Talk:Britpop: Difference between revisions
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{{British English}} |
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{{WikiProject Alternative music|class=B|importance=High}} |
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{{afd-merged-from|Britpop revival|Britpop revival|13 January 2018}} |
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{{WikiProject Music/Music genres task force}} |
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{{WikiProject Alternative music|importance=High}} |
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{{WikiProject United Kingdom |importance=Low}} |
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{{AMCOTWPast}} |
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{{refideas |
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|1=http://www.nme.com/photos/oasis-blur-pulp-us-bands-heavily-inspired-by-britpop/347969 |
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|2=http://www.stereogum.com/1676604/its-britpop-week-on-stereogum/franchises/20-years-of-britpop/ |
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|3=http://www.stereogum.com/1676549/caught-by-the-buzz-a-look-back-at-britpops-b-list/franchises/20-years-of-britpop/ |
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|4=http://www.stereogum.com/1677787/stars-of-britpop-where-are-they-now/franchises/20-years-of-britpop/ |
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|5=http://www.stereogum.com/1677653/greyscale-confessions-damon-albarn-on-life-technology-everyday-robots-and-the-legacy-of-britpop/franchises/20-years-of-britpop/ |
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|6=http://www.stereogum.com/1678193/the-sound-of-someone-losing-the-plot-britpops-big-comedown-and-what-came-next/franchises/20-years-of-britpop/ |
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|7=https://www.altpress.com/features/history-of-britpop-oasis-blur-the-verve/ |
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}} |
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== Grunge - I disagree that Britpop was seen as a reaction to it == |
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There are some mistakes in this article that i'm not too sure about. Shoegazing was ''Influenced by'' jesus and mary chain and my bloody valentine, weren't both of these bands part of this movement, i know for a fact that MBV formed in the late 80's. And the cultural origin, 1993? Pulp have been around since the 70's. |
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I was there at the time. Nirvana were huge, and other grunge bands were popular, but nevertheless grunge was not a particular important genre to British audiences. No one was saying "I'm sick of all this grunge, let's do artful guitar pop like the Beatles/Kinks/Smiths instead." It emerged more naturally than that. Blur was the only band explicitly reacting to American culture, and Britpop is more than just Blur. <small class="autosigned">— Preceding [[Wikipedia:Signatures|unsigned]] comment added by [[Special:Contributions/2.27.80.242|2.27.80.242]] ([[User talk:2.27.80.242|talk]]) 16:33, 23 December 2014 (UTC)</small><!-- Template:Unsigned IP --> <!--Autosigned by SineBot--> |
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== Invasion? == |
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What is a British invasion?, as in 'The movement is regarded as a direct continuation of the British Invasions in the 60s and 80s'. And why is an article on BRITpop seemingly written with an american perspective? It should be written with no perspective, just give the facts etc, or at the very least write with a british perspective. |
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::I agree, and it seems that the whole "reaction to American Grunge" narrative is a journalistic construct driven by British music writers and critics who feel it necessary to define the constraints of Britpop's evolution under that very paradigm.--[[Special:Contributions/71.177.31.147|71.177.31.147]] ([[User talk:71.177.31.147|talk]]) 21:22, 26 December 2014 (UTC) |
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The british invasion was pretty much the beatles. It's a common term, it means the success of british bands in America. |
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:::From my researches, Britpop was a media created and media driven movement. Most informed sources point to the Select magazine issue of April 1993 as the point of origin for Britpop. And that article was spurred by a response to the NME's hostile reaction to Morrissey draping himself in the Union Flag six months earlier, and to the influence of grunge, Kurt Cobain in particular, on the UK music scene. Here's the first page of that article: [http://selectmagazinescans.monkeon.co.uk/showpage.php?file=wp-content/uploads/2010/11/britpop1.jpg]. '''[[User:SilkTork|<span style="color:purple; font-family: Segoe Script">SilkTork</span>]]''' '''[[User talk:SilkTork|<sup style="color:#347C2C;">✔Tea time</sup>]]''' 10:37, 24 February 2016 (UTC) |
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== Quite poor == |
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::::I've just noticed that [[Stuart Maconie]] was responsible for both the Select article and the NME article: [http://motorcycleaupairboy.com/interviews/1992/caucasian.htm]. '''[[User:SilkTork|<span style="color:purple; font-family: Segoe Script">SilkTork</span>]]''' '''[[User talk:SilkTork|<sup style="color:#347C2C;">✔Tea time</sup>]]''' 10:52, 24 February 2016 (UTC) |
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This article really has very little to do with Britpop, which is certainly NOT synonymous with the mellotron! Better research is needed to make this article at all informative. |
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:::::Does this need to be "Stuart Maconie has claimed that...".--<span style="font-family:Black Chancery;text:grey 0.3em 0.3em 0.1em;">'''[[User:Sabrebd|<span style="color:blue;">SabreBD</span>]]''' ([[User talk:Sabrebd|talk]])</span> 11:51, 24 February 2016 (UTC) |
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::::::Maconie claims to be the one to invent the term "Britpop", but I'm not seeing any evidence of that. He doesn't use the term in the Select issue that sources point to as the start of Britpop (he says "Great British pop", he says "British pop" and he invents a term that was never repeated of "Crimpolinism"). But that the term wasn't used, doesn't mean that the concept wasn't started, and perhaps when he says he invented the term, perhaps what he means is the concept. And that April 1993 Select issue does bring together some of the elements most associated with Britpop, and that is what informed sources say is an origin of the concept. I'm still looking into this, and I'm up to late 1994 with no evidence yet of the use of the term in the papers, though some sources say that the term was being used by papers in 1994. I'm reading reviews in the music papers of albums by the main Britpop bands, and nobody is yet using the term Britpop! This is not a concern, as most movements or musical styles are not born in one moment with a ready description. The description tends to come later. Though it would be useful to get some specific details for the article so that we are not asserting something such as "the Britpop" term was invented in 1993 and was widely used by the media in 1994" which appears not to be true, though we can say that "sources say Britpop originated with the April 1993 issue of Select" or - as we have at the moment: "The issue included features on Suede, The Auteurs, Denim, Saint Etienne and Pulp and helped foment the idea of an emerging movement", which I think is acceptable (though perhaps "encourage" or "instigate" might be more readily understandable words than "foment"). '''[[User:SilkTork|<span style="color:purple; font-family: Segoe Script">SilkTork</span>]]''' '''[[User talk:SilkTork|<sup style="color:#347C2C;">✔Tea time</sup>]]''' 14:40, 24 February 2016 (UTC) |
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Exactly. Lots of bits and pieces strung together into an article. |
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Even during August 1995, the "Battle of Britpop", I'm not finding the term used in music or mainstream newspapers - as shown here: [http://www.masterton.co.uk/2015/08/the-battle-of-britpop-the-result/]. '''[[User:SilkTork|<span style="color:purple; font-family: Segoe Script">SilkTork</span>]]''' '''[[User talk:SilkTork|<sup style="color:#347C2C;">✔Tea time</sup>]]''' 14:24, 26 February 2016 (UTC) |
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--[[User:Madchester|Madchester]] 03:27, 16 Feb 2005 (UTC) |
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== |
==Merge [[The Britpop Story]]== |
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I'm not seeing significant enough notability or material for having [[The Britpop Story]] as a standalone article. '''[[User:SilkTork|<span style="color:purple; font-family: Segoe Script">SilkTork</span>]]''' '''[[User talk:SilkTork|<sup style="color:#347C2C;">✔Tea time</sup>]]''' 16:29, 27 February 2016 (UTC) |
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== Where's Ray Davies and XTC? == |
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I'm going to revert this. [[User:Painbearer|Painbearer]] has taken completely replaced the original article with a bunch of waffle on the significance of the mellotron which is also a copyvio (cf http://freespace.virgin.net/andy.thompson/britpop.htm) [[User:Djbrianuk|Djbrianuk]] 26th Jan 2005 0249 GMT |
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I've seen both referred to as the "Godfather of Britpop". Yet no mention in the article. What gives? Some sources: |
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== Better, but... == |
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*{{cite web|last1=D.|first1=Spence|title=Top 25 Britpop Albums|url=http://www.ign.com/articles/2007/04/20/top-25-britpop-albums|website=[[IGN]]|date=20 April 2007}} |
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*{{cite web|last1=Reid|first1=Graham|title=XTC's Andy Partridge interviewed: A man in the middle ages|url=https://www.elsewhere.co.nz/absoluteelsewhere/484/xtcs-andy-partridge-interviewed-a-man-in-the-middle-ages-1999/|website=Elsewhere|date=1999}} |
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*{{cite web|last1=Schabe|first1=Patrick|title=The Man Who Sailed Around His Soul|url=https://www.popmatters.com/the-man-who-sailed-around-his-soul-2495729988.html|website=[[PopMatters]]|date=27 October 2006}} |
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* {{cite book|ref=|last1=Bennett|first1=Professor Andy|last2=Stratton|first2=Professor Jon|title=Britpop and the English Music Tradition|url=https://books.google.com/books?id=Ts-hAgAAQBAJ&pg=PA49|date= 2013|publisher=Ashgate Publishing, Ltd.|isbn=978-1-4094-9407-2}} |
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* {{cite book|ref=|last=Hasted|first=Nick|title=You Really Got Me: The Story of The Kinks|url=https://books.google.com/books?id=eDv_AgAAQBAJ&pg=PT309|year=2017|publisher=Omnibus Press|isbn=978-0-85712-991-8}} |
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--[[User:Ilovetopaint|Ilovetopaint]] ([[User talk:Ilovetopaint|talk]]) 15:30, 15 January 2018 (UTC) |
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== Britpop revival == |
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[[User:Painbearer|Painbearer]] has redone the article without the copyvio. I'm still somewhat askance at his decision to completely delete the consensus article created between 2002 and 2004 with a completely new article written solely by himself. I feel wikipedia works best when there is a synthesis of contributions combined into one article rather than a single source. I'm also not certain if the Oasis vs Blur material is NPOV. I invite others to scrutinize his work vs the November 2004 incarnation by [[User:Jumbuck|Jumbuck]] and make their own comments. [[User:Djbrianuk|Djbrianuk]] 12:20, 26 Jan 2005 (UTC) |
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The section is merged from [[Britpop revival]] following a discussion: [[Wikipedia:Articles for deletion/Britpop revival]]. If you disagree with the merge, you can discuss it here. [[User:Hzh|Hzh]] ([[User talk:Hzh|talk]]) 15:24, 23 February 2018 (UTC) |
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== Major Edit == |
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== TFI Friday == |
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I've decided to be bold and take a large axe to this article, which IMHO contained far too much information of peripheral importance. A lot of it is far more appropiate to individual band pages rather than here. I've also tried to tighten the article up considerably, remove a lot of excessively wordy phrasing, and NPOV it as much as possible. Considering this article is one of [[User:Painbearer|Painbearer]]'s pet projects I'm anticipating flak, but it needed to be done [[User:Djbrianuk|Djbrianuk]] 01:59, 8 Mar 2005 (UTC) |
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From NME<ref>https://www.nme.com/features/landfill-indie-snobbery-2741199</ref>... |
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"With only maybe 20 actual Britpop bands to play with, compilation compilers, listicle writers and documentarians, by necessity, expanded the edges of the scene to take in swathes of bands that had arse all to do with it: The Verve, Manic Street Preachers, Radiohead, Ocean Colour Scene, Reef". |
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== Anyways == |
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Maybe it had to be done - it's people's right to have an opinion. Yet I think that my article couldn't be cut so harshly with the axe being so big. In my opinion this edit is rather radical and inconvinient, with the article more or less unsuitable at places. To clarify the things about the incompabiltiy, it's very visible where the article was cut in pieces and that there were things that didn't match a lot and give this sense of incompability. With more complicated, respectfully and carefully editing, it could be turned to the best, but in my opinion the Britpop section turns to be mediocre. But if any of you guys can propose something better than this - I'd gladly hear it... You'd better do it, because I will leave this project at once...--[[User:Painbearer|Painbearer]] 15:06, Mar 8, 2005 (UTC) |
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I would agree with the NME is correct on this viewpoint, but with the mention of Ocean Colour Scene and Reef being lumped in with this scene, maybe the article needs to have a mention of 'TFI Friday' somewhere, as it seems to be the show most associated with the Britpop scene<ref>https://www.radiotimes.com/tv-programme/e/dnktk7/tfi-friday--series-7-episode-1/</ref><ref>https://www.dailymail.co.uk/home/event/article-7382993/The-rise-fall-Cool-Britannia.html</ref><ref>http://www.krisgriffiths.co.uk/blog/a-reflection-on-britpop?view=full</ref>. |
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== Still not as good as before == |
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It's better this way, but I still think it could be better. Considering it's still my revisited article, I'll still consider it as my project. But taking the cut to the fore, I'll try to reach the balance, between good information and quantity. – [[User:Painbearer|Painbearer]] 22:26, Mar 12, 2005 (UTC) |
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{{reflist-talk}} |
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== Chart == |
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== The Good Mixer, Camden == |
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I like this since it's been done up, but that chart gives me a headache. It's dead confusing and it dosnt seem that helpful. Can anything be done about tha-hat?--[[User:Crestville|Crestville]] 00:18, 13 Apr 2005 (UTC) |
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I don't think there is anything about The Good Mixer pub in this article. <!-- Template:Unsigned IP --><small class="autosigned">— Preceding [[Wikipedia:Signatures|unsigned]] comment added by [[Special:Contributions/81.154.172.75|81.154.172.75]] ([[User talk:81.154.172.75#top|talk]]) 17:24, 22 November 2020 (UTC)</small> <!--Autosigned by SineBot--> |
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== Post-Britpop == |
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I really don't think there's any need for the Second Wave stuff - a lot of these bands have nothing to do with Britpop, it's like calling Blur a Second Wave English punk band. I think the article gets by just having the death of Britpop bit. I'd add a bit about the NME 'Noel's burning guitar' issue, just because it was funny that the NME decided it didn't want to have any readers any more, so stopped record executives pouring money into rubbish Britpop bands by declaring it dead. |
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:Yes that stuff about the second wave of Britpop is cobblers. Travis and Coldplay and the like are not part of the same movement at all, not even the same sound. [[User:Jeff Watts|JW]] 12:03, 23 September 2005 (UTC) |
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::Travis have been around for a long time, they got a big lift from supporting Oasis around 1996. Recently they have copied the Coldplay sound. [[User:Catchpole|Catchpole]] |
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== General comments == |
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There are still a lot of problems with this page, especially to do with the writing style (sometimes almost semi-literate) and several factual mistakes (Belle and Sebastian in 1995?). I also personally think that we should limit the frame to 1997 or so. maybe there could be a second article about the "second wave" thing - shame the IPC sub-editors decided not to invent a name for them. --[[User:Sachabrunel|Sachabrunel]] 14:53, 17 November 2005 (UTC) |
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Also, that chart at the bottom - what is it supposed to mean exactly? I see what whoever drew it was trying to do but the dates are wrong beyond belief. --[[User:Sachabrunel|Sachabrunel]] 15:40, 18 November 2005 (UTC) |
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Where is the rest of the Oasis page, its like its not been finished! |
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== Influences == |
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The influences section needs to be rewritten, as it currently reads like a brief summary of the history of rock music. We should indicate exactly what Britpop bands drew form these influences and why they matter. |
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And someone please explain to me how progressive rock was a major influence on Britpop. [[User:AJ Ramirez|WesleyDodds]] 11:29, 18 December 2005 (UTC) |
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The whole thing needs to be completely rewritten, I'd say 10 - 20 percent is salvagable. I think we need to get the definition of 'britpop' cleared up once and for all. That utterly ludicrous list of the '100 greatest britpop bands' linked includes The Lighthouse Family, Suggs and David Gray. |
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Also there is a section called 'Death of the Britpop'. What language is that supposed to be exactly? |
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I'm going to take a day out and work on this next week, suggestions welcome. --[[User:Sachabrunel|Sachabrunel]] 15:39, 18 December 2005 (UTC) |
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== Too Narrow == |
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Surely the term 'Britpop' has been around longer than 1987- we used to call The Smiths, Cure, New Order et al Britpop back in the early-mid eighties. The genesis of the word- 'British' and 'Popular' suggests a much broader definition. I'd include the bands listed as influences into the category- were they not British, were they not Popular? If you wish, sub-divide the category into Shoegaze, Madchester, Glam, etc. Here is an admittedly incomplete but I believe instructive list of classic Britpop hits (sort of chronological): |
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Song: Artist |
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Making Time: Creation |
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Paperback Writer: The Beatles |
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A Quick One While He's Away: The Who |
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Queen Bitch: David Bowie |
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Teenage Kicks: The Undertones |
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Hot Child In The City: Nick Gilder And Time Machine |
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Jet: Paul McCartney |
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Slap And Tickle: Squeeze |
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Peaches: The Stranglers |
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Pump It Up: Elvis Costello & The Attractions |
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Canary In A Coalmine: The Police |
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Save It For Later: The English Beat |
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Come Dancing : The Kinks |
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Undercover of the Night: The Rolling Stones |
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Age Of Consent: New Order |
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The Cutter: Echo & The Bunnymen |
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Yin And Yang The Flowerpot Man: Love & Rockets |
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Primary: The Cure |
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The Queen Is Dead (Take Me Back To Dear Old Blighty): The Smiths |
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Down On Me: The Jesus & Mary Chain |
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Like A Daydream: Ride |
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Destroy The Heart: House of Love |
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I Am The Resurrection: The Stone Roses |
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I'm Losing More Than I'll Ever Have: Primal Scream |
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Sproston Green: The Charlatans |
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Dennis And Lois: Happy Mondays |
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Son Of A Gun: The La's |
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Louis XIV: The Wolfgang Press |
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Soon: My Bloody Valentine |
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Stutter: Elastica |
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The Bends: Radiohead |
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M.O.R.: Blur |
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Party Hard: Pulp |
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I Could Be Dreaming: Belle & Sebastian |
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Jacqueline: Franz Ferdinand |
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I Predict A Riot: Kaiser Chiefs |
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Not neccessarily the best song from each band or the most represtantive either, but a good list nonetheless. Feel Free to add. |
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Less about beats, harmonies, lyrics or insturmentation, Britpop should be defined by its attitude: Bombastic, defiant, and ultimately hopeful. |
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----Baron Kimball |
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:'''Re above''' Pretty poor, Britpop most certainly does not include anything in the 80's. And in any case your list omits Oasis - just shows you how much about britpop! What utter twaddle. PS - The Kasier chiefs - Britpop (dear oh dear)----Chris Phillips |
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:'''Re above'''- We can't have an encyclopedia article about a vague idea. Britpop does not equal British pop, it is a term applicable to a limited number of bands in 1994-1997 only. A scene in Camden around the Good Mixer (yes, even Oasis went there), a magazine, Select, and less a style of music than a style of dress. Unfortunately because the term itself is so vague people think they can apply it as wide as they like. Perhaps we can divide this into two and have a disambiguation page. Of the bands above, Elastica, Blur and Pulp were part of the britpop movement. Radiohead weren't really. The rest weren't at all. Ditto most of the bands mentioned in the article. --[[User:Sachabrunel|Sachabrunel]] 19:37, 19 December 2005 (UTC) |
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:Yes, this article is about an indie/alternative movement in the 90's. Sure the term Britpop had been around for a while and used as a simple adjective (like New Wave) but it wasn't until 1995 or so that it was applied to a set of bands to describe a genre/movement. Pretty much all the early artists listed are influences who can be filed under "British guitar pop" which describes an awful lot of bands in the hsitory of music. Bands like the Stone Roses and the La's are more the direct progenators of the genre we call Britpop. [[User:AJ Ramirez|WesleyDodds]] 23:49, 19 December 2005 (UTC) |
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::'''How about this?''' We need to seperate this out, much of the information should be in a general history of British guitar music / indie music which should have its own page. This could be explained at the top, perhaps with a disambigation page. Something like "Britpop is a term often applied to a movement in British indie music in the mid 1990s, though it has also been used since as a catch-all term for British guitar music in general." A bit wordy, but you get the idea. --[[User:Sachabrunel|Sachabrunel]] 19:18, 20 December 2005 (UTC) |
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:::I'd say that'd work fine if we put it in the article, but making separate pages would be unnecessary. People don't need to know every meaning of a word (hence the "Wikipedia is not a dictionary" mandate). [[User:AJ Ramirez|WesleyDodds]] 00:18, 21 December 2005 (UTC) |
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::::Ok, I agree on this. Is there a general British guitar music article? Could have a explanation and then a link there at the top, that's what I'd like to see. --[[User:Sachabrunel|Sachabrunel]] 21:28, 21 December 2005 (UTC) |
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:Shouldn't someone make some mention of the gorillaz, i mean, aren't they modern britpop?----SOAD_ROCKS |
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==Proposed changes - please read== |
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I'm listing here a few of the more major problems with the article for comments, please explain why any of these things should be here if you want them to stay. |
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Very POV: |
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"big, catchy hooks" |
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"lack of innovation and highly derivative nature" |
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"live performances tended to be exercises in endurance" |
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"mainly derivative bands" |
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"unfairly been associated with the Seattle scene by a lazy media" |
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"the much-lamented Menswear" |
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"overproduced and bloated "acid" sound, characterised with endless guitar riffs and lack of originality in making the songs" |
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"more sophisticated acts like Radiohead and The Verve" |
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"none managed to show the brilliance that they displayed during their first three albums" |
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Exaggeration / hyperbole: |
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"incredibly popular" |
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"In the wake of these revolutions" |
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"The movement also exercised a brief period of cultural hegemony" |
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"Suede's poppy [[1996]] album ''[[Coming Up]]'' was a needed tonic" |
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Broken / garbled / bizarre English: |
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"Oasis are cited as a transcendental band of Madchester, as the initial line-up were all from Manchester." |
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"This and the sophomore great albums kickstarted the movement and in the following three years ([[1993]] – [[1995]]) other Britpop and similar style acts just poured" |
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"While this battle raged on Pulp took the spots with the magnificent single" |
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"The battle was also on a "representative" points as Blur praised Mod bands like Small Faces and the Kinks, while Oasis - obvious Rocker trends" |
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"because of it massive popularity at the time and because acts represented particular musical influence or movement in their music" |
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"they granted the movement the chance for rolling for some more" |
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"Ironically a couple of years after Coxon left, he realigned with Street to record his most successful solo records" (How is this ironic?) |
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Seemingly endless lists of bands for no good reason: |
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"Also quite influential were [[1970s]] and [[1980s]] [[glam rock|glam]] idols such as [[David Bowie]], [[Lou Reed]] [[T. Rex (band)|T. Rex]], and [[Roxy Music]], as well as [[punk rock|punk]] and [[New Wave (music)|New Wave]] artists [[The Sex Pistols]], [[The Clash]], [[The Jam]], [[Buzzcocks]], [[Madness (band)|Madness]], [[The Specials]]..." |
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Outright fantasies: |
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"Weller in particular is praised as the founder and initiator of the movement" (by who?) |
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"(In Britain and Ireland it became popular for a time when asked "What's the story?" (lit. "How are you?"), to answer with "Morning glory".)" (I lived there, it didn't) |
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"their regular alcohol, cocaine and crack usage" (Heroin was on the scene, not crack at all) |
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"the public was buying almost everything that was released" (Erm...) |
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Inclusion of unrelated bands: |
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"There were also Irish acts such as - [[the Cranberries]]" |
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The problem here is where to start. I'd like to scrap the whole thing and start again to be honest, and not just because of the problems above. The flow of the article is bizarre - it goes backwards and forwards constantly. A lot of the language just doesn't belong in an encyclopedia article. Maybe some hack job in a bad fanzine. There is too much information that should be on other pages, for example that long paragraph about Pete Doherty and the overdetailed information about Oasis. I could go on. |
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--[[User:Sachabrunel|Sachabrunel]] 16:28, 31 December 2005 (UTC) |
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== My opinion == |
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It's quite late and I'm gonna be brief. I think that truly this article needs a lot of editing. But, I don't know if I am the right person to do this. Anyway, I think that Brett Anderson had an addiction to the crack, but I might be wrong. But, I think that the article truly deserves significant editing. Otherwise, I can provide help, but I do not think that I am capable enough of rewriting the article by my own, although most of it information is done solely by me. On the other look, the work here is something very valuable to me as a person and probably I will stay around to do more work. In fact, I am willing to rewrite big portions of it and probably I will scrap some of it. [[User:Painbearer|Painbearer]] 00:45, 2 January 2006 (UTC) |
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==Quite.== |
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In particular there's a lot of hyperbole towards the end about Oasis. OK, they were a significant act but there's no need to try and justify their recent career. |
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In particular it's annoying when people try and attribute their own music tastes to 'influences', such as early 80s. This has been a problem on other music entries as well, when people have generalised or gone off on tangents. |
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Can Painbearer please restrain himself in future? |
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:I doubt it.--[[User:Crestville|Crestville]] 17:27, 8 March 2006 (UTC) |
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==BTW== |
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If we're looking for a definitive era (as opposed to including everything from when John Lennon first picked up a guitar), can we limit ourselves to the period covered by the BBC link at the end of the article? (ie. 1994-1998) |
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== typos and Britrock == |
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The current article is littered with spelling mistakes and prepositions missed. Needs a thorough re-read. |
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Britrock redirects here but was something separate but much more minor. |
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-- [[User:Beardo|Beardo]] 05:40, 24 March 2006 (UTC) |
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== iconically / ironically == |
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Crestville recently corrected several spelling errors http://en.wikipedia.org/enwiki/w/index.php?title=Britpop&diff=45275384&oldid=45255480 |
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One change was to amend "decidedly British singing which would later become iconically recognised as "Britpop"." by changing iconically to ironically. I think iconically was what was actually meant, though I am not sure if it is a real word. |
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-- [[User:Beardo|Beardo]] 01:48, 27 March 2006 (UTC) |
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I used spellcheck so its very possible your right--[[User:Crestville|Crestville]] 17:51, 27 March 2006 (UTC) |
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Meriam Webster confirms that the word exists - - icon·i·cal·ly /-ni-k(&-)lE/ adverb - I am sure that is what was meant, and have reverted. Thanks for all the other corrections though - it needed that ! -- [[User:Beardo|Beardo]] 12:44, 30 March 2006 (UTC) |
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== Images== |
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Someone removed the good article tag becuase there are no images. Obviously, thining up an image for a genre would be hard. I suggest either some comtempory Union Jack motif or a band. Obviously, we'd have to vote on which band best encapsulates the movement and knowing this site that would never bloody get resolved. Any ideas?--[[User:Crestville|Crestville]] 16:30, 9 May 2006 (UTC) |
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:Two pictures - one of Blur and one of Oasis ? Record covers ? Something to epitomise the battle of the bands between Blur and Oasis ? Something like this except I assume its copyright http://www.amazon.com/gp/product/images/B0001I2BUS/ref=dp_image_text_0/002-6667518-7704832?%5Fencoding=UTF8&n=130&s=dvd -- [[User:Beardo|Beardo]] 22:52, 9 May 2006 (UTC) |
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::Yeah, that'd be good - and it might be fair use coz CD/DVD covers often are. My only fear is it sort of marginalises the other improtant bands. Do you think that's important?--[[User:Crestville|Crestville]] 13:50, 10 May 2006 (UTC) |
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A great image to use would be that ''Select'' cover with Brett Anderson that said "Yanks Go Home!" from 1993. [[User:WesleyDodds|WesleyDodds]] 08:43, 12 May 2006 (UTC) |
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:It would be good in the article, but again, is it right to represent just one band in the opening picture?--[[User:Crestville|Crestville]] 09:05, 12 May 2006 (UTC) |
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::Well, it's a very emblematic image of the period. It defined the zeigeist of change and the idea of "Cool Britannia". Plus, the cover also is supposed to list some other up-and-coming bands at that time. [[User:WesleyDodds|WesleyDodds]] 10:17, 12 May 2006 (UTC) |
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:::Any way to get in in the info box. It looks a bit slack underneath it.--[[User:Crestville|Crestville]] 17:39, 19 May 2006 (UTC) |
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==Paul Weller== |
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Surely this is a bit over the top: |
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"Paul Weller in particular is praised as an initiator of the movement. His solo records Paul Weller (1991) and Wild Wood (1993) are considered seminal forces for the movement." |
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Whilst there's no doubt about Weller's influence on Britpop, and his assciation with it as it developed (particularly Oasis), it doesn't seem clear to me that it deserves singling out over, say, Ray Davies or Morrissey or the Beatles. I also don't think his debut solo album influenced anyone at all (I do like Paul Weller, but that's not actually a very good example of his work), and the influence of Wild Wood over Britpop certainly needs standing up - it doesn't sound much like a Britpop record. |
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I propose to do some kind of rewrite, but before I do, would anyone like to speak up for the "Weller invented Britpop" thesis? --[[User:Vjam|Vjam]] 16:54, 19 June 2006 (UTC) |
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:I think he should be mentioned--[[User:Crestville|Crestville]] 17:07, 19 June 2006 (UTC) |
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I agree, but at the moment I think the article reads a bit too much like he put the whole thing together in his shed. --[[User:Vjam|Vjam]] 17:23, 19 June 2006 (UTC) |
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:I'd like it if you had a crack at a more comprehensive intro. The only problem I can see is, Britpop was so dirivative, it could go on forever.--[[User:Crestville|Crestville]] 17:26, 19 June 2006 (UTC) |
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Okay, I'm going to do some edits, but there might be some entanglement issues, so please be patient with duplication and nonsense that may be produced along the way--[[User:Vjam|Vjam]] 17:36, 26 June 2006 (UTC) |
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Have had a go at something I think is a bit more realistic in terms of the origins of Britpop. Please feel free to let me know if it's a bit too much narritive and too little fact. Could also certainly do with some sourcing, but please nobody try to re-insert anything about Paul Weller.--[[User:Vjam|Vjam]] 18:33, 26 June 2006 (UTC) |
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:Poifect--[[User:Crestville|Crestville]] 20:01, 27 June 2006 (UTC) |
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== Great article. == |
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Everyone always seems to moan about changes. Credit where credit's due, this is a great article. I really enjoyed reading it. I thought a lack of Puial Weller was unfair. Especially as he released singles and featured on the cover of NME and Q along with the moniker "Godfather of Britpop". |
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Anyway. Great article. It should be featured. |
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[[User:Schnizzle|Schnizzle]] 13:46, 20 July 2006 (UTC) |
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== Edits == |
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I've cleaned up some grammatical errors etc. I've also reworked the para regarding influences, as some of it was rather self-contradictory - a good example is citing shoegazer music as both an influence and an 'anti'-influence. I'd argue it was the latter. Very few genuine Britpop bands were shoegazer-influenced, even if some of their contemporaries were, generally those who got lumped in with the Britpop scene by virtue of being British bands active during the mid-1990s. [[User:Tpth|Tpth]] 06:06, 4 August 2006 (UTC) |
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:I've also removed "In Britain and Ireland it became popular for a time when asked "What's the story?" (lit. "How are you?"), to answer with "Morning glory"." - this is uncited and almost certainly not true (I lived in Britain for quite some time and never saw or heard of such a thing) [[User:Tpth|Tpth]] 06:23, 4 August 2006 (UTC) |
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::...and I've also removed the links to John Squire's website and the other Stone Roses link. If we're going to link to individual bands' websites, then fairness dictates we should be linking to Blur, Oasis, Pulp etc etc etc - it'd all get tedious and raise questions of where to draw the line etc. I think it's best just to leave them all out. [[User:Tpth|Tpth]] 23:55, 6 August 2006 (UTC) |
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==Timeline== |
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This is a bit of a dog's breakfast. I don't really know that it adds a lot of information that isn't already included in the article - does it really need to be here? |
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If it is to stay, it needs fixing. It's factually incorrect in several places - Pulp are almost certainly defunct, so don't really fit into the category of a 'likely continuation' and Blur have been inactive since 2004. Also, including The Tears as a pseudo-continuation of Suede is a bit misleading - notwithstanding that they contain Bernard Butler and Brett Anderson, they're a band in their own right, and in any case I wouldn't include them here. They formed well after Britpop's heyday and are thus no more Britpop than any of the other Britpop-influenced bands who've come to prominence in the last couple of years. |
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Finally, having Radiohead and Supergrass go right through while Oasis and The Tears taper off into grey in 2005 is a bit misleading, given that all these bands are still active. |
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What do people think? [[User:Tpth|Tpth]] 23:31, 7 September 2006 (UTC) |
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== "Third British Invasion"? == |
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:''The British media went so far as the brand the movement the "Third British Invasion"...'' |
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Really? I'm not very knowledgeable about this so will bow to others' greater knowledge, but it seems an odd thing for them to say. The phrase "British Invasion" isn't all ''that'' common in the UK anyway, and (though the passage of time will have affected this) a [http://www.google.co.uk/search?q=%22Third+British+Invasion%22+site%3Auk&btnG=Search&hl=en&safe=off Google search] for the phrase on .uk sites only produces a grand total of ''two'' hits. [[User:Loganberry|Loganberry]] ([[User talk:Loganberry|Talk]]) 02:59, 5 October 2006 (UTC) |
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== Contradictions == |
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The opening section says: "The movement developed as '''a reaction against''' various musical and cultural trends in the late 1980s and early 1990s. Acid house and the rise of hip hop had led to a renewed interest in groove and rhythm-led songs in British indie music, leading to '''the Madchester sound.'''" |
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The ''Style, roots and influences'' section says: "The Madchester scene was another large influence." |
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Huh?! |
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[[User:Fourohfour|Fourohfour]] 20:15, 12 October 2006 (UTC) |
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:I'm working on greatly revising the article. I plan to rewrite the lead section. But Madchester was an influence, not the least because the Stone Roses were the main reason Liam Gallagher decided to form the band that would become Oasis. [[User:WesleyDodds|WesleyDodds]] 20:24, 12 October 2006 (UTC) |
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==Some ideas for improving this article/perceived faults== |
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1. The influence of the post-punk/new wave era seems a little understated, especially considering a lot of the Britpop bands were also labelled "New Wave of New Wave". [[Wire (band)|Wire]] were a key influence on Blur, Elastica, Menswear, etc, even to the point, I believe, where Elastica had to credit the Wire members with writing credits for "Line Up". The article currently doesn't mention them at all. |
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2. I'm not sure about the sentence "Blair represented the new face of the dreams and wishes of the British counterculture" at all. |
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3. I'm not sure that Belle & Sebastian were ever regarded as a Britpop group. |
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4. How was Father Ted (a very Irish sitcom) part of the televisual arm of britpop? The theme tune was an atypical instrumental by The Divine Comedy, who weren't really a Britpop band. I can't see any other link. |
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5. Cornershop are mentioned in the 'Decline' section - I would not have classed them as Britpop. |
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6. Regarding the timeline, Pulp started way before 1989, though maybe that would be taking the timeline back too far. |
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7. There's no mention of [[Gene]] in the article. |
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Hope this helps - let me know if I can provide any more details.--[[User:Michig|Michig]] 22:29, 14 October 2006 (UTC) |
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8. "Many bands that would later be grouped under the Britpop umbrella, such as Primal Scream, originally started off as C86 bands." - were Primal Scream really considered Britpop? They were doing Stones pastiches and dance rock in that era. And while they were on the C86 compilation, they started in the early 80's so can't really be said to have started as a C86 band. I can't think of any other 'C86' bands that came to be labelled Britpop. |
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9. Key influences: obvious general influences are Wire, Magazine, The Smiths. Clear influences on particular bands are The Beatles (Oasis and Oasis only), The Kinks/Ray Davies (Blur), Bowie (Suede), The Smiths (Gene, Echobelly, Shed 7), Wire (Blur, Elastica, Menswear), The Stranglers (Elastica). Glam was a major influence for Suede and Gene (particularly the guitar-work). I'm not sure of a direct influence from The Buzzcocks, James, The Sex Pistols.--[[User:Michig|Michig]] 08:31, 15 October 2006 (UTC) |
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10. From the opening paragraph: "In the wake of the grunge invasion led by bands like Nirvana, many bands incorporated a patriotic rhetoric into their music, writing about uniquely British topics and concerns." - the bit about writing about uniquely British topics and concerns is correct, but the reference to "patriotic rhetoric" is in my view incorrect.--[[User:Michig|Michig]] 09:32, 15 October 2006 (UTC) |
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:I suppose what I intended to write got mangled in the process, but there often was a patriotic element to Britpop, particularly with most everything that came out of Damon Albarn's mouth during 1993-1994. |
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:Oasis and Ash draw influence from the Pistols and Buzzcocks, respectively. |
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:Most everything else I've tried to address, although I've found I'm mainly interested in fixing everything up to the "Britpop and Cool Britannia" section. I've started some work on it, but right now that's the section most in need of an overhaul. Hopefully when I get my "NME Originals: Britpop" mag in the mail I can contribute more to that section. [[User:WesleyDodds|WesleyDodds]] 12:15, 16 October 2006 (UTC) |
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::I think more Menswear are the Britpop band who mirror the scene best, they were the ones being hyped most in the music press under the Britpop banner and whose career tailed off quickest afterwards. [[User:Catchpole|Catchpole]] 12:22, 16 October 2006 (UTC) |
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==Suede's "decline"== |
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I just removed the line "Suede never regained critical favour after guitarist [[Bernard Butler]] left in 1994 and gradually diminished to a cult act.". Firstly, the period from 1996-97 was Suede's peak in terms of record sales with 5 top 10 singles from ''Coming Up'' alone (which was also well regarded by a lot of critics). They also had a number 1 album and 4 top-30 singles in 1999 - hardly what could be described as "diminishing into a cult act". The decline in sales only really kicked in after ''Head Music'' - a good 5 years after Bernard Butler left the band.--[[User:Michig|Michig]] 18:09, 16 November 2006 (UTC) |
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== Jarvis Cocker and Pulp == |
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On the timeline, Richard Ashcroft is mentioned after the Verve, so Jarvis Cocker - who has just recently brought out his first solo album, should be put on as well. |
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== What about the resurgence of Plastic POP? == |
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Over the peak britpop years (94/95-97) shouldn't we also include how part of the decline of Britpop as a media force would the rise of the Girl Band and Boy-ballard band. |
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The Spice Girl's, All Saints and Westlife etc started killing Britpop as the dominate force in the singles charts (though the albums still could sell well) and they emerged late '96 and '97. Part of the Brit pop history is pop acts were shut out of the charts for a couple of years, even former pop acts like Robbie Williams adopted a Britpop-lite sound to gain success. |
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I think some references to the rise of girl power in 1997 colliding with the decline in quality Britpop acts should be essential. <small>—The preceding [[Wikipedia:Sign your posts on talk pages|unsigned]] comment was added by [[Special:Contributions/90.240.204.141|90.240.204.141]] ([[User talk:90.240.204.141|talk]]) 22:00, 3 January 2007 (UTC).</small><!-- HagermanBot Auto-Unsigned --> |
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:It never happened. Even at the peak of Britpop acts like [[Take That]], [[Whigfield]], [[Peter Andre]], [[Robson and Jerome]] and [[Boyzone]] had number one singles. [[User:Catchpole|Catchpole]] 22:15, 3 January 2007 (UTC) |
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== Suede as important band == |
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This a minor thing, but shouldn't Suede be listed together with Blur, Oasis and Pulp as the most prominent bands of Brit-Pop. They were one of the first and one of the most successful Brit-Pop-bands and outside the UK certainly more popular than say Pulp.. Allmusic.com's entry on Suede also opens with the line "Suede kick started the Britpop revolution of the '90s, bringing English indie pop/rock music away from the swirling layers of shoegazing and dance-pop fusions of Madchester, and reinstating such conventions of British pop as mystique and the three-minute single" (http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:xmez975jkr0t) |
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[[User:Cic3r0|Cic3r0]] 21:58, 8 February 2007 (UTC) |
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:Sort of undermines the "holy trinity" idea, and they did drop out of the limelight quite early. But it's definatley open for debate. They are mentioned in the first paragraph as an important band. also, from a retrospective point of view, look whose stood the test of time: Oasis are still together and going strong, their music from the 90s being very popular, as is the music of Blur, and Pulp. Cocker and Albarn are still going strong. Brett Anderson brought out a record last year but no-one heared it, and I can't remeber the last time I heard a swuede song on the radio of music tv that wasn't Animal Nitrate. And even that's rare.--[[User:Crestville|Crestville]] 15:07, 9 February 2007 (UTC) |
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:::Except that the so-called "holy trinity" idea is retrospectively applied and verging on POV. At the time, as far as most of the (mass) media was concerned, it was a two-horse race. Blur vs Oasis. That's it. Yes, Pulp are very good etc etc, but the "holy trinity" is not something that was ever spoken of at the time. Suede and - as John Harris indicates - Elastica were also very important to Britpop's sound, image and direction, but they have both rather fallen out of fashion in recent years and so their contribution rarely gets acknowledged. |
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:::And besides, which band is the Father, which is the Son, and which is the Holy Ghost? [[User:Malcolm Starkey|Malcolm Starkey]] 22:42, 22 May 2007 (UTC) |
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:::: Suede didnt really drop out of the limelight quickly at all. Their 2nd album was a critical success without being a major commercial success and the 3rd album, Coming Up, was the bands major success. It was only after this the band started to fade, but by this time the movement itself was also on the wane. Just becuase they werent chruning out Number 1 hits, doesnt mean they werent prominent. They had 12 Top 20 hits from 1992-1999, including 8 Top 10 hits. This is much better than Pulp's chart record for instance. <small><span class="autosigned">—Preceding [[Wikipedia:Signatures|unsigned]] comment added by [[User:Footix2|Footix2]] ([[User talk:Footix2|talk]] • [[Special:Contributions/Footix2|contribs]]) 11:42, 26 February 2009 (UTC)</span></small><!-- Template:Unsigned --> <!--Autosigned by SineBot--> |
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== Britrock redirect == |
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(cross-posted from Britrock talk page - [[Britrock]] currently redirects to [[Britpop]])) |
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Have to disagree with this redirect - '''Britrock''' was never used as a synonym for '''Britpop''', at least not in the UK. Britrock was, as I recall, a term used principally by [[Kerrang!]] magazine (a rock/metal publication) in the mid-late 1990s, possibly as an attempt to pull alongside the Britpop bandwagon, or else as a reaction against it. Britrock seemed to be used as an umbrella term for any British rock bands who happened to be around at the time - examples included [[The Almighty]], [[Terrorvision]], [[Skin (band)|Skin]], [[The Wildhearts]], [[3 Colours Red]], [[Honeycrack]], [[Feeder (band)|Feeder]] and [[Baby Chaos]] - but it should be noted that many of these bands had a more commercial sound than traditional metal bands (Iron Maiden et al), and several crossed over into the mainstream, with varying commercial success. Many promising 'Britrock' bands were dropped by impatient record labels and never achieved their potential. I don't yet have any sources to back this up but I'm working on it. Watch this space... --[[User:Jameboy|Jameboy]] 01:07, 3 March 2007 (UTC) |
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:I think you're probably right. Clearly Britrock was related to Britpop, but it wasn't the same thing. Not sure if it deserves much more than a note in this article, though. -- [[User:Beardo|Beardo]] 05:04, 3 March 2007 (UTC) |
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== Much better, but still needs work == |
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I was working on this a year ago before I went to China. Now I'm outside the great firewall again I'd like to congratulate all the people who have worked on this article this past 12 months - it really is substantially better than it was. |
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Having said this, I still think it could be improved a great deal. Much of the text still has a rambling, rock-journalist style that doesn't really fit the encyclopedic model, and the sourcing of statements needs to be improved. |
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Also - I think it would be best if we didn't source John Harris so much. He has a book to sell and an agenda to push, and his views are not universally accepted. [[User:Sachabrunel|Sachabrunel]] 05:33, 10 April 2007 (UTC) |
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:I must admit I was working on the page a few months back but got burned out rather quickly sourcing and rewriting lots of things. I'll get back to it at some point. I don't see any problem with citing Harris. Given his book is the most comprehensive study of the genre, it's thus our primary source. I don't get the point "his views are not universally accepted" since a lot of stuff cited and that will be cited is from direct interviews with individuals like Alex James, Brett Anderson, Justine Frischmann, and Alan McGee (and there's nothing to demonstrate that "his views are not universally accepted"). [[User:WesleyDodds|WesleyDodds]] 01:05, 21 May 2007 (UTC) |
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::What I mean is that his book isn't really a historical record of Britpop. It starts out that way, then turns into an essay on "Britpop and Blair" which is a different subject and (I'd personally say) one that he makes way too much of. Admittedly he knows a lot about the subject, infinitely more than the producers of that "Live Forever" documentary for example. I'm not saying he's wrong, just that his angle on things is a little strange. [[User:Sachabrunel|Sachabrunel]] 17:03, 22 May 2007 (UTC) |
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:::Ok, I understand that point. Nevertheless, Harris manages to keep the topics somewhat separate; he bounces back and forth rather than wholly shifts tthe topic of the book. There'll be a few pages discussing New Labour, and then it'll be "Ok, let's see what Menswear were up to." [[User:WesleyDodds|WesleyDodds]] 21:47, 22 May 2007 (UTC) |
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== Ummmm == |
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Why the hell is Radiohead in that Britpop timeline? They're not even close to Britpop....fix that. |
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:I'd be inclined to agree. Although their first album, ''[[Pablo Honey]]'', is tagged as both [[Rock music|Rock]] '''and''' [[Britpop]]. Still, it's something of a major contortion to squeeze them into the same movement that produced ''[[Parklife (song)|Parklife]]''! (As much as I love that song). Anyway, unless anyone complains, I'll remove their entry (it looks pretty easy from the article's source code). Cheers, --[[User:Plumbago|Plumbago]] 07:53, 13 April 2007 (UTC) |
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::I think this is a bit revisionist. Go back to the UK music press in 94/95 and Radiohead were bracketed with Britpop at the time. [[User:Catchpole|Catchpole]] 08:39, 13 April 2007 (UTC) |
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:::True, but that could just be lazy journalism (why invent a new tag for a group when one can shoe-horn them into an existing one?). Anyway, re-reading the Britpop article, Radiohead's position at the fringes of the Britpop movement is clear enough for me, and their placing within the timeline diagram justified. So I rescind my previous remark about removing them. Cheers, --[[User:Plumbago|Plumbago]] 09:17, 13 April 2007 (UTC) |
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::::Actually, I'm not 100% on this, but I'd say not true, though probably due to them being in-between albums at the time. [[User:Sachabrunel|Sachabrunel]] 20:48, 21 April 2007 (UTC) |
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== Samplemania == |
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Is there any copywrite issues about having small samples of major bands representing this genre? |
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I think it's a great idea as it is difficult to describe a band's "sound" and how each is influenced and influences others, but it is easy to listen to a sample and make up your own mind. More please. [[User:124.176.127.229|124.176.127.229]] 06:11, 20 July 2007 (UTC) Jim Jaocbs, |
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== Richard Ashcroft== |
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'Richard Ashcroft has subsequently forged a semi-successful solo career' changed to 'Richard Ashcroft has subsequently forged a successful solo career' |
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i think an artist with 5 top 20 hits and one gold and 2 platinum albums, one a number one album and the other two, no.2 & 3 can be called successful. --[[User:Neon white|Neon white]] 16:17, 28 August 2007 (UTC) |
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:Fair point--[[User:Crestville|Crestville]] 17:18, 28 August 2007 (UTC) |
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==Image copyright problem with Image:Blur - Stereotypes song sample.ogg== |
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The image [[:Image:Blur - Stereotypes song sample.ogg]] is used in this article under a claim of [[WP:NFC|fair use]], but it does not have an adequate explanation for why it meets the [[WP:NFCC|requirements for such images]] when used here. In particular, for each page the image is used on, it must have an [[Wikipedia:Non-free use rationale guideline|explanation]] linking to that page which explains why it needs to be used on that page. Please check |
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:* That there is a [[Wikipedia:Non-free use rationale guideline|non-free use rationale]] on the image's description page for the use in this article. |
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:* That this article is linked to from the image description page. |
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The following images also have this problem: |
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<!-- Additional 10c images go here --> |
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*[[: Image:Boo Radleys - Wake Up Boo excerpt.ogg]] |
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This is an automated notice by [[User:FairuseBot|FairuseBot]]. For assistance on the image use policy, see [[Wikipedia:Media copyright questions]]. --20:39, 16 May 2008 (UTC) |
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== Radio endorsement == |
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A big (if not fundamental) reason for the great popularity of many Britpop bands was the support and endorsement they received from a number of specific radio shows / presenters? In particular; Mark Radcliffe, Jo Whiley, Steve Lamacqe and John Peel. If others are in agreement with this, could I or someone else include a comment along those lines? [[User:Labcoat|Labcoat]] ([[User talk:Labcoat|talk]]) 01:49, 9 October 2008 (UTC) |
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:There's something about it in the Harris. I can add it soon. [[User:WesleyDodds|WesleyDodds]] ([[User talk:WesleyDodds|talk]]) 08:07, 6 November 2008 (UTC) |
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== Stylistic origins == |
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The article correctly states "Britpop bands were influenced by British guitar music of the past, particularly movements and genres such as the British Invasion, glam rock, and punk rock.", but the infobox lists stylistic origins as "Alternative rock, Indie rock, Madchester". Aside from the obvious inconsistency here, I'm struggling to see Indie rock as a stylistic influence, and Madchester isn't a style of music at all - it was a term for the music/club scene in Manchester that covered a range of musical styles.--[[User:Michig|Michig]] ([[User talk:Michig|talk]]) 12:36, 10 December 2009 (UTC) |
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== What is Britpop? == |
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At the begining of the article, it says that Britpop was inspired by guitar pop music of the 60's and 70's and that the lyrics are mostly about british concerns.(?)In the Style, roots and influences section : you name the styles that were influent for Britpop and you even say that the lyrics are only about British concerns. We still don't know what Britpop is! If someone did not know what Britpop was before reading the article, he won't know more after he read it. |
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:I know <span style="font-size: smaller;" class="autosigned">—Preceding [[Wikipedia:Signatures|unsigned]] comment added by [[Special:Contributions/66.130.166.221|66.130.166.221]] ([[User talk:66.130.166.221|talk]]) 02:08, 23 August 2010 (UTC)</span><!-- Template:UnsignedIP --> <!--Autosigned by SineBot--> |
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::Do you have a reliable source that sums up what Britpop was?--'''<span style="font-family:Black Chancery;text:grey 0.3em 0.3em 0.1em;">[[User:Sabrebd|<span style="color:blue;">SabreBD</span>]] ([[User talk:Sabrebd|talk</span>]]) 08:19, 23 August 2010 (UTC) |
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:::[Transfered from my talkpage--'''<span style="font-family:Black Chancery;text:grey 0.3em 0.3em 0.1em;">[[User:Sabrebd|<span style="color:blue;">SabreBD</span>]] ([[User talk:Sabrebd|talk</span>]]) 13:32, 23 August 2010 (UTC)]] |
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:::you asked me about reliable sources that describe Britpop: |
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:::http://www.mtrs.co.uk/subscriptions/Downloads/GCSE%20Revsion/Britpop.pdf |
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:::http://www.trinityhigh.com/revisionpages/revisiondocuments/GCSE_MUSIC_REVISION_notes_FOR_AOS_3.pdf |
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:::http://www.heathsidemoodle.com/Music/Britpop%20revision%2007.08.ppt#259,4,Common musical characteristics associated with Britpop… |
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:::http://www.heathsidemoodle.com/Music/Britpop%20revision%2007.08.ppt#259,4,Common musical characteristics associated with Britpop… <span style="font-size: smaller;" class="autosigned">—Preceding [[Wikipedia:Signatures|unsigned]] comment added by [[Special:Contributions/66.130.166.221|66.130.166.221]] ([[User talk:66.130.166.221|talk]]) 12:40, 23 August 2010 (UTC)</span><!-- Template:UnsignedIP --> <!--Autosigned by SineBot--> |
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::::Sadly none of these appear to be a [[WP:RS|reliable source]] as Wikipedia defines them. I have had a look at the Allmusic page for this, but unfortunately it doesn't seem to have a concise definition. I will undertake a search when I get time and see what I can find, although the lack of definition may be a reflection of the diversity of the genre.--'''<span style="font-family:Black Chancery;text:grey 0.3em 0.3em 0.1em;">[[User:Sabrebd|<span style="color:blue;">SabreBD</span>]] ([[User talk:Sabrebd|talk</span>]]) 13:32, 23 August 2010 (UTC) |
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== (1) Too many invasions (2) It's like rave never happened == |
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:"The dominant musical force of the period was the grunge invasion from the United States, which filled the void left in the indie scene by the Stone Roses' inactivity." |
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The DOMINANT musical force of the period? Are you suggesting Britpop bands were not aware of the rave scene that was grabbing headlines left right and center and was sweeping the whole country? Surely they'd react to it more than grunge - why would they react against grunge at all? Oh yes, it was an American 'invasion'. What's with the musical 'invasions' obsession? Third British 'invasion', American 'invasion'... what nonsense. Music travels across borders and affects people in other countries. It's ok. It's not an 'invasion'. |
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What amateurish nonsense. <small><span class="autosigned">—Preceding [[Wikipedia:Signatures|unsigned]] comment added by [[User:Gotofritz|Gotofritz]] ([[User talk:Gotofritz|talk]] • [[Special:Contributions/Gotofritz|contribs]]) 23:25, 1 November 2010 (UTC)</span></small><!-- Template:Unsigned --> <!--Autosigned by SineBot--> |
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== Have i missed something? == |
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A major influence within the so called "Brit Pop" scene was a group called "The Verve" have they really been thrown into obscurity? I still enjoy listening to their music today. <small><span class="autosigned">— Preceding [[Wikipedia:Signatures|unsigned]] comment added by [[User:Magwa20|Magwa20]] ([[User talk:Magwa20|talk]] • [[Special:Contributions/Magwa20|contribs]]) 22:50, 21 January 2011 (UTC)</span></small><!-- Template:Unsigned --> <!--Autosigned by SineBot--> |
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:Were [[The Verve]] really "Britpop"? I'd say not. They were a British rock band active in the 1990s, which is not the same thing. [[User:Bienfuxia|Bienfuxia]] ([[User talk:Bienfuxia|talk]]) 10:38, 24 January 2011 (UTC) |
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::Its a bit of a vexed issue. The Verve were around at the same time as Britpop bands, but had a distinct sound and didn't get much attention until after the "decline" of the genre. As a result they are often classed as "post-Britpop", although strickly speaking they are not really that either.--'''<span style="font-family:Black Chancery;text:grey 0.3em 0.3em 0.1em;">[[User:Sabrebd|<span style="color:blue;">SabreBD</span>]] ([[User talk:Sabrebd|talk</span>]]) 10:44, 24 January 2011 (UTC) |
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==International influence== |
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In Poland and Russia (and probably other countries) certain bands were said to have adopted Britpop stylings - say [[Myslovitz]] in Poland and [[Mumiy Troll]] in Russia. It might be worth having a section on that. [[User:Malick78|Malick78]] ([[User talk:Malick78|talk]]) 18:03, 2 July 2011 (UTC) |
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:[[:Category:Britpop_musical_groups]] has a load of Serbian bands like [[Veliki Prezir]], [[Eva Braun (band)]] and [[Veliki Prezir]], as well as quite a few bands who were active in the 1970s or 2000s rather than the 1990s. I don't know if something should be done about this, any thoughts? [[User:Bienfuxia|阝工巳几千凹父工氐]] ([[User talk:Bienfuxia|talk]]) 02:49, 5 July 2011 (UTC) |
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== Britpop and British pop == |
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There is enormous confusion with regard to the term "Britpop" and "British pop". Well ... the fact that it called "Britpop" lends itself to misinterpretation. Many uninformed about it, they associate as identical two terms, believing that the word comes from "brit" of "British" and "pop" of pop music. This has also come here to Wikipedia and have seen many British pop artists and pop groups articles erroneously associated with this term. I do not know what it's worth my notice, but I think important to leave a record of this fact. [[User:The Lucky Man|Lucky Man]] ([[User talk:The Lucky Man|talk]]) 01:54, 10 September 2011 (UTC) |
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Britpop revival was nominated for deletion. The discussion was closed on 13 January 2018 with a consensus to merge. Its contents were merged into Britpop. The original page is now a redirect to this page. For the contribution history and old versions of the redirected article, please see its history; for its talk page, see here. |
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Grunge - I disagree that Britpop was seen as a reaction to it
[edit]I was there at the time. Nirvana were huge, and other grunge bands were popular, but nevertheless grunge was not a particular important genre to British audiences. No one was saying "I'm sick of all this grunge, let's do artful guitar pop like the Beatles/Kinks/Smiths instead." It emerged more naturally than that. Blur was the only band explicitly reacting to American culture, and Britpop is more than just Blur. — Preceding unsigned comment added by 2.27.80.242 (talk) 16:33, 23 December 2014 (UTC)
- I agree, and it seems that the whole "reaction to American Grunge" narrative is a journalistic construct driven by British music writers and critics who feel it necessary to define the constraints of Britpop's evolution under that very paradigm.--71.177.31.147 (talk) 21:22, 26 December 2014 (UTC)
- From my researches, Britpop was a media created and media driven movement. Most informed sources point to the Select magazine issue of April 1993 as the point of origin for Britpop. And that article was spurred by a response to the NME's hostile reaction to Morrissey draping himself in the Union Flag six months earlier, and to the influence of grunge, Kurt Cobain in particular, on the UK music scene. Here's the first page of that article: [1]. SilkTork ✔Tea time 10:37, 24 February 2016 (UTC)
- I've just noticed that Stuart Maconie was responsible for both the Select article and the NME article: [2]. SilkTork ✔Tea time 10:52, 24 February 2016 (UTC)
- Does this need to be "Stuart Maconie has claimed that...".--SabreBD (talk) 11:51, 24 February 2016 (UTC)
- Maconie claims to be the one to invent the term "Britpop", but I'm not seeing any evidence of that. He doesn't use the term in the Select issue that sources point to as the start of Britpop (he says "Great British pop", he says "British pop" and he invents a term that was never repeated of "Crimpolinism"). But that the term wasn't used, doesn't mean that the concept wasn't started, and perhaps when he says he invented the term, perhaps what he means is the concept. And that April 1993 Select issue does bring together some of the elements most associated with Britpop, and that is what informed sources say is an origin of the concept. I'm still looking into this, and I'm up to late 1994 with no evidence yet of the use of the term in the papers, though some sources say that the term was being used by papers in 1994. I'm reading reviews in the music papers of albums by the main Britpop bands, and nobody is yet using the term Britpop! This is not a concern, as most movements or musical styles are not born in one moment with a ready description. The description tends to come later. Though it would be useful to get some specific details for the article so that we are not asserting something such as "the Britpop" term was invented in 1993 and was widely used by the media in 1994" which appears not to be true, though we can say that "sources say Britpop originated with the April 1993 issue of Select" or - as we have at the moment: "The issue included features on Suede, The Auteurs, Denim, Saint Etienne and Pulp and helped foment the idea of an emerging movement", which I think is acceptable (though perhaps "encourage" or "instigate" might be more readily understandable words than "foment"). SilkTork ✔Tea time 14:40, 24 February 2016 (UTC)
Even during August 1995, the "Battle of Britpop", I'm not finding the term used in music or mainstream newspapers - as shown here: [3]. SilkTork ✔Tea time 14:24, 26 February 2016 (UTC)
Merge The Britpop Story
[edit]I'm not seeing significant enough notability or material for having The Britpop Story as a standalone article. SilkTork ✔Tea time 16:29, 27 February 2016 (UTC)
Where's Ray Davies and XTC?
[edit]I've seen both referred to as the "Godfather of Britpop". Yet no mention in the article. What gives? Some sources:
- D., Spence (20 April 2007). "Top 25 Britpop Albums". IGN.
- Reid, Graham (1999). "XTC's Andy Partridge interviewed: A man in the middle ages". Elsewhere.
- Schabe, Patrick (27 October 2006). "The Man Who Sailed Around His Soul". PopMatters.
- Bennett, Professor Andy; Stratton, Professor Jon (2013). Britpop and the English Music Tradition. Ashgate Publishing, Ltd. ISBN 978-1-4094-9407-2.
- Hasted, Nick (2017). You Really Got Me: The Story of The Kinks. Omnibus Press. ISBN 978-0-85712-991-8.
--Ilovetopaint (talk) 15:30, 15 January 2018 (UTC)
Britpop revival
[edit]The section is merged from Britpop revival following a discussion: Wikipedia:Articles for deletion/Britpop revival. If you disagree with the merge, you can discuss it here. Hzh (talk) 15:24, 23 February 2018 (UTC)
TFI Friday
[edit]From NME[1]...
"With only maybe 20 actual Britpop bands to play with, compilation compilers, listicle writers and documentarians, by necessity, expanded the edges of the scene to take in swathes of bands that had arse all to do with it: The Verve, Manic Street Preachers, Radiohead, Ocean Colour Scene, Reef".
I would agree with the NME is correct on this viewpoint, but with the mention of Ocean Colour Scene and Reef being lumped in with this scene, maybe the article needs to have a mention of 'TFI Friday' somewhere, as it seems to be the show most associated with the Britpop scene[2][3][4].
References
- ^ https://www.nme.com/features/landfill-indie-snobbery-2741199
- ^ https://www.radiotimes.com/tv-programme/e/dnktk7/tfi-friday--series-7-episode-1/
- ^ https://www.dailymail.co.uk/home/event/article-7382993/The-rise-fall-Cool-Britannia.html
- ^ http://www.krisgriffiths.co.uk/blog/a-reflection-on-britpop?view=full
The Good Mixer, Camden
[edit]I don't think there is anything about The Good Mixer pub in this article. — Preceding unsigned comment added by 81.154.172.75 (talk) 17:24, 22 November 2020 (UTC)
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