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"'''The Decay Of Lying – An Observation'''" is an essay by [[Oscar Wilde]] included in his collection of essays titled ''Intentions'', published in 1891. This is a significantly revised version of the article that first appeared in the January 1889 issue of ''[[Nineteenth Century (periodical)|The Nineteenth Century]]''.
"'''The Decay Of Lying – An Observation'''" is an essay by [[Oscar Wilde]] included in his collection of essays titled ''Intentions'', published in 1891. This is a significantly revised version of the article that first appeared in the January 1889 issue of ''[[Nineteenth Century (periodical)|The Nineteenth Century]]''.


Wilde presents the essay in a [[Socratic dialogue]], with the characters of Vivian and Cyril having a conversation throughout. The conversation, although playful and whimsical, promotes Wilde's view of [[Romanticism]] over [[Realism (arts)|Realism]].<ref>{{cite web|last=Eshbaugh|first=Kathryn|title=Summary and Application of an Argument in "The Decay of Lying"|url=http://victorian.lang.nagoya-u.ac.jp/victorianweb/authors/wilde/eshbaugh.html|work=English 171, Sages, Satirists, and New Journalists|publisher=Brown University 2006|accessdate=10 March 2014}}</ref> Vivian tells Cyril of an article he has been writing called "The Decay Of Lying: A Protest". In the article Vivian defends [[Aestheticism]] and "Art for Art's sake". As summarized by Vivian, it contains four doctrines:
Wilde presents the essay in a [[Socratic dialogue]], with the characters of Vivian and Cyril having a conversation throughout. The conversation, although playful and whimsical, promotes Wilde's view of [[Romanticism]] over [[Realism (arts)|Realism]].<ref>{{cite web|last=Eshbaugh|first=Kathryn|title=Summary and Application of an Argument in "The Decay of Lying"|url=http://victorian.lang.nagoya-u.ac.jp/victorianweb/authors/wilde/eshbaugh.html|work=English 171, Sages, Satirists, and New Journalists|publisher=Brown University 2006|accessdate=10 March 2014}}</ref> Vivian tells Cyril of an article he has been writing called "The Decay Of Lying: A Protest". According to Vivian, the decay of Lying "as an art, a science, and a social pleasure"—that is, the modern trend toward Realism and describing social reality—is responsible for the decline of modern literature. At one point in Vivian's article, he writes "if something cannot be done to check, or at least to modify, our monstrous worship of facts, Art will become sterile and beauty will pass away from the land." Moreover, Vivian defends the idea that Life imitates Art far more than vice versa. Nature, he argues, is no less an imitation of Art, and Art is not representative of time and place: rather, "the highest art rejects the burden of the human spirit [...] She develops purely on her own lines. She is not symbolic of any age." Vivian thus defends [[Aestheticism]] and the concept of "[[art for art's sake]]". At Cyril's behest, Vivian briefly summarizes the doctrines of the "new aesthetics" in the following terms:


*Art never expresses anything but itself
*Art never expresses anything but itself.
*All bad art comes from returning to Life and Nature, and elevating them into ideals
*All bad art comes from returning to Life and Nature, and elevating them into ideals.
*Life imitates Art far more than Art imitates Life
*Life imitates Art far more than Art imitates Life. It follows as a corollary that external Nature also imitates Art.
*Lying, the telling of beautiful untrue things, is the proper aim of Art
*Lying, the telling of beautiful untrue things, is the proper aim of Art.


The essay ends with the two characters going outside, as Cyril asked Vivian to do at the beginning of the essay. Vivian finally complies, saying that twilight nature's "chief use" may be to "illustrate quotations from the poets."
The essay ends with the two characters going outside, as Cyril asked Vivian to do at the beginning of the essay. Vivian finally complies, saying that twilight nature's "chief use" may be to "illustrate quotations from the poets."

Revision as of 22:54, 13 August 2017

"The Decay Of Lying – An Observation" is an essay by Oscar Wilde included in his collection of essays titled Intentions, published in 1891. This is a significantly revised version of the article that first appeared in the January 1889 issue of The Nineteenth Century.

Wilde presents the essay in a Socratic dialogue, with the characters of Vivian and Cyril having a conversation throughout. The conversation, although playful and whimsical, promotes Wilde's view of Romanticism over Realism.[1] Vivian tells Cyril of an article he has been writing called "The Decay Of Lying: A Protest". According to Vivian, the decay of Lying "as an art, a science, and a social pleasure"—that is, the modern trend toward Realism and describing social reality—is responsible for the decline of modern literature. At one point in Vivian's article, he writes "if something cannot be done to check, or at least to modify, our monstrous worship of facts, Art will become sterile and beauty will pass away from the land." Moreover, Vivian defends the idea that Life imitates Art far more than vice versa. Nature, he argues, is no less an imitation of Art, and Art is not representative of time and place: rather, "the highest art rejects the burden of the human spirit [...] She develops purely on her own lines. She is not symbolic of any age." Vivian thus defends Aestheticism and the concept of "art for art's sake". At Cyril's behest, Vivian briefly summarizes the doctrines of the "new aesthetics" in the following terms:

  • Art never expresses anything but itself.
  • All bad art comes from returning to Life and Nature, and elevating them into ideals.
  • Life imitates Art far more than Art imitates Life. It follows as a corollary that external Nature also imitates Art.
  • Lying, the telling of beautiful untrue things, is the proper aim of Art.

The essay ends with the two characters going outside, as Cyril asked Vivian to do at the beginning of the essay. Vivian finally complies, saying that twilight nature's "chief use" may be to "illustrate quotations from the poets."

See also

References

  • Wilde, Oscar. The Decay of Lying in Intentions (1891)
  • Ellmann, Richard, ed., The Artist As Critic (Random House, 1969)
  • Ellmann, Richard. Oscar Wilde (Random House, 1987)
  1. ^ Eshbaugh, Kathryn. "Summary and Application of an Argument in "The Decay of Lying"". English 171, Sages, Satirists, and New Journalists. Brown University 2006. Retrieved 10 March 2014.