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Weise's epitaph in Eisenberg, Germany
Weise's epitaph in Eisenberg, Germany

In historical linguistics, Weise's law describes the loss of palatal quality some consonants undergo in specific contexts in the Proto-Indo-European language. In short, when the consonants represented by * *ǵ *ǵʰ, called palatovelar consonants, are followed by *r, they lose their palatal quality, leading to a loss in distinction between them and the plain velar consonants *k *g *. Some exceptions exist, such as when the *r is followed by *i or when the palatal form is restored by analogy with related words. Although this sound change is most prominent in the satem languages, it is believed that the change must have occurred prior to the centum–satem division, based on an earlier sound change which affected the distribution of Proto-Indo-European *u and *r. The law is named after the German linguist Oskar Weise (epitaph pictured), who first postulated it in 1881 as the solution to reconciling cognates in Ancient Greek and Sanskrit. (Full article...)

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Aria from a Peking opera inspired
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Wait for Me, Daddy
Wait for Me, Daddy is a photograph taken by Claude P. Dettloff of the British Columbia newspaper The Province. It depicts a column of Canadian Army soldiers of the British Columbia Regiment (Duke of Connaught's Own) marching in New Westminster on October 1, 1940. In the foreground, five-year-old Warren "Whitey" Bernard runs out of his mother's reach towards his father, Private Jack Bernard. The photograph received extensive exposure worldwide, and was used in Canadian war-bond drives.Photograph credit: Claude P. Dettloff; restored by Yann Forget

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