 Albums (PDF). Australian Recording Industry Association （英語）. 
  47. ^ Ultratop − Goud en Platina – albums 2009. Ultratop. Hung Medien （荷蘭語）. 
  48. ^ French album certifications – Daft Punk – Alive 2007. InfoDisc （法語）.  選擇「DAFT PUNK」，然後點擊「OK」 
  49. ^ British album certifications – Daft Punk – Alive 2007. British Phonographic Industry （英語）. 
  50. ^ Britton, Luke. Daft Punk's 'Alive 2007' to be released on vinyl for first time. NME. 11 April 2014 [18 May 2018]. 
[編輯]
Alive 2006/2007
Daft Punk的世界巡迴演唱會
Daft Punk performing at the Wireless Festival in London
開始日期2006年4月29日 (2006-04-29)
結束日期2007年12月22日 (2007-12-22)
場數
  • 48
  • 20 in Europe
  • 14 in North America
  • 5 in Asia
  • 5 in Oceania
  • 4 in South America
Daft Punk演唱會年表
Daftendirektour
(1997) 		Alive 2006/2007
(2006–2007)

Alive 2006/2007 was a concert tour by French electronic music duo Daft Punk. The world-spanning tour was their first as a duo since 1997, as well as being the duo's final tour. While the 2006 concerts were not given a formal title, the 2007 performances were advertised as "Alive 2007". The 2006 performances and 2007 tour as a whole was later retroactively named "Alive 2006/2007".[1]

The tour was acclaimed, and is credited for bringing dance music to a wider audience, especially in North America. A live album, Alive 2007, was released in November 2007.

History

[編輯]

The visuals of the tour were set up by XL Video.[2] The company provided eight-core Mac Pro units running Catalyst v4 and Final Cut Pro. Daft Punk approached the company with their visual concept for the shows. "They came to us with a pretty fixed idea of what they wanted", said head of XL Video, Richard Burford. "They wanted to mix live video with effects. Using the eight-core Mac Pros, we were able to take in eight digital sources and treat them as video streams. Then they could use Catalyst to coordinate the video with lighting effects and add their own effects in on the fly. The final digital video streams ran to LED screens."[2]

At the start of 2006, Daft Punk announced plans for a number of special summer shows. On 29 April, Daft Punk performed at the Coachella Valley Music and Arts Festival where they received a jubilant reception for their first U.S. performance since 1997.[3] Thomas Bangalter had initially been reported as saying that there would be a DVD of their recent live set.[4] He later emphasized his reluctance for such a release, as the duo felt that online amateur videos of their performances were more compelling than anything captured professionally.[5] In an interview with the Miami Herald Guy-Manuel de Homem-Christo stated that their 11 November appearance at the Bang Music Festival was their final for 2006 and that Daft Punk would conduct more performances in the future.[6] The band later specified a date for a live show at Bercy, Paris for June 2007.[7] Also reported were dates at the Wireless Festival and RockNess in June, the Oxegen festival in July and Lollapalooza in August.[8][9][10][11] Daft Punk then announced a world tour, Alive 2007.[7]

Daft Punk performing at Bercy in June 2007

Daft Punk played at the RockNess Festival by the banks of Loch Ness, Scotland on 10 June 2007 as the headline act in the 10,000 capacity Clash tent. To the crowd's displeasure, the show was delayed, but the crowd gave the duo a jubilant welcome when they appeared. Part of the tent was removed to allow thousands of people outside to see the show.[12] On 16 June, Daft Punk headlined the third day of the O2 Wireless Festival.[13]

Daft Punk headlined Stage 2/NME Stage at the Oxegen music festival on 8 July 2007. Their live set was preceded by a showing of the trailer for the film Daft Punk's Electroma.[14][15] Four days later, the duo played at Traffic Torino Free Festival in Parco della Pellerina in Turin, Italy.[16]

Daft Punk headlined the AT&T stage on 3 August 2007, the first night of the Lollapalooza music festival in Chicago. Their show there was praised by Pitchfork, which wrote that it "was a much-needed reminder of the still-potent power of communicative pop."[17] On 5 August they performed at the International Centre in Toronto followed by a 9 August performance at KeySpan Park in Brooklyn, New York.[18] The duo also headlined the Vegoose festival in Las Vegas on 27 October. They appeared at the festival along with bands Rage Against the Machine, Muse and Queens of the Stone Age.[7] At the end of October, Daft Punk performed in Mexico City.[19] The duo also performed on Friday 2 November 2007 at the Arena Monterrey in Monterrey, Mexico and Guadalajara.[20]

Modular Records announced that Daft Punk would appear in Australia for an event in December 2007 called Never Ever Land.[21] The announcement addressed years of speculation on whether Daft Punk would visit Australia for live performances. Daft Punk were supported by their regular acts SebastiAn and Kavinsky at the appearances, which had been announced as an extension to the Alive 2007 tour.[7] Never Ever Land toured to Melbourne at the Sidney Myer Music Bowl, Perth at the Esplanade, Brisbane at the Riverstage and finally Sydney at the Sydney Showground Main Arena.[22] A Triple J interview with Pedro Winter (Busy P) revealed that Daft Punk's Sydney appearance on 22 December would be their final show for 2007 and the last to feature the pyramid light scheme.[23] Tickets for the Australian tour sold more quickly than for any Daft Punk-related event in their history.[24]

A live album, Alive 2007, which featured the group's performance at the Palais Omnisports Bercy in Paris, was released in November 2007.[25] The album won the Grammy Award for Best Electronic/Dance Album in 2009.

Legacy

[編輯]

The tour was acclaimed.[26] The Times described the set as a "memorable sensory spectacle, both dazzling and deafening" and ThisisLondon declared it "an almost faultless set of relentless electro euphoria".[13][27] NME wrote that the performance was "a robotic spectacular", while Shoutmouth described the set as "typically triumphant".[14][15] The tour is credited for bringing dance music to a wider audience, especially in North America.[28][29] The Guardian journalist Gabriel Szatan likened it to the Beatles' 1964 performance on The Ed Sullivan Show, which brought British rock and roll to the American mainstream.[28]

Setlist

[編輯]
  1. "Robot Rock" / "Oh Yeah"
  2. "Touch It" / "Technologic"
  3. "Television Rules the Nation" / "Crescendolls"
  4. "Too Long" / "Steam Machine"
  5. "Around the World" / "Harder, Better, Faster, Stronger"
  6. "Burnin'"* / "Too Long"
  7. "Face to Face" / "Short Circuit"
  8. "One More Time" / "Aerodynamic"
  9. "Aerodynamic Beats" / "Forget About the World"
  10. "The Prime Time of Your Life" / "The Brainwasher" / "Rollin' & Scratchin'" / "Alive"
  11. "Da Funk" / "Daftendirekt"
  12. "Superheroes" / "Human After All" / "Rock'n Roll"
  13. "Human After All" / "Together" / "One More Time (reprise)" / "Music Sounds Better with You" [1]
  • 1^ Played on 2007 dates only.

Tour dates

[編輯]
Date City Country Venue
North America
29 April 2006[a] Indio United States Empire Polo Club
Europe and Asia
30 June 2006[b] Belfort France Lac de Malsaucy
14 July 2006[c] Barcelona Spain Parc del Fòrum
15 July 2006[c] Madrid Boadilla del Monte
26 July 2006[d] Stratford-upon-Avon United Kingdom Long Marston Airfield
5 August 2006[e] Zambujeira do Mar Portugal Herdade da Casa Branca
12 August 2006[f] Chiba Japan Makuhari Messe
13 August 2006[f] Osaka WTC Open Air Stadium
19 August 2006[g] Hasselt Belgium Domein Kiewit
28 August 2006 Dublin Ireland Marlay Park
9 September 2006[h] Warsaw Poland Służewiec Racetrack
South America
27 October 2006[i] Rio de Janeiro Brazil Marina da Glória
29 October 2006[i] São Paulo Jockey Club de São Paulo
2 November 2006[j] Santiago Chile Espacio Riesco
4 November 2006[k] Buenos Aires Argentina Club Ciudad de Buenos Aires
North America
11 November 2006[l] Miami United States Bicentennial Park
Europe
10 June 2007[m] Inverness Scotland Clunes Farm
14 June 2007 Paris France Palais Omnisports Bercy
16 June 2007[n] London England Hyde Park
17 June 2007[n] Leeds Harewood House
23 June 2007 Istanbul Turkey Turkcell Kuruçeşme Arena
26 June 2007 Nîmes France Arena of Nîmes
29 June 2007 Düsseldorf Germany Philips Halle
30 June 2007 Berlin Velodrom
4 July 2007 Amsterdam Netherlands Heineken Music Hall
6 July 2007 Esch-sur-Alzette Luxembourg Rockhal
8 July 2007[o] Naas Ireland Punchestown Racecourse
12 July 2007[p] Turin Italy Parco della Pellerina
North America
21 July 2007 Los Angeles United States Los Angeles Memorial Sports Arena
27 July 2007 Berkeley Hearst Greek Theatre
29 July 2007 Seattle WaMu Theater
31 July 2007 Morrison Red Rocks Amphitheatre
3 August 2007[q] Chicago Grant Park
5 August 2007 Mississauga Canada Arrow Hall
7 August 2007 Montreal Bell Centre
9 August 2007 New York City United States KeySpan Park
27 October 2007[r] Las Vegas Sam Boyd Stadium
31 October 2007 Mexico City Mexico Palacio de los Deportes
2 November 2007 Monterrey Monterrey Arena
4 November 2007 Zapopan Telmex Auditorium
Asia
6 December 2007 Kobe Japan World Memorial Hall
8 December 2007 Chiba Makuhari Messe
9 December 2007
Australia
13 December 2007 Melbourne Australia Sidney Myer Music Bowl
14 December 2007
16 December 2007 Perth The Esplanade
20 December 2007 Brisbane Riverstage
22 December 2007 Sydney Showground Main Arena

Notes

[編輯]
  1. ^ The performance in Indio on 29 April 2006 was part of the Coachella Valley Music and Arts Festival.
  2. ^ The performance in Belfort on 30 June 2006 was part of Les Eurockéennes de Belfort Festival.
  3. ^ 3.0 3.1 The performances in Barcelona on 14 July 2006 and in Madrid on 15 July 2006 were part of the Summercase Festival.
  4. ^ The performance in Stratford-upon-Avon on 26 July 2006 was part of the Global Gathering Festival.
  5. ^ The performance in Zambujeira do Mar on 5 August 2006 was part of the Festival Sudoeste.
  6. ^ 6.0 6.1 The performances in Chiba on 12 August 2006 and in Osaka on 13 August 2006 were part of the Summer Sonic Festival.
  7. ^ The performance in Hasselt on 19 August 2006 was part of the Pukkelpop Festival.
  8. ^ The performance in Warsaw on 9 September 2006 was part of the Summer of Music Festival.
  9. ^ 9.0 9.1 The performances in Rio de Janeiro on 27 October 2006 and in São Paulo on 29 October 2006 were part of the TIM Festival.
  10. ^ The performance in Santiago on 2 November 2006 was part of the Santiago Urbano Electrónico Festival.
  11. ^ The performance in Buenos Aires on 4 November 2006 was part of the BUE Festival.
  12. ^ The performance in Miami on 11 November 2006 was part of the Bang! Music Festival.
  13. ^ The performance in Inverness on 10 June 2007 was part of the RockNess Festival.
  14. ^ 14.0 14.1 The performances in London on 16 June 2007 and in Leeds on 17 June 2007 were part of the Wireless Festival.
  15. ^ The performance in Naas on 8 July 2007 was part of the Oxegen Festival.
  16. ^ The performance in Turin on 12 July 2007 was part of the Traffic Free Festival.
  17. ^ The performance in Chicago on 3 August 2007 was part of the Lollapalooza Festival.
  18. ^ The performance in Las Vegas on 27 October 2007 was part of the Vegoose Festival.

References

[編輯]
  1. ^ Alive 2007 liner notes (2007). Retrieved on February 16, 2009.
  2. ^ 2.0 2.1 XL Video's profile on Apple 網際網路檔案館的存檔，存檔日期2011-12-11. Apple. Retrieved on 9 November 2007.
  3. ^ Merry Swankster, Coachella Show Review(5 May 2006). Retrieved 25 February 2006.
  4. ^ Interview at French Touch Forum. [7 March 2007].  需註冊
  5. ^ Las Vegas Weekly: Chatting with a robot Las Vegas Weekly. Retrieved 26 October 2007.
  6. ^ Michael Hamersly, "Ask the DJ" [失效連結] (10 November 2006) The Miami Herald. Retrieved 6 March 2007.
  7. ^ 7.0 7.1 7.2 7.3 Daft Punk's Official MySpace Page myspace.com. Retrieved 31 August 2007.
  8. ^ Rockness '07 網際網路檔案館的存檔，存檔日期2007-02-16. rockness.co.uk. Retrieved 28 February 2007
  9. ^ Wireless Festival '07 網際網路檔案館的存檔，存檔日期June 18, 2007，. wirelessfestival.co.uk. Retrieved 16 June 2007
  10. ^ Oxygen '07 網際網路檔案館的存檔，存檔日期2004-07-25. oxegen.ie. Retrieved 24 February 2007
  11. ^ Lolla '07 lollapalooza.com. Retrieved 12 April 2007.
  12. ^ Clash Magazine Rock Ness Review 網際網路檔案館的存檔，存檔日期September 29, 2007，.. clashmagazine.com. Retrieved 17 June 2007.
  13. ^ 13.0 13.1 Wireless Festival review The Times. Retrieved 6 July 2007
  14. ^ 14.0 14.1 Daft Punk close Oxegen with robotic spectacular NME. Retrieved 12 July 2007.
  15. ^ 15.0 15.1 Daft Punk Closes Out Oxegen Festival shoutmouth.com. Retrieved 12 July 2007.
  16. ^ Daft Punk at Traffic Torino Free Festival trafficfestival.com. Retrieved 13 July 2007. 網際網路檔案館的存檔，存檔日期May 9, 2008，.
  17. ^ Lollapalooza Report Friday (Scott Plagenhoef) Pitchfork Media. Retrieved 7 August 2007.
  18. ^ Daft Punk Announce Live Album side-line.com. Retrieved 31 August 2007.
  19. ^ Révision: Daft Punk Ciudad de México （西班牙語） vivirmexico.com. Retrieved 6 November 2007.
  20. ^ Daft Punk Monterrey Weekend: Part One URB. Retrieved 6 November 2007. 網際網路檔案館的存檔，存檔日期May 1, 2009，.
  21. ^ Daft Punk ARE coming to Australia inthemix.com.au. Retrieved 30 August 2007.
  22. ^ Official Never Ever Land site. [30 August 2007]. （原始內容存檔於18 September 2008）. 
  23. ^ Daft Punk to Play Last Shows in Australia Australian Broadcasting Corporation. Retrieved 19 October 2007.
  24. ^ Zan Rowe Interviews Busy P on Triple j 網際網路檔案館的存檔，存檔日期2012-11-08. triplej.net.au. Retrieved 30 September 2007.
  25. ^ [1] 網際網路檔案館的存檔，存檔日期December 18, 2008，.
  26. ^ Jenkins, Craig. Daft Punk Gave Us More Than Enough Time. Vulture. 2021-02-24 [2021-03-03]. （原始內容存檔於3 March 2021） （美國英語）. 
  27. ^ O2 Wireless Festival London 2007 review 網際網路檔案館的存檔，存檔日期2008-12-24. ThisisLondon. Retrieved 6 July 2007
  28. ^ 28.0 28.1 Szatan, Gabriel. "They left an indelible mark on my psyche": how Daft Punk pushed pop forward. The Guardian. 2021-02-26 [2021-02-27]. （原始內容存檔於27 February 2021） （英語）. 
  29. ^ Nabil. Cover Story: Daft Punk. Pitchfork. [2021-02-28]. （原始內容存檔於25 February 2021）. 


Category:2006 concert tours Category:2007 concert tours Category:Daft Punk

Category:Virgin Records singles Category:傻瓜龐克歌曲 Category:2001年歌曲 Category:維京唱片歌曲 Category:2000年單曲 Category:動畫歌曲

結束

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模塊化唱片公司
Modular Recordings
母公司Universal Music Australia
創立1998年，​26年前​（1998）
創立者Steve Pavlovic
停業2015年，​9年前​（2015）[1]
發行廠牌Universal Music Australia
Interscope Records (US)
Island/Polydor Records (UK)
類型
國家Australia
地點Sydney
官方網站modularpeople.com

模塊化唱片公司或模塊唱片(英語：Modular Recordings；有時也稱為Modular )was an Australian record label founded in 1998 by Steve Pavlovic that by 2015 was owned by Universal Music Australia是澳大利亞的一家唱片公司，由史蒂夫·帕夫洛維奇於1998年創立，2015 年歸澳大利亞環球音樂公司所有。 It has released music from local artists such as Eskimo Joe, Ben Lee, The Avalanches, Wolfmother, Cut Copy, The Bumblebeez, Bag Raiders, Van She, Rocket Science, Ghostwood, The Presets, Pond, and Tame Impala, and local releases of international artists including Dom, Yeah Yeah Yeahs, Chromeo, Colder, Klaxons, Ladyhawke, NYPC, MSTRKRFT, and Softlightes.

After its establishment, the label was first recognised by the successful releases of The Living End's eponymous debut album and Ben Lee's Breathing Tornados, with the former becoming the highest-selling rock debut, and the latter being nominated for the ARIA Award for Album of the Year. It then grew during the early 2000s, defining itself through its assortment of parties, artists, and the "electronic, rock-leaning dance music" that became known as the "Modular sound". However, in 2015, a lawsuit filed by BMG Rights Management pitied the label against UMA, with UMA originally winning in July against owner Pavlovic, but the courts overturned the decision in October towards Pavlovic's favor. Thereafter, Pavlovic resigned in March 2016, leaving the label under renovations.

[編輯]

<--!開始-->

回歸 (蠢朋克專輯)

[編輯]
回歸
蠢朋克的錄音室專輯
發行日期14 March 2005
錄製時間13 September – 9 November 2004
錄音室Daft House (Paris)
類型Dance-rock
時長45:38
唱片公司Virgin
製作人
蠢朋克專輯年表
Daft Club
（2003年） 		回歸
（2005年） 		回歸 混音版
（2006年）
收錄於《Human After All》的單曲
  1. Robot Rock
    發行日期：11 April 2005
  2. Technologic
    發行日期：14 June 2005
  3. Human After All
    發行日期：21 October 2005
  4. The Prime Time of Your Life
    發行日期：17 June 2006

Human After All is the third studio album by French electronic music duo Daft Punk, first released on 14 March 2005 through Virgin Records. Unlike their previous studio album Discovery (2001), whose sound was inspired by disco and garage house and produced over the period of two years, Human After All was more minimalistic and improvisational with a mixture of heavier guitars and electronics, and was produced in six weeks.

Human After All received mixed reviews from critics, who derided its minimalistic, repetitive nature and its six-week production time. However, the singles "Robot Rock" and "Technologic" charted in several countries, while the title track charted in France. Daft Punk incorporated the songs into their Alive 2006/2007 tour, which received critical acclaim. Human After All reached number one on the Billboard Dance/Electronic Albums chart, and was nominated for the 2006 Grammy Award for Best Electronic/Dance Album.

  1. ^ The 50 Most Iconic Australian Music Moments Of All Time. Rolling Stone Australia. 7 March 2023 [18 February 2024]. 

結束

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Face to Face (蠢朋克歌曲)

[編輯]
Face to Face
蠢朋克客串Todd Edwards的單曲
收錄於專輯《Discovery》
發行日期2003年10月
類型
時長3:58
唱片公司維京唱片
詞曲
製作人蠢朋克, Todd Edwards
蠢朋克客串Todd Edwards單曲年表
更努力，更好，更快，更強
（2001年） 		Face to Face
（2003年） 		關於我們
（2003年）
音樂影片
YouTube上的"Face to Face"

《Face to Face》is a song by French electronic music duo Daft Punk, featuring vocals and co-production by American house music producer Todd Edwards. It was released as the fifth single from their 2001 album Discovery. Promotional 12" singles were released for those who pre-ordered the 2003 remix album Daft Club, and a CD single containing a remix of the song by French producer Demon was released commercially. As part of Discovery, the song appears in the film Interstella 5555: The 5tory of the 5ecret 5tar 5ystem, and the section of the film in which the song appears serves as its music video. The song topped the Billboard Hot Dance Club Play chart in 2004.

背景

[編輯]
Daft Punk collaborated with Todd Edwards, using his "cut-up" production style in the song.

Thomas Bangalter and Guy-Manuel de Homem-Christo of Daft Punk had met Todd Edwards before releasing their 1997 debut album, Homework. They wanted to collaborate with Edwards but struggled to convince him due to their then-unknown status.[2] While the collaboration didn't materialize, Daft Punk cited Edwards as an influence in their track "Teachers." They reconnected in 1999, meeting at Edwards' parents' house in New Jersey, where Edwards had his home studio.[3][4]

After gathering potential samples, the three worked on the track, with Bangalter aligning the samples to the same key. They laid down a drum loop, with Edwards and Bangalter playing the samples while Guy-Manuel de Homem-Christo provided verbal input. One of the samples, featuring the lyrics "Christopher Robin," resembled the words "face to face" and inspired the song's title.[4] After recording the base of the track, Daft Punk flew Edwards to Paris twice to complete the work at Bangalter's home studio.[3] During the second trip, they instructed him to sing with a raspier tone, "like the guy from Foreigner."[5][6] The completed song contains Edwards' first two vocal takes, layered to create a doubling effect. Bangalter commented, "Todd Edwards sings sometimes, but not like that. I think we were all very excited and surprised by the way he could sing this song."[7]

The duo expressed gratitude for collaborating with Edwards, noting that it allowed them to branch out creatively. They remarked that "we are free to explore other areas. It will be interesting to see what we'll do next. Now we can work with other people."[2] They would later reunite with Edwards for the song "Fragments of Time", from their 2013 album Random Access Memories.[3]

作曲

[編輯]

"Face to Face" is composed in a common time of 4/4, with a tempo of 118 BPM in the key of G-sharp minor. As the album was originally conceived to accompany a live-action film, with "Face to Face" being intended for a battle scene, Edwards aimed to write lyrics that could resonate whether sung to another person, one's own reflection, or to God.[4] According to Bangalter, the preceding track "Short Circuit" symbolized shutdown, followed by a moment of awakening to face reality.[8]

發布和評價

[編輯]

"Face to Face" was released as a limited promotional single in 2003, two years after its inclusion on Discovery. It has been featured in several lists highlighting the top singles by Daft Punk and Todd Edwards. Mixmag placed it 30th among their top 33 songs, while Los Angeles Times ranked the song as the fourth greatest moment from the duo out of ten.[7][9] In reviews of the album, John Bush of AllMusic described "Face to Face" as "[twisting] his trademarked split-second samples and fully fragmented vision of garage into a dance-pop hit that could've easily stormed the charts in 1987," while Stephen Dalton of NME described the song as "slice'n'dice Shannon-style clunk-funk."[1][10] In a retrospective on the duo's career, Jeffrey Rosen of The Emory Wheel called the song "incredibly forward-thinking, perfecting the aesthetics of future-funk and vaporwave more than a decade before their real conception as a genre," alongside "High Life."[11]

商業表現

[編輯]

"Face to Face" debuted on the Billboard Dance Club Songs chart on 17 January 2004, reaching the number one spot on 20 March 2004, before being overtaken by Britney Spears's "Toxic" the following week.[9] The song stayed on the chart for a total of 16 weeks.[12] Edwards received a framed Gold record for his contributions because of the song's inclusion in Discovery.[13][14] Edwards himself was unaware that the single reached number one, due to a strained relationship with his manager.[15]

音樂視頻

[編輯]

"Face to Face" is featured in the 2003 animated film Interstella 5555: The 5tory of the 5ecret 5tar 5ystem, which serves as a visual realization of Discovery. The film was written by Daft Punk in collaboration with Cédric Hervet and directed by Kazuhisa Takenouchi, Hirotoshi Rissen, and Daisuke Nishio under the visual supervision of Leiji Matsumoto.[16] The "Face to Face" segment follows the aftermath of the extraterrestrial pop band The Crescendolls seemingly subduing the villain, Earl de Darkwood, at his manor. Construction crews unearth the space vessel piloted by Shep, who had rescued the band from enslavement and brainwashing by Darkwood, who had disguised himself as their manager. Police investigate the record company the band had been signed to and search every part of Darkwood Manor. A news report depicts montage scenes of an operation to send The Crescendolls back to their home planet using Shep's ship. The report also explains the situation, revealing that The Crescendolls were not the only group to have experienced this. One of the band members, Octave, is shown in a hospital, recovering from an earlier altercation with security guards at the record company. As the band prepares to leave Earth, people wave goodbye to them from all over the world.[17]

曲目列表

[編輯]
12" Maxi (Virgin 7087 6 18299 1 4)[18]
曲序曲目時長
1.Face to Face3:58
2.Face to Face（Demon remix）6:58
3.Face to Face（Cosmo Vitelli remix）4:53
總時長：15:49

製作人員

[編輯]

「Face to Face」的字幕改編自12Maxi單曲單曲說明。[18]

排行榜

[編輯]
成績(2004) 峰值
分數
美國（《告示牌》Dance Club Songs）[12] 1

參見

[編輯]

參考文獻

[編輯]
  1. ^ 1.0 1.1 Bush, John. Discovery – Daft Punk. AllMusic. [20 April 2013]. （原始內容存檔於8 April 2013）.  引用錯誤：帶有name屬性「Bush」的<ref>標籤用不同內容定義了多次
  2. ^ 2.0 2.1 Gill, Chris. ROBOPOP – An Interview with Daft Punk. Remix. 1 May 2001 [28 January 2011]. （原始內容存檔於3 May 2008）. 
  3. ^ 3.0 3.1 3.2 Bain, Katie. 20 Questions With Todd Edwards: Remixing Fatboy Slim, Working With Daft Punk & Quitting (Then Returning To) Music. Billboard. 21 October 2021. 
  4. ^ 4.0 4.1 4.2 Sing It Like Foreigner: When Daft Punk Met Todd Edwards. The Quietus. 2 October 2021. 
  5. ^ Petridis, Alexis. ‘I’ve ridden the storm’: Todd Edwards, the inspiring force for Daft Punk and UK garage. The Guardian. 29 July 2021. 
  6. ^ Dombal, Ryan. Daft Punk: Cover Story Outtakes. Pitchfork. 15 May 2013. 
  7. ^ 7.0 7.1 引用錯誤：沒有為名為besttracks的參考文獻提供內容
  8. ^ Marti, Piers. Daft Punk: The Birth of the Robots. Vice. 3 December 2013 [13 January 2014]. （原始內容存檔於13 January 2014）. 
  9. ^ 9.0 9.1 Brown, August. Harder, Better, Faster, Stronger: Daft Punk’s 10 greatest moments. Los Angeles Times. 22 February 2021. 
  10. ^ Dalton, Stephen. Daft Punk : Discovery. NME. 12 September 2005. 
  11. ^ Rosen, Jeffrey. Daft Punk: A Legendary Career in Review. The Emory Wheel. 23 February 2021. 
  12. ^ 12.0 12.1 "Daft Punk Chart History (Dance Club Songs)". Billboard. [31 January 2014].（英語）.
  13. ^ Szatan, Gabriel. The rebirth of Todd Edwards. DJ Mag. 7 July 2021. 
  14. ^ Firsts with Todd Edwards. Notion. 10 February 2023. 
  15. ^ Todd Edwards. Pitchfork. 6 November 2014. 
  16. ^ Daft Punk: 'Interstella 5555', la sensacional película del dúo francés. El Heraldo de México. February 22, 2021 （西班牙語）. 
  17. ^ Santorelli, Dina. Daft Punk: A Trip Inside the Pyramid. Omnibus Press. 2014: 1922–1924. ISBN 978-1783232932. 
  18. ^ 18.0 18.1 Face to Face (音像媒體說明). Daft Punk. Virgin Records. 2003. 7087 6 18299 1 4. 

相關鏈接

[編輯]

Category:傻瓜龐克歌曲 Category:2001年歌曲 Category:維京唱片歌曲 Category:2003年單曲 Category:動畫歌曲

結束

[編輯]

托德·愛德華茲

[編輯]
托德·愛德華茲
Todd Edwards
愛德華茲在2012年打碟現場
音樂家
暱稱
  • The Messenger
  • The Sample Choir
  • Sunshine Bros.
出生
Todd Edward Imperatrice
托德·愛德華·英佩拉特里斯

(1972-12-09) 1972年12月9日（52歲）
美國，新澤西州，Bloomfield
職業
  • 唱片製作人
  • DJ
  • 歌手
  • 作曲家
音樂類型
演奏樂器
活躍年代1992–現在
唱片公司Nervous唱片公司 (美國)（英語：Nervous Records (US)） ， i!，缺陷唱片公司（英語：Defected Records）
網站toddedwardsmusic.com
相關團體

Todd Edward Imperatrice (born December 9, 1972[1]), known professionally as Todd Edwards, is an American garage house record producer, DJ and singer. Edwards has been an influence on electronic music, being an inspiration for the French house duo Daft Punk and helping create the UKG genre.[2][3]

He began his career producing primarily for New York's Nervous Records in the 1990s, including under aliases such as the Messenger and the Sample Choir.[1] Edwards' music is known for its influence on the UK garage scene that developed in the United Kingdom in the mid-1990s.[4]

Beginning with his 1993 single "Guide My Soul," Edwards helped pioneer the speed garage genre.[1] His work is known for his "innovative blend of rhythmic, cut-and-paste vocal samples, rubbery basslines, and slapping percussion,"[1] which showcased an intensive sampling and remixing technique in which vocals are chopped into micro-sized sections.[4] His 1994 single "Saved My Life" became a club hit in the UK.[1] In 1999, Nervous collected several of his productions on the compilation Todd Edwards' Nervous Tracks and i! Records released the LP Prima Edizione, collecting several more tracks from this era.[1]

Edwards has remixed hundreds of artists, including Wildchild, St. Germain, Benjamin Diamond, Justice, Klaxons and Dimitri from Paris. Edwards has also collaborated with Daft Punk, co-producing and contributing vocals on the songs "Face to Face" (2001) and "Fragments of Time" (2013); the latter won him a Grammy Award for its inclusion on that year's winning album Random Access Memories.

結束

[編輯]
  1. ^ 1.0 1.1 1.2 1.3 1.4 1.5 Bush, John. Todd Edwards - Biography. AllMusic. [8 March 2022]. 
  2. ^ Gill, Chris. ROBOPOP – An Interview with Daft Punk. Remix. 1 May 2001 [28 January 2011]. （原始內容存檔於3 May 2008）. 
  3. ^ Petridis, Alexis. ‘I’ve ridden the storm’: Todd Edwards, the inspiring force for Daft Punk and UK garage. The Guardian. July 29, 2021 [May 16, 2024]. 
  4. ^ 4.0 4.1 Reynolds, Simon. The Wire 300: Simon Reynolds on the Hardcore Continuum Series #6: Two-Step Garage (1999) – The Wire. The Wire Magazine – Adventures In Modern Music. [2017-04-19] （英語）. 
取自「https://zh.wikipedia.org/zhwiki/w/index.php?title=User:王炯浜/User:王炯浜/创建区&oldid=83608346」