59 Productions: Difference between revisions

59 Productions
Industry	creative direction, technical design, and projection
Founder	Leo Warner and Mark Grimmer
Headquarters	Edinburgh, United Kingdom
Number of employees	35
Website	www.59productions.co.uk

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59 Productions is a Scottish design studio and production company that creates original story-telling experiences for audiences of all types. The offices of the company are located in London and New York City.

Origins

59 Productions was founded in Edinburgh by Leo Warner and Mark Grimmer. Their early projects include the video design for Stellar Quines Theatre Company's Sweet Fanny Adams in Eden (2003).^[1] This was followed by the video design for the recently formed National Theatre of Scotland's Roam (2006) and Black Watch (2006), which was featured at the Edinburgh Festival Fringe.^[2] 59 Productions relocated to London shortly after winning multiple awards for Black Watch, including a Critics' Circle Theatre Award, a South Bank Sky Arts Award, four Critics' Awards for Theatre in Scotland, four Laurence Olivier Awards, a New York Drama Critics' Circle Award, and several awards at Edinburgh Festivals.^[3] In London, they began a series of collaborations at the Royal National Theatre.^[4] This caused critics to comment that the company had "created an entirely new art form."^[5]

59's Leo Warner and Mark Grimmer were part of the original creative team for War Horse in 2007, which went on to win six Laurence Olivier Awards^[6] in London and five Tony Awards for the subsequent production on Broadway.^[7]

59 Productions undertook its first opera in 2007 at the English National Opera. In this project, it provided the projection design for Philip Glass's Satyagraha, which was directed by Phelim McDermott and designed by Julian Crouch of Improbable theatre.^[8] This was the first of several collaborations with Improbable theatre. The collaborations included the design for the Metropolitan Opera's 125th Anniversary Gala in 2009, which raised over $10 million.^[9]

In 2012, the Oscar-winning director Danny Boyle asked 59 Productions to provide the animation and projection design for the opening ceremony of the 2012 Summer Olympics, which was viewed by an audience of over a billion people.^[10] Almost simultaneously, 59 was asked to lead the design of the David Bowie is exhibition for the Victoria and Albert Museum. This marked the company's expansion into the world of exhibition design. The exhibit was described as "brought to life by technology and united in sound and vision in a way rarely seen in a museum."^[11] The company was commissioned to "Light the Sails" at Sydney Opera House for the 2014 VIVID Live festival.^[12] In 2015, they were responsible for the projection design for the first-ever Broadway production of George Gershwin's An American in Paris (film). The production went on to win 4 Tony Awards, including for Best Scenic Design of a Musical for Bob Crowley and 59 Productions.^[13]

In July 2016, 100 years to the day since William E. Boeing turned his attention to the thrilling and world-changing field of aviation, 59 Productions mounted an immersive show on a vast scale for over 80,000 spectators, across 30 performances, at Boeing Field in Seattle, Washington. Called The Boeing Centennial Projection Spectacular, it was a celebration of the Boeing company's centenary. The show featured an animated sequence projection-mapped onto the body of a Boeing 747 to present the history of the iconic aircraft, as well as a specially commissioned soundtrack by composer Jeff Beal.

In 2017, the company developed and produced their first self-initiated production. It was an adaptation of Paul Auster's City of Glass, written by Duncan Macmillan. City of Glass was a co-production with the Lyric Hammersmith, HOME Manchester, and Karl Sydow. The production was described by The Daily Telegraph as a "Neo-noir thriller that rewrites the rulebook for theatre design."^[14]

In 2018, 59 Productions provided both the set and projection design for The Last Ship. This Sting musical tells the story of the shipbuilding industry in the North East of England. The production opened at Northern Stage before embarking on a UK tour. Other recent projects include the design of Marnie, an opera by Nico Muhly that transferred to the Metropolitan Opera after an initial run at the English National Opera in London. The company also designed large scale events in 2018 for both the BBC First Night of the Proms at The Royal Albert Hall, and the Edinburgh International Festival.

Alongside their work for the stage, 59 Productions made two VR films in 2018: Grenfell: Our Home,^[15] which was a collaboration with Parable and Channel 4 and winner of the Audience Award^[16] at Sheffield Doc Fest, and Nothing To Be Written,^[17] which was commissioned by the BBC and winner of Best UK Experience at Raindance.^[18] In November 2018, Deep Field premiered at Kennedy Space Center. It was their film collaboration with composer Eric Whitacre and NASA.

Now employing 35 individuals worldwide and with offices in London and New York, 59 Productions works in set design, video projection design, exhibition and event design, film, theatre, and interactive production. The company expanded in 2016 to include an architecture department with a particular focus on design for performance environments, and an interest in developing forms of architectural expression that are fundamentally narratively led.

Selected productions

2018—The Last Ship - 59 Productions provided the set and projection design for this new production of Sting's musical about shipbuilding in the North East of England.
2018—The Shadow Factory - 59 Productions provided the set design and projection design for this new play by Howard Brenton at Nuffield Theatre Southampton .
2018—Array - an animated artwork projection mapped onto the interior of Beech Street Tunnel in The Barbican, London, and set to Karawane by composer Esa Pekka Salonen
2017—Reflections - an animated artwork projected onto the Guggenheim Museum Bilbao as part of the museum's 20th birthday celebrations.
2017—City of Glass - a stage adaptation of Paul Auster's novella, co-produced by 59 Productions, the Lyric Hammersmith, HOME Manchester, and Karl Sydow.
2015—An American in Paris at the Palace Theatre (New York City), starring Robert Fairchild and Leanne Cope. Because the main character is an artist, the projections transform from simple line drawings to completed works of art as they would in a sketchbook. The video design integrates with the staging and scenic elements as well as the fluid cast of dancers to recreate the Parisian streets where the story is set.^[19]
2014—Lighting the Sails at Sydney Opera House for the VIVID Live festival. 59 was commissioned to create a bespoke animated film for projection onto the roof of the Sydney Opera House. It traced the evolution of the building from its design and construction.^[20]
2014—Hedwig and the Angry Inch at the Belasco Theatre, starring Neil Patrick Harris. 59 Productions' Ben Pearcy designed projections for the Tony-nominated show.^[21]
2014—Les Misérables at the Imperial Theatre. 59 created projections inspired by Victor Hugo's watercolors for this new production of the musical.^[22]
2013—the David Bowie is exhibit at the Victoria and Albert Museum. It was the first time that the V&A Museum asked a theatrical design company to lead the design of an exhibition. It includes over 300 objects, video installations, and set works, and draws on a range of influences to bring Bowie's creative and cultural impact to life.^[23]
2012—2012 Summer Olympics opening ceremony. The 59 Productions art team directed the video content delivered to the Olympic Stadium, including to the four LED screens on the stadium roof and the "audience pixels"—a video surface with a nine-pixel LED panel mounted between every one of the 70,000 seats.^[10]
2009—Al gran sole carico d'amore at the Salzburg Festival. Katie Mitchell directed Luigi Nono's opera with Leo Warner, creating a "live film" production in which action on stage and visual effects were simultaneously created, shot, and edited live, and relayed to a cinema screen above the stage.^[24]
2007—War Horse at the Royal National Theatre. Based on a children's book by Michael Morpurgo and directed by Tom Morris and Marianne Elliott, the story was staged with life-size horse puppets created by Handspring Puppet Company, and animation and projection design by 59 productions.^[25]
2007—Satyagraha by the English National Opera. For the opera by Philip Glass with libretto by Constance DeJong, 59 designed the video projections using large-scale text instead of surtitles and aesthetics from Mahatma Gandhi's newspaper Indian Opinion.^[8]
2006—The Waves at the Royal National Theatre, based on the novel by Virginia Woolf. Leo Warner developed a mode of "live film-making" with director Katie Mitchell that evoked the stream of consciousness effect of the novel.^[5]
2006—Black Watch for the National Theatre of Scotland. 59 Productions designed the video projections for this play about the famous Scottish regiment in Iraq. It started out at the Edinburgh Festival Fringe, but went on to tour Europe, North America, Australia, and Asia.^[2]
2006—Roam by Grid Iron at the Edinburgh Airport. 59 created CG and film content, and designed the technical systems for the delivery of video in this show. It included a mock-up of a live news report describing Edinburgh's descent into civil war.^[26]
2003—Sweet Fanny May Adams in Eden produced by the Stellar Quines Theatre Company in a garden. 59 Productions' video was used for scenography and narrative purposes in this outdoor promenade production.^[1]

Selected tours

2011–2014—War Horse. After its successful run at the Royal National Theatre, the production won five Tony Awards on Broadway, including Best Play and Best Design. The show also toured in the UK & Ireland, North America, Holland, Germany, and South Africa.^[27]
2010—Jónsi-Go Live World Tour. 59 conceived, designed, and produced the stage show for Jónsi's 2010 tour of North America, Europe, Australia, and Japan.^[28]
2009–2014—The new, redesigned version of Les Misérables has toured the UK, Japan, Korea, Spain, and Australia.^[29]
2008—The Waves started at the Royal National Theatre. It toured the UK, North America, and Europe.^[30]
2006–2011—Black Watch started at the National Theatre of Scotland. It went on to tour the UK, the US, Canada, Australia, and New Zealand.^[31]

References

^ ^a ^b "Sweet Fanny Adams in Eden". Stellar Quines Theatre Company. Retrieved 14 May 2007.
^ ^a ^b Brantley, Ben (24 October 2007). "To Tell These War Stories, Words Aren't Enough". The New York Times. Retrieved 24 October 2007.
^ "Awards for the National Theatre of Scotland". National Theatre of Scotland. Retrieved 23 May 2014.
^ Sears, Amelia (July 2008). "Interviews with the Creative Team" (PDF). National Theatre Education. Archived from the original (PDF) on 14 July 2014. Retrieved 16 May 2014.
^ ^a ^b Gardner, Lyn (4 December 2006). "Waves sets a high-water mark for multimedia theatre". The Guardian. Retrieved 16 May 2014.
^ Shenton, Mark (9 March 2008). "Hairspray Wins Four 2008 Laurence Olivier Awards Including Best Musical". Playbill. Archived from the original on 24 March 2014. Retrieved 23 May 2014.
^ "British play War Horse triumphs at Tony Awards". The Telegraph. 13 June 2011. Retrieved 23 May 2014.
^ ^a ^b Brieler, Philipp. "The Art of Satyagraha". The Metropolitan Opera. Retrieved 19 May 2014.
^ Tommasini, Anthony (16 March 2009). "A Gala of Singing and Nostalgia (Addio, Speeches)". The New York Times. Retrieved 23 May 2014.
^ ^a ^b "London Olympics Opening Ceremony 2012". STROMA Films. Retrieved 16 May 2007.
^ Menkes, Suzy (18 March 2013). "David Bowie Brought to Life, in All His Guises". The New York Times. Retrieved 23 May 2014.
^ "Lighting the Sails". VIVID Live. Retrieved 14 May 2014.
^ "2015 Tony Winners". Tony Awards. Retrieved 6 July 2015.
^ Allfree, Claire (27 April 2017). "Neo-noir thriller that rewrites the rulebook for theatre design - City of Glass, Lyric Hammersmith review". The Telegraph. ISSN 0307-1235. Retrieved 23 November 2018.
^ "A new VR documentary takes you inside Grenfell before the fire". Evening Standard. Retrieved 22 November 2018.
^ "Sheffield Doc/Fest: Sheffield International Documentary Festival". sheffdocfest.com. Retrieved 22 November 2018.
^ "BBC - The first ever Virtual Reality Prom - Media Centre". www.bbc.co.uk. Retrieved 22 November 2018.
^ "Award Winners - Raindance Immersive Stories 2018 - Raindance". Raindance. 7 October 2018. Retrieved 22 November 2018.
^ "An American in Paris". An American in Paris Broadway. Retrieved 6 July 2015.
^ Fisher, Neil (21 May 2014). "How to melt the Sydney Opera House". The Times. Retrieved 23 May 2014.
^ Brantley, Ben (22 April 2014). "A Cold War Casualty, Hot for Freedom (and Heels)". The New York Times. Retrieved 16 May 2014.
^ Stasio, Marilyn (23 March 2014). "Broadway Review Les Miserables". Variety. Retrieved 16 May 2014.
^ Hume, Marion (15 April 2013). "David Bowie Exhibition Opens at London's V&A". Forbes. Retrieved 16 May 2014.
^ Loomis, George (18 August 2009). "Amid Upheavals, a Steady Salzburg Festival". The New York Times. Retrieved 16 May 2014.
^ Boswell, Jenna (6 October 2011). "59 Productions and the Making of War Horse". Kinographics. Retrieved 19 May 2014.
^ Chadwick, Alan (6 April 2006). "First Class Act". The Metro. Retrieved 16 May 2014.
^ "National Theatre of Great Britain Production War Horse". War Horse on Stage. Archived from the original on 14 January 2012. Retrieved 19 May 2014.
^ Aames, Timothy (20 January 2012). "Jónsi & Fifty Nine Productions: Taxidermy Fire Inspires Darkness-to-Light Aesthetic". Alarm. Retrieved 16 May 2014.
^ "Les Miserables Broadway". lesmis.com. Retrieved 19 May 2014.
^ Brantley, Ben (17 November 2008). "Six Lives Ebb and Flow, Interconnected and Alone". The New York Times. Retrieved 19 May 2014.
^ "National Theatre of Scotland's Black Watch US Tour Dates Announced". All Media Scotland. 16 July 2010. Archived from the original on 6 October 2014. Retrieved 19 May 2014.

External links

59 Productions Official Website

[SFA-1] "Sweet Fanny Adams in Eden". Stellar Quines Theatre Company. Retrieved 14 May 2007.

[NYT20071024-2] Brantley, Ben (24 October 2007). "To Tell These War Stories, Words Aren't Enough". The New York Times. Retrieved 24 October 2007.

[3] "Awards for the National Theatre of Scotland". National Theatre of Scotland. Retrieved 23 May 2014.

[4] Sears, Amelia (July 2008). "Interviews with the Creative Team" (PDF). National Theatre Education. Archived from the original (PDF) on 14 July 2014. Retrieved 16 May 2014.

[Gardner-5] Gardner, Lyn (4 December 2006). "Waves sets a high-water mark for multimedia theatre". The Guardian. Retrieved 16 May 2014.

[6] Shenton, Mark (9 March 2008). "Hairspray Wins Four 2008 Laurence Olivier Awards Including Best Musical". Playbill. Archived from the original on 24 March 2014. Retrieved 23 May 2014.

[7] "British play War Horse triumphs at Tony Awards". The Telegraph. 13 June 2011. Retrieved 23 May 2014.

[Brieler-8] Brieler, Philipp. "The Art of Satyagraha". The Metropolitan Opera. Retrieved 19 May 2014.

[9] Tommasini, Anthony (16 March 2009). "A Gala of Singing and Nostalgia (Addio, Speeches)". The New York Times. Retrieved 23 May 2014.

[rapid-10] "London Olympics Opening Ceremony 2012". STROMA Films. Retrieved 16 May 2007.

[11] Menkes, Suzy (18 March 2013). "David Bowie Brought to Life, in All His Guises". The New York Times. Retrieved 23 May 2014.

[12] "Lighting the Sails". VIVID Live. Retrieved 14 May 2014.

[13] "2015 Tony Winners". Tony Awards. Retrieved 6 July 2015.

[14] Allfree, Claire (27 April 2017). "Neo-noir thriller that rewrites the rulebook for theatre design - City of Glass, Lyric Hammersmith review". The Telegraph. ISSN 0307-1235. Retrieved 23 November 2018.

[15] "A new VR documentary takes you inside Grenfell before the fire". Evening Standard. Retrieved 22 November 2018.

[16] "Sheffield Doc/Fest: Sheffield International Documentary Festival". sheffdocfest.com. Retrieved 22 November 2018.

[17] "BBC - The first ever Virtual Reality Prom - Media Centre". www.bbc.co.uk. Retrieved 22 November 2018.

[18] "Award Winners - Raindance Immersive Stories 2018 - Raindance". Raindance. 7 October 2018. Retrieved 22 November 2018.

[19] "An American in Paris". An American in Paris Broadway. Retrieved 6 July 2015.

[20] Fisher, Neil (21 May 2014). "How to melt the Sydney Opera House". The Times. Retrieved 23 May 2014.

[21] Brantley, Ben (22 April 2014). "A Cold War Casualty, Hot for Freedom (and Heels)". The New York Times. Retrieved 16 May 2014.

[22] Stasio, Marilyn (23 March 2014). "Broadway Review Les Miserables". Variety. Retrieved 16 May 2014.

[23] Hume, Marion (15 April 2013). "David Bowie Exhibition Opens at London's V&A". Forbes. Retrieved 16 May 2014.

[24] Loomis, George (18 August 2009). "Amid Upheavals, a Steady Salzburg Festival". The New York Times. Retrieved 16 May 2014.

[25] Boswell, Jenna (6 October 2011). "59 Productions and the Making of War Horse". Kinographics. Retrieved 19 May 2014.

[26] Chadwick, Alan (6 April 2006). "First Class Act". The Metro. Retrieved 16 May 2014.

[27] "National Theatre of Great Britain Production War Horse". War Horse on Stage. Archived from the original on 14 January 2012. Retrieved 19 May 2014.

[28] Aames, Timothy (20 January 2012). "Jónsi & Fifty Nine Productions: Taxidermy Fire Inspires Darkness-to-Light Aesthetic". Alarm. Retrieved 16 May 2014.

[29] "Les Miserables Broadway". lesmis.com. Retrieved 19 May 2014.

[30] Brantley, Ben (17 November 2008). "Six Lives Ebb and Flow, Interconnected and Alone". The New York Times. Retrieved 19 May 2014.

[31] "National Theatre of Scotland's Black Watch US Tour Dates Announced". All Media Scotland. 16 July 2010. Archived from the original on 6 October 2014. Retrieved 19 May 2014.

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@@ Line 58: / Line 58: @@
 | intl = <!-- "true" or "yes" if company is international, otherwise omit -->
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-'''59 Productions''' is a Scottish design studio and production company that creates original story-telling experiences for audiences of all kinds. The offices of the company are located in London and New York City.
+'''59 Productions''' is a Scottish design studio and production company that creates original story-telling experiences for audiences of all types. The offices of the company are located in London and New York City.
 == Origins ==
-Productions was founded in Edinburgh by Leo Warner and Mark Grimmer. Early projects include the video design for [[Stellar Quines Theatre Company]]'s ''Sweet Fanny Adams in Eden'' (2003),<ref name=SFA>{{cite web|title=Sweet Fanny Adams in Eden|url=http://www.stellarquines.com/productions/sweet-fanny-adams-in-eden/|work=Stellar Quines Theatre Company|access-date=14 May 2007}}</ref> followed by the video design for the recently formed [[National Theatre of Scotland]]'s ''Roam'' (2006) and ''[[Black Watch (play)|Black Watch]]'' (2006), which was featured at the [[Edinburgh Festival Fringe]].<ref name=NYT20071024>{{cite news|last=Brantley|first=Ben|title=To Tell These War Stories, Words Aren't Enough|url=https://www.nytimes.com/2007/10/24/theater/reviews/24watch.html?pagewanted=all|access-date=24 October 2007|newspaper=The New York Times|date=24 October 2007}}</ref> Shortly after winning multiple awards for ''Black Watch'', including a [[Critics' Circle Theatre Award]], a [[South Bank Sky Arts Award]], four [[Critics' Awards for Theatre in Scotland]], four [[Laurence Olivier Award]]s, a [[New York Drama Critics' Circle Award]], and several awards at Edinburgh Festivals,<ref>{{cite web|title=Awards for the National Theatre of Scotland|url=http://www.nationaltheatrescotland.com/content/default.asp?page=s7_13|publisher=National Theatre of Scotland|access-date=23 May 2014}}</ref> 59 Productions relocated to London. There they began a series of collaborations at the [[Royal National Theatre]],<ref>{{cite news|last=Sears|first=Amelia|title=Interviews with the Creative Team|url=http://d1wf8hd6ovssje.cloudfront.net/documents/Some_trace_of_her_workpack.pdf|access-date=16 May 2014|newspaper=National Theatre Education|date=July 2008|archive-url=https://web.archive.org/web/20140714233820/http://d1wf8hd6ovssje.cloudfront.net/documents/Some_trace_of_her_workpack.pdf|archive-date=14 July 2014|url-status=dead|df=dmy-all}}</ref> causing critics to say that the company had "created an entirely new art form."<ref name="Gardner">{{cite news|last=Gardner|first=Lyn|title=Waves sets a high-water mark for multimedia theatre|url=https://www.theguardian.com/stage/theatreblog/2006/dec/04/wavessetsahighwatermarkfo|access-date=16 May 2014|newspaper=The Guardian|date=4 December 2006}}</ref>
+Productions was founded in Edinburgh by Leo Warner and Mark Grimmer. Their early projects include the video design for [[Stellar Quines Theatre Company]]'s ''Sweet Fanny Adams in Eden'' (2003).<ref name=SFA>{{cite web|title=Sweet Fanny Adams in Eden|url=http://www.stellarquines.com/productions/sweet-fanny-adams-in-eden/|work=Stellar Quines Theatre Company|access-date=14 May 2007}}</ref> This was followed by the video design for the recently formed [[National Theatre of Scotland]]'s ''Roam'' (2006) and ''[[Black Watch (play)|Black Watch]]'' (2006), which was featured at the [[Edinburgh Festival Fringe]].<ref name=NYT20071024>{{cite news|last=Brantley|first=Ben|title=To Tell These War Stories, Words Aren't Enough|url=https://www.nytimes.com/2007/10/24/theater/reviews/24watch.html?pagewanted=all|access-date=24 October 2007|newspaper=The New York Times|date=24 October 2007}}</ref> 59 Productions relocated to London shortly after winning multiple awards for ''Black Watch'', including a [[Critics' Circle Theatre Award]], a [[South Bank Sky Arts Award]], four [[Critics' Awards for Theatre in Scotland]], four [[Laurence Olivier Award]]s, a [[New York Drama Critics' Circle Award]], and several awards at Edinburgh Festivals.<ref>{{cite web|title=Awards for the National Theatre of Scotland|url=http://www.nationaltheatrescotland.com/content/default.asp?page=s7_13|publisher=National Theatre of Scotland|access-date=23 May 2014}}</ref> In London, they began a series of collaborations at the [[Royal National Theatre]].<ref>{{cite news|last=Sears|first=Amelia|title=Interviews with the Creative Team|url=http://d1wf8hd6ovssje.cloudfront.net/documents/Some_trace_of_her_workpack.pdf|access-date=16 May 2014|newspaper=National Theatre Education|date=July 2008|archive-url=https://web.archive.org/web/20140714233820/http://d1wf8hd6ovssje.cloudfront.net/documents/Some_trace_of_her_workpack.pdf|archive-date=14 July 2014|url-status=dead|df=dmy-all}}</ref> This caused critics to comment that the company had "created an entirely new art form."<ref name="Gardner">{{cite news|last=Gardner|first=Lyn|title=Waves sets a high-water mark for multimedia theatre|url=https://www.theguardian.com/stage/theatreblog/2006/dec/04/wavessetsahighwatermarkfo|access-date=16 May 2014|newspaper=The Guardian|date=4 December 2006}}</ref>
 's Leo Warner and Mark Grimmer were part of the original creative team for ''[[War Horse (play)|War Horse]]'' in 2007, which went on to win six [[Laurence Olivier Award]]s<ref>{{cite news|last=Shenton |first=Mark |title=''Hairspray'' Wins Four 2008 Laurence Olivier Awards Including Best Musical |url=http://www.playbill.com/news/article/115735-Hairspray-Wins-Four-2008-Laurence-Olivier-Awards-Including-Best-Musical |access-date=23 May 2014 |newspaper=Playbill |date=9 March 2008 |url-status=dead |archive-url=https://web.archive.org/web/20140324015047/http://www.playbill.com/news/article/115735-Hairspray-Wins-Four-2008-Laurence-Olivier-Awards-Including-Best-Musical |archive-date=24 March 2014 }}</ref> in London and five [[Tony Award]]s for the subsequent production on [[Broadway theatre|Broadway]].<ref>{{cite news|title=British play ''War Horse'' triumphs at Tony Awards|url=https://www.telegraph.co.uk/culture/theatre/drama/8571791/British-play-War-Horse-triumphs-at-Tony-Awards.html|access-date=23 May 2014|newspaper=The Telegraph|date=13 June 2011}}</ref>
-Productions undertook its first [[opera]] in 2007 at the [[English National Opera]], providing the projection design for [[Philip Glass]]'s ''[[Satyagraha (opera)|Satyagraha]]'', directed by [[Phelim McDermott]] and designed by Julian Crouch of [[Improbable theatre]].<ref name="Brieler">{{cite web|last=Brieler|first=Philipp|title=The Art of Satyagraha|url=http://www.metoperafamily.org/metopera/news/features/detail.aspx?customid=3469|publisher=The Metropolitan Opera|access-date=19 May 2014}}</ref> This was the first of several collaborations with Improbable theatre, including the design for the [[Metropolitan Opera]]'s 125th Anniversary Gala in 2009, which raised more than $10 million.<ref>{{cite news|last=Tommasini|first=Anthony|author-link=Anthony Tommasini|title=A Gala of Singing and Nostalgia (Addio, Speeches)|url=https://www.nytimes.com/2009/03/17/arts/music/17gala.html?action=click&module=Search&region=searchResults&mabReward=relbias%3Aw&url=http%3A%2F%2Fquery.nytimes.com%2Fsearch%2Fsitesearch%2F%3Faction%3Dclick%26region%3DMasthead%26pgtype%3DHomepage%26module%3DSearchSubmit%26contentCollection%3DHomepage%26t%3Dqry584%23%2Fmetropolitan+opera+125th+anniversary+gala|access-date=23 May 2014|newspaper=The New York Times|date=16 March 2009}}</ref>
+Productions undertook its first [[opera]] in 2007 at the [[English National Opera]]. In this project, it provided the projection design for [[Philip Glass]]'s ''[[Satyagraha (opera)|Satyagraha]]'', which was directed by [[Phelim McDermott]] and designed by Julian Crouch of [[Improbable theatre]].<ref name="Brieler">{{cite web|last=Brieler|first=Philipp|title=The Art of Satyagraha|url=http://www.metoperafamily.org/metopera/news/features/detail.aspx?customid=3469|publisher=The Metropolitan Opera|access-date=19 May 2014}}</ref> This was the first of several collaborations with Improbable theatre. The collaborations included the design for the [[Metropolitan Opera]]'s 125th Anniversary Gala in 2009, which raised over $10 million.<ref>{{cite news|last=Tommasini|first=Anthony|author-link=Anthony Tommasini|title=A Gala of Singing and Nostalgia (Addio, Speeches)|url=https://www.nytimes.com/2009/03/17/arts/music/17gala.html?action=click&module=Search&region=searchResults&mabReward=relbias%3Aw&url=http%3A%2F%2Fquery.nytimes.com%2Fsearch%2Fsitesearch%2F%3Faction%3Dclick%26region%3DMasthead%26pgtype%3DHomepage%26module%3DSearchSubmit%26contentCollection%3DHomepage%26t%3Dqry584%23%2Fmetropolitan+opera+125th+anniversary+gala|access-date=23 May 2014|newspaper=The New York Times|date=16 March 2009}}</ref>
-In 2012, Oscar-winning director [[Danny Boyle]] asked 59 Productions to provide the animation and projection design for the [[2012 Summer Olympics opening ceremony]], viewed by an audience of over a billion people.<ref name="rapid">{{cite web|url=https://vimeo.com/64217371|title=London Olympics Opening Ceremony 2012|publisher=STROMA Films|access-date=16 May 2007}}</ref> At around the same time, 59 was also asked to lead the design of the ''David Bowie is'' exhibition for the [[Victoria and Albert Museum]], marking the company's expansion into the world of exhibition design. The exhibit was described as "brought to life by technology and united in sound and vision in a way rarely seen in a museum."<ref>{{cite news|last=Menkes|first=Suzy|title=David Bowie Brought to Life, in All His Guises|url=https://www.nytimes.com/2013/03/19/arts/19iht-fbowie19.html?action=click&module=Search&region=searchResults&mabReward=relbias%3Aw&url=http%3A%2F%2Fquery.nytimes.com%2Fsearch%2Fsitesearch%2F%23%2Fdavid%2Bbowie%2Bis%2Bexhibition%2F|access-date=23 May 2014|newspaper=The New York Times|date=18 March 2013}}</ref> The company was commissioned to "Light the Sails" at [[Sydney Opera House]] for the 2014 [[Vivid Sydney|VIVID Live festival]].<ref>{{cite web|title=Lighting the Sails|url=http://vividlive.sydneyoperahouse.com/lighting-the-sails/|publisher=VIVID Live|access-date=14 May 2014}}</ref> In 2015 they were responsible for the projection design for the first-ever Broadway production of [[George Gershwin]]'s [[An American in Paris (film)]]. The production went on to win 4 Tony Awards, including Best Scenic Design of a Musical for [[Bob Crowley]] and 59 Productions.<ref>{{cite web|title=2015 Tony Winners|url=http://www.tonyawards.com/en_US/nominees/winners.html|website=Tony Awards|access-date=6 July 2015}}</ref>
+In 2012, the Oscar-winning director [[Danny Boyle]] asked 59 Productions to provide the animation and projection design for the [[2012 Summer Olympics opening ceremony|opening ceremony of the 2012 Summer Olympics]], which was viewed by an audience of over a billion people.<ref name="rapid">{{cite web|url=https://vimeo.com/64217371|title=London Olympics Opening Ceremony 2012|publisher=STROMA Films|access-date=16 May 2007}}</ref> Almost simultaneously, 59 was asked to lead the design of the ''David Bowie is'' exhibition for the [[Victoria and Albert Museum]]. This marked the company's expansion into the world of exhibition design. The exhibit was described as "brought to life by technology and united in sound and vision in a way rarely seen in a museum."<ref>{{cite news|last=Menkes|first=Suzy|title=David Bowie Brought to Life, in All His Guises|url=https://www.nytimes.com/2013/03/19/arts/19iht-fbowie19.html?action=click&module=Search&region=searchResults&mabReward=relbias%3Aw&url=http%3A%2F%2Fquery.nytimes.com%2Fsearch%2Fsitesearch%2F%23%2Fdavid%2Bbowie%2Bis%2Bexhibition%2F|access-date=23 May 2014|newspaper=The New York Times|date=18 March 2013}}</ref> The company was commissioned to "Light the Sails" at [[Sydney Opera House]] for the 2014 [[Vivid Sydney|VIVID Live festival]].<ref>{{cite web|title=Lighting the Sails|url=http://vividlive.sydneyoperahouse.com/lighting-the-sails/|publisher=VIVID Live|access-date=14 May 2014}}</ref> In 2015, they were responsible for the projection design for the first-ever Broadway production of [[George Gershwin]]'s [[An American in Paris (film)]]. The production went on to win 4 Tony Awards, including for Best Scenic Design of a Musical for [[Bob Crowley]] and 59 Productions.<ref>{{cite web|title=2015 Tony Winners|url=http://www.tonyawards.com/en_US/nominees/winners.html|website=Tony Awards|access-date=6 July 2015}}</ref>
-In July 2016, 100 years to the day since [[William Boeing|William E. Boeing]] turned his attention to the thrilling and world-changing field of aviation, 59 Productions mounted an immersive show on a vast scale – [https://www.youtube.com/watch?v=MpAc5KhXM_w The Boeing Centennial Projection Spectacular] – a celebration of the [[Boeing]] company's centenary, for more than 80,000 spectators, across 30 performances, at [[Boeing Field]] in [[Seattle]], Washington. The show featured an animated sequence projection-mapped onto the body of a [[Boeing 747]], telling the history of the iconic aircraft, as well as a specially commissioned soundtrack by composer [[Jeff Beal]].
+In July 2016, 100 years to the day since [[William Boeing|William E. Boeing]] turned his attention to the thrilling and world-changing field of aviation, 59 Productions mounted an immersive show on a vast scale for over 80,000 spectators, across 30 performances, at [[Boeing Field]] in [[Seattle]], Washington. Called [https://www.youtube.com/watch?v=MpAc5KhXM_w The Boeing Centennial Projection Spectacular], it was a celebration of the [[Boeing]] company's centenary. The show featured an animated sequence projection-mapped onto the body of a [[Boeing 747]] to present the history of the iconic aircraft, as well as a specially commissioned soundtrack by composer [[Jeff Beal]].
-In 2017, the company developed and produced their first self-initiated production, an adaptation of [[Paul Auster]]'s [[City of Glass (Paul Auster book)|City of Glass]], written by [[Duncan Macmillan (playwright)|Duncan Macmillan]]. ''City of Glass'' was a co-production with the [[Lyric Theatre (Hammersmith)|Lyric Hammersmith]], [[HOME (Manchester)|HOME Manchester]] and Karl Sydow. The production was described by The Daily Telegraph as a "Neo-noir thriller that rewrites the rulebook for theatre design."<ref>{{Cite news|url=https://www.telegraph.co.uk/theatre/what-to-see/neo-noir-rewrites-rulebook-city-glass-lyric-hammersmith-review/|title=Neo-noir thriller that rewrites the rulebook for theatre design - City of Glass, Lyric Hammersmith review|last=Allfree|first=Claire|date=2017-04-27|work=The Telegraph|access-date=2018-11-23|language=en-GB|issn=0307-1235}}</ref>
+In 2017, the company developed and produced their first self-initiated production. It was an adaptation of [[Paul Auster]]'s [[City of Glass (Paul Auster book)|City of Glass]], written by [[Duncan Macmillan (playwright)|Duncan Macmillan]]. ''City of Glass'' was a co-production with the [[Lyric Theatre (Hammersmith)|Lyric Hammersmith]], [[HOME (Manchester)|HOME Manchester]], and Karl Sydow. The production was described by The Daily Telegraph as a "Neo-noir thriller that rewrites the rulebook for theatre design."<ref>{{Cite news|url=https://www.telegraph.co.uk/theatre/what-to-see/neo-noir-rewrites-rulebook-city-glass-lyric-hammersmith-review/|title=Neo-noir thriller that rewrites the rulebook for theatre design - City of Glass, Lyric Hammersmith review|last=Allfree|first=Claire|date=2017-04-27|work=The Telegraph|access-date=2018-11-23|language=en-GB|issn=0307-1235}}</ref>
-In 2018, 59 Productions provided both set and projection design for [[The Last Ship (musical)|The Last Ship]], the [[Sting (musician)|Sting]] musical which tells the story of the shipbuilding industry in the North East of England. The production opened at [[Northern Stage, Newcastle upon Tyne|Northern Stage]] before embarking on a UK tour. Other recent projects include the design of Marnie, an opera by [[Nico Muhly]] which transferred to the [[Metropolitan Opera]] after an initial run at the [[English National Opera]] in London. The company also designed large scale events in 2018 for both the BBC [[First Night of the Proms]] at [[Royal Albert Hall|The Royal Albert Hall]], and the [[Edinburgh International Festival]].
+In 2018, 59 Productions provided both the set and projection design for [[The Last Ship (musical)|The Last Ship]]. This [[Sting (musician)|Sting]] musical tells the story of the shipbuilding industry in the North East of England. The production opened at [[Northern Stage, Newcastle upon Tyne|Northern Stage]] before embarking on a UK tour. Other recent projects include the design of Marnie, an opera by [[Nico Muhly]] that transferred to the [[Metropolitan Opera]] after an initial run at the [[English National Opera]] in London. The company also designed large scale events in 2018 for both the BBC [[First Night of the Proms]] at [[Royal Albert Hall|The Royal Albert Hall]], and the [[Edinburgh International Festival]].
-Alongside their work for the stage, 59 Productions also made two award-winning VR films in 2018, Grenfell: Our Home,<ref>{{Cite news|url=https://www.standard.co.uk/tech/grenfell-our-home-vr-documentary-parable-a3877406.html|title=A new VR documentary takes you inside Grenfell before the fire|work=Evening Standard|access-date=2018-11-22|language=en-GB}}</ref> a collaboration with [http://parableworks.com/ Parable] and [[Channel 4]] which won the Audience Award<ref>{{Cite web|url=https://sheffdocfest.com/articles/630-2018-doc-fest-award-winners|title=Sheffield Doc/Fest: Sheffield International Documentary Festival|website=sheffdocfest.com|access-date=2018-11-22}}</ref> at [[Sheffield Doc/Fest|Sheffield Doc Fest]]; and Nothing To Be Written,<ref>{{Cite web|url=https://www.bbc.co.uk/mediacentre/latestnews/2018/vr-prom|title=BBC - The first ever Virtual Reality Prom - Media Centre|website=www.bbc.co.uk|language=en-GB|access-date=2018-11-22}}</ref> commissioned by the [[BBC]], winner of Best UK Experience at [[Raindance Film Festival|Raindance]].<ref>{{Cite news|url=https://www.raindance.org/award-winners-raindance-gallery-of-immersive-stories-2018/|title=Award Winners - Raindance Immersive Stories 2018 - Raindance|date=2018-10-07|work=Raindance|access-date=2018-11-22|language=en-GB}}</ref>  In November 2018, their film collaboration with composer [[Eric Whitacre]] and [[NASA]], ''Deep Field'', premiered at [[Kennedy Space Center]].
+Alongside their work for the stage, 59 Productions made two VR films in 2018: Grenfell: Our Home,<ref>{{Cite news|url=https://www.standard.co.uk/tech/grenfell-our-home-vr-documentary-parable-a3877406.html|title=A new VR documentary takes you inside Grenfell before the fire|work=Evening Standard|access-date=2018-11-22|language=en-GB}}</ref> which was a collaboration with [http://parableworks.com/ Parable] and [[Channel 4]] and winner of the Audience Award<ref>{{Cite web|url=https://sheffdocfest.com/articles/630-2018-doc-fest-award-winners|title=Sheffield Doc/Fest: Sheffield International Documentary Festival|website=sheffdocfest.com|access-date=2018-11-22}}</ref> at [[Sheffield Doc/Fest|Sheffield Doc Fest]], and Nothing To Be Written,<ref>{{Cite web|url=https://www.bbc.co.uk/mediacentre/latestnews/2018/vr-prom|title=BBC - The first ever Virtual Reality Prom - Media Centre|website=www.bbc.co.uk|language=en-GB|access-date=2018-11-22}}</ref> which was commissioned by the [[BBC]] and winner of Best UK Experience at [[Raindance Film Festival|Raindance]].<ref>{{Cite news|url=https://www.raindance.org/award-winners-raindance-gallery-of-immersive-stories-2018/|title=Award Winners - Raindance Immersive Stories 2018 - Raindance|date=2018-10-07|work=Raindance|access-date=2018-11-22|language=en-GB}}</ref>  In November 2018, ''Deep Field'' premiered at [[Kennedy Space Center]]. It was their film collaboration with composer [[Eric Whitacre]] and [[NASA]].
-Now employing 35 people worldwide, with offices in London and New York, 59 Productions works in set design, video projection design, exhibition and events design, film, theatre, and interactive production. The company expanded in 2016 to include an architecture department with a particular focus on design for performance environments, and an interest in developing forms of architectural expression which are fundamentally narratively led.
+Now employing 35 individuals worldwide and with offices in London and New York, 59 Productions works in set design, video projection design, exhibition and event design, film, theatre, and interactive production. The company expanded in 2016 to include an architecture department with a particular focus on design for performance environments, and an interest in developing forms of architectural expression that are fundamentally narratively led.
 == Selected productions ==
-* 2018 - ''The Last Ship -'' 59 Productions provided set and projection design for this new production of [[Sting (musician)|Sting]]'s musical about [[shipbuilding]] in the North East of England.
+* 2018—''The Last Ship -'' 59 Productions provided the set and projection design for this new production of [[Sting (musician)|Sting]]'s musical about [[shipbuilding]] in the North East of England.
-*2018 - ''The Shadow Factory'' - 59 Productions provided set design and projection design for this new play by [[Howard Brenton]] at [[Nuffield Theatre, Southampton|Nuffield Theatre Southampton]]
+*2018—''The Shadow Factory'' - 59 Productions provided the set design and projection design for this new play by [[Howard Brenton]] at [[Nuffield Theatre, Southampton|Nuffield Theatre Southampton]] .
-*2018 - ''Array -'' an animated artwork projection mapped onto the interior of Beech Street Tunnel in [[Barbican Centre|The Barbican]], London, set to ''Karawane'' by composer [[Esa-Pekka Salonen|Esa Pekka Salonen]]
+*2018—''Array -'' an animated artwork projection mapped onto the interior of Beech Street Tunnel in [[Barbican Centre|The Barbican]], London, and set to ''Karawane'' by composer [[Esa-Pekka Salonen|Esa Pekka Salonen]]
-*2017 - ''[http://59productions.co.uk/project/guggenheim/ Reflections]'' - an animated artwork projected onto the [[Guggenheim Museum Bilbao]] as part of the museum's 20th birthday celebrations.
+*2017—''[http://59productions.co.uk/project/guggenheim/ Reflections]'' - an animated artwork projected onto the [[Guggenheim Museum Bilbao]] as part of the museum's 20th birthday celebrations.
-*2017 - ''[http://59productions.co.uk/project/city-of-glass/ City of Glass]'' - a stage adaptation of [[Paul Auster]]'s novella, co-produced by 59 Productions, the [[Lyric Theatre (Hammersmith)|Lyric Hammersmith]], [[HOME (Manchester)|HOME Manchester]], and Karl Sydow.
+*2017—''[http://59productions.co.uk/project/city-of-glass/ City of Glass]'' - a stage adaptation of [[Paul Auster]]'s novella, co-produced by 59 Productions, the [[Lyric Theatre (Hammersmith)|Lyric Hammersmith]], [[HOME (Manchester)|HOME Manchester]], and Karl Sydow.
-*2015—''An American in Paris'' at the [[Palace Theatre (New York City)]] starring Robert Fairchild and [[Leanne Cope]]. Because the main character is an artist, the projections transform from simple line drawings to finished works of art, as they would in a sketchbook. The video design integrates with the staging and scenic elements and the fluid cast of dancers to recreate the Parisian streets where the story is set.<ref>{{cite web|title=An American in Paris|url=http://www.anamericaninparisbroadway.com/|website=An American in Paris Broadway|access-date=6 July 2015}}</ref>
+*2015—''An American in Paris'' at the [[Palace Theatre (New York City)]], starring Robert Fairchild and [[Leanne Cope]]. Because the main character is an artist, the projections transform from simple line drawings to completed works of art as they would in a sketchbook. The video design integrates with the staging and scenic elements as well as the fluid cast of dancers to recreate the Parisian streets where the story is set.<ref>{{cite web|title=An American in Paris|url=http://www.anamericaninparisbroadway.com/|website=An American in Paris Broadway|access-date=6 July 2015}}</ref>
-* 2014—''Lighting the Sails'' at [[Sydney Opera House]] for the [[Vivid Sydney|VIVID Live festival]]. 59 was commissioned to create a bespoke animated film for projection onto the roof of the [[Sydney Opera House]], tracing the evolution of the building from its design and construction.<ref>{{cite news|last=Fisher|first=Neil|title=How to melt the Sydney Opera House|url=http://www.thetimes.co.uk/tto/arts/article4095255.ece|access-date=23 May 2014|newspaper=The Times|date=21 May 2014}}</ref>
+* 2014—''Lighting the Sails'' at [[Sydney Opera House]] for the [[Vivid Sydney|VIVID Live festival]]. 59 was commissioned to create a bespoke animated film for projection onto the roof of the [[Sydney Opera House]]. It traced the evolution of the building from its design and construction.<ref>{{cite news|last=Fisher|first=Neil|title=How to melt the Sydney Opera House|url=http://www.thetimes.co.uk/tto/arts/article4095255.ece|access-date=23 May 2014|newspaper=The Times|date=21 May 2014}}</ref>
-* 2014—''[[Hedwig and the Angry Inch (musical)|Hedwig and the Angry Inch]]'' at the [[Belasco Theatre]] starring [[Neil Patrick Harris]]. 59 Productions' Ben Pearcy designed projections for the Tony-nominated show.<ref>{{cite news|last=Brantley|first=Ben|title=A Cold War Casualty, Hot for Freedom (and Heels)|url=https://www.nytimes.com/2014/04/23/theater/hedwig-and-the-angry-inch-stars-neil-patrick-harris.html|access-date=16 May 2014|newspaper=The New York Times|date=22 April 2014}}</ref>
+* 2014—''[[Hedwig and the Angry Inch (musical)|Hedwig and the Angry Inch]]'' at the [[Belasco Theatre|Belasco Theatre,]] starring [[Neil Patrick Harris]]. 59 Productions' Ben Pearcy designed projections for the Tony-nominated show.<ref>{{cite news|last=Brantley|first=Ben|title=A Cold War Casualty, Hot for Freedom (and Heels)|url=https://www.nytimes.com/2014/04/23/theater/hedwig-and-the-angry-inch-stars-neil-patrick-harris.html|access-date=16 May 2014|newspaper=The New York Times|date=22 April 2014}}</ref>
-* 2014—''[[Les Misérables (musical)|Les Misérables]]'' at the [[Imperial Theatre]]. For this new production of the musical, 59 created projections inspired by [[Victor Hugo]]'s watercolors.<ref>{{cite news|last=Stasio|first=Marilyn|title=Broadway Review ''Les Miserables''|url=https://variety.com/2014/legit/reviews/broadway-review-les-miserables-1201143947/|access-date=16 May 2014|newspaper=Variety|date=23 March 2014}}</ref>
+* 2014—''[[Les Misérables (musical)|Les Misérables]]'' at the [[Imperial Theatre]]. 59 created projections inspired by [[Victor Hugo]]'s watercolors for this new production of the musical.<ref>{{cite news|last=Stasio|first=Marilyn|title=Broadway Review ''Les Miserables''|url=https://variety.com/2014/legit/reviews/broadway-review-les-miserables-1201143947/|access-date=16 May 2014|newspaper=Variety|date=23 March 2014}}</ref>
-* 2013—''David Bowie is'' exhibit at the [[Victoria and Albert Museum]]. It was the first time that the V&A Museum asked a theatrical design company to lead the design of an exhibition. It includes over 300 objects, video installations, and set works, drawing on a range of influences to bring Bowie's creative and cultural impact to life.<ref>{{cite news|last=Hume|first=Marion|title=David Bowie Exhibition Opens at London's V&A|url=https://www.forbes.com/sites/marionhume/2013/04/15/david-bowie-exhibition-opens-at-londons-va/|access-date=16 May 2014|newspaper=Forbes|date=15 April 2013}}</ref>
+* 2013—the ''David Bowie is'' exhibit at the [[Victoria and Albert Museum]]. It was the first time that the V&A Museum asked a theatrical design company to lead the design of an exhibition. It includes over 300 objects, video installations, and set works, and draws on a range of influences to bring Bowie's creative and cultural impact to life.<ref>{{cite news|last=Hume|first=Marion|title=David Bowie Exhibition Opens at London's V&A|url=https://www.forbes.com/sites/marionhume/2013/04/15/david-bowie-exhibition-opens-at-londons-va/|access-date=16 May 2014|newspaper=Forbes|date=15 April 2013}}</ref>
-* 2012—[[2012 Summer Olympics opening ceremony]]. The 59 Productions team art directed the video content delivered to the Olympic Stadium, including to the four LED screens on the stadium roof and the "audience pixels"—a video surface with a 9-pixel LED panel mounted between every one of the 70,000 seats.<ref name=rapid />
+* 2012—[[2012 Summer Olympics opening ceremony]]. The 59 Productions art team directed the video content delivered to the Olympic Stadium, including to the four LED screens on the stadium roof and the "audience pixels"—a video surface with a nine-pixel LED panel mounted between every one of the 70,000 seats.<ref name=rapid />
 * 2009—''[[Al gran sole carico d'amore]]'' at the [[Salzburg Festival]]. [[Katie Mitchell]] directed [[Luigi Nono]]'s opera with Leo Warner, creating a "live film" production in which action on stage and visual effects were simultaneously created, shot, and edited live, and relayed to a cinema screen above the stage.<ref>{{cite news|last=Loomis|first=George|title=Amid Upheavals, a Steady Salzburg Festival|url=https://www.nytimes.com/2009/08/19/arts/19iht-salzburg.html?pagewanted=2&_r=1|access-date=16 May 2014|newspaper=The New York Times|date=18 August 2009}}</ref>
-* 2007—''[[War Horse (play)|War Horse]]'' at the [[Royal National Theatre]]. Based on a children's book by [[Michael Morpurgo]], directed by [[Tom Morris (director)|Tom Morris]] and [[Marianne Elliott (director)|Marianne Elliott]], the story was staged with life-size horse puppets created by [[Handspring Puppet Company]] and animation and projection design by 59 productions.<ref>{{cite web|last=Boswell|first=Jenna|title=59 Productions and the Making of ''War Horse''|url=http://kinographics.blogspot.com/2011/10/59-productions-and-making-of-war-horse.html|publisher=Kinographics|access-date=19 May 2014|date=2011-10-06}}</ref>
+* 2007—''[[War Horse (play)|War Horse]]'' at the [[Royal National Theatre]]. Based on a children's book by [[Michael Morpurgo]] and directed by [[Tom Morris (director)|Tom Morris]] and [[Marianne Elliott (director)|Marianne Elliott]], the story was staged with life-size horse puppets created by [[Handspring Puppet Company]], and animation and projection design by 59 productions.<ref>{{cite web|last=Boswell|first=Jenna|title=59 Productions and the Making of ''War Horse''|url=http://kinographics.blogspot.com/2011/10/59-productions-and-making-of-war-horse.html|publisher=Kinographics|access-date=19 May 2014|date=2011-10-06}}</ref>
-* 2007—''[[Satyagraha (opera)|Satyagraha]]'' by the [[English National Opera]]. For the opera by [[Philip Glass]] with libretto by [[Constance DeJong (writer)|Constance DeJong]], 59 designed the video projections, using large-scale text instead of surtitles and aesthetics from [[Mahatma Gandhi]]'s newspaper ''[[Indian Opinion]]''.<ref name="Brieler"/>
+* 2007—''[[Satyagraha (opera)|Satyagraha]]'' by the [[English National Opera]]. For the opera by [[Philip Glass]] with libretto by [[Constance DeJong (writer)|Constance DeJong]], 59 designed the video projections using large-scale text instead of surtitles and aesthetics from [[Mahatma Gandhi]]'s newspaper ''[[Indian Opinion]]''.<ref name="Brieler"/>
 * 2006—''The Waves'' at the [[Royal National Theatre]], based on [[The Waves|the novel]] by [[Virginia Woolf]]. Leo Warner developed a mode of "live film-making" with director [[Katie Mitchell]] that evoked the [[Stream of consciousness (narrative mode)|stream of consciousness]] effect of the novel.<ref name="Gardner"/>
-* 2006—''[[Black Watch (play)|Black Watch]]'' for the [[National Theatre of Scotland]]. 59 Productions designed the video projections for this play about the famous Scottish regiment in Iraq, which started out at the [[Edinburgh Festival Fringe]], but went on to tour Europe, North America, and Australia and Asia.<ref name=NYT20071024 />
+* 2006—''[[Black Watch (play)|Black Watch]]'' for the [[National Theatre of Scotland]]. 59 Productions designed the video projections for this play about the famous Scottish regiment in Iraq. It started out at the [[Edinburgh Festival Fringe]], but went on to tour Europe, North America, Australia, and Asia.<ref name=NYT20071024 />
-* 2006—''Roam'' by Grid Iron at the [[Edinburgh Airport]]. 59 created CG and film content and designed the technical systems for the delivery of video in this show, including a mock-up of a live news report describing Edinburgh's descent into civil war.<ref>{{cite news|last=Chadwick|first=Alan|title=First Class Act|url=http://metro.co.uk/2006/04/06/first-class-act-39863/|access-date=16 May 2014|newspaper=The Metro|date=6 April 2006}}</ref>
+* 2006—''Roam'' by Grid Iron at the [[Edinburgh Airport]]. 59 created CG and film content, and designed the technical systems for the delivery of video in this show. It included a mock-up of a live news report describing Edinburgh's descent into civil war.<ref>{{cite news|last=Chadwick|first=Alan|title=First Class Act|url=http://metro.co.uk/2006/04/06/first-class-act-39863/|access-date=16 May 2014|newspaper=The Metro|date=6 April 2006}}</ref>
 * 2003—''Sweet Fanny May Adams in Eden'' produced by the [[Stellar Quines Theatre Company]] in a garden. 59 Productions' video was used for scenography and narrative purposes in this outdoor promenade production.<ref name=SFA />
@@ Line 104: / Line 104: @@
 * 2011–2014—''[[War Horse (play)|War Horse]]''. After its successful run at the [[Royal National Theatre]], the production won five [[Tony Award]]s on Broadway, including Best Play and Best Design. The show also toured in the UK & Ireland, North America, Holland, Germany, and South Africa.<ref>{{cite web|title=National Theatre of Great Britain Production ''War Horse''|url=http://warhorseonstage.com/show|work=War Horse on Stage|access-date=19 May 2014|archive-url=https://web.archive.org/web/20120114003630/http://warhorseonstage.com/show|archive-date=14 January 2012|url-status=dead|df=dmy-all}}</ref>
-* 2010—[[Jónsi]]-Go Live World Tour. 59 conceived, designed, and produced the stage show for Jónsi's 2010 tour of North America, Europe, Australia and Japan.<ref>{{cite news|last=Aames|first=Timothy|title=Jónsi & Fifty Nine Productions: Taxidermy Fire Inspires Darkness-to-Light Aesthetic|url=http://alarm-magazine.com/2012/jonsi-fifty-nine-productions-taxidermy-fire-inspires-darkness-to-light-aesthetic/|access-date=16 May 2014|newspaper=Alarm|date=20 January 2012}}</ref>
+* 2010—[[Jónsi]]-Go Live World Tour. 59 conceived, designed, and produced the stage show for Jónsi's 2010 tour of North America, Europe, Australia, and Japan.<ref>{{cite news|last=Aames|first=Timothy|title=Jónsi & Fifty Nine Productions: Taxidermy Fire Inspires Darkness-to-Light Aesthetic|url=http://alarm-magazine.com/2012/jonsi-fifty-nine-productions-taxidermy-fire-inspires-darkness-to-light-aesthetic/|access-date=16 May 2014|newspaper=Alarm|date=20 January 2012}}</ref>
 * 2009–2014—The new, redesigned version of ''[[Les Misérables (musical)|Les Misérables]]'' has toured the UK, Japan, Korea, Spain, and Australia.<ref>{{cite web|title=Les Miserables Broadway|url=http://www.lesmis.com/broadway/|publisher=lesmis.com|access-date=19 May 2014}}</ref>
-* 2008—''The Waves'', which started at the [[Royal National Theatre]], toured the UK, North America, and Europe.<ref>{{cite news|last=Brantley|first=Ben|title=Six Lives Ebb and Flow, Interconnected and Alone|url=https://www.nytimes.com/2008/11/17/theater/reviews/17wave.html?pagewanted=2&ref=theater|access-date=19 May 2014|newspaper=The New York Times|date=17 November 2008}}</ref>
+* 2008—''The Waves'' started at the [[Royal National Theatre]]. It toured the UK, North America, and Europe.<ref>{{cite news|last=Brantley|first=Ben|title=Six Lives Ebb and Flow, Interconnected and Alone|url=https://www.nytimes.com/2008/11/17/theater/reviews/17wave.html?pagewanted=2&ref=theater|access-date=19 May 2014|newspaper=The New York Times|date=17 November 2008}}</ref>
-* 2006–2011—''[[Black Watch (play)|Black Watch]]'', which started at the [[National Theatre of Scotland]], went on to tour the UK, the US, Canada, Australia, and New Zealand.<ref>{{cite news|title=National Theatre of Scotland's ''Black Watch'' US Tour Dates Announced|url=http://www.allmediascotland.com/media-releases/22340/national-theatre-of-scotlands-black-watch-us-tour-dates-announced/|access-date=19 May 2014|newspaper=All Media Scotland|date=16 July 2010|archive-url=https://web.archive.org/web/20141006073359/http://www.allmediascotland.com/media-releases/22340/national-theatre-of-scotlands-black-watch-us-tour-dates-announced/|archive-date=6 October 2014|url-status=dead|df=dmy-all}}</ref>
+* 2006–2011—''[[Black Watch (play)|Black Watch]]'' started at the [[National Theatre of Scotland]]. It went on to tour the UK, the US, Canada, Australia, and New Zealand.<ref>{{cite news|title=National Theatre of Scotland's ''Black Watch'' US Tour Dates Announced|url=http://www.allmediascotland.com/media-releases/22340/national-theatre-of-scotlands-black-watch-us-tour-dates-announced/|access-date=19 May 2014|newspaper=All Media Scotland|date=16 July 2010|archive-url=https://web.archive.org/web/20141006073359/http://www.allmediascotland.com/media-releases/22340/national-theatre-of-scotlands-black-watch-us-tour-dates-announced/|archive-date=6 October 2014|url-status=dead|df=dmy-all}}</ref>
 == References ==