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Joyce Chin

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Joyce Chin is a comic book penciler, inker, colorist, and cover artist.[1][2] She has created content under the Marvel, DC, Dynamite, Image Comics, Top Cow, Malibu, Chaos! Comics, Dark Horse Comics, Hero Initiative, Zenescope Entertainment, Black Bull, Wildstorm, Harris Comics, Topps Comics, and IDW Publishing labels. [1][2] A large portion of Chin's work has been in creating comic book covers.[1]

Career

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Chin's early work with DC began with Guy Gardner Warrior. [3] She later progressed to work on a number of variant covers, mini-series, and special projects [3], including Xena: Warrior Princess, Vampirella, Tomb Raider, Red Sonja, and Wynonna Earp, among others.[1] Her collaborations include, among others, work alongside her husband Arthur Adams, comic writer Gail Simone, and frequent cover art projects with Ivan Nunes.[1] [3][4]

Style

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Chin's work on Vampirella has been described as similar to that seen in Mucha paintings. [5] Her depictions of superheroes and warriors has been grounded in her belief that costumes need to match the attitude of the characters wearing them.[4]

Chin has worked on several variant covers featuring only her penciling (inked black or red). [1]

Awards

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Chin received an Inkpot Award at Comic-Con International in 2017. [6]

Works

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References

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  1. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak al am an ao ap aq ar as at au av aw ax ay az ba bb bc bd be bf bg bh bi bj bk bl bm bn bo bp bq br bs bt bu bv bw bx by bz ca cb cc cd ce cf cg ch ci cj ck cl cm cn co cp cq cr cs ct cu cv cw cx cy cz da db dc dd de df dg dh di dj dk dl dm dn do dp dq dr "Joyce Chin Comics - Comic Vine". Comic Vine. Retrieved 2018-11-11.
  2. ^ a b "Joyce Chin - Comic Book DB". comicbookdb.com. Retrieved 2018-11-11.
  3. ^ a b c "DYNAMIC FORCES® - Marvel, DC, Dynamite, Signed Comics, Sketch Covers, CGC Graded, Variants, Collectibles and more!". www.dynamicforces.com. Retrieved 2018-11-11.
  4. ^ a b Emerson, Bo. "Comic Book Artist Goes From Superheroes to Civil Rights". US News.
  5. ^ www.robinwhale.co.uk, Robin Whale -. "The Vampirella art of Joyce Chin". www.vampilore.co.uk. Retrieved 2018-11-11.
  6. ^ "Inkpot Award". Comic-Con International: San Diego. 2012-12-06. Retrieved 2018-11-11.



The Above Sections were Added to the Article for Joyce Chin (Important Info Below)

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Originally, Joyce Chin's article had to be accessed using this link: https://en.wikipedia.org/enwiki/w/index.php?title=Joyce_Chin&redirect=no

This is because the page served as a redirect to her husband, Arthur Adams', page. After consulting the course's Wikipedia expert, I moved my content to the page, which can be accessed at this link: Joyce Chin.

Article Selection

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Joan Hilty - LGBTQ+ comic creator. Current article could be improved with images of the subject.

Jennifer Diane Reitz - LGBTQ+ comic creator. Also has worked in game development. Current article could benefit from better formatting.

Joyce Chin - Does not currently have a separate Wikipedia page from her husband. In addition to other work, she has constructed many comic covers featuring female characters.

- Going with Joyce Chin as my selected artist.

Notes

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1)

Do Rozario, Rebecca-Anne C. “Comic Book Princesses for Grown-Ups: Cinderella Meets the Pages of the Superhero.” Colloquy: Text Theory Critique, vol. 24, Nov. 2012, pp. 191–206. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&AuthType=ip,uid&db=mzh&AN=2014392555&site=ehost-live.

I would like to take this conflict of visual objectification with textual or even visual agency and apply it to the similar representations of women by Joyce Chin.

2)

Emerson, Bo. "Comic Book Artist Goes From Superheroes to Civil Rights." U.S. News & World Report. U.S. News & World Report, 4 Aug. 2018. Web. 10 Oct. 2018. <https://www.usnews.com/news/best-states/georgia/articles/2018-08-04/comic-book-artist-goes-from-superheroes-to-civil-rights>.

Interview ^

“if the costume fits the personality of the superhero, it will work… when a character is shy or reserved, a revealing and impractical costume is not good storytelling because it’s not believable”

3)

Forces, Dynamic. "5 MINUTES WITH: JOYCE CHIN." DYNAMIC FORCES® - Marvel, DC, Dynamite, Signed Comics, Sketch Covers, CGC Graded, Variants, Collectibles and More! N.p., 2005. Web. 09 Oct. 2018. <https://www.dynamicforces.com/htmlfiles/interviews20.html>.

Discusses her past history in drawing comics with “men and women in really tight outfits beating each other up” and also her interest in horror comics. Interview.

4)

Hayton, Christopher J. “Evolving Sub-Texts in the Visual Exploitation of the Female Form: Good Girl and Bad Girl Comic Art Pre- and Post-Second Wave Feminism.” ImageTexT, vol. 7, no. 4, 2014.

Christopher J. Hayton explores “Good Girl Art” and “Bad Girl Art” throughout his piece in ImageTexT.

5)

"Joyce Chin Comics." Comic Vine. Comic Vine, n.d. Web. 10 Oct. 2018. <https://comicvine.gamespot.com/joyce-chin/4040-51014/issues-cover/>.

The Comic Vine page for Joyce Chin helps link to several of her works that are not included on the pages for DC, Marvel, or Image.

6)

"Joyce Chin." DC. DC Comics, 06 Mar. 2012. Web. 10 Oct. 2018. <https://www.dccomics.com/talent/joyce-chin>.

DC’s webpage for Joyce Chin is helpful due to its links to various other works done by her.

7)

Levinson, Jerrold. "Erotic Art and Pornographic Pictures." Philosophy and Literature, vol. 29 no. 1, 2005, pp. 228-240. Project MUSE, doi:10.1353/phl.2005.0009

Jerrold Levinson argues that erotica should be distinguished from pornography and erotic art. He also questions the visual value of erotic art, or sexually stimulating art.

8)

Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Film Theory and Criticism : Introductory Readings. Eds. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999: 833-44.

Laura Mulvey’s seminal work immediately came to mind when I perused the covers drawn by Joyce Chin.

9)

Patrick, Kevin. “A Design for Depravity: Horror Comics and the Challenge of Censorship in Australia, 1950–1986.” Script & Print: Bulletin of the Bibliographical Society of Australia and New Zealand, vol. 35, no. 3, 2011, pp. 133–156. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&AuthType=ip,uid&db=mzh&AN=2013701538&site=ehost-live.

Although Kevin Patrick’s piece is primarily concerned with the irony of horror comics censorship in Australia, this piece could still be useful due to its in-depth look at the birth of horror comics in the United States.

10)

Schweitzer, Marlis. “Sex Acts: Reading the History of Female Sexuality through Art and Drama.” American Quarterly, vol. 59, no. 2, 2007, pp. 443–450. JSTOR, JSTOR, www.jstor.org/stable/40068470.

Marlis Schweitzer investigates previous interpretations of expressions of female sexuality in the United States.

11)

Waterhouse-Watson, Deb (ed.and introd.), and Evie (ed.and introd.) Kendal. “Tights and Tiaras: Female Superheroes and Media Cultures [Special Section].” Colloquy: Text Theory Critique, vol. 24, Nov. 2012, pp. 114–252. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&AuthType=ip,uid&db=mzh&AN=2014392559&site=ehost-live.

Deb Waterhouse-Watson and Evie Kendal question sexuality and costuming of female superheroes.

12)

Whale, Robin. "VAMPILORE.co.uk." The Vampirella Art of Joyce Chin. N.p., n.d. Web. 10 Oct. 2018. <http://www.vampilore.co.uk/sandbox/artists/joyce-chin.php>.

Vampilore has a specific page set up for the art of Joyce Chin, who contributed to the comic in the mid 2000s.

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