Venetian mask: Difference between revisions
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===Moretta=== |
===Moretta=== |
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The Moretta, or Servetta Muta, was a strapless oval mask with wide eye-holes, worn by patrician women. The mask was held in place by the wearer biting on a button or bit and was finished off with a veil. Servetta Muta translates as 'mute maid servant'. This mask has not been widely worn since 1760. |
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===Volto (Larva)=== |
===Volto (Larva)=== |
Revision as of 17:44, 17 April 2012
This article needs additional citations for verification. (March 2010) |
It has been suggested that this article be merged with Carnival of Venice. (Discuss) Proposed since June 2009. |
Venetian masks are a centuries-old tradition of Venice, Italy. The masks are typically worn during the Carnevale (Carnival of Venice), but have been used on many other occasions in the past, usually as a device for hiding the wearer's identity and social status.
The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina).
History
There is very little evidence explaining the motive for the earliest mask wearing in Venice. One scholar argues that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.[1]
The first documented sources mentioning the use of masks in Venice can be found as far back as the 13th century.[2] The Great Council made it a crime to throw scented eggs.[1] The document decrees that masked persons were forbidden to gamble.[3]
Another law in 1339 forbade Venetians from wearing vulgar disguises and visiting nun's convents while masked. The law also prohibits painting one's face, or wearing false beards or wigs.[2]
Near the end of the Republic, the wearing of masks in daily life was severely restricted. By the 18th century, it was limited only to about three months from December 26. The masks were traditionally worn with decorative beads matching in color.
Types of masks
Bauta
Bauta (sometimes referred as baùtta) is a mask which covers the whole face, this was a traditional piece of art, with a stubborn chin line, no mouth, and lots of gilding. The mask has a square jaw line often pointed and tilted upwards to enable the wearer to talk, eat and drink easily without having to remove the mask thereby preserving their anonymity. The Bauta was often accompanied by a red cape and a tricorn.
In 18th century, together with a black cape called "Tabarro" the Bauta had become a standardized society mask and disguise regulated by the Venetian government.[4][5] It was obligatory to wear it at certain political decision-making events when all citizens were required to act anonymously as peers. Only citizens had the right to use the Bauta. Its role was similar to the anonymizing processes invented to guarantee general, direct, free, equal and secret ballots in modern democracies.
It was not allowed to wear weapons along with the mask, and police had the right to enforce this ruling.
Columbina
The Columbina (also known as Columbine and Columbino) is a half mask often highly decorated with gold, silver, crystals and feathers. It is held up to the face by a baton or tied with ribbon as with most other Venetian masks. The columbine was popularised by an early actress in the Commedia dell'arte of the same name. It is said it was designed for her because she did not wish to have her beautiful face covered completely.
Medico Della Peste (The Plague Doctor)
The Medico Della Peste with its long beak is one of the most bizarre and recognisable of the Venetian masks. The striking design has a macabre history originating from 17th century French physician Charles de Lorme who adopted the mask together with other sanitary precautions while treating plague victims.[6] The mask is white consisting of a hollow beak and round eye holes covered with crystal discs creating a bespectacled effect.
Today, the masks are often more decorative. The doctors who followed de Lorme's example wore the usual black hat and long black cloak as well as the mask, white gloves and a stick (to move patients without having to come into physical contact). They hoped these precautions would prevent them contracting the disease. Those who wear the plague doctor mask often also wear the associated clothing of the plague doctor. The popularity of the Medico della Peste among carnivale celebrants can be seen as a memento mori.
Moretta
The Moretta, or Servetta Muta, was a strapless oval mask with wide eye-holes, worn by patrician women. The mask was held in place by the wearer biting on a button or bit and was finished off with a veil. Servetta Muta translates as 'mute maid servant'. This mask has not been widely worn since 1760.
Volto (Larva)
The larva, also called the volto mask, is mainly white, and typically Venetian. It is worn with a tricorn and cloak. It is thought the word "larva" comes from the Latin meaning "mask" or "ghost". Like the bauta, the shape of the mask allowed the wearer to breathe, drink, and speak easily without having to remove the mask. These masks were made of fine wax cloth and so were light and comfortable to wear, making them ideal for a night of socializing and dancing.
In popular culture
Venetian masks feature prominently in the film Eyes Wide Shut. In the film, the main character (played by Tom Cruise) infiltrates a masked ball where high ranking individuals engage in secret orgies and masonic rituals. Stores that supplied the masks include both Ca’ Macana[7] and Il Canovaccio[8] in Venice. The latter displays the original mask worn in the film by Tom Cruise on their website.
References
- ^ a b Johnson, James H. (2011). Venice incognito: masks in the serene republic. p. 54.
- ^ a b Janet Sethre, The souls of Venice, 2003. Page 132.
- ^ Ackroyd, Peter. [Venice: Pure City.
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value (help) - ^ Ignatio Toscani: Die venezianische Gesellschaftsmaske. Ein Versuch zur Deutung ihrer Ausformung, ihrer Entstehungsgründe und ihrer Funktion. Diss. Saarbrücken 1970.
- ^ Wiele, Johannes, "Licence to Mask: The Venetian Bauta Mask as a Historical Anonymization Device"
- ^ Christine M. Boeckl, Images of plague and pestilence: iconography and iconology (Truman State University Press, 2000), p. 27.
- ^ See Pauline Frommer's Italy by Keith Bain, Reid Bramblett, Pippa de Bruyn, William Fink, Barbie Latza Nadeau p. 333
- ^ Frommer's Northern Italy: Including Venice, Milan & the Lakes by John Moretti p. 168