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{{Short description|Building in Italy}}
[[File:Fassade finanzamt bozen 2018.jpg|thumb|The monumental bas-relief from the fascist period bearing an illuminated quote from Hannah Arendt]]
[[File:Fassade finanzamt bozen 2018.jpg|thumb|The monumental bas-relief from the fascist period bearing an illuminated quote from Hannah Arendt]]
[[File:Infotafeln Gerichtsplatz Bozen 1.jpg|thumb|Partly view of the infopoint installed on the square itself]]
[[File:Infotafeln Gerichtsplatz Bozen 1.jpg|thumb|Partly view of the infopoint installed on the square itself]]
The former '''[[Casa del Fascio]]''' in [[Bolzano]] (also ''Casa Littoria'') was built between 1939 and 1942 in a [[Rationalism (architecture)|rationalist style]] on a project by the architects Guido Pelizzari, Francesco Rossi and Luis Plattner, as the seat of the [[Italian Fascist Party]] and its collateral organisations, in Piazza del Tribunale (''Gerichtsplatz''; formerly Piazza [[Arnaldo Mussolini]]). Since the end of [[World War II]] it has housed the State Financial Offices and other state bodies operating in [[South Tyrol]].
The former '''[[Casa del Fascio]]''' in [[Bolzano]] (also ''Casa Littoria'') was built between 1939 and 1942 in a [[Rationalism (architecture)|rationalist style]] on a project by the architects Guido Pelizzari, Francesco Rossi and Luis Plattner, as the seat of the [[Italian Fascist Party]] and its collateral organisations, in Piazza del Tribunale ({{langx|de|Gerichtsplatz}}; formerly Piazza [[Arnaldo Mussolini]]). Since the end of [[World War II]] it has housed the State Financial Offices and other state bodies operating in [[South Tyrol]].


The convex-shaped building relates to the opposite Justice Palace, built between 1939 and 1956 to a concave design by Paolo Rossi de Paoli and Michele Busiri Vici. The former Casa del Fascio bears a monumental [[bas-relief]] designed and sculptured by Hans Piffrader, placed above a large balcony, with [[Benito Mussolini]] on horseback in the centre and in the act of the [[Roman salute]] and telling the story of the "triumph of [[Fascism]]", a work commissioned by the Fascist Party itself. It consists of 57 panels of variable width, 2.75 metres high, placed in two superimposed rows, for a linear development of 36 metres, an area of 198 square metres and a total weight of about 95 tonnes. These dimensions probably make it the most impressive bas-relief made during [[fascism]] and still exposed to the public.
The convex-shaped building relates to the opposite Justice Palace, built between 1939 and 1956 to a concave design by Paolo Rossi de Paoli and Michele Busiri Vici. The former Casa del Fascio bears a monumental [[bas-relief]] designed and sculptured by Hans Piffrader, placed above a large balcony, with [[Benito Mussolini]] on horseback in the centre and in the act of the [[Roman salute]] and telling the story of the "triumph of [[Fascism]]", a work commissioned by the Fascist Party itself. It consists of 57 panels of variable width, 2.75 metres high, placed in two superimposed rows, for a linear development of 36 metres, an area of 198 square metres and a total weight of about 95 tonnes. These dimensions probably make it the most impressive bas-relief made during [[fascism]] and still exposed to the public.


Despite being state-owned and continuous protests by German-speaking South Tyroleans, the relief remained untouched for decades. In 2017, like the [[Bolzano Victory Monument]],<ref>(in German) [[Munich Documentation Centre for the History of National Socialism]], [https://www.ns-dokuzentrum-muenchen.de/veranstaltungen/aktuelle-termine/veranstaltungs-details/ambivalente-geschichtsorte-als-reflexive-ressource-das-beispiel-des-faschistischen-siegesdenkmals-in-bozen-80/411/zeitraum/2017/dezember/ ''Ambivalente Geschichtsorte als reflexive Ressource''], December 12, 2017</ref> the Piffrader frieze was also subjected, on the initiative of the South Tyrolean Provincial Administration and on the basis of a joint historical commission proposal,<ref>[http://www.basrelief-bolzano.com/fileadmin/user_upload/images/Die-Installation/Relazione_commissione.pdf ''La piazza del Tribunale di Bolzano e il fregio di Hans Piffrader sull'edificio degli Uffici finanziari. Relazione'', June 9, 2014]</ref> to an intervention of [[historicization]] and [[recontextualization]], on an artistic project by Arnold Holzknecht and Michele Bernardi, with the affixing of an illuminated inscription bearing a quotation from the philosopher [[Hannah Arendt]] in three languages ([[Italian language|Italian]], [[German language|German]], [[Ladin language|Ladin]]) — "No one has the right to obey" — as opposed to the fascist dogma of ''Believe, obey, combat'' (Credere, obbedire, combattere) still present on the bas-relief.
Despite being state-owned and continuous protests by German-speaking South Tyroleans, the relief remained untouched for decades. In 2011, the Italian [[Minister of Culture]] [[Sandro Bondi]] finally agreed to a contextualisation or removal of several fascist era remains in the province during negotiations with members of parliament of the [[South Tyrolean People's Party]] about an upcoming [[vote of no-confidence]].<ref>[https://web.archive.org/web/20110129013942/http://www.stol.it/Artikel/Politik-im-Ueberblick/Lokal/SVP-Duce-Relief-wird-entfernt SVP: “Duce-Relief wird entfernt"]</ref> In 2017, like the [[Bolzano Victory Monument]],<ref>(in German) [[Munich Documentation Centre for the History of National Socialism]], [https://www.ns-dokuzentrum-muenchen.de/veranstaltungen/aktuelle-termine/veranstaltungs-details/ambivalente-geschichtsorte-als-reflexive-ressource-das-beispiel-des-faschistischen-siegesdenkmals-in-bozen-80/411/zeitraum/2017/dezember/ ''Ambivalente Geschichtsorte als reflexive Ressource''], December 12, 2017</ref> the Piffrader frieze was also subjected, on the initiative of the South Tyrolean Provincial Administration and on the basis of a joint historical commission proposal,<ref>[http://www.basrelief-bolzano.com/fileadmin/user_upload/images/Die-Installation/Relazione_commissione.pdf ''La piazza del Tribunale di Bolzano e il fregio di Hans Piffrader sull'edificio degli Uffici finanziari. Relazione'', June 9, 2014]</ref> to an intervention of [[historicization]] and [[recontextualization]], on an artistic project by Arnold Holzknecht and Michele Bernardi, with the affixing of an illuminated inscription bearing a quotation from the philosopher [[Hannah Arendt]] in three languages ([[Italian language|Italian]], [[German language|German]], [[Ladin language|Ladin]]) — "No one has the right to obey" — as opposed to the fascist dogma of ''Believe, obey, combat'' (Credere, obbedire, combattere) still present on the bas-relief.


An [[infopoint]] has been installed on the square itself, with explanatory texts in four languages, explaining the history of the building, Piffrader's work, the more general urban context and the quotation by Hannah Arendt.
An infopoint has been installed on the square itself, with explanatory texts in four languages, explaining the history of the building, Piffrader's work, the more general urban context, and the quotation by Hannah Arendt.<ref>{{Citation | last = Obermair | first = Hannes | contribution = Das Beispiel Bozen oder: Lassen sich bauliche Relikte des Faschismus in demokratische Ressourcen transformieren? | editor = Ingrid Böhler, Karin Harrasser |display-editors=et al | title = Ver/störende Orte. Zum Umgang mit NS-kontaminierten Gebäuden | pages = 250–57 | publisher = Mandelbaum Verlag | place = Vienna| year = 2024 | isbn = 978-3-99136-019-3}}</ref>


== Bibliography ==
== Bibliography ==
* Frei, Mathias (2005), ''Hans Piffrader 1888–1950. Entwürfe zum Relief am Gebäude der Finanzämter in Bozen = Bozzetti per il rilievo del Palazzo degli Uffici finanziari di Bolzano'', Bozen, Südtiroler Künstlerbund (in German).
* {{Citation | last = Obermair | first = Hannes | contribution = Monuments and the City—an almost inextricable entanglement | editor = Matthias Fink|display-editors=et al | title = Multiple Identitäten in einer "glokalen Welt"—Identità multiple in un "mondo glocale"—Multiple identities in a "glocal world" | pages = 88–99 | publisher = [[Eurac Research]] | place = Bozen-Bolzano| year = 2017 | isbn = 978-88-98857-35-7}}
*Strobl, Wolfgang (2015), "Mussolini im Gewande Neros. Subversives und Zensur in der Kunst einer Grenzregion des faschistischen Italien (Zu Hans Piffraders Fries für die Casa del Fascio in Bozen)." ''Geschichte und Region/Storia e regione'', 24, nr. 2, pp.&nbsp;170–84 (in German).
*{{Citation | last = Obermair | first = Hannes | contribution = Monuments and the City—an almost inextricable entanglement | editor = Matthias Fink|display-editors=et al | title = Multiple Identitäten in einer "glokalen Welt"—Identità multiple in un "mondo glocale"—Multiple identities in a "glocal world" | pages = 88–99 | publisher = [[Eurac Research]] | place = Bozen-Bolzano| year = 2017 | isbn = 978-88-98857-35-7}}
* {{cite journal |last=Obermair|first=Hannes |date=2018 |title=Da Hans a Hannah—il "duce" di Bolzano e la sfida di Arendt |journal=Il Cristallo. Rassegna di varia umanità |volume=60 |issue=1 |pages=27–32 |issn=0011-1449|isbn=978-88-7223-312-2|language = it }}
* {{cite journal |last=Obermair|first=Hannes |date=2018 |title=Da Hans a Hannah—il "duce" di Bolzano e la sfida di Arendt |journal=Il Cristallo. Rassegna di varia umanità |volume=60 |issue=1 |pages=27–32 |issn=0011-1449|isbn=978-88-7223-312-2|language = it }}
* {{cite book|ref=harv|last=Kraus|first=Carl|first2=Hannes|last2=Obermair|title=Mythen der Diktaturen. Kunst in Faschismus und Nationalsozialismus – Miti delle dittature. Arte nel fascismo e nazionalsocialismo|publisher=Südtiroler Landesmuseum für Kultur- und Landesgeschichte Schloss Tirol|year=2019|pages=201–7|isbn=978-88-95523-16-3}}
* {{cite book|last1=Kraus|first1=Carl|first2=Hannes|last2=Obermair|title=Mythen der Diktaturen. Kunst in Faschismus und Nationalsozialismus – Miti delle dittature. Arte nel fascismo e nazionalsocialismo|publisher=Südtiroler Landesmuseum für Kultur- und Landesgeschichte Schloss Tirol|year=2019|pages=201–7|isbn=978-88-95523-16-3|language= de, it}}
*Andrea Di Michele (2020), ''Storicizzare i monumenti fascisti'', in ''Geschichte und Region/Storia e regione'', XXIX, 2020, n. 2, pp. 149–67 (in Italian).
* di Michele, Andrea (2020), "Storicizzare i monumenti fascisti. Il caso di Bolzano." ''Geschichte und Region/Storia e regione'', 29, nr. 2, pp.&nbsp;149–67 (in Italian); also in English transl. (2022), "Fascist Monuments on the Border. The Case of Bolzano/Bozen, South Tyrol", in Andrea Di Michele, Filippo Focardi (eds.), ''Rethinking Fascism. The Italian and German Dictatorships,'' Berlin/Boston, de Gruyter, pp.&nbsp;247–74. https://doi.org/10.1515/9783110768619-013.
* Cento Bull, Anna; Clarke, David (2020), "Agonistic interventions into public commemorative art: An innovative form of counter-memorial practice?" ''Constellations. An International Journal of Critical and Democratic Theory'', Vol. 27, Wiley 2020, pp.&nbsp;1–15.
* Belmonte, Carmen (2021), "Art contemporain et préservation critique des monuments du fascisme en Italie. Un «iconoclash» à Bolzano." In Laura Iamurri, Luca Acquarelli, Francesco Zucconi (eds.), ''Le fascisme italien au prisme des arts contemporains. Réinterprétations, remontages, déconstructions.'' Rennes: PUR Editions, pp.&nbsp;203–17.
* {{cite book|last=Bevan|first=Robert|title=Monumental Lies. Culture Wars and the Truth about the Past|place=London-New York|publisher=Verso|year=2022|pages=22–27, 283–84|isbn=978-1-83976-187-4}}
* {{Citation | last = Obermair | first = Hannes | contribution = Das Beispiel Bozen oder: Lassen sich bauliche Relikte des Faschismus in demokratische Ressourcen transformieren? | editor = Ingrid Böhler, Karin Harrasser |display-editors=et al | title = Ver/störende Orte. Zum Umgang mit NS-kontaminierten Gebäuden | pages = 250–57 | publisher = Mandelbaum Verlag | place = Vienna| year = 2024 | isbn = 978-3-99136-019-3}}

== See also ==

* [[Casa del Fascio (Como)]]
* [[Casa del Fascio (Varese)]]


==References==
==References==
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* [http://www.basrelief-bolzano.com/en.html Official Website]
* [http://www.basrelief-bolzano.com/en.html Official Website]
* {{in lang|it}} [http://espresso.repubblica.it/palazzo/2017/11/02/news/cosi-a-bolzano-hanno-smantellato-il-bassorilievo-gigante-di-benito-mussolini-1.313273 Susanna Turco, ''Così a Bolzano hanno "smantellato" il bassorilievo gigante di Benito Mussolini'']. [[L'espresso|L'Espresso]], November 6, 2017.
* {{in lang|it}} [http://espresso.repubblica.it/palazzo/2017/11/02/news/cosi-a-bolzano-hanno-smantellato-il-bassorilievo-gigante-di-benito-mussolini-1.313273 Susanna Turco, ''Così a Bolzano hanno "smantellato" il bassorilievo gigante di Benito Mussolini'']. [[L'espresso|L'Espresso]], November 6, 2017.
* {{in lang|it}} [https://www.ilfattoquotidiano.it/in-edicola/articoli/2018/06/21/cosi-capovolgo-il-monumento-del-duce/4441456/ F. Sa., ''Così capovolgo il monumento del duce'']. [[Il Fatto Quotidiano]], June 21, 2018.
* Carlo Invernizzi-Accetti, ''[https://www.theguardian.com/commentisfree/2017/dec/06/bolzano-italian-town-defuse-controversial-monuments A small Italian town can teach the world how to defuse controversial monuments]''. [[The Guardian]], December 6, 2017.
* Invernizzi-Accetti, Carlo (2017), ''[https://www.theguardian.com/commentisfree/2017/dec/06/bolzano-italian-town-defuse-controversial-monuments A small Italian town can teach the world how to defuse controversial monuments]''. [[The Guardian]], December 6, 2017.
* {{cite journal | last = Poll | first = Zoey | date = 2020 | title = The Counter-Monument. Disempowering a memorial to Fascism | url = https://harpers.org/archive/2020/08/the-counter-monument-bolzano-trentino-alto-adige/ | journal = [[Harper's Magazine]] | issue = 08 | pages = 62–63 | issn = 0017-789X | accessdate = 2020-07-21}}
* {{cite web|last= Obermair|first= Hannes|publisher= Contested Histories Onsite|url= https://www.youtube.com/watch?v=U04Logag9rA&t=531s |title= The Bas-Relief in Bolzano-Bozen |date= 2022|access-date= 18 April 2022}}
*[http://www.reteparri.it/ricerca/i-luoghi-della-memoria-fascista-6001/ ''I luoghi della memoria fascista'', discussion by the Istituto Nazionale Ferruccio Parri tenutasi online on November 24, 2020, with a speech by Andrea Di Michele entitled "Bolzano e le tracce architettoniche del fascismo" (from 40:08 to 57:30).]
* {{cite journal| last= Poll | first= Zoey | date= 2020 | title= The Counter-Monument. Disempowering a memorial to Fascism | url= https://harpers.org/archive/2020/08/the-counter-monument-bolzano-trentino-alto-adige/ | journal= [[Harper's Magazine]] | issue= 8 | pages= 62–63 | issn= 0017-789X | access-date= 21 July 2020}}

{{Authority control}}


{{coord missing|Italy}}
{{Coord missing|Italy}}


[[Category:Buildings and structures in Bolzano]]
[[Category:Buildings and structures in Bolzano]]
[[Category:Monuments and memorials in Italy]]
[[Category:Monuments and memorials in Italy]]
[[Category:Italian fascist architecture]]
[[Category:Italian fascist architecture]]
[[Category:History of South Tyrol]]
[[Category:Government buildings completed in 1942]]
[[Category:Government buildings completed in 1942]]
[[Category:Tourist attractions in South Tyrol]]
[[Category:Tourist attractions in South Tyrol]]

Latest revision as of 12:27, 4 November 2024

The monumental bas-relief from the fascist period bearing an illuminated quote from Hannah Arendt
Partly view of the infopoint installed on the square itself

The former Casa del Fascio in Bolzano (also Casa Littoria) was built between 1939 and 1942 in a rationalist style on a project by the architects Guido Pelizzari, Francesco Rossi and Luis Plattner, as the seat of the Italian Fascist Party and its collateral organisations, in Piazza del Tribunale (German: Gerichtsplatz; formerly Piazza Arnaldo Mussolini). Since the end of World War II it has housed the State Financial Offices and other state bodies operating in South Tyrol.

The convex-shaped building relates to the opposite Justice Palace, built between 1939 and 1956 to a concave design by Paolo Rossi de Paoli and Michele Busiri Vici. The former Casa del Fascio bears a monumental bas-relief designed and sculptured by Hans Piffrader, placed above a large balcony, with Benito Mussolini on horseback in the centre and in the act of the Roman salute and telling the story of the "triumph of Fascism", a work commissioned by the Fascist Party itself. It consists of 57 panels of variable width, 2.75 metres high, placed in two superimposed rows, for a linear development of 36 metres, an area of 198 square metres and a total weight of about 95 tonnes. These dimensions probably make it the most impressive bas-relief made during fascism and still exposed to the public.

Despite being state-owned and continuous protests by German-speaking South Tyroleans, the relief remained untouched for decades. In 2011, the Italian Minister of Culture Sandro Bondi finally agreed to a contextualisation or removal of several fascist era remains in the province during negotiations with members of parliament of the South Tyrolean People's Party about an upcoming vote of no-confidence.[1] In 2017, like the Bolzano Victory Monument,[2] the Piffrader frieze was also subjected, on the initiative of the South Tyrolean Provincial Administration and on the basis of a joint historical commission proposal,[3] to an intervention of historicization and recontextualization, on an artistic project by Arnold Holzknecht and Michele Bernardi, with the affixing of an illuminated inscription bearing a quotation from the philosopher Hannah Arendt in three languages (Italian, German, Ladin) — "No one has the right to obey" — as opposed to the fascist dogma of Believe, obey, combat (Credere, obbedire, combattere) still present on the bas-relief.

An infopoint has been installed on the square itself, with explanatory texts in four languages, explaining the history of the building, Piffrader's work, the more general urban context, and the quotation by Hannah Arendt.[4]

Bibliography

[edit]
  • Frei, Mathias (2005), Hans Piffrader 1888–1950. Entwürfe zum Relief am Gebäude der Finanzämter in Bozen = Bozzetti per il rilievo del Palazzo degli Uffici finanziari di Bolzano, Bozen, Südtiroler Künstlerbund (in German).
  • Strobl, Wolfgang (2015), "Mussolini im Gewande Neros. Subversives und Zensur in der Kunst einer Grenzregion des faschistischen Italien (Zu Hans Piffraders Fries für die Casa del Fascio in Bozen)." Geschichte und Region/Storia e regione, 24, nr. 2, pp. 170–84 (in German).
  • Obermair, Hannes (2017), "Monuments and the City—an almost inextricable entanglement", in Matthias Fink; et al. (eds.), Multiple Identitäten in einer "glokalen Welt"—Identità multiple in un "mondo glocale"—Multiple identities in a "glocal world", Bozen-Bolzano: Eurac Research, pp. 88–99, ISBN 978-88-98857-35-7
  • Obermair, Hannes (2018). "Da Hans a Hannah—il "duce" di Bolzano e la sfida di Arendt". Il Cristallo. Rassegna di varia umanità (in Italian). 60 (1): 27–32. ISBN 978-88-7223-312-2. ISSN 0011-1449.
  • Kraus, Carl; Obermair, Hannes (2019). Mythen der Diktaturen. Kunst in Faschismus und Nationalsozialismus – Miti delle dittature. Arte nel fascismo e nazionalsocialismo (in German and Italian). Südtiroler Landesmuseum für Kultur- und Landesgeschichte Schloss Tirol. pp. 201–7. ISBN 978-88-95523-16-3.
  • di Michele, Andrea (2020), "Storicizzare i monumenti fascisti. Il caso di Bolzano." Geschichte und Region/Storia e regione, 29, nr. 2, pp. 149–67 (in Italian); also in English transl. (2022), "Fascist Monuments on the Border. The Case of Bolzano/Bozen, South Tyrol", in Andrea Di Michele, Filippo Focardi (eds.), Rethinking Fascism. The Italian and German Dictatorships, Berlin/Boston, de Gruyter, pp. 247–74. https://doi.org/10.1515/9783110768619-013.
  • Cento Bull, Anna; Clarke, David (2020), "Agonistic interventions into public commemorative art: An innovative form of counter-memorial practice?" Constellations. An International Journal of Critical and Democratic Theory, Vol. 27, Wiley 2020, pp. 1–15.
  • Belmonte, Carmen (2021), "Art contemporain et préservation critique des monuments du fascisme en Italie. Un «iconoclash» à Bolzano." In Laura Iamurri, Luca Acquarelli, Francesco Zucconi (eds.), Le fascisme italien au prisme des arts contemporains. Réinterprétations, remontages, déconstructions. Rennes: PUR Editions, pp. 203–17.
  • Bevan, Robert (2022). Monumental Lies. Culture Wars and the Truth about the Past. London-New York: Verso. pp. 22–27, 283–84. ISBN 978-1-83976-187-4.
  • Obermair, Hannes (2024), "Das Beispiel Bozen oder: Lassen sich bauliche Relikte des Faschismus in demokratische Ressourcen transformieren?", in Ingrid Böhler, Karin Harrasser; et al. (eds.), Ver/störende Orte. Zum Umgang mit NS-kontaminierten Gebäuden, Vienna: Mandelbaum Verlag, pp. 250–57, ISBN 978-3-99136-019-3

See also

[edit]

References

[edit]
  1. ^ SVP: “Duce-Relief wird entfernt"
  2. ^ (in German) Munich Documentation Centre for the History of National Socialism, Ambivalente Geschichtsorte als reflexive Ressource, December 12, 2017
  3. ^ La piazza del Tribunale di Bolzano e il fregio di Hans Piffrader sull'edificio degli Uffici finanziari. Relazione, June 9, 2014
  4. ^ Obermair, Hannes (2024), "Das Beispiel Bozen oder: Lassen sich bauliche Relikte des Faschismus in demokratische Ressourcen transformieren?", in Ingrid Böhler, Karin Harrasser; et al. (eds.), Ver/störende Orte. Zum Umgang mit NS-kontaminierten Gebäuden, Vienna: Mandelbaum Verlag, pp. 250–57, ISBN 978-3-99136-019-3
[edit]