Portal:Speculative fiction
Speculative fiction is an umbrella phrase encompassing the more fantastical fiction genres, specifically science fiction, fantasy, horror, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history in literature as well as related static, motion, and virtual arts. It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction. Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greek dramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty. In historiography, what is now called speculative fiction has previously been termed "historical invention", "historical fiction," and other similar names. It is extensively noted in the literary criticism of the works of William Shakespeare when he co-locates Athenian Duke Theseus and Amazonian Queen Hippolyta, English fairy Puck, and Roman god Cupid all together in the fairyland of its Merovingian Germanic sovereign Oberon in A Midsummer Night's Dream. In mythography it has been termed "mythopoesis" or mythopoeia, "fictional speculation", the creative design and generation of lore, regarding such works as J. R. R. Tolkien's The Lord of the Rings. Such supernatural, alternate history, and sexuality themes continue in works produced within the modern speculative fiction genre. Jump to a specific section belowSelected profileRumiko Takahashi (高橋 留美子, Takahashi Rumiko, born October 10, 1957) is a Japanese manga artist. With a career of several commercially successful works, beginning with Urusei Yatsura in 1978, she is one of Japan's best-known and wealthiest manga artists. Her works are known worldwide, where they have been translated into a variety of languages, with over 230 million copies in circulation; making Takahashi one of the best-selling authors of all time. She has won the Shogakukan Manga Award twice, once in 1980 for Urusei Yatsura and again in 2001 for Inuyasha, and the Seiun Award twice, once in 1987 for Urusei Yatsura and again in 1989 for Mermaid Saga. She also received the Grand Prix de la ville d'Angoulême in 2019, becoming the second woman and second Japanese to win the prize. In 2020, the Japanese government awarded Takahashi the Medal with Purple Ribbon for her contributions to the arts. (Full article...)
Selected work Archaeology, Anthropology, and Interstellar Communication is a 2014 collection of essays edited by Douglas Vakoch and published by NASA. The book is focused on the role that the humanities and social sciences, in particular anthropology and archaeology, play in the search for extraterrestrial intelligence (SETI). The seventeen essays are gathered into four sections, which respectively explore the history of SETI as a field; archaeological comparisons for human-alien communication, such as the difficulties of translating ancient languages; the inferential gap between humans and aliens, and the consequences this would have for communication and trade; and the potential nature of alien intelligences. Originally scheduled for publication in June 2014, a PDF of Archaeology, Anthropology, and Interstellar Communication was accidentally released a month before the intended date and reviewed by Gizmodo. The positive response to the review inspired NASA to bring forward its release as an e-book, making it available on their website from May of that year. (Full article...) Selected quote
—T. O'Conor Sloane (1851–1940), "Discussions" Amazing Stories (January 1927). This quote is notable for being the first "modern use" of the term science fiction.[1]
Selected picture A 1900 illustration of the Norse god Thor with the giant Útgarða-Loki. Giving his name as "Skrymir", the giant tricked Thor and his companions in several ways, such as challenging Thor's servant Þjálfi to a race against Thought, challenging Loki in an eating contest with Wildfire, and challenging Thor to a drinking contest where the drinking horn was connected to the ocean. In the end, Útgarða-Loki revealed his trickery and said that he had been truly afraid at their performance and would never again risk coming near the thunder god. Thor's dealings with giants make up most of the myths surrounding him. (POTD) Did you know...
Upcoming conventionsNovember:
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Dates can usually be found on the article page. See also these convention lists: anime, comic book, furry, gaming, multigenre, and science fiction. Selected articleDoc Savage was an American pulp magazine that was published from 1933 to 1949 by Street & Smith. It was launched as a follow-up to the success of The Shadow, a magazine Street & Smith had started in 1931, based around a single character. Doc Savage's lead character, Clark Savage, was a scientist and adventurer, rather than purely a detective. Lester Dent was hired to write the lead novels, almost all of which were published under the house name "Kenneth Robeson". A few dozen novels were ghost-written by other writers, hired either by Dent or by Street & Smith. The magazine was successful, but was shut down in 1949 as part of Street & Smith's decision to abandon the pulp magazine field completely.
Dent's work was full of inventive ideas, and ranged across multiple genres. Science fictional gadgets were common, but there were also detective novels, westerns, fantasies, and straightforward adventures. Dent worked with Henry Ralston and (until 1943) John Nanovic, two editors at Street & Smith, to plot the novels, though in a few cases ghost-writers were given leeway to create their own plots without Dent's involvement. Early covers were painted by Walter Baumhofer; when Baumhofer left Street & Smith in 1936 he was replaced by R. G. Harris and then by Emery Clarke. (Full article...)
On this day...Book releases
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Possible futuresPossible events in the future as suggested by science fiction:
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Recognized contentFeatured articles are considered to be the best on Wikipedia, as determined by Wikipedia's editors, and Good articles are those which are considered to be of good quality but which are not yet featured article quality. If you see one that should be listed here, please add it or post on the talk page and let us know so we can add it for you. Speculative fiction topicsCreators: Artists (list) · Authors (by nationality) · Editors Fantasy
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